Roderick Hudson
by Henry James
Hypertext Meanings and Commentaries
from the Encyclopedia of the Self
by Mark Zimmerman

by

HENRY JAMES

CONTENTS
            I. Rowland
           II. Roderick
          III. Rome
           IV. Experience
            V. Christina
           VI. Frascati
          VII. St. Cecilia's
         VIII. Provocation
           IX. Mary Garland
            X. The Cavaliere
           XI. Mrs. Hudson
          XII. The Princess Casamassima
         XIII. Switzerland

CHAPTER I. Rowland

Mallet had made his arrangements to sail for Europe on the first
of September, and having in the interval a fortnight to spare,
he determined to spend it with his cousin Cecilia, the widow
of a nephew of his father. He was urged by the reflection
that an affectionate farewell might help to exonerate him
from the charge of neglect frequently preferred by this lady.
It was not that the young man disliked her; on the contrary,
he regarded her with a tender admiration, and he had not
forgotten how, when his cousin had brought her home on her marriage,
he had seemed to feel the upward sweep of the empty bough from
which the golden fruit had been plucked, and had then and there
accepted the prospect of bachelorhood. The truth was, that, as it
will be part of the entertainment of this narrative to exhibit,
Rowland Mallet had an uncomfortably sensitive conscience, and that,
in spite of the seeming paradox, his visits to Cecilia were rare
because she and her misfortunes were often uppermost in it.
Her misfortunes were three in number: first, she had lost
her husband; second, she had lost her money (or the greater part
of it); and third, she lived at Northampton, Massachusetts.
Mallet's compassion was really wasted, because Cecilia was a very
clever woman, and a most skillful counter-plotter to adversity.
She had made herself a charming home, her economies were not obtrusive,
and there was always a cheerful flutter in the folds of her crape.
It was the consciousness of all this that puzzled Mallet whenever
he felt tempted to put in his oar. He had money and he had time,
but he never could decide just how to place these gifts gracefully
at Cecilia's service. He no longer felt like marrying her:
in these eight years that fancy had died a natural death.
And yet her extreme cleverness seemed somehow to make charity
difficult and patronage impossible. He would rather chop off
his hand than offer her a check, a piece of useful furniture,
or a black silk dress; and yet there was some sadness in seeing
such a bright, proud woman living in such a small, dull way.
Cecilia had, moreover, a turn for sarcasm, and her smile, which was
her pretty feature, was never so pretty as when her sprightly
phrase had a lurking scratch in it. Rowland remembered that,
for him, she was all smiles, and suspected, awkwardly, that he
ministered not a little to her sense of the irony of things.
And in truth, with his means, his leisure, and his opportunities,
what had he done? He had an unaffected suspicion of his uselessness.
Cecilia, meanwhile, cut out her own dresses, and was personally
giving her little girl the education of a princess.

This time, however, he presented himself bravely enough;
for in the way of activity it was something definite, at least,
to be going to Europe and to be meaning to spend the winter in Rome.
Cecilia met him in the early dusk at the gate of her little garden,
amid a studied combination of floral perfumes. A rosy widow
of twenty-eight, half cousin, half hostess, doing the honors
of an odorous cottage on a midsummer evening, was a phenomenon
to which the young man's imagination was able to do ample justice.
Cecilia was always gracious, but this evening she was almost joyous.
She was in a happy mood, and Mallet imagined there was a private
reason for it--a reason quite distinct from her pleasure in receiving
her honored kinsman. The next day he flattered himself he was on
the way to discover it.

For the present, after tea, as they sat on the rose-framed porch,
while Rowland held his younger cousin between his knees, and she,
enjoying her situation, listened timorously for the stroke of bedtime,
Cecilia insisted on talking more about her visitor than about herself.

"What is it you mean to do in Europe?" she asked, lightly, giving a turn
to the frill of her sleeve--just such a turn as seemed to Mallet to bring
out all the latent difficulties of the question.

"Why, very much what I do here," he answered. "No great harm."

"Is it true," Cecilia asked, "that here you do no great harm?
Is not a man like you doing harm when he is not doing positive good?"

"Your compliment is ambiguous," said Rowland.

"No," answered the widow, "you know what I think of you.
You have a particular aptitude for beneficence. You have it in
the first place in your character. You are a benevolent person.
Ask Bessie if you don't hold her more gently and comfortably
than any of her other admirers."

"He holds me more comfortably than Mr. Hudson," Bessie declared, roundly.

Rowland, not knowing Mr. Hudson, could but half appreciate the eulogy,
and Cecilia went on to develop her idea. "Your circumstances,
in the second place, suggest the idea of social usefulness.
You are intelligent, you are well-informed, and your charity,
if one may call it charity, would be discriminating.
You are rich and unoccupied, so that it might be abundant.
Therefore, I say, you are a person to do something on a large scale.
Bestir yourself, dear Rowland, or we may be taught to think
that virtue herself is setting a bad example."

"Heaven forbid," cried Rowland, "that I should set the examples
of virtue! I am quite willing to follow them, however, and if I
don't do something on the grand scale, it is that my genius is
altogether imitative, and that I have not recently encountered
any very striking models of grandeur. Pray, what shall I do?
Found an orphan asylum, or build a dormitory for Harvard College?
I am not rich enough to do either in an ideally handsome way,
and I confess that, yet awhile, I feel too young to strike
my grand coup. I am holding myself ready for inspiration.
I am waiting till something takes my fancy irresistibly.
If inspiration comes at forty, it will be a hundred pities
to have tied up my money-bag at thirty."

"Well, I give you till forty," said Cecilia. "It 's only a word to the wise,
a notification that you are expected not to run your course without having
done something handsome for your fellow-men."

Nine o'clock sounded, and Bessie, with each stroke, courted a
closer embrace. But a single winged word from her mother
overleaped her successive intrenchments. She turned and kissed
her cousin, and deposited an irrepressible tear on his moustache.
Then she went and said her prayers to her mother: it was evident
she was being admirably brought up. Rowland, with the permission
of his hostess, lighted a cigar and puffed it awhile in silence.
Cecilia's interest in his career seemed very agreeable.
That Mallet was without vanity I by no means intend to affirm;
but there had been times when, seeing him accept, hardly less
deferentially, advice even more peremptory than the widow's,
you might have asked yourself what had become of his vanity.
Now, in the sweet-smelling starlight, he felt gently wooed to egotism.
There was a project connected with his going abroad which it was on
his tongue's end to communicate. It had no relation to hospitals
or dormitories, and yet it would have sounded very generous.
But it was not because it would have sounded generous that poor
Mallet at last puffed it away in the fumes of his cigar.
Useful though it might be, it expressed most imperfectly the young
man's own personal conception of usefulness. He was extremely
fond of all the arts, and he had an almost passionate enjoyment
of pictures. He had seen many, and he judged them sagaciously.
It had occurred to him some time before that it would be
the work of a good citizen to go abroad and with all expedition
and secrecy purchase certain valuable specimens of the Dutch
and Italian schools as to which he had received private proposals,
and then present his treasures out of hand to an American city,
not unknown to ; aesthetic fame, in which at that time there
prevailed a good deal of fruitless aspiration toward an art-museum.
He had seen himself in imagination, more than once, in some mouldy
old saloon of a Florentine palace, turning toward the deep embrasure
of the window some scarcely-faded Ghirlandaio or Botticelli,
while a host in reduced circumstances pointed out the lovely drawing
of a hand. But he imparted none of these visions to Cecilia,
and he suddenly swept them away with the declaration that he was
of course an idle, useless creature, and that he would probably
be even more so in Europe than at home. "The only thing is,"
he said, "that there I shall seem to be doing something.
I shall be better entertained, and shall be therefore,
I suppose, in a better humor with life. You may say that
that is just the humor a useless man should keep out of.
He should cultivate discontentment. I did a good many things
when I was in Europe before, but I did not spend a winter in Rome.
Every one assures me that this is a peculiar refinement
of bliss; most people talk about Rome in the same way.
It is evidently only a sort of idealized form of loafing:
a passive life in Rome, thanks to the number and the quality
of one's impressions, takes on a very respectable likeness
to activity. It is still lotus-eating, only you sit down
at table, and the lotuses are served up on rococo china.
It 's all very well, but I have a distinct prevision of this--
that if Roman life does n't do something substantial to make
you happier, it increases tenfold your liability to moral misery.
It seems to me a rash thing for a sensitive soul deliberately
to cultivate its sensibilities by rambling too often among the ruins
of the Palatine, or riding too often in the shadow of the aqueducts.
In such recreations the chords of feeling grow tense,
and after-life, to spare your intellectual nerves, must play
upon them with a touch as dainty as the tread of Mignon when she
danced her egg-dance."

"I should have said, my dear Rowland," said Cecilia, with a laugh,
"that your nerves were tough, that your eggs were hard!"

"That being stupid, you mean, I might be happy? Upon my word I am not.
I am clever enough to want more than I 've got. I am tired of myself,
my own thoughts, my own affairs, my own eternal company.
True happiness, we are told, consists in getting out of one's self;
but the point is not only to get out--you must stay out;
and to stay out you must have some absorbing errand.
Unfortunately, I 've got no errand, and nobody will trust me with one.
I want to care for something, or for some one. And I want to care with
a certain ardor; even, if you can believe it, with a certain passion.
I can't just now feel ardent and passionate about a hospital or a dormitory.
Do you know I sometimes think that I 'm a man of genius, half finished?
The genius has been left out, the faculty of expression is wanting;
but the need for expression remains, and I spend my days groping
for the latch of a closed door."

"What an immense number of words," said Cecilia after a pause,
"to say you want to fall in love! I 've no doubt you have as good
a genius for that as any one, if you would only trust it."

"Of course I 've thought of that, and I assure you I hold
myself ready. But, evidently, I 'm not inflammable.
Is there in Northampton some perfect epitome of the graces?"

"Of the graces?" said Cecilia, raising her eyebrows and suppressing too
distinct a consciousness of being herself a rosy embodiment of several.
"The household virtues are better represented. There are some
excellent girls, and there are two or three very pretty ones.
I will have them here, one by one, to tea, if you like."

"I should particularly like it; especially as I should give you a chance
to see, by the profundity of my attention, that if I am not happy,
it 's not for want of taking pains."

Cecilia was silent a moment; and then, "On the whole,"
she resumed, "I don't think there are any worth asking.
There are none so very pretty, none so very pleasing."

"Are you very sure?" asked the young man, rising and throwing
away his cigar-end.

"Upon my word," cried Cecilia, "one would suppose I wished to keep you
for myself. Of course I am sure! But as the penalty of your insinuations,
I shall invite the plainest and prosiest damsel that can be found,
and leave you alone with her."

Rowland smiled. "Even against her," he said, "I should be sorry
to conclude until I had given her my respectful attention."

This little profession of ideal chivalry (which closed
the conversation) was not quite so fanciful on Mallet's lips
as it would have been on those of many another man; as a rapid
glance at his antecedents may help to make the reader perceive.
His life had been a singular mixture of the rough and the smooth.
He had sprung from a rigid Puritan stock, and had been
brought up to think much more intently of the duties
of this life than of its privileges and pleasures.
His progenitors had submitted in the matter of dogmatic
theology to the relaxing influences of recent years;
but if Rowland's youthful consciousness was not chilled
by the menace of long punishment for brief transgression,
he had at least been made to feel that there ran through all
things a strain of right and of wrong, as different, after all,
in their complexions, as the texture, to the spiritual sense,
of Sundays and week-days. His father was a chip of the primal
Puritan block, a man with an icy smile and a stony frown.
He had always bestowed on his son, on principle, more frowns
than smiles, and if the lad had not been turned to stone himself,
it was because nature had blessed him, inwardly, with a well
of vivifying waters. Mrs. Mallet had been a Miss Rowland,
the daughter of a retired sea-captain, once famous
on the ships that sailed from Salem and Newburyport.
He had brought to port many a cargo which crowned
the edifice of fortunes already almost colossal, but he had
also done a little sagacious trading on his own account,
and he was able to retire, prematurely for so sea-worthy
a maritime organism, upon a pension of his own providing.
He was to be seen for a year on the Salem wharves, smoking the best
tobacco and eying the seaward horizon with an inveteracy
which superficial minds interpreted as a sign of repentance.
At last, one evening, he disappeared beneath it, as he had often
done before; this time, however, not as a commissioned navigator,
but simply as an amateur of an observing turn likely to
prove oppressive to the officer in command of the vessel.
Five months later his place at home knew him again, and made
the acquaintance also of a handsome, blonde young woman,
of redundant contours, speaking a foreign tongue.
The foreign tongue proved, after much conflicting research,
to be the idiom of Amsterdam, and the young woman,
which was stranger still, to be Captain Rowland's wife.
Why he had gone forth so suddenly across the seas to marry her,
what had happened between them before, and whether--though it was
of questionable propriety for a good citizen to espouse a young
person of mysterious origin, who did her hair in fantastically
elaborate plaits, and in whose appearance "figure" enjoyed
such striking predominance--he would not have had a heavy weight
on his conscience if he had remained an irresponsible bachelor;
these questions and many others, bearing with varying
degrees of immediacy on the subject, were much propounded
but scantily answered, and this history need not be charged
with resolving them. Mrs. Rowland, for so handsome a woman,
proved a tranquil neighbor and an excellent housewife.
Her extremely fresh complexion, however, was always suffused
with an air of apathetic homesickness, and she played her part
in American society chiefly by having the little squares
of brick pavement in front of her dwelling scoured and polished
as nearly as possible into the likeness of Dutch tiles.
Rowland Mallet remembered having seen her, as a child--
an immensely stout, white-faced lady, wearing a high cap
of very stiff tulle, speaking English with a formidable accent,
and suffering from dropsy. Captain Rowland was a little
bronzed and wizened man, with eccentric opinions.
He advocated the creation of a public promenade along the sea,
with arbors and little green tables for the consumption of beer,
and a platform, surrounded by Chinese lanterns, for dancing.
He especially desired the town library to be opened on Sundays,
though, as he never entered it on week-days, it was easy to turn
the proposition into ridicule. If, therefore, Mrs. Mallet
was a woman of an exquisite moral tone, it was not that she had
inherited her temper from an ancestry with a turn for casuistry.
Jonas Mallet, at the time of his marriage, was conducting
with silent shrewdness a small, unpromising business.
Both his shrewdness and his silence increased with his years,
and at the close of his life he was an extremely well-dressed,
wellbrushed gentleman, with a frigid gray eye, who said
little to anybody, but of whom everybody said that he had
a very handsome fortune. He was not a sentimental father,
and the roughness I just now spoke of in Rowland's life dated
from his early boyhood. Mr. Mallet, whenever he looked at
his son, felt extreme compunction at having made a fortune.
He remembered that the fruit had not dropped ripe from
the tree into his own mouth, and determined it should
be no fault of his if the boy was corrupted by luxury.
Rowland, therefore, except for a good deal of expensive
instruction in foreign tongues and abstruse sciences,
received the education of a poor man's son. His fare was plain,
his temper familiar with the discipline of patched trousers,
and his habits marked by an exaggerated simplicity which it
really cost a good deal of money to preserve unbroken.
He was kept in the country for months together, in the midst
of servants who had strict injunctions to see that he suffered
no serious harm, but were as strictly forbidden to wait upon him.
As no school could be found conducted on principles
sufficiently rigorous, he was attended at home by a master who set
a high price on the understanding that he was to illustrate
the beauty of abstinence not only by precept but by example.
Rowland passed for a child of ordinary parts, and certainly,
during his younger years, was an excellent imitation of a boy
who had inherited nothing whatever that was to make life easy.
He was passive, pliable, frank, extremely slow at his books,
and inordinately fond of trout-fishing. His hair, a memento
of his Dutch ancestry, was of the fairest shade of yellow,
his complexion absurdly rosy, and his measurement around the waist,
when he was about ten years old, quite alarmingly large.
This, however, was but an episode in his growth; he became
afterwards a fresh-colored, yellow-bearded man, but he was
never accused of anything worse than a tendency to corpulence.
He emerged from childhood a simple, wholesome, round-eyed lad,
with no suspicion that a less roundabout course might have
been taken to make him happy, but with a vague sense that his
young experience was not a fair sample of human freedom,
and that he was to make a great many discoveries.
When he was about fifteen, he achieved a momentous one.
He ascertained that his mother was a saint. She had always
been a very distinct presence in his life, but so ineffably
gentle a one that his sense was fully opened to it only
by the danger of losing her. She had an illness which for
many months was liable at any moment to terminate fatally,
and during her long-arrested convalescence she removed
the mask which she had worn for years by her husband's order.
Rowland spent his days at her side and felt before long
as if he had made a new friend. All his impressions at this
period were commented and interpreted at leisure in the future,
and it was only then that he understood that his mother
had been for fifteen years a perfectly unhappy woman.
Her marriage had been an immitigable error which she had
spent her life in trying to look straight in the face.
She found nothing to oppose to her husband's will of steel
but the appearance of absolute compliance; her spirit sank,
and she lived for a while in a sort of helpless moral torpor.
But at last, as her child emerged from babyhood, she began to feel
a certain charm in patience, to discover the uses of ingenuity,
and to learn that, somehow or other, one can always arrange
one's life. She cultivated from this time forward a little private
plot of sentiment, and it was of this secluded precinct that,
before her death, she gave her son the key. Rowland's allowance
at college was barely sufficient to maintain him decently,
and as soon as he graduated, he was taken into his father's
counting-house, to do small drudgery on a proportionate salary.
For three years he earned his living as regularly as
the obscure functionary in fustian who swept the office.
Mr. Mallet was consistent, but the perfection of his consistency
was known only on his death. He left but a third of his property
to his son, and devoted the remainder to various public institutions
and local charities. Rowland's third was an easy competence,
and he never felt a moment's jealousy of his fellow-pensioners;
but when one of the establishments which had figured most
advantageously in his father's will bethought itself to affirm
the existence of a later instrument, in which it had been
still more handsomely treated, the young man felt a sudden
passionate need to repel the claim by process of law.
There was a lively tussle, but he gained his case;
immediately after which he made, in another quarter,
a donation of the contested sum. He cared nothing for the money,
but he had felt an angry desire to protest against a destiny
which seemed determined to be exclusively salutary.
It seemed to him that he would bear a little spoiling.
And yet he treated himself to a very modest quantity, and submitted
without reserve to the great national discipline which began in 1861.
When the Civil War broke out he immediately obtained a commission,
and did his duty for three long years as a citizen soldier.
His duty was obscure, but he never lost a certain private
satisfaction in remembering that on two or three occasions
it had been performed with something of an ideal precision.
He had disentangled himself from business, and after the war
he felt a profound disinclination to tie the knot again.
He had no desire to make money, he had money enough;
and although he knew, and was frequently reminded, that a young
man is the better for a fixed occupation, he could discover
no moral advantage in driving a lucrative trade. Yet few young
men of means and leisure ever made less of a parade of idleness,
and indeed idleness in any degree could hardly be laid at
the door of a young man who took life in the serious, attentive,
reasoning fashion of our friend. It often seemed to Mallet
that he wholly lacked the prime requisite of a graceful flaneur--
the simple, sensuous, confident relish of pleasure.
He had frequent fits of extreme melancholy, in which he declared
that he was neither fish nor flesh nor good red herring.
He was neither an irresponsibly contemplative nature nor a sturdily
practical one, and he was forever looking in vain for the uses
of the things that please and the charm of the things that sustain.
He was an awkward mixture of strong moral impulse and restless
aesthetic curiosity, and yet he would have made a most ineffective
reformer and a very indifferent artist. It seemed to him
that the glow of happiness must be found either in action,
of some immensely solid kind, on behalf of an idea, or in producing
a masterpiece in one of the arts. Oftenest, perhaps, he wished
he were a vigorous young man of genius, without a penny.
As it was, he could only buy pictures, and not paint them;
and in the way of action, he had to content himself with making
a rule to render scrupulous moral justice to handsome examples
of it in others. On the whole, he had an incorruptible modesty.
With his blooming complexion and his serene gray eye,
he felt the friction of existence more than was suspected;
but he asked no allowance on grounds of temper, he assumed
that fate had treated him inordinately well and that he had no
excuse for taking an ill-natured view of life, and he undertook
constantly to believe that all women were fair, all men
were brave, and the world was a delightful place of sojourn,
until the contrary had been distinctly proved.

Cecilia's blooming garden and shady porch had seemed so friendly to repose
and a cigar, that she reproached him the next morning with indifference to
her little parlor, not less, in its way, a monument to her ingenious taste.
"And by the way," she added as he followed her in, "if I refused last night
to show you a pretty girl, I can at least show you a pretty boy."

She threw open a window and pointed to a statuette which occupied
the place of honor among the ornaments of the room. Rowland looked
at it a moment and then turned to her with an exclamation of surprise.
She gave him a rapid glance, perceived that her statuette was of
altogether exceptional merit, and then smiled, knowingly, as if this
had long been an agreeable certainty.

"Who did it? where did you get it?"  Rowland demanded.

"Oh," said Cecilia, adjusting the light, "it 's a little thing
of Mr. Hudson's."

"And who the deuce is Mr. Hudson?" asked Rowland. But he was absorbed;
he lost her immediate reply. The statuette, in bronze, something less
than two feet high, represented a naked youth drinking from a gourd.
The attitude was perfectly simple. The lad was squarely planted on
his feet, with his legs a little apart; his back was slightly hollowed,
his head thrown back, and both hands raised to support the rustic cup.
There was a loosened fillet of wild flowers about his head,
and his eyes, under their drooped lids, looked straight into the cup.
On the base was scratched the Greek word ;aa;gD;gi;gc;ga, Thirst.
The figure might have been some beautiful youth of ancient fable,--
Hylas or Narcissus, Paris or Endymion. Its beauty was the beauty
of natural movement; nothing had been sought to be represented but
the perfection of an attitude. This had been most attentively studied,
and it was exquisitely rendered. Rowland demanded more light,
dropped his head on this side and that, uttered vague exclamations.
He said to himself, as he had said more than once in the Louvre
and the Vatican, "We ugly mortals, what beautiful creatures we are!"
Nothing, in a long time, had given him so much pleasure.
"Hudson--Hudson," he asked again; "who is Hudson?"

"A young man of this place," said Cecilia.

"A young man? How old?"

"I suppose he is three or four and twenty."

"Of this place, you say--of Northampton, Massachusetts?"

"He lives here, but he comes from Virginia."

"Is he a sculptor by profession?"

"He 's a law-student."

Rowland burst out laughing. "He has found something in Blackstone that I
never did. He makes statues then simply for his pleasure?"

Cecilia, with a smile, gave a little toss of her head. "For mine!"

"I congratulate you," said Rowland. "I wonder whether he could
be induced to do anything for me?"

"This was a matter of friendship. I saw the figure when
he had modeled it in clay, and of course greatly admired it.
He said nothing at the time, but a week ago, on my birthday,
he arrived in a buggy, with this. He had had it cast at the foundry
at Chicopee; I believe it 's a beautiful piece of bronze.
He begged me to accept."

"Upon my word," said Mallet, "he does things handsomely!"
And he fell to admiring the statue again.

"So then," said Cecilia, "it 's very remarkable?"

"Why, my dear cousin," Rowland answered, "Mr. Hudson,
of Virginia, is an extraordinary--" Then suddenly stopping:
"Is he a great friend of yours?" he asked.

"A great friend?" and Cecilia hesitated. "I regard him as a child!"

"Well," said Rowland, "he 's a very clever child.
Tell me something about him: I should like to see him."

Cecilia was obliged to go to her daughter's music-lesson, but she assured
Rowland that she would arrange for him a meeting with the young sculptor.
He was a frequent visitor, and as he had not called for some days it
was likely he would come that evening. Rowland, left alone, examined the
statuette at his leisure, and returned more than once during the day to take
another look at it. He discovered its weak points, but it wore well.
It had the stamp of genius. Rowland envied the happy youth who, in a New
England village, without aid or encouragement, without models or resources,
had found it so easy to produce a lovely work.

In the evening, as he was smoking his cigar on the veranda, a light,
quick step pressed the gravel of the garden path, and in a moment
a young man made his bow to Cecilia. It was rather a nod than a bow,
and indicated either that he was an old friend, or that he was scantily
versed in the usual social forms. Cecilia, who was sitting near the steps,
pointed to a neighboring chair, but the young man seated himself abruptly
on the floor at her feet, began to fan himself vigorously with his hat,
and broke out into a lively objurgation upon the hot weather.
"I 'm dripping wet!" he said, without ceremony.

"You walk too fast," said Cecilia. "You do everything too fast."

"I know it, I know it!" he cried, passing his hand through his
abundant dark hair and making it stand out in a picturesque shock.
"I can't be slow if I try. There 's something inside of me that drives me.
A restless fiend!"

Cecilia gave a light laugh, and Rowland leaned forward in his hammock.
He had placed himself in it at Bessie's request, and was playing
that he was her baby and that she was rocking him to sleep.
She sat beside him, swinging the hammock to and fro, and singing a lullaby.
When he raised himself she pushed him back and said that the baby
must finish its nap. "But I want to see the gentleman with the fiend
inside of him," said Rowland.

"What is a fiend?"  Bessie demanded. "It 's only Mr. Hudson."

"Very well, I want to see him."

"Oh, never mind him!" said Bessie, with the brevity of contempt.

"You speak as if you did n't like him."

"I don't!" Bessie affirmed, and put Rowland to bed again.

The hammock was swung at the end of the veranda, in the thickest
shade of the vines, and this fragment of dialogue had
passed unnoticed. Rowland submitted a while longer to be cradled,
and contented himself with listening to Mr. Hudson's voice.
It was a soft and not altogether masculine organ, and was pitched
on this occasion in a somewhat plaintive and pettish key.
The young man's mood seemed fretful; he complained of the heat,
of the dust, of a shoe that hurt him, of having gone on an errand
a mile to the other side of the town and found the person he was
in search of had left Northampton an hour before.

"Won't you have a cup of tea?"  Cecilia asked. "Perhaps that will
restore your equanimity."

"Aye, by keeping me awake all night!" said Hudson.
"At the best, it 's hard enough to go down to the office.
With my nerves set on edge by a sleepless night, I should
perforce stay at home and be brutal to my poor mother."

"Your mother is well, I hope."

"Oh, she 's as usual."

"And Miss Garland?"

"She 's as usual, too. Every one, everything, is as usual.
Nothing ever happens, in this benighted town."

"I beg your pardon; things do happen, sometimes," said Cecilia.
"Here is a dear cousin of mine arrived on purpose to congratulate
you on your statuette."  And she called to Rowland to come and be
introduced to Mr. Hudson. The young man sprang up with alacrity,
and Rowland, coming forward to shake hands, had a good look
at him in the light projected from the parlor window.
Something seemed to shine out of Hudson's face as a warning
against a "compliment" of the idle, unpondered sort.

"Your statuette seems to me very good," Rowland said gravely.
"It has given me extreme pleasure."

"And my cousin knows what is good," said Cecilia.
"He 's a connoisseur."

Hudson smiled and stared. "A connoisseur?" he cried, laughing. "He 's
the first I 've ever seen! Let me see what they look like;" and he drew
Rowland nearer to the light. "Have they all such good heads as that?
I should like to model yours."

"Pray do," said Cecilia. "It will keep him a while.
He is running off to Europe."

"Ah, to Europe!"  Hudson exclaimed with a melancholy cadence,
as they sat down. "Happy man!"

But the note seemed to Rowland to be struck rather at random,
for he perceived no echo of it in the boyish garrulity
of his later talk. Hudson was a tall, slender young fellow,
with a singularly mobile and intelligent face.
Rowland was struck at first only with its responsive vivacity,
but in a short time he perceived it was remarkably handsome.
The features were admirably chiseled and finished, and a frank
smile played over them as gracefully as a breeze among flowers.
The fault of the young man's whole structure was an excessive
want of breadth. The forehead, though it was high and rounded,
was narrow; the jaw and the shoulders were narrow;
and the result was an air of insufficient physical substance.
But Mallet afterwards learned that this fair, slim youth could draw
indefinitely upon a mysterious fund of nervous force, which outlasted
and outwearied the endurance of many a sturdier temperament.
And certainly there was life enough in his eye to furnish
an immortality! It was a generous dark gray eye, in which
there came and went a sort of kindling glow, which would
have made a ruder visage striking, and which gave at times
to Hudson's harmonious face an altogether extraordinary beauty.
There was to Rowland's sympathetic sense a slightly
pitiful disparity between the young sculptor's delicate
countenance and the shabby gentility of his costume.
He was dressed for a visit--a visit to a pretty woman.
He was clad from head to foot in a white linen suit,
which had never been remarkable for the felicity of its cut,
and had now quite lost that crispness which garments of this
complexion can as ill spare as the back-scene of a theatre
the radiance of the footlights. He wore a vivid blue cravat,
passed through a ring altogether too splendid to be valuable;
he pulled and twisted, as he sat, a pair of yellow kid gloves;
he emphasized his conversation with great dashes and flourishes
of a light, silver-tipped walking-stick, and he kept constantly
taking off and putting on one of those slouched sombreros
which are the traditional property of the Virginian or Carolinian
of romance. When this was on, he was very picturesque,
in spite of his mock elegance; and when it was off,
and he sat nursing it and turning it about and not knowing
what to do with it, he could hardly be said to be awkward.
He evidently had a natural relish for brilliant accessories,
and appropriated what came to his hand. This was visible
in his talk, which abounded in the florid and sonorous.
He liked words with color in them.

Rowland, who was but a moderate talker, sat by in silence,
while Cecilia, who had told him that she desired his
opinion upon her friend, used a good deal of characteristic
finesse in leading the young man to expose himself.
She perfectly succeeded, and Hudson rattled away for an hour
with a volubility in which boyish unconsciousness and manly
shrewdness were singularly combined. He gave his opinion on
twenty topics, he opened up an endless budget of local gossip,
he described his repulsive routine at the office of Messrs.
Striker and Spooner, counselors at law, and he gave with great
felicity and gusto an account of the annual boat-race between
Harvard and Yale, which he had lately witnessed at Worcester.
He had looked at the straining oarsmen and the swaying crowd
with the eye of the sculptor. Rowland was a good deal
amused and not a little interested. Whenever Hudson uttered
some peculiarly striking piece of youthful grandiloquence,
Cecilia broke into a long, light, familiar laugh.

"What are you laughing at?" the young man then demanded.
"Have I said anything so ridiculous?"

"Go on, go on," Cecilia replied. "You are too delicious!
Show Mr. Mallet how Mr. Striker read the Declaration of Independence."

Hudson, like most men with a turn for the plastic arts, was an
excellent mimic, and he represented with a great deal of humor
the accent and attitude of a pompous country lawyer sustaining
the burden of this customary episode of our national festival.
The sonorous twang, the see-saw gestures, the odd pronunciation,
were vividly depicted. But Cecilia's manner, and the young man's
quick response, ruffled a little poor Rowland's paternal conscience.
He wondered whether his cousin was not sacrificing the faculty
of reverence in her clever protege to her need for amusement.
Hudson made no serious rejoinder to Rowland's compliment
on his statuette until he rose to go. Rowland wondered
whether he had forgotten it, and supposed that the oversight
was a sign of the natural self-sufficiency of genius.
But Hudson stood a moment before he said good night,
twirled his sombrero, and hesitated for the first time.
He gave Rowland a clear, penetrating glance, and then,
with a wonderfully frank, appealing smile: "You really meant,"
he asked, "what you said a while ago about that thing of mine?
It is good--essentially good?"

"I really meant it," said Rowland, laying a kindly hand on his shoulder.
"It is very good indeed. It is, as you say, essentially good.
That is the beauty of it."

Hudson's eyes glowed and expanded; he looked at Rowland for some time
in silence. "I have a notion you really know," he said at last.
"But if you don't, it does n't much matter."

"My cousin asked me to-day," said Cecilia, "whether I supposed
you knew yourself how good it is."

Hudson stared, blushing a little. "Perhaps not!" he cried.

"Very likely," said Mallet. "I read in a book the other day that great
talent in action--in fact the book said genius--is a kind of somnambulism.
The artist performs great feats, in a dream. We must not wake him up,
lest he should lose his balance."

"Oh, when he 's back in bed again!"  Hudson answered with a laugh.
"Yes, call it a dream. It was a very happy one!"

"Tell me this," said Rowland. "Did you mean anything
by your young Water-drinker? Does he represent an idea?
Is he a symbol?"

Hudson raised his eyebrows and gently scratched his head.
"Why, he 's youth, you know; he 's innocence, he 's health,
he 's strength, he 's curiosity. Yes, he 's a good many things."

"And is the cup also a symbol?"

"The cup is knowledge, pleasure, experience. Anything of that kind!"

"Well, he 's guzzling in earnest," said Rowland.

Hudson gave a vigorous nod. "Aye, poor fellow, he 's thirsty!"
And on this he cried good night, and bounded down the garden path.

"Well, what do you make of him?" asked Cecilia, returning a short
time afterwards from a visit of investigation as to the sufficiency
of Bessie's bedclothes.

"I confess I like him," said Rowland. "He 's very immature,--
but there 's stuff in him."

"He 's a strange being," said Cecilia, musingly.

"Who are his people? what has been his education?"  Rowland asked.

"He has had no education, beyond what he has picked up,
with little trouble, for himself. His mother is a widow,
of a Massachusetts country family, a little timid, tremulous woman,
who is always on pins and needles about her son. She had some
property herself, and married a Virginian gentleman of good estates.
He turned out, I believe, a very licentious personage, and made
great havoc in their fortune. Everything, or almost everything,
melted away, including Mr. Hudson himself. This is literally true,
for he drank himself to death. Ten years ago his wife was left
a widow, with scanty means and a couple of growing boys.
She paid her husband's debts as best she could, and came
to establish herself here, where by the death of a charitable
relative she had inherited an old-fashioned ruinous house.
Roderick, our friend, was her pride and joy, but Stephen, the elder,
was her comfort and support. I remember him, later; he was
an ugly, sturdy, practical lad, very different from his brother,
and in his way, I imagine, a very fine fellow. When the war broke
out he found that the New England blood ran thicker in his veins
than the Virginian, and immediately obtained a commission.
He fell in some Western battle and left his mother inconsolable.
Roderick, however, has given her plenty to think about,
and she has induced him, by some mysterious art, to abide,
nominally at least, in a profession that he abhors, and for which
he is about as fit, I should say, as I am to drive a locomotive.
He grew up a la grace de Dieu, and was horribly spoiled.
Three or four years ago he graduated at a small college in
this neighborhood, where I am afraid he had given a good deal more
attention to novels and billiards than to mathematics and Greek.
Since then he has been reading law, at the rate of a page a day.
If he is ever admitted to practice I 'm afraid my friendship won't
avail to make me give him my business. Good, bad, or indifferent,
the boy is essentially an artist--an artist to his fingers' ends."

"Why, then," asked Rowland, "does n't he deliberately take up the chisel?"

"For several reasons. In the first place, I don't think he more
than half suspects his talent. The flame is smouldering,
but it is never fanned by the breath of criticism.
He sees nothing, hears nothing, to help him to self-knowledge. He
's hopelessly discontented, but he does n't know where to look
for help. Then his mother, as she one day confessed to me,
has a holy horror of a profession which consists exclusively,
as she supposes, in making figures of people without
their clothes on. Sculpture, to her mind, is an insidious
form of immorality, and for a young man of a passionate
disposition she considers the law a much safer investment.
Her father was a judge, she has two brothers at the bar,
and her elder son had made a very promising beginning in
the same line. She wishes the tradition to be perpetuated.
I 'm pretty sure the law won't make Roderick's fortune,
and I 'm afraid it will, in the long run, spoil his temper."

"What sort of a temper is it?"

"One to be trusted, on the whole. It is quick, but it is generous.
I have known it to breathe flame and fury at ten o'clock in the evening,
and soft, sweet music early on the morrow. It 's a very entertaining
temper to observe. I, fortunately, can do so dispassionately,
for I 'm the only person in the place he has not quarreled with."

"Has he then no society? Who is Miss Garland, whom you asked about?"

"A young girl staying with his mother, a sort of far-away cousin;
a good plain girl, but not a person to delight a sculptor's eye.
Roderick has a goodly share of the old Southern arrogance;
he has the aristocratic temperament. He will have nothing
to do with the small towns-people; he says they 're 'ignoble.'
He cannot endure his mother's friends--the old ladies and
the ministers and the tea-party people; they bore him to death.
So he comes and lounges here and rails at everything and every one."

This graceful young scoffer reappeared a couple of evenings later,
and confirmed the friendly feeling he had provoked on Rowland's part.
He was in an easier mood than before, he chattered less extravagantly,
and asked Rowland a number of rather naif questions about
the condition of the fine arts in New York and Boston.
Cecilia, when he had gone, said that this was the wholesome effect
of Rowland's praise of his statuette. Roderick was acutely sensitive,
and Rowland's tranquil commendation had stilled his restless pulses.
He was ruminating the full-flavored verdict of culture. Rowland felt
an irresistible kindness for him, a mingled sense of his personal
charm and his artistic capacity. He had an indefinable attraction--
the something divine of unspotted, exuberant, confident youth.
The next day was Sunday, and Rowland proposed that they should
take a long walk and that Roderick should show him the country.
The young man assented gleefully, and in the morning,
as Rowland at the garden gate was giving his hostess Godspeed
on her way to church, he came striding along the grassy margin
of the road and out-whistling the music of the church bells.
It was one of those lovely days of August when you feel the complete
exuberance of summer just warned and checked by autumn.
"Remember the day, and take care you rob no orchards," said Cecilia,
as they separated.

The young men walked away at a steady pace, over hill and dale,
through woods and fields, and at last found themselves on a grassy
elevation studded with mossy rocks and red cedars. Just beneath them,
in a great shining curve, flowed the goodly Connecticut.
They flung themselves on the grass and tossed stones into the river;
they talked like old friends. Rowland lit a cigar, and Roderick
refused one with a grimace of extravagant disgust. He thought them
vile things; he did n't see how decent people could tolerate them.
Rowland was amused, and wondered what it was that made this ill-mannered
speech seem perfectly inoffensive on Roderick's lips. He belonged
to the race of mortals, to be pitied or envied according as we view
the matter, who are not held to a strict account for their aggressions.
Looking at him as he lay stretched in the shade, Rowland vaguely
likened him to some beautiful, supple, restless, bright-eyed animal,
whose motions should have no deeper warrant than the tremulous delicacy
of its structure, and be graceful even when they were most inconvenient.
Rowland watched the shadows on Mount Holyoke, listened to
the gurgle of the river, and sniffed the balsam of the pines.
A gentle breeze had begun to tickle their summits, and brought
the smell of the mown grass across from the elm-dotted river meadows.
He sat up beside his companion and looked away at the far-spreading view.
It seemed to him beautiful, and suddenly a strange feeling of prospective
regret took possession of him. Something seemed to tell him that later,
in a foreign land, he would remember it lovingly and penitently.

"It 's a wretched business," he said, "this practical quarrel of ours
with our own country, this everlasting impatience to get out of it.
Is one's only safety then in flight? This is an American day,
an American landscape, an American atmosphere. It certainly has
its merits, and some day when I am shivering with ague in classic Italy,
I shall accuse myself of having slighted them."

Roderick kindled with a sympathetic glow, and declared that America was good
enough for him, and that he had always thought it the duty of an honest
citizen to stand by his own country and help it along. He had evidently
thought nothing whatever about it, and was launching his doctrine on
the inspiration of the moment. The doctrine expanded with the occasion,
and he declared that he was above all an advocate for American art.
He did n't see why we should n't produce the greatest works in the world.
We were the biggest people, and we ought to have the biggest conceptions.
The biggest conceptions of course would bring forth in time the
biggest performances. We had only to be true to ourselves, to pitch
in and not be afraid, to fling Imitation overboard and fix our eyes upon
our National Individuality. "I declare," he cried, "there 's a career
for a man, and I 've twenty minds to decide, on the spot, to embrace it--
to be the consummate, typical, original, national American artist!
It 's inspiring!"

Rowland burst out laughing and told him that he liked his practice
better than his theory, and that a saner impulse than this had
inspired his little Water-drinker. Roderick took no offense,
and three minutes afterwards was talking volubly of some humbler theme,
but half heeded by his companion, who had returned to his cogitations.
At last Rowland delivered himself of the upshot of these.
"How would you like," he suddenly demanded, "to go to Rome?"

Hudson stared, and, with a hungry laugh which speedily consigned our National
Individuality to perdition, responded that he would like it reasonably well.
"And I should like, by the same token," he added, "to go to Athens,
to Constantinople, to Damascus, to the holy city of Benares, where there
is a golden statue of Brahma twenty feet tall."

"Nay," said Rowland soberly, "if you were to go to Rome,
you should settle down and work. Athens might help you,
but for the present I should n't recommend Benares."

"It will be time to arrange details when I pack my trunk," said Hudson.

"If you mean to turn sculptor, the sooner you pack your trunk the better."

"Oh, but I 'm a practical man! What is the smallest sum per annum,
on which one can keep alive the sacred fire in Rome?"

"What is the largest sum at your disposal?"

Roderick stroked his light moustache, gave it a twist, and then
announced with mock pomposity: "Three hundred dollars!"

"The money question could be arranged," said Rowland.
"There are ways of raising money."

"I should like to know a few! I never yet discovered one."

"One consists," said Rowland, "in having a friend with a good deal
more than he wants, and not being too proud to accept a part of it.
"

Roderick stared a moment and his face flushed. "Do you mean--
do you mean?".... he stammered. He was greatly excited.

Rowland got up, blushing a little, and Roderick sprang to his feet.
"In three words, if you are to be a sculptor, you ought to go
to Rome and study the antique. To go to Rome you need money.
I 'm fond of fine statues, but unfortunately I can't make them myself.
I have to order them. I order a dozen from you, to be executed
at your convenience. To help you, I pay you in advance."

Roderick pushed off his hat and wiped his forehead, still gazing
at his companion. "You believe in me!" he cried at last.

"Allow me to explain," said Rowland. "I believe in you,
if you are prepared to work and to wait, and to struggle,
and to exercise a great many virtues. And then, I 'm afraid
to say it, lest I should disturb you more than I should help you.
You must decide for yourself. I simply offer you an opportunity."

Hudson stood for some time, profoundly meditative.
"You have not seen my other things," he said suddenly.
"Come and look at them."

"Now?"

"Yes, we 'll walk home. We 'll settle the question."

He passed his hand through Rowland's arm and they retraced their steps.
They reached the town and made their way along a broad
country street, dusky with the shade of magnificent elms.
Rowland felt his companion's arm trembling in his own.
They stopped at a large white house, flanked with melancholy hemlocks,
and passed through a little front garden, paved with moss-coated
bricks and ornamented with parterres bordered with high box hedges.
The mansion had an air of antiquated dignity, but it had seen
its best days, and evidently sheltered a shrunken household.
Mrs. Hudson, Rowland was sure, might be seen in the garden
of a morning, in a white apron and a pair of old gloves,
engaged in frugal horticulture. Roderick's studio was behind,
in the basement; a large, empty room, with the paper peeling off
the walls. This represented, in the fashion of fifty years ago,
a series of small fantastic landscapes of a hideous pattern,
and the young sculptor had presumably torn it away in great scraps,
in moments of aesthetic exasperation. On a board in a corner
was a heap of clay, and on the floor, against the wall, stood some
dozen medallions, busts, and figures, in various stages of completion.
To exhibit them Roderick had to place them one by one on
the end of a long packing-box, which served as a pedestal.
He did so silently, making no explanations, and looking
at them himself with a strange air of quickened curiosity.
Most of the things were portraits; and the three at which he looked
longest were finished busts. One was a colossal head of a negro,
tossed back, defiant, with distended nostrils; one was the portrait
of a young man whom Rowland immediately perceived, by the resemblance,
to be his deceased brother; the last represented a gentleman with
a pointed nose, a long, shaved upper lip, and a tuft on the end
of his chin. This was a face peculiarly unadapted to sculpture;
but as a piece of modeling it was the best, and it was admirable.
It reminded Rowland in its homely veracity, its artless artfulness,
of the works of the early Italian Renaissance. On the pedestal
was cut the name--Barnaby Striker, Esq. Rowland remembered that this
was the appellation of the legal luminary from whom his companion
had undertaken to borrow a reflected ray, and although in the bust
there was naught flagrantly set down in malice, it betrayed,
comically to one who could relish the secret, that the features
of the original had often been scanned with an irritated eye.
Besides these there were several rough studies of the nude,
and two or three figures of a fanciful kind. The most noticeable
(and it had singular beauty) was a small modeled design for
a sepulchral monument; that, evidently, of Stephen Hudson.
The young soldier lay sleeping eternally, with his hand on his sword,
like an old crusader in a Gothic cathedral.

Rowland made no haste to pronounce; too much depended on his judgment.
"Upon my word," cried Hudson at last, "they seem to me very good."

And in truth, as Rowland looked, he saw they were good.
They were youthful, awkward, and ignorant; the effort,
often, was more apparent than the success. But the effort
was signally powerful and intelligent; it seemed to Rowland
that it needed only to let itself go to compass great things.
Here and there, too, success, when grasped, had something masterly.
Rowland turned to his companion, who stood with his hands in his
pockets and his hair very much crumpled, looking at him askance.
The light of admiration was in Rowland's eyes, and it speedily
kindled a wonderful illumination on Hudson's handsome brow.
Rowland said at last, gravely, "You have only to work!"

"I think I know what that means," Roderick answered.
He turned away, threw himself on a rickety chair, and sat for some
moments with his elbows on his knees and his head in his hands.
"Work--work?" he said at last, looking up, "ah, if I could only begin!"
He glanced round the room a moment and his eye encountered on
the mantel-shelf the vivid physiognomy of Mr. Barnaby Striker.
His smile vanished, and he stared at it with an air of concentrated enmity.
"I want to begin," he cried, "and I can't make a better beginning than this!
Good-by, Mr. Striker!"  He strode across the room, seized a mallet
that lay at hand, and before Rowland could interfere, in the interest
of art if not of morals, dealt a merciless blow upon Mr. Striker's skull.
The bust cracked into a dozen pieces, which toppled with a great crash
upon the floor. Rowland relished neither the destruction of the image
nor his companion's look in working it, but as he was about to express
his displeasure the door opened and gave passage to a young girl.
She came in with a rapid step and startled face, as if she had
been summoned by the noise. Seeing the heap of shattered clay
and the mallet in Roderick's hand, she gave a cry of horror.
Her voice died away when she perceived that Rowland was a stranger,
but she murmured reproachfully, "Why, Roderick, what have you done?"

Roderick gave a joyous kick to the shapeless fragments.
"I 've driven the money-changers out of the temple!" he cried.

The traces retained shape enough to be recognized, and she gave a little
moan of pity. She seemed not to understand the young man's allegory,
but yet to feel that it pointed to some great purpose, which must
be an evil one, from being expressed in such a lawless fashion,
and to perceive that Rowland was in some way accountable for it.
She looked at him with a sharp, frank mistrust, and turned away through
the open door. Rowland looked after her with extraordinary interest.

CHAPTER II. Roderick

Early on the morrow Rowland received a visit from his new friend.
Roderick was in a state of extreme exhilaration, tempered, however, by a
certain amount of righteous wrath. He had had a domestic struggle,
but he had remained master of the situation. He had shaken the dust
of Mr. Striker's office from his feet.

"I had it out last night with my mother," he said.
"I dreaded the scene, for she takes things terribly hard.
She does n't scold nor storm, and she does n't argue nor insist.
She sits with her eyes full of tears that never fall, and looks at me,
when I displease her, as if I were a perfect monster of depravity.
And the trouble is that I was born to displease her.
She does n't trust me; she never has and she never will.
I don't know what I have done to set her against me, but ever
since I can remember I have been looked at with tears.
The trouble is," he went on, giving a twist to his moustache,
"I 've been too absurdly docile. I 've been sprawling all my
days by the maternal fireside, and my dear mother has grown used
to bullying me. I 've made myself cheap! If I 'm not in my bed
by eleven o'clock, the girl is sent out to explore with a lantern.
When I think of it, I fairly despise my amiability. It 's rather
a hard fate, to live like a saint and to pass for a sinner!
I should like for six months to lead Mrs. Hudson the life
some fellows lead their mothers!"

"Allow me to believe," said Rowland, "that you would like nothing of
the sort. If you have been a good boy, don't spoil it by pretending you don't
like it. You have been very happy, I suspect, in spite of your virtues,
and there are worse fates in the world than being loved too well.
I have not had the pleasure of seeing your mother, but I would lay you
a wager that that is the trouble. She is passionately fond of you,
and her hopes, like all intense hopes, keep trembling into fears."
Rowland, as he spoke, had an instinctive vision of how such a beautiful
young fellow must be loved by his female relatives.

Roderick frowned, and with an impatient gesture, "I do her justice,"
he cried. "May she never do me less!"  Then after a moment's
hesitation, "I 'll tell you the perfect truth," he went on.
"I have to fill a double place. I have to be my brother as well
as myself. It 's a good deal to ask of a man, especially when
he has so little talent as I for being what he is not.
When we were both young together I was the curled darling.
I had the silver mug and the biggest piece of pudding,
and I stayed in-doors to be kissed by the ladies while he made
mud-pies in the garden and was never missed, of course.
Really, he was worth fifty of me! When he was brought
home from Vicksburg with a piece of shell in his skull,
my poor mother began to think she had n't loved him enough.
I remember, as she hung round my neck sobbing, before his coffin,
she told me that I must be to her everything that he would have been.
I swore in tears and in perfect good faith that I would, but naturally
I have not kept my promise. I have been utterly different.
I have been idle, restless, egotistical, discontented.
I have done no harm, I believe, but I have done no good.
My brother, if he had lived, would have made fifty
thousand dollars and put gas and water into the house.
My mother, brooding night and day on her bereavement,
has come to fix her ideal in offices of that sort.
Judged by that standard I 'm nowhere!"

Rowland was at loss how to receive this account of his friend's
domestic circumstances; it was plaintive, and yet the manner
seemed to him over-trenchant. "You must lose no time in making
a masterpiece," he answered; "then with the proceeds you can
give her gas from golden burners."

"So I have told her; but she only half believes either in masterpiece
or in proceeds. She can see no good in my making statues;
they seem to her a snare of the enemy. She would fain see me
all my life tethered to the law, like a browsing goat to a stake.
In that way I 'm in sight. 'It 's a more regular occupation!'
that 's all I can get out of her. A more regular damnation!
Is it a fact that artists, in general, are such wicked men?
I never had the pleasure of knowing one, so I could n't
confute her with an example. She had the advantage of me,
because she formerly knew a portrait-painter at Richmond,
who did her miniature in black lace mittens (you may see it on
the parlor table), who used to drink raw brandy and beat his wife.
I promised her that, whatever I might do to my wife, I would never beat
my mother, and that as for brandy, raw or diluted, I detested it.
She sat silently crying for an hour, during which I expended
treasures of eloquence. It 's a good thing to have to reckon
up one's intentions, and I assure you, as I pleaded my cause,
I was most agreeably impressed with the elevated character of my own.
I kissed her solemnly at last, and told her that I had said
everything and that she must make the best of it. This morning she
has dried her eyes, but I warrant you it is n't a cheerful house.
I long to be out of it!"

"I 'm extremely sorry," said Rowland, "to have been the prime
cause of so much suffering. I owe your mother some amends;
will it be possible for me to see her?"

"If you 'll see her, it will smooth matters vastly;
though to tell the truth she 'll need all her courage to face you,
for she considers you an agent of the foul fiend. She does
n't see why you should have come here and set me by the ears:
you are made to ruin ingenuous youths and desolate doting mothers.
I leave it to you, personally, to answer these charges.
You see, what she can't forgive--what she 'll not
really ever forgive--is your taking me off to Rome.
Rome is an evil word, in my mother's vocabulary, to be said
in a whisper, as you 'd say 'damnation.'  Northampton is in
the centre of the earth and Rome far away in outlying dusk,
into which it can do no Christian any good to penetrate.
And there was I but yesterday a doomed habitue of that repository
of every virtue, Mr. Striker's office!"

"And does Mr. Striker know of your decision?" asked Rowland.

"To a certainty! Mr. Striker, you must know, is not
simply a good-natured attorney, who lets me dog's-ear his
law-books. He's a particular friend and general adviser.
He looks after my mother's property and kindly consents
to regard me as part of it. Our opinions have always been
painfully divergent, but I freely forgive him his zealous attempts
to unscrew my head-piece and set it on hind part before.
He never understood me, and it was useless to try to make him.
We speak a different language--we 're made of a different clay.
I had a fit of rage yesterday when I smashed his bust,
at the thought of all the bad blood he had stirred up in me;
it did me good, and it 's all over now. I don't hate him any more;
I 'm rather sorry for him. See how you 've improved me!
I must have seemed to him wilfully, wickedly stupid, and I 'm sure
he only tolerated me on account of his great regard for my mother.
This morning I grasped the bull by the horns. I took an armful
of law-books that have been gathering the dust in my room for
the last year and a half, and presented myself at the office.
'Allow me to put these back in their places,' I said.
'I shall never have need for them more--never more, never more,
never more!'  'So you 've learned everything they contain?'
asked Striker, leering over his spectacles. 'Better late
than never.'  'I 've learned nothing that you can teach me,'
I cried. 'But I shall tax your patience no longer.
I 'm going to be a sculptor. I 'm going to Rome.
I won't bid you good-by just yet; I shall see you again.
But I bid good-by here, with rapture, to these four detested walls--
to this living tomb! I did n't know till now how I hated it!
My compliments to Mr. Spooner, and my thanks for all you
have not made of me!' "

"I 'm glad to know you are to see Mr. Striker again,"
Rowland answered, correcting a primary inclination to smile.
"You certainly owe him a respectful farewell, even if he has
not understood you. I confess you rather puzzle me.
There is another person," he presently added, "whose opinion
as to your new career I should like to know. What does
Miss Garland think?"

Hudson looked at him keenly, with a slight blush.
Then, with a conscious smile, "What makes you suppose she
thinks anything?" he asked.

"Because, though I saw her but for a moment yesterday,
she struck me as a very intelligent person, and I am sure
she has opinions."

The smile on Roderick's mobile face passed rapidly into a frown.
"Oh, she thinks what I think!" he answered.

Before the two young men separated Rowland attempted to give
as harmonious a shape as possible to his companion's scheme.
"I have launched you, as I may say," he said, "and I feel as if I ought
to see you into port. I am older than you and know the world better,
and it seems well that we should voyage a while together.
It 's on my conscience that I ought to take you to Rome, walk you
through the Vatican, and then lock you up with a heap of clay.
I sail on the fifth of September; can you make your preparations
to start with me?"

Roderick assented to all this with an air of candid confidence
in his friend's wisdom that outshone the virtue of pledges.
"I have no preparations to make," he said with a smile,
raising his arms and letting them fall, as if to indicate his
unencumbered condition. "What I am to take with me I carry here!"
and he tapped his forehead.

"Happy man!" murmured Rowland with a sigh, thinking of the light stowage,
in his own organism, in the region indicated by Roderick, and of the heavy
one in deposit at his banker's, of bags and boxes.

When his companion had left him he went in search of Cecilia.
She was sitting at work at a shady window, and welcomed him to a low
chintz-covered chair. He sat some time, thoughtfully snipping tape with
her scissors; he expected criticism and he was preparing a rejoinder.
At last he told her of Roderick's decision and of his own influence in it.
Cecilia, besides an extreme surprise, exhibited a certain fine displeasure
at his not having asked her advice.

"What would you have said, if I had?" he demanded.

"I would have said in the first place, 'Oh for pity's sake don't
carry off the person in all Northampton who amuses me most!'
I would have said in the second place, 'Nonsense! the boy is doing
very well. Let well alone!' "

"That in the first five minutes. What would you have said later?"

"That for a man who is generally averse to meddling, you were
suddenly rather officious."

Rowland's countenance fell. He frowned in silence.
Cecilia looked at him askance; gradually the spark of irritation
faded from her eye.

"Excuse my sharpness," she resumed at last.
"But I am literally in despair at losing Roderick Hudson.
His visits in the evening, for the past year, have kept me alive.
They have given a silver tip to leaden days. I don't say
he is of a more useful metal than other people, but he is
of a different one. Of course, however, that I shall miss him
sadly is not a reason for his not going to seek his fortune.
Men must work and women must weep!"

"Decidedly not!" said Rowland, with a good deal of emphasis.
He had suspected from the first hour of his stay that Cecilia had
treated herself to a private social luxury; he had then discovered
that she found it in Hudson's lounging visits and boyish chatter,
and he had felt himself wondering at last whether, judiciously viewed,
her gain in the matter was not the young man's loss.
It was evident that Cecilia was not judicious, and that her good sense,
habitually rigid under the demands of domestic economy, indulged itself
with a certain agreeable laxity on this particular point.
She liked her young friend just as he was; she humored him, flattered him,
laughed at him, caressed him--did everything but advise him.
It was a flirtation without the benefits of a flirtation.
She was too old to let him fall in love with her, which might
have done him good; and her inclination was to keep him young,
so that the nonsense he talked might never transgress a certain line.
It was quite conceivable that poor Cecilia should relish a pastime;
but if one had philanthropically embraced the idea that something
considerable might be made of Roderick, it was impossible not
to see that her friendship was not what might be called tonic.
So Rowland reflected, in the glow of his new-born sympathy.
There was a later time when he would have been grateful if Hudson's
susceptibility to the relaxing influence of lovely women might
have been limited to such inexpensive tribute as he rendered
the excellent Cecilia.

"I only desire to remind you," she pursued, "that you are likely
to have your hands full."

"I 've thought of that, and I rather like the idea; liking, as I do, the man.
I told you the other day, you know, that I longed to have something on
my hands. When it first occurred to me that I might start our young friend
on the path of glory, I felt as if I had an unimpeachable inspiration.
Then I remembered there were dangers and difficulties, and asked myself
whether I had a right to step in between him and his obscurity.
My sense of his really having the divine flame answered the question.
He is made to do the things that humanity is the happier for!
I can't do such things myself, but when I see a young man of genius
standing helpless and hopeless for want of capital, I feel--and it 's
no affectation of humility, I assure you--as if it would give at least
a reflected usefulness to my own life to offer him his opportunity."

"In the name of humanity, I suppose, I ought to thank you.
But I want, first of all, to be happy myself. You guarantee
us at any rate, I hope, the masterpieces."

"A masterpiece a year," said Rowland smiling, "for the next quarter
of a century."

"It seems to me that we have a right to ask more: to demand
that you guarantee us not only the development of the artist,
but the security of the man."

Rowland became grave again. "His security?"

"His moral, his sentimental security. Here, you see,
it 's perfect. We are all under a tacit compact to preserve it.
Perhaps you believe in the necessary turbulence of genius,
and you intend to enjoin upon your protege the importance
of cultivating his passions."

"On the contrary, I believe that a man of genius owes as much deference
to his passions as any other man, but not a particle more, and I confess I
have a strong conviction that the artist is better for leading a quiet life.
That is what I shall preach to my protege, as you call him, by example
as well as by precept. You evidently believe," he added in a moment,
"that he will lead me a dance."

"Nay, I prophesy nothing. I only think that circumstances,
with our young man, have a great influence; as is proved
by the fact that although he has been fuming and fretting here
for the last five years, he has nevertheless managed to make
the best of it, and found it easy, on the whole, to vegetate.
Transplanted to Rome, I fancy he 'll put forth a denser leafage.
I should like vastly to see the change. You must write me
about it, from stage to stage. I hope with all my heart
that the fruit will be proportionate to the foliage.
Don't think me a bird of ill omen; only remember that you
will be held to a strict account."

"A man should make the most of himself, and be helped if he needs help,"
Rowland answered, after a long pause. "Of course when a body
begins to expand, there comes in the possibility of bursting;
but I nevertheless approve of a certain tension of one's being.
It 's what a man is meant for. And then I believe in the essential
salubrity of genius--true genius."

"Very good," said Cecilia, with an air of resignation which
made Rowland, for the moment, seem to himself culpably eager.
"We 'll drink then to-day at dinner to the health of our friend."

* * *

Having it much at heart to convince Mrs. Hudson of the purity of
his intentions, Rowland waited upon her that evening. He was ushered into
a large parlor, which, by the light of a couple of candles, he perceived
to be very meagrely furnished and very tenderly and sparingly used.
The windows were open to the air of the summer night, and a circle
of three persons was temporarily awed into silence by his appearance.
One of these was Mrs. Hudson, who was sitting at one of the windows,
empty-handed save for the pocket-handkerchief in her lap,
which was held with an air of familiarity with its sadder uses.
Near her, on the sofa, half sitting, half lounging, in the attitude
of a visitor outstaying ceremony, with one long leg flung over the other
and a large foot in a clumsy boot swinging to and fro continually,
was a lean, sandy-haired gentleman whom Rowland recognized as the original
of the portrait of Mr. Barnaby Striker. At the table, near the candles,
busy with a substantial piece of needle-work, sat the young girl
of whom he had had a moment's quickened glimpse in Roderick's studio,
and whom he had learned to be Miss Garland, his companion's kinswoman.
This young lady's limpid, penetrating gaze was the most effective
greeting he received. Mrs. Hudson rose with a soft, vague sound
of distress, and stood looking at him shrinkingly and waveringly,
as if she were sorely tempted to retreat through the open window.
Mr. Striker swung his long leg a trifle defiantly. No one, evidently,
was used to offering hollow welcomes or telling polite fibs.
Rowland introduced himself; he had come, he might say, upon business.

"Yes," said Mrs. Hudson tremulously; "I know--my son has told me.
I suppose it is better I should see you. Perhaps you will take a seat."

With this invitation Rowland prepared to comply, and, turning,
grasped the first chair that offered itself.

"Not that one," said a full, grave voice; whereupon he perceived
that a quantity of sewing-silk had been suspended and entangled
over the back, preparatory to being wound on reels.
He felt the least bit irritated at the curtness of the warning,
coming as it did from a young woman whose countenance he had
mentally pronounced interesting, and with regard to whom
he was conscious of the germ of the inevitable desire to produce
a responsive interest. And then he thought it would break
the ice to say something playfully urbane.

"Oh, you should let me take the chair," he answered, "and have the pleasure
of holding the skeins myself!"

For all reply to this sally he received a stare of
undisguised amazement from Miss Garland, who then looked
across at Mrs. Hudson with a glance which plainly said:
"You see he 's quite the insidious personage we feared."
The elder lady, however, sat with her eyes fixed on the ground
and her two hands tightly clasped. But touching her Rowland
felt much more compassion than resentment; her attitude
was not coldness, it was a kind of dread, almost a terror.
She was a small, eager woman, with a pale, troubled face,
which added to her apparent age. After looking at her for some
minutes Rowland saw that she was still young, and that she must
have been a very girlish bride. She had been a pretty one, too,
though she probably had looked terribly frightened at the altar.
She was very delicately made, and Roderick had come honestly
by his physical slimness and elegance. She wore no cap,
and her flaxen hair, which was of extraordinary fineness,
was smoothed and confined with Puritanic precision.
She was excessively shy, and evidently very humble-minded;
it was singular to see a woman to whom the experience
of life had conveyed so little reassurance as to her own
resources or the chances of things turning out well.
Rowland began immediately to like her, and to feel impatient
to persuade her that there was no harm in him, and that,
twenty to one, her son would make her a well-pleased woman yet.
He foresaw that she would be easy to persuade, and that a benevolent
conversational tone would probably make her pass, fluttering,
from distrust into an oppressive extreme of confidence.
But he had an indefinable sense that the person who was testing
that strong young eyesight of hers in the dim candle-light was less
readily beguiled from her mysterious feminine preconceptions.
Miss Garland, according to Cecilia's judgment, as Rowland remembered,
had not a countenance to inspire a sculptor; but it seemed
to Rowland that her countenance might fairly inspire a man who
was far from being a sculptor. She was not pretty, as the eye
of habit judges prettiness, but when you made the observation
you somehow failed to set it down against her, for you had
already passed from measuring contours to tracing meanings.
In Mary Garland's face there were many possible ones,
and they gave you the more to think about that it was not--
like Roderick Hudson's, for instance--a quick and mobile face,
over which expression flickered like a candle in a wind.
They followed each other slowly, distinctly, gravely, sincerely,
and you might almost have fancied that, as they came and went,
they gave her a sort of pain. She was tall and slender,
and had an air of maidenly strength and decision.
She had a broad forehead and dark eyebrows, a trifle thicker than
those of classic beauties; her gray eye was clear but not brilliant,
and her features were perfectly irregular. Her mouth was large,
fortunately for the principal grace of her physiognomy was
her smile, which displayed itself with magnificent amplitude.
Rowland, indeed, had not yet seen her smile, but something
assured him that her rigid gravity had a radiant counterpart.
She wore a scanty white dress, and had a nameless rustic air
which would have led one to speak of her less as a young lady
than as a young woman. She was evidently a girl of a great
personal force, but she lacked pliancy. She was hemming
a kitchen towel with the aid of a large steel thimble.
She bent her serious eyes at last on her work again, and let
Rowland explain himself.

"I have become suddenly so very intimate with your son,"
he said at last, addressing himself to Mrs. Hudson, "that it
seems just I should make your acquaintance."

"Very just," murmured the poor lady, and after a moment's hesitation was
on the point of adding something more; but Mr. Striker here interposed,
after a prefatory clearance of the throat.

"I should like to take the liberty," he said, "of addressing you
a simple question. For how long a period of time have you been
acquainted with our young friend?"  He continued to kick the air,
but his head was thrown back and his eyes fixed on the opposite wall,
as if in aversion to the spectacle of Rowland's inevitable confusion.

"A very short time, I confess. Hardly three days."

"And yet you call yourself intimate, eh? I have been seeing Mr. Roderick
daily these three years, and yet it was only this morning that I felt
as if I had at last the right to say that I knew him. We had a few moments'
conversation in my office which supplied the missing links in the evidence.
So that now I do venture to say I 'm acquainted with Mr. Roderick!
But wait three years, sir, like me!" and Mr. Striker laughed, with a closed
mouth and a noiseless shake of all his long person.

Mrs. Hudson smiled confusedly, at hazard; Miss Garland kept her eyes on
her stitches. But it seemed to Rowland that the latter colored a little.
"Oh, in three years, of course," he said, "we shall know each other better.
Before many years are over, madam," he pursued, "I expect the world
to know him. I expect him to be a great man!"

Mrs. Hudson looked at first as if this could be but an insidious
device for increasing her distress by the assistance of irony.
Then reassured, little by little, by Rowland's benevolent visage,
she gave him an appealing glance and a timorous "Really?"

But before Rowland could respond, Mr. Striker again intervened.
"Do I fully apprehend your expression?" he asked.
"Our young friend is to become a great man?"

"A great artist, I hope," said Rowland.

"This is a new and interesting view," said Mr. Striker, with an assumption
of judicial calmness. "We have had hopes for Mr. Roderick, but I confess,
if I have rightly understood them, they stopped short of greatness.
We should n't have taken the responsibility of claiming it for him.
What do you say, ladies? We all feel about him here--his mother,
Miss Garland, and myself--as if his merits were rather in the line
of the"--and Mr. Striker waved his hand with a series of fantastic
flourishes in the air--"of the light ornamental!"  Mr. Striker bore
his recalcitrant pupil a grudge, but he was evidently trying both
to be fair and to respect the susceptibilities of his companions.
But he was unversed in the mysterious processes of feminine emotion.
Ten minutes before, there had been a general harmony of sombre views;
but on hearing Roderick's limitations thus distinctly formulated to
a stranger, the two ladies mutely protested. Mrs. Hudson uttered a short,
faint sigh, and Miss Garland raised her eyes toward their advocate
and visited him with a short, cold glance.

"I 'm afraid, Mrs. Hudson," Rowland pursued, evading the discussion of
Roderick's possible greatness, "that you don't at all thank me for stirring
up your son's ambition on a line which leads him so far from home.
I suspect I have made you my enemy."

Mrs. Hudson covered her mouth with her finger-tips and looked
painfully perplexed between the desire to confess the truth
and the fear of being impolite. "My cousin is no one's enemy,"
Miss Garland hereupon declared, gently, but with that same fine
deliberateness with which she had made Rowland relax his grasp
of the chair.

"Does she leave that to you?"  Rowland ventured to ask,
with a smile.

"We are inspired with none but Christian sentiments,"
said Mr. Striker; "Miss Garland perhaps most of all. Miss Garland,"
and Mr. Striker waved his hand again as if to perform an introduction
which had been regrettably omitted, "is the daughter of a minister,
the granddaughter of a minister, the sister of a minister."
Rowland bowed deferentially, and the young girl went on with her sewing,
with nothing, apparently, either of embarrassment or elation
at the promulgation of these facts. Mr. Striker continued:
"Mrs. Hudson, I see, is too deeply agitated to converse with
you freely. She will allow me to address you a few questions.
Would you kindly inform her, as exactly as possible, just what you
propose to do with her son?"

The poor lady fixed her eyes appealingly on Rowland's face
and seemed to say that Mr. Striker had spoken her desire,
though she herself would have expressed it less defiantly.
But Rowland saw in Mr. Striker's many-wrinkled light blue eye,
shrewd at once and good-natured, that he had no intention of defiance,
and that he was simply pompous and conceited and sarcastically
compassionate of any view of things in which Roderick Hudson
was regarded in a serious light.

"Do, my dear madam?" demanded Rowland. "I don't propose to do anything.
He must do for himself. I simply offer him the chance. He 's to study,
to work--hard, I hope."

"Not too hard, please," murmured Mrs. Hudson, pleadingly,
wheeling about from recent visions of dangerous leisure.
"He 's not very strong, and I 'm afraid the climate of Europe
is very relaxing."

"Ah, study?" repeated Mr. Striker. "To what line of study is he to direct
his attention?"  Then suddenly, with an impulse of disinterested curiosity
on his own account, "How do you study sculpture, anyhow?"

"By looking at models and imitating them."

"At models, eh? To what kind of models do you refer?"

"To the antique, in the first place."

"Ah, the antique," repeated Mr. Striker, with a jocose intonation.
"Do you hear, madam? Roderick is going off to Europe to learn
to imitate the antique."

"I suppose it 's all right," said Mrs. Hudson, twisting herself
in a sort of delicate anguish.

"An antique, as I understand it," the lawyer continued,
"is an image of a pagan deity, with considerable dirt
sticking to it, and no arms, no nose, and no clothing.
A precious model, certainly!"

"That 's a very good description of many," said Rowland,
with a laugh.

"Mercy! Truly?" asked Mrs. Hudson, borrowing courage from his urbanity.

"But a sculptor's studies, you intimate, are not confined to the antique,"
Mr. Striker resumed. "After he has been looking three or four years
at the objects I describe"--

"He studies the living model," said Rowland.

"Does it take three or four years?" asked Mrs. Hudson, imploringly.

"That depends upon the artist's aptitude. After twenty years
a real artist is still studying."

"Oh, my poor boy!" moaned Mrs. Hudson, finding the prospect,
under every light, still terrible.

"Now this study of the living model," Mr. Striker pursued.
"Inform Mrs. Hudson about that."

"Oh dear, no!" cried Mrs. Hudson, shrinkingly.

"That too," said Rowland, "is one of the reasons for studying in Rome.
It 's a handsome race, you know, and you find very well-made people."

"I suppose they 're no better made than a good tough Yankee,"
objected Mr. Striker, transposing his interminable legs.
"The same God made us."

"Surely," sighed Mrs. Hudson, but with a questioning glance at her
visitor which showed that she had already begun to concede much
weight to his opinion. Rowland hastened to express his assent
to Mr. Striker's proposition.

Miss Garland looked up, and, after a moment's hesitation:
"Are the Roman women very beautiful?" she asked.

Rowland too, in answering, hesitated; he was looking straight
at the young girl. "On the whole, I prefer ours," he said.

She had dropped her work in her lap; her hands were crossed
upon it, her head thrown a little back. She had evidently
expected a more impersonal answer, and she was dissatisfied.
For an instant she seemed inclined to make a rejoinder,
but she slowly picked up her work in silence and drew
her stitches again.

Rowland had for the second time the feeling that she judged him
to be a person of a disagreeably sophisticated tone. He noticed
too that the kitchen towel she was hemming was terribly coarse.
And yet his answer had a resonant inward echo, and he repeated
to himself, "Yes, on the whole, I prefer ours."

"Well, these models," began Mr. Striker. "You put them into
an attitude, I suppose."

"An attitude, exactly."

"And then you sit down and look at them."

"You must not sit too long. You must go at your clay and try
to build up something that looks like them."

"Well, there you are with your model in an attitude on
one side, yourself, in an attitude too, I suppose, on the other,
and your pile of clay in the middle, building up, as you say.
So you pass the morning. After that I hope you go out and take
a walk, and rest from your exertions."

"Unquestionably. But to a sculptor who loves his work there is no time lost.
Everything he looks at teaches or suggests something."

"That 's a tempting doctrine to young men with a taste for sitting
by the hour with the page unturned, watching the flies buzz,
or the frost melt on the window-pane. Our young friend, in this way,
must have laid up stores of information which I never suspected!"

"Very likely," said Rowland, with an unresentful smile, "he will prove
some day the completer artist for some of those lazy reveries."

This theory was apparently very grateful to Mrs. Hudson, who had
never had the case put for her son with such ingenious hopefulness,
and found herself disrelishing the singular situation of seeming
to side against her own flesh and blood with a lawyer whose
conversational tone betrayed the habit of cross-questioning.

"My son, then," she ventured to ask, "my son has great--
what you would call great powers?"

"To my sense, very great powers."

Poor Mrs. Hudson actually smiled, broadly, gleefully, and glanced
at Miss Garland, as if to invite her to do likewise.
But the young girl's face remained serious, like the eastern
sky when the opposite sunset is too feeble to make it glow.
"Do you really know?" she asked, looking at Rowland.

"One cannot know in such a matter save after proof, and proof takes time.
But one can believe."

"And you believe?"

"I believe."

But even then Miss Garland vouchsafed no smile.
Her face became graver than ever.

"Well, well," said Mrs. Hudson, "we must hope that it is all for the best."

Mr. Striker eyed his old friend for a moment with a look of
some displeasure; he saw that this was but a cunning feminine
imitation of resignation, and that, through some untraceable process
of transition, she was now taking more comfort in the opinions
of this insinuating stranger than in his own tough dogmas.
He rose to his feet, without pulling down his waistcoat,
but with a wrinkled grin at the inconsistency of women.
"Well, sir, Mr. Roderick's powers are nothing to me," he said,
"nor no use he makes of them. Good or bad, he 's no son of mine.
But, in a friendly way, I 'm glad to hear so fine an account of him.
I 'm glad, madam, you 're so satisfied with the prospect.
Affection, sir, you see, must have its guarantees!"
He paused a moment, stroking his beard, with his head
inclined and one eye half-closed, looking at Rowland.
The look was grotesque, but it was significant, and it
puzzled Rowland more than it amused him. "I suppose you 're
a very brilliant young man," he went on, "very enlightened,
very cultivated, quite up to the mark in the fine arts
and all that sort of thing. I 'm a plain, practical old boy,
content to follow an honorable profession in a free country.
I did n't go off to the Old World to learn my business;
no one took me by the hand; I had to grease my wheels myself,
and, such as I am, I 'm a self-made man, every inch of me!
Well, if our young friend is booked for fame and fortune,
I don't suppose his going to Rome will stop him.
But, mind you, it won't help him such a long way, either.
If you have undertaken to put him through, there 's a thing
or two you 'd better remember. The crop we gather depends upon
the seed we sow. He may be the biggest genius of the age:
his potatoes won't come up without his hoeing them.
If he takes things so almighty easy as--well, as one or two
young fellows of genius I 've had under my eye--his produce
will never gain the prize. Take the word for it of a man who has
made his way inch by inch, and does n't believe that we 'll
wake up to find our work done because we 've lain all night
a-dreaming of it; anything worth doing is devilish hard to do!
If your young protajay finds things easy and has a good time
and says he likes the life, it 's a sign that--as I may say--
you had better step round to the office and look at the books.
That 's all I desire to remark. No offense intended.
I hope you 'll have a first-rate time."

Rowland could honestly reply that this seemed pregnant sense,
and he offered Mr. Striker a friendly hand-shake as the latter withdrew.
But Mr. Striker's rather grim view of matters cast a momentary shadow
on his companions, and Mrs. Hudson seemed to feel that it necessitated
between them some little friendly agreement not to be overawed.

Rowland sat for some time longer, partly because he wished to please
the two women and partly because he was strangely pleased himself.
There was something touching in their unworldly fears and diffident hopes,
something almost terrible in the way poor little Mrs. Hudson
seemed to flutter and quiver with intense maternal passion.
She put forth one timid conversational venture after another,
and asked Rowland a number of questions about himself, his age,
his family, his occupations, his tastes, his religious opinions.
Rowland had an odd feeling at last that she had begun to consider him
very exemplary, and that she might make, later, some perturbing discovery.
He tried, therefore, to invent something that would prepare
her to find him fallible. But he could think of nothing.
It only seemed to him that Miss Garland secretly mistrusted him,
and that he must leave her to render him the service, after he
had gone, of making him the object of a little firm derogation.
Mrs. Hudson talked with low-voiced eagerness about her son.

"He 's very lovable, sir, I assure you. When you come to know him
you 'll find him very lovable. He 's a little spoiled, of course;
he has always done with me as he pleased; but he 's a good boy,
I 'm sure he 's a good boy. And every one thinks him very attractive:
I 'm sure he 'd be noticed, anywhere. Don't you think
he 's very handsome, sir? He features his poor father.
I had another--perhaps you 've been told. He was killed."
And the poor little lady bravely smiled, for fear of doing worse.
"He was a very fine boy, but very different from Roderick.
Roderick is a little strange; he has never been an easy boy.
Sometimes I feel like the goose--was n't it a goose, dear?"
and startled by the audacity of her comparison she appealed to Miss
Garland--"the goose, or the hen, who hatched a swan's egg.
I have never been able to give him what he needs. I have always
thought that in more--in more brilliant circumstances he might
find his place and be happy. But at the same time I was afraid
of the world for him; it was so large and dangerous and dreadful.
No doubt I know very little about it. I never suspected, I confess,
that it contained persons of such liberality as yours."

Rowland replied that, evidently, she had done the world but scanty justice.
"No," objected Miss Garland, after a pause, "it is like something
in a fairy tale."

"What, pray?"

"Your coming here all unknown, so rich and so polite, and carrying
off my cousin in a golden cloud."

If this was badinage Miss Garland had the best of it, for Rowland almost
fell a-musing silently over the question whether there was a possibility
of irony in that transparent gaze. Before he withdrew, Mrs. Hudson
made him tell her again that Roderick's powers were extraordinary.
He had inspired her with a clinging, caressing faith in his wisdom.
"He will really do great things," she asked, "the very greatest?"

"I see no reason in his talent itself why he should not."

"Well, we 'll think of that as we sit here alone," she rejoined.
"Mary and I will sit here and talk about it. So I give him up,"
she went on, as he was going. "I 'm sure you 'll be the best
of friends to him, but if you should ever forget him, or grow
tired of him, or lose your interest in him, and he should come
to any harm or any trouble, please, sir, remember"--And she paused,
with a tremulous voice.

"Remember, my dear madam?"

"That he is all I have--that he is everything--and that it would
be very terrible."

"In so far as I can help him, he shall succeed," was all Rowland could say.
He turned to Miss Garland, to bid her good night, and she rose and put
out her hand. She was very straightforward, but he could see that if
she was too modest to be bold, she was much too simple to be shy.
"Have you no charge to lay upon me?" he asked--to ask her something.

She looked at him a moment and then, although she was not shy, she blushed.
"Make him do his best," she said.

Rowland noted the soft intensity with which the words were uttered.
"Do you take a great interest in him?" he demanded.

"Certainly."

"Then, if he will not do his best for you, he will not do it for me."
She turned away with another blush, and Rowland took his leave.

He walked homeward, thinking of many things. The great Northampton
elms interarched far above in the darkness, but the moon had
risen and through scattered apertures was hanging the dusky
vault with silver lamps. There seemed to Rowland something
intensely serious in the scene in which he had just taken part.
He had laughed and talked and braved it out in self-defense;
but when he reflected that he was really meddling with
the simple stillness of this little New England home,
and that he had ventured to disturb so much living security
in the interest of a far-away, fantastic hypothesis, he paused,
amazed at his temerity. It was true, as Cecilia had said,
that for an unofficious man it was a singular position.
There stirred in his mind an odd feeling of annoyance with
Roderick for having thus peremptorily enlisted his sympathies.
As he looked up and down the long vista, and saw the clear
white houses glancing here and there in the broken moonshine,
he could almost have believed that the happiest lot for any man
was to make the most of life in some such tranquil spot as that.
Here were kindness, comfort, safety, the warning voice of duty,
the perfect hush of temptation. And as Rowland looked along
the arch of silvered shadow and out into the lucid air of the
American night, which seemed so doubly vast, somehow, and strange
and nocturnal, he felt like declaring that here was beauty too--
beauty sufficient for an artist not to starve upon it.
As he stood, lost in the darkness, he presently heard a rapid tread
on the other side of the road, accompanied by a loud, jubilant whistle,
and in a moment a figure emerged into an open gap of moonshine.
He had no difficulty in recognizing Hudson, who was presumably
returning from a visit to Cecilia. Roderick stopped suddenly
and stared up at the moon, with his face vividly illumined.
He broke out into a snatch of song:--

"The splendor falls on castle walls

And snowy summits old in story!"

And with a great, musical roll of his voice he went swinging off
into the darkness again, as if his thoughts had lent him wings.
He was dreaming of the inspiration of foreign lands,--of castled crags
and historic landscapes. What a pity, after all, thought Rowland,
as he went his own way, that he should n't have a taste of it!

It had been a very just remark of Cecilia's that Roderick would change
with a change in his circumstances. Rowland had telegraphed to New York
for another berth on his steamer, and from the hour the answer came Hudson's
spirits rose to incalculable heights. He was radiant with good-humor,
and his kindly jollity seemed the pledge of a brilliant future.
He had forgiven his old enemies and forgotten his old grievances,
and seemed every way reconciled to a world in which he was going to count
as an active force. He was inexhaustibly loquacious and fantastic,
and as Cecilia said, he had suddenly become so good that it was only
to be feared he was going to start not for Europe but for heaven.
He took long walks with Rowland, who felt more and more the fascination
of what he would have called his giftedness. Rowland returned several
times to Mrs. Hudson's, and found the two ladies doing their best
to be happy in their companion's happiness. Miss Garland, he thought,
was succeeding better than her demeanor on his first visit had promised.
He tried to have some especial talk with her, but her extreme reserve
forced him to content himself with such response to his rather urgent
overtures as might be extracted from a keenly attentive smile.
It must be confessed, however, that if the response was vague,
the satisfaction was great, and that Rowland, after his second visit,
kept seeing a lurking reflection of this smile in the most unexpected places.
It seemed strange that she should please him so well at so slender
a cost, but please him she did, prodigiously, and his pleasure
had a quality altogether new to him. It made him restless, and a
trifle melancholy; he walked about absently, wondering and wishing.
He wondered, among other things, why fate should have condemned him
to make the acquaintance of a girl whom he would make a sacrifice
to know better, just as he was leaving the country for years.
It seemed to him that he was turning his back on a chance of happiness--
happiness of a sort of which the slenderest germ should be cultivated.
He asked himself whether, feeling as he did, if he had only himself
to please, he would give up his journey and--wait. He had Roderick
to please now, for whom disappointment would be cruel; but he said
to himself that certainly, if there were no Roderick in the case,
the ship should sail without him. He asked Hudson several questions
about his cousin, but Roderick, confidential on most points,
seemed to have reasons of his own for being reticent on this one.
His measured answers quickened Rowland's curiosity, for Miss Garland,
with her own irritating half-suggestions, had only to be a subject
of guarded allusion in others to become intolerably interesting.
He learned from Roderick that she was the daughter of a country minister,
a far-away cousin of his mother, settled in another part of the State;
that she was one of a half-a-dozen daughters, that the family was
very poor, and that she had come a couple of months before to pay
his mother a long visit. "It is to be a very long one now," he said,
"for it is settled that she is to remain while I am away."

The fermentation of contentment in Roderick's soul reached its climax
a few days before the young men were to make their farewells.
He had been sitting with his friends on Cecilia's veranda,
but for half an hour past he had said nothing. Lounging back against
a vine-wreathed column and gazing idly at the stars, he kept caroling
softly to himself with that indifference to ceremony for which he always
found allowance, and which in him had a sort of pleading grace.
At last, springing up: "I want to strike out, hard!" he exclaimed.
"I want to do something violent, to let off steam!"

"I 'll tell you what to do, this lovely weather," said Cecilia.
"Give a picnic. It can be as violent as you please, and it will
have the merit of leading off our emotion into a safe channel,
as well as yours."

Roderick laughed uproariously at Cecilia's very practical
remedy for his sentimental need, but a couple of days later,
nevertheless, the picnic was given. It was to be a family party,
but Roderick, in his magnanimous geniality, insisted on inviting
Mr. Striker, a decision which Rowland mentally applauded.
"And we 'll have Mrs. Striker, too," he said, "if she 'll come,
to keep my mother in countenance; and at any rate we 'll have
Miss Striker--the divine Petronilla!"  The young lady thus
denominated formed, with Mrs. Hudson, Miss Garland, and Cecilia,
the feminine half of the company. Mr. Striker presented himself,
sacrificing a morning's work, with a magnanimity greater
even than Roderick's, and foreign support was further secured
in the person of Mr. Whitefoot, the young Orthodox minister.
Roderick had chosen the feasting-place; he knew it well and had
passed many a summer afternoon there, lying at his length on
the grass and gazing at the blue undulations of the horizon.
It was a meadow on the edge of a wood, with mossy rocks protruding
through the grass and a little lake on the other side.
It was a cloudless August day; Rowland always remembered it,
and the scene, and everything that was said and done,
with extraordinary distinctness. Roderick surpassed himself
in friendly jollity, and at one moment, when exhilaration
was at the highest, was seen in Mr. Striker's high white hat,
drinking champagne from a broken tea-cup to Mr. Striker's health.
Miss Striker had her father's pale blue eye; she was dressed as if
she were going to sit for her photograph, and remained for a long
time with Roderick on a little promontory overhanging the lake.
Mrs. Hudson sat all day with a little meek, apprehensive smile.
She was afraid of an "accident," though unless Miss Striker
(who indeed was a little of a romp) should push Roderick
into the lake, it was hard to see what accident could occur.
Mrs. Hudson was as neat and crisp and uncrumpled at the end
of the festival as at the beginning. Mr. Whitefoot,
who but a twelvemonth later became a convert to episcopacy
and was already cultivating a certain conversational sonority,
devoted himself to Cecilia. He had a little book in his pocket,
out of which he read to her at intervals, lying stretched at her feet,
and it was a lasting joke with Cecilia, afterwards, that she
would never tell what Mr. Whitefoot's little book had been.
Rowland had placed himself near Miss Garland, while the feasting
went forward on the grass. She wore a so-called gypsy hat--
a little straw hat, tied down over her ears, so as to cast
her eyes into shadow, by a ribbon passing outside of it.
When the company dispersed, after lunch, he proposed to her
to take a stroll in the wood. She hesitated a moment and looked
toward Mrs. Hudson, as if for permission to leave her.
But Mrs. Hudson was listening to Mr. Striker, who sat gossiping
to her with relaxed magniloquence, his waistcoat unbuttoned
and his hat on his nose.

"You can give your cousin your society at any time," said Rowland.
"But me, perhaps, you 'll never see again."

"Why then should we wish to be friends, if nothing is to come of it?"
she asked, with homely logic. But by this time she had consented,
and they were treading the fallen pine-needles.

"Oh, one must take all one can get," said Rowland.
"If we can be friends for half an hour, it 's so much gained."

"Do you expect never to come back to Northampton again?"

" 'Never' is a good deal to say. But I go to Europe for a long stay."

"Do you prefer it so much to your own country?"

"I will not say that. But I have the misfortune to be a rather idle man,
and in Europe the burden of idleness is less heavy than here."

She was silent for a few minutes; then at last,
"In that, then, we are better than Europe," she said.
To a certain point Rowland agreed with her, but he demurred,
to make her say more.

"Would n't it be better," she asked, "to work to get reconciled to America,
than to go to Europe to get reconciled to idleness?"

"Doubtless; but you know work is hard to find."

"I come from a little place where every one has plenty,"
said Miss Garland. "We all work; every one I know works.
And really," she added presently, "I look at you with curiosity;
you are the first unoccupied man I ever saw."

"Don't look at me too hard," said Rowland, smiling. "I shall sink
into the earth. What is the name of your little place?"

"West Nazareth," said Miss Garland, with her usual sobriety.
"It is not so very little, though it 's smaller than Northampton."

"I wonder whether I could find any work at West Nazareth," Rowland said.

"You would not like it," Miss Garland declared reflectively.
"Though there are far finer woods there than this.
We have miles and miles of woods."

"I might chop down trees," said Rowland. "That is, if you allow it."

"Allow it? Why, where should we get our firewood?"
Then, noticing that he had spoken jestingly, she glanced at
him askance, though with no visible diminution of her gravity.
"Don't you know how to do anything? Have you no profession?"

Rowland shook his head. "Absolutely none."

"What do you do all day?"

"Nothing worth relating. That 's why I am going to Europe.
There, at least, if I do nothing, I shall see a great deal;
and if I 'm not a producer, I shall at any rate be an observer."

"Can't we observe everywhere?"

"Certainly; and I really think that in that way I make the most of
my opportunities. Though I confess," he continued, "that I often remember
there are things to be seen here to which I probably have n't done justice.
I should like, for instance, to see West Nazareth."

She looked round at him, open-eyed; not, apparently, that she
exactly supposed he was jesting, for the expression
of such a desire was not necessarily facetious;
but as if he must have spoken with an ulterior motive.
In fact, he had spoken from the simplest of motives.
The girl beside him pleased him unspeakably, and, suspecting that
her charm was essentially her own and not reflected from
social circumstance, he wished to give himself the satisfaction
of contrasting her with the meagre influences of her education.
Miss Garland's second movement was to take him at his word.
"Since you are free to do as you please, why don't you go there?"

"I am not free to do as I please now. I have offered your cousin
to bear him company to Europe, he has accepted with enthusiasm,
and I cannot retract."

"Are you going to Europe simply for his sake?"

Rowland hesitated a moment. "I think I may almost say so."

Miss Garland walked along in silence. "Do you mean to do a great deal
for him?" she asked at last.

"What I can. But my power of helping him is very small beside
his power of helping himself."

For a moment she was silent again. "You are very generous,"
she said, almost solemnly.

"No, I am simply very shrewd. Roderick will repay me.
It 's an investment. At first, I think," he added shortly
afterwards, "you would not have paid me that compliment.
You distrusted me."

She made no attempt to deny it. "I did n't see why you should wish to make
Roderick discontented. I thought you were rather frivolous."

"You did me injustice. I don't think I 'm that."

"It was because you are unlike other men--those, at least,
whom I have seen."

"In what way?"

"Why, as you describe yourself. You have no duties, no profession, no home.
You live for your pleasure."

"That 's all very true. And yet I maintain I 'm not frivolous."

"I hope not," said Miss Garland, simply. They had reached a point
where the wood-path forked and put forth two divergent tracks
which lost themselves in a verdurous tangle. Miss Garland seemed
to think that the difficulty of choice between them was a reason
for giving them up and turning back. Rowland thought otherwise,
and detected agreeable grounds for preference in the left-hand path.
As a compromise, they sat down on a fallen log. Looking about him,
Rowland espied a curious wild shrub, with a spotted crimson leaf;
he went and plucked a spray of it and brought it to Miss Garland.
He had never observed it before, but she immediately called it
by its name. She expressed surprise at his not knowing it;
it was extremely common. He presently brought her a specimen
of another delicate plant, with a little blue-streaked flower.
"I suppose that 's common, too," he said, "but I have never seen it--
or noticed it, at least."  She answered that this one was rare,
and meditated a moment before she could remember its name.
At last she recalled it, and expressed surprise at his having found
the plant in the woods; she supposed it grew only in open marshes.
Rowland complimented her on her fund of useful information.

"It 's not especially useful," she answered; "but I like to
know the names of plants as I do those of my acquaintances.
When we walk in the woods at home--which we do so much--
it seems as unnatural not to know what to call the flowers
as it would be to see some one in the town with whom we were
not on speaking terms."

"Apropos of frivolity," Rowland said, "I 'm sure you have very little of it,
unless at West Nazareth it is considered frivolous to walk in the woods
and nod to the nodding flowers. Do kindly tell me a little about yourself."
And to compel her to begin, "I know you come of a race of theologians,"
he went on.

"No," she replied, deliberating; "they are not theologians, though they
are ministers. We don't take a very firm stand upon doctrine;
we are practical, rather. We write sermons and preach them,
but we do a great deal of hard work beside."

"And of this hard work what has your share been?"

"The hardest part: doing nothing."

"What do you call nothing?"

"I taught school a while: I must make the most of that.
But I confess I did n't like it. Otherwise, I have only done
little things at home, as they turned up."

"What kind of things?"

"Oh, every kind. If you had seen my home, you would understand."

Rowland would have liked to make her specify; but he felt a more
urgent need to respect her simplicity than he had ever felt to defer
to the complex circumstance of certain other women. "To be happy,
I imagine," he contented himself with saying, "you need to be occupied.
You need to have something to expend yourself upon."

"That is not so true as it once was; now that I am older, I am sure
I am less impatient of leisure. Certainly, these two months that I
have been with Mrs. Hudson, I have had a terrible amount of it.
And yet I have liked it! And now that I am probably to be with her
all the while that her son is away, I look forward to more with a
resignation that I don't quite know what to make of."

"It is settled, then, that you are to remain with your cousin?"

"It depends upon their writing from home that I may stay.
But that is probable. Only I must not forget," she said, rising,
"that the ground for my doing so is that she be not left alone."

"I am glad to know," said Rowland, "that I shall probably often
hear about you. I assure you I shall often think about you!"
These words were half impulsive, half deliberate.
They were the simple truth, and he had asked himself why he should
not tell her the truth. And yet they were not all of it;
her hearing the rest would depend upon the way she received this.
She received it not only, as Rowland foresaw, without a shadow
of coquetry, of any apparent thought of listening to it gracefully,
but with a slight movement of nervous deprecation,
which seemed to betray itself in the quickening of her step.
Evidently, if Rowland was to take pleasure in hearing about her,
it would have to be a highly disinterested pleasure.
She answered nothing, and Rowland too, as he walked beside her,
was silent; but as he looked along the shadow-woven wood-path, what
he was really facing was a level three years of disinterestedness.
He ushered them in by talking composed civility until he had
brought Miss Garland back to her companions.

He saw her but once again. He was obliged to be in New York a couple
of days before sailing, and it was arranged that Roderick should
overtake him at the last moment. The evening before he left Northampton
he went to say farewell to Mrs. Hudson. The ceremony was brief.
Rowland soon perceived that the poor little lady was in the melting
mood, and, as he dreaded her tears, he compressed a multitude
of solemn promises into a silent hand-shake and took his leave.
Miss Garland, she had told him, was in the back-garden with Roderick:
he might go out to them. He did so, and as he drew near he heard
Roderick's high-pitched voice ringing behind the shrubbery.
In a moment, emerging, he found Miss Garland leaning against
a tree, with her cousin before her talking with great emphasis.
He asked pardon for interrupting them, and said he wished only to bid
her good-by. She gave him her hand and he made her his bow in silence.
"Don't forget," he said to Roderick, as he turned away.
"And don't, in this company, repent of your bargain."

"I shall not let him," said Miss Garland, with something very
like gayety. "I shall see that he is punctual. He must go!
I owe you an apology for having doubted that he ought to."
And in spite of the dusk Rowland could see that she had an even
finer smile than he had supposed.

Roderick was punctual, eagerly punctual, and they went.
Rowland for several days was occupied with material cares,
and lost sight of his sentimental perplexities.
But they only slumbered, and they were sharply awakened.
The weather was fine, and the two young men always sat together
upon deck late into the evening. One night, toward the last,
they were at the stern of the great ship, watching her grind
the solid blackness of the ocean into phosphorescent foam.
They talked on these occasions of everything conceivable,
and had the air of having no secrets from each other.
But it was on Roderick's conscience that this air belied him,
and he was too frank by nature, moreover, for permanent
reticence on any point.

"I must tell you something," he said at last. "I should like you to know it,
and you will be so glad to know it. Besides, it 's only a question
of time; three months hence, probably, you would have guessed it.
I am engaged to Mary Garland."

Rowland sat staring; though the sea was calm, it seemed to him
that the ship gave a great dizzying lurch. But in a moment
he contrived to answer coherently: "Engaged to Miss Garland!
I never supposed--I never imagined"--

"That I was in love with her?"  Roderick interrupted.
"Neither did I, until this last fortnight. But you came and put
me into such ridiculous good-humor that I felt an extraordinary
desire to tell some woman that I adored her. Miss Garland is
a magnificent girl; you know her too little to do her justice.
I have been quietly learning to know her, these past three months,
and have been falling in love with her without being conscious of it.
It appeared, when I spoke to her, that she had a kindness for me.
So the thing was settled. I must of course make some money
before we can marry. It 's rather droll, certainly, to engage
one's self to a girl whom one is going to leave the next day,
for years. We shall be condemned, for some time to come,
to do a terrible deal of abstract thinking about each other.
But I wanted her blessing on my career and I could not help
asking for it. Unless a man is unnaturally selfish he needs
to work for some one else than himself, and I am sure I shall
run a smoother and swifter course for knowing that that fine
creature is waiting, at Northampton, for news of my greatness.
If ever I am a dull companion and over-addicted to moping,
remember in justice to me that I am in love and that my sweetheart
is five thousand miles away."

Rowland listened to all this with a sort of feeling
that fortune had played him an elaborately-devised trick.
It had lured him out into mid-ocean and smoothed the sea and
stilled the winds and given him a singularly sympathetic comrade,
and then it had turned and delivered him a thumping blow
in mid-chest. "Yes," he said, after an attempt at the usual
formal congratulation, "you certainly ought to do better--
with Miss Garland waiting for you at Northampton."

Roderick, now that he had broken ground, was eloquent and rung
a hundred changes on the assurance that he was a very happy man.
Then at last, suddenly, his climax was a yawn, and he declared that
he must go to bed. Rowland let him go alone, and sat there late,
between sea and sky.

CHAPTER III. Rome

One warm, still day, late in the Roman autumn, our two young men were
sitting beneath one of the high-stemmed pines of the Villa Ludovisi.
They had been spending an hour in the mouldy little garden-house, where
the colossal mask of the famous Juno looks out with blank eyes from that
dusky corner which must seem to her the last possible stage of a lapse
from Olympus. Then they had wandered out into the gardens, and were
lounging away the morning under the spell of their magical picturesqueness.
Roderick declared that he would go nowhere else; that, after the Juno,
it was a profanation to look at anything but sky and trees.
There was a fresco of Guercino, to which Rowland, though he had seen
it on his former visit to Rome, went dutifully to pay his respects.
But Roderick, though he had never seen it, declared that it could n't
be worth a fig, and that he did n't care to look at ugly things.
He remained stretched on his overcoat, which he had spread on the grass,
while Rowland went off envying the intellectual comfort of genius,
which can arrive at serene conclusions without disagreeable processes.
When the latter came back, his friend was sitting with his elbows on his
knees and his head in his hands. Rowland, in the geniality of a mood
attuned to the mellow charm of a Roman villa, found a good word to say
for the Guercino; but he chiefly talked of the view from the little
belvedere on the roof of the casino, and how it looked like the prospect
from a castle turret in a fairy tale.

"Very likely," said Roderick, throwing himself back with a yawn.
"But I must let it pass. I have seen enough for the present;
I have reached the top of the hill. I have an indigestion
of impressions; I must work them off before I go in for any more.
I don't want to look at any more of other people's works, for a month--
not even at Nature's own. I want to look at Roderick Hudson's.
The result of it all is that I 'm not afraid. I can but try,
as well as the rest of them! The fellow who did that gazing goddess
yonder only made an experiment. The other day, when I was looking
at Michael Angelo's Moses, I was seized with a kind of defiance--
a reaction against all this mere passive enjoyment of grandeur.
It was a rousing great success, certainly, that rose there before me,
but somehow it was not an inscrutable mystery, and it seemed to me,
not perhaps that I should some day do as well, but that at
least I might!"

"As you say, you can but try," said Rowland. "Success is
only passionate effort."

"Well, the passion is blazing; we have been piling on fuel handsomely.
It came over me just now that it is exactly three months to a day since I
left Northampton. I can't believe it!"

"It certainly seems more."

"It seems like ten years. What an exquisite ass I was!"

"Do you feel so wise now?"

"Verily! Don't I look so? Surely I have n't the same face.
Have n't I a different eye, a different expression,
a different voice?"

"I can hardly say, because I have seen the transition.
But it 's very likely. You are, in the literal sense of the word,
more civilized. I dare say," added Rowland, "that Miss Garland
would think so."

"That 's not what she would call it; she would say I was corrupted."

Rowland asked few questions about Miss Garland, but he always
listened narrowly to his companion's voluntary observations.

"Are you very sure?" he replied.

"Why, she 's a stern moralist, and she would infer from
my appearance that I had become a cynical sybarite."
Roderick had, in fact, a Venetian watch-chain round his
neck and a magnificent Roman intaglio on the third finger
of his left hand.

"Will you think I take a liberty," asked Rowland, "if I say you
judge her superficially?"

"For heaven's sake," cried Roderick, laughing, "don't tell me
she 's not a moralist! It was for that I fell in love with her,
and with rigid virtue in her person."

"She is a moralist, but not, as you imply, a narrow one.
That 's more than a difference in degree; it 's a difference in kind.
I don't know whether I ever mentioned it, but I admire her extremely.
There is nothing narrow about her but her experience; everything else
is large. My impression of her is of a person of great capacity,
as yet wholly unmeasured and untested. Some day or other, I 'm sure,
she will judge fairly and wisely of everything."

"Stay a bit!" cried Roderick; "you 're a better Catholic than the Pope.
I shall be content if she judges fairly of me--of my merits, that is.
The rest she must not judge at all. She 's a grimly devoted little creature;
may she always remain so! Changed as I am, I adore her none the less.
What becomes of all our emotions, our impressions," he went on,
after a long pause, "all the material of thought that life pours
into us at such a rate during such a memorable three months as these?
There are twenty moments a week--a day, for that matter, some days--
that seem supreme, twenty impressions that seem ultimate,
that appear to form an intellectual era. But others come treading
on their heels and sweeping them along, and they all melt like water
into water and settle the question of precedence among themselves.
The curious thing is that the more the mind takes in, the more it has
space for, and that all one's ideas are like the Irish people at home
who live in the different corners of a room, and take boarders."

"I fancy it is our peculiar good luck that we don't see the limits
of our minds," said Rowland. "We are young, compared with what we may
one day be. That belongs to youth; it is perhaps the best part of it.
They say that old people do find themselves at last face to face
with a solid blank wall, and stand thumping against it in vain.
It resounds, it seems to have something beyond it, but it won't move!
That 's only a reason for living with open doors as long as we can!"

"Open doors?" murmured Roderick. "Yes, let us close no doors
that open upon Rome. For this, for the mind, is eternal summer!
But though my doors may stand open to-day," he presently added,
"I shall see no visitors. I want to pause and breathe; I want
to dream of a statue. I have been working hard for three months;
I have earned a right to a reverie."

Rowland, on his side, was not without provision for reflection,
and they lingered on in broken, desultory talk. Rowland felt
the need for intellectual rest, for a truce to present care
for churches, statues, and pictures, on even better grounds than
his companion, inasmuch as he had really been living Roderick's
intellectual life the past three months, as well as his own.
As he looked back on these full-flavored weeks, he drew a long
breath of satisfaction, almost of relief. Roderick, thus far,
had justified his confidence and flattered his perspicacity;
he was rapidly unfolding into an ideal brilliancy.
He was changed even more than he himself suspected;
he had stepped, without faltering, into his birthright,
and was spending money, intellectually, as lavishly
as a young heir who has just won an obstructive lawsuit.
Roderick's glance and voice were the same, doubtless,
as when they enlivened the summer dusk on Cecilia's veranda,
but in his person, generally, there was an indefinable
expression of experience rapidly and easily assimilated.
Rowland had been struck at the outset with the instinctive
quickness of his observation and his free appropriation of
whatever might serve his purpose. He had not been, for instance,
half an hour on English soil before he perceived that he was
dressed like a rustic, and he had immediately reformed his
toilet with the most unerring tact. His appetite for novelty
was insatiable, and for everything characteristically foreign,
as it presented itself, he had an extravagant greeting;
but in half an hour the novelty had faded, he had guessed
the secret, he had plucked out the heart of the mystery and
was clamoring for a keener sensation. At the end of a month,
he presented, mentally, a puzzling spectacle to his companion.
He had caught, instinctively, the key-note of the old world.
He observed and enjoyed, he criticised and rhapsodized,
but though all things interested him and many delighted him,
none surprised him; he had divined their logic and measured
their proportions, and referred them infallibly to their categories.
Witnessing the rate at which he did intellectual execution
on the general spectacle of European life, Rowland at moments
felt vaguely uneasy for the future; the boy was living
too fast, he would have said, and giving alarming pledges
to ennui in his later years. But we must live as our pulses
are timed, and Roderick's struck the hour very often.
He was, by imagination, though he never became in manner,
a natural man of the world; he had intuitively, as an artist,
what one may call the historic consciousness. He had a relish
for social subtleties and mysteries, and, in perception,
when occasion offered him an inch he never failed to take an ell.
A single glimpse of a social situation of the elder type enabled
him to construct the whole, with all its complex chiaroscuro,
and Rowland more than once assured him that he made him
believe in the metempsychosis, and that he must have lived in
European society, in the last century, as a gentleman in a cocked
hat and brocaded waistcoat. Hudson asked Rowland questions
which poor Rowland was quite unable to answer, and of which he was
equally unable to conceive where he had picked up the data.
Roderick ended by answering them himself, tolerably to
his satisfaction, and in a short time he had almost turned
the tables and become in their walks and talks the accredited
source of information. Rowland told him that when he turned
sculptor a capital novelist was spoiled, and that to match his
eye for social detail one would have to go to Honore de Balzac.
In all this Rowland took a generous pleasure; he felt an especial
kindness for his comrade's radiant youthfulness of temperament.
He was so much younger than he himself had ever been!
And surely youth and genius, hand in hand, were the most
beautiful sight in the world. Roderick added to this
the charm of his more immediately personal qualities.
The vivacity of his perceptions, the audacity of his imagination,
the picturesqueness of his phrase when he was pleased,--
and even more when he was displeased,--his abounding good-humor,
his candor, his unclouded frankness, his unfailing impulse
to share every emotion and impression with his friend;
all this made comradeship a pure felicity, and interfused
with a deeper amenity their long evening talks at cafe doors
in Italian towns.

They had gone almost immediately to Paris, and had spent
their days at the Louvre and their evenings at the theatre.
Roderick was divided in mind as to whether Titian or Mademoiselle
Delaporte was the greater artist. They had come down through
France to Genoa and Milan, had spent a fortnight in Venice
and another in Florence, and had now been a month in Rome.
Roderick had said that he meant to spend three months in simply
looking, absorbing, and reflecting, without putting pencil to paper.
He looked indefatigably, and certainly saw great things--
things greater, doubtless, at times, than the intentions of
the artist. And yet he made few false steps and wasted little
time in theories of what he ought to like and to dislike.
He judged instinctively and passionately, but never vulgarly.
At Venice, for a couple of days, he had half a fit of
melancholy over the pretended discovery that he had missed
his way, and that the only proper vestment of plastic
conceptions was the coloring of Titian and Paul Veronese.
Then one morning the two young men had themselves rowed out
to Torcello, and Roderick lay back for a couple of hours watching
a brown-breasted gondolier making superb muscular movements,
in high relief, against the sky of the Adriatic, and at the end
jerked himself up with a violence that nearly swamped the gondola,
and declared that the only thing worth living for was to make
a colossal bronze and set it aloft in the light of a public square.
In Rome his first care was for the Vatican; he went there again
and again. But the old imperial and papal city altogether
delighted him; only there he really found what he had been looking
for from the first--the complete antipodes of Northampton.
And indeed Rome is the natural home of those spirits with which we
just now claimed fellowship for Roderick--the spirits with a deep
relish for the artificial element in life and the infinite
superpositions of history. It is the immemorial city of convention.
The stagnant Roman air is charged with convention;
it colors the yellow light and deepens the chilly shadows.
And in that still recent day the most impressive convention
in all history was visible to men's eyes, in the Roman streets,
erect in a gilded coach drawn by four black horses.
Roderick's first fortnight was a high aesthetic revel.
He declared that Rome made him feel and understand more things
than he could express: he was sure that life must have there,
for all one's senses, an incomparable fineness; that more
interesting things must happen to one than anywhere else.
And he gave Rowland to understand that he meant to live freely
and largely, and be as interested as occasion demanded.
Rowland saw no reason to regard this as a menace of dissipation,
because, in the first place, there was in all dissipation,
refine it as one might, a grossness which would disqualify
it for Roderick's favor, and because, in the second,
the young sculptor was a man to regard all things in the light
of his art, to hand over his passions to his genius to be
dealt with, and to find that he could live largely enough
without exceeding the circle of wholesome curiosity.
Rowland took immense satisfaction in his companion's deep
impatience to make something of all his impressions.
Some of these indeed found their way into a channel which did
not lead to statues, but it was none the less a safe one.
He wrote frequent long letters to Miss Garland;
when Rowland went with him to post them he thought wistfully
of the fortune of the great loosely-written missives,
which cost Roderick unconscionable sums in postage.
He received punctual answers of a more frugal form,
written in a clear, minute hand, on paper vexatiously thin.
If Rowland was present when they came, he turned away and
thought of other things--or tried to. These were the only
moments when his sympathy halted, and they were brief.
For the rest he let the days go by unprotestingly, and enjoyed
Roderick's serene efflorescence as he would have done a beautiful
summer sunrise. Rome, for the past month, had been delicious.
The annual descent of the Goths had not yet begun, and sunny
leisure seemed to brood over the city.

Roderick had taken out a note-book and was roughly sketching a memento
of the great Juno. Suddenly there was a noise on the gravel,
and the young men, looking up, saw three persons advancing.
One was a woman of middle age, with a rather grand air
and a great many furbelows. She looked very hard at our
friends as she passed, and glanced back over her shoulder,
as if to hasten the step of a young girl who slowly followed her.
She had such an expansive majesty of mien that Rowland supposed
she must have some proprietary right in the villa and was not
just then in a hospitable mood. Beside her walked a little
elderly man, tightly buttoned in a shabby black coat, but with
a flower in his lappet, and a pair of soiled light gloves.
He was a grotesque-looking personage, and might have passed
for a gentleman of the old school, reduced by adversity to playing
cicerone to foreigners of distinction. He had a little black
eye which glittered like a diamond and rolled about like a ball
of quicksilver, and a white moustache, cut short and stiff,
like a worn-out brush. He was smiling with extreme urbanity,
and talking in a low, mellifluous voice to the lady, who evidently
was not listening to him. At a considerable distance behind
this couple strolled a young girl, apparently of about twenty.
She was tall and slender, and dressed with extreme elegance;
she led by a cord a large poodle of the most fantastic aspect.
He was combed and decked like a ram for sacrifice;
his trunk and haunches were of the most transparent pink,
his fleecy head and shoulders as white as jeweler's cotton,
and his tail and ears ornamented with long blue ribbons.
He stepped along stiffly and solemnly beside his mistress,
with an air of conscious elegance. There was something at first
slightly ridiculous in the sight of a young lady gravely appended
to an animal of these incongruous attributes, and Roderick, with his
customary frankness, greeted the spectacle with a confident smile.
The young girl perceived it and turned her face full upon him,
with a gaze intended apparently to enforce greater deference.
It was not deference, however, her face provoked, but startled,
submissive admiration; Roderick's smile fell dead, and he sat
eagerly staring. A pair of extraordinary dark blue eyes, a mass
of dusky hair over a low forehead, a blooming oval of perfect purity,
a flexible lip, just touched with disdain, the step and carriage
of a tired princess--these were the general features of his vision.
The young lady was walking slowly and letting her long dress
rustle over the gravel; the young men had time to see her
distinctly before she averted her face and went her way.
She left a vague, sweet perfume behind her as she passed.

"Immortal powers!" cried Roderick, "what a vision! In the name
of transcendent perfection, who is she?"  He sprang up and stood
looking after her until she rounded a turn in the avenue.
"What a movement, what a manner, what a poise of the head!
I wonder if she would sit to me."

"You had better go and ask her," said Rowland, laughing.
"She is certainly most beautiful."

"Beautiful? She 's beauty itself--she 's a revelation.
I don't believe she is living--she 's a phantasm,
a vapor, an illusion!"

"The poodle," said Rowland, "is certainly alive."

"Nay, he too may be a grotesque phantom, like the black dog in Faust."

"I hope at least that the young lady has nothing in common
with Mephistopheles. She looked dangerous."

"If beauty is immoral, as people think at Northampton,"
said Roderick, "she is the incarnation of evil. The mamma and
the queer old gentleman, moreover, are a pledge of her reality.
Who are they all?"

"The Prince and Princess Ludovisi and the principessina," suggested Rowland.

"There are no such people," said Roderick. "Besides, the little
old man is not the papa."  Rowland smiled, wondering how he had
ascertained these facts, and the young sculptor went on.
"The old man is a Roman, a hanger-on of the mamma,
a useful personage who now and then gets asked to dinner.
The ladies are foreigners, from some Northern country;
I won't say which."

"Perhaps from the State of Maine," said Rowland.

"No, she 's not an American, I 'll lay a wager on that.
She 's a daughter of this elder world. We shall see her again,
I pray my stars; but if we don't, I shall have done something I
never expected to--I shall have had a glimpse of ideal beauty."
He sat down again and went on with his sketch of the Juno, scrawled away
for ten minutes, and then handed the result in silence to Rowland.
Rowland uttered an exclamation of surprise and applause.
The drawing represented the Juno as to the position of the head,
the brow, and the broad fillet across the hair; but the eyes,
the mouth, the physiognomy were a vivid portrait of the young girl
with the poodle. "I have been wanting a subject," said Roderick:
"there 's one made to my hand! And now for work!"

They saw no more of the young girl, though Roderick looked hopefully,
for some days, into the carriages on the Pincian. She had evidently been
but passing through Rome; Naples or Florence now happily possessed her,
and she was guiding her fleecy companion through the Villa Reale
or the Boboli Gardens with the same superb defiance of irony.
Roderick went to work and spent a month shut up in his studio;
he had an idea, and he was not to rest till he had embodied it.
He had established himself in the basement of a huge, dusky,
dilapidated old house, in that long, tortuous, and preeminently Roman
street which leads from the Corso to the Bridge of St. Angelo.
The black archway which admitted you might have served as the portal
of the Augean stables, but you emerged presently upon a mouldy
little court, of which the fourth side was formed by a narrow terrace,
overhanging the Tiber. Here, along the parapet, were stationed half
a dozen shapeless fragments of sculpture, with a couple of meagre
orange-trees in terra-cotta tubs, and an oleander that never flowered.
The unclean, historic river swept beneath; behind were dusky, reeking walls,
spotted here and there with hanging rags and flower-pots in windows;
opposite, at a distance, were the bare brown banks of the stream,
the huge rotunda of St. Angelo, tipped with its seraphic statue,
the dome of St. Peter's, and the broad-topped pines of the Villa Doria.
The place was crumbling and shabby and melancholy, but the river
was delightful, the rent was a trifle, and everything was picturesque.
Roderick was in the best humor with his quarters from the first,
and was certain that the working mood there would be intenser in an hour
than in twenty years of Northampton. His studio was a huge, empty room
with a vaulted ceiling, covered with vague, dark traces of an old fresco,
which Rowland, when he spent an hour with his friend, used to stare at vainly
for some surviving coherence of floating draperies and clasping arms.
Roderick had lodged himself economically in the same quarter.
He occupied a fifth floor on the Ripetta, but he was only at home to sleep,
for when he was not at work he was either lounging in Rowland's more
luxurious rooms or strolling through streets and churches and gardens.

Rowland had found a convenient corner in a stately old palace
not far from the Fountain of Trevi, and made himself a home
to which books and pictures and prints and odds and ends
of curious furniture gave an air of leisurely permanence.
He had the tastes of a collector; he spent half his afternoons
ransacking the dusty magazines of the curiosity-mongers,
and often made his way, in quest of a prize, into the heart
of impecunious Roman households, which had been prevailed upon
to listen--with closed doors and an impenetrably wary smile--
to proposals for an hereditary "antique."  In the evening,
often, under the lamp, amid dropped curtains and the scattered
gleam of firelight upon polished carvings and mellow paintings,
the two friends sat with their heads together, criticising intaglios
and etchings, water-color drawings and illuminated missals.
Roderick's quick appreciation of every form of artistic
beauty reminded his companion of the flexible temperament
of those Italian artists of the sixteenth century who were
indifferently painters and sculptors, sonneteers and engravers.
At times when he saw how the young sculptor's day passed
in a single sustained pulsation, while his own was broken
into a dozen conscious devices for disposing of the hours,
and intermingled with sighs, half suppressed, some of them,
for conscience' sake, over what he failed of in action and missed
in possession--he felt a pang of something akin to envy.
But Rowland had two substantial aids for giving patience
the air of contentment: he was an inquisitive reader and a
passionate rider. He plunged into bulky German octavos on
Italian history, and he spent long afternoons in the saddle,
ranging over the grassy desolation of the Campagna.
As the season went on and the social groups began to
constitute themselves, he found that he knew a great many
people and that he had easy opportunity for knowing others.
He enjoyed a quiet corner of a drawing-room beside an agreeable woman,
and although the machinery of what calls itself society seemed
to him to have many superfluous wheels, he accepted invitations
and made visits punctiliously, from the conviction that the only
way not to be overcome by the ridiculous side of most of
such observances is to take them with exaggerated gravity.
He introduced Roderick right and left, and suffered him to make
his way himself--an enterprise for which Roderick very soon
displayed an all-sufficient capacity. Wherever he went he made,
not exactly what is called a favorable impression, but what,
from a practical point of view, is better--a puzzling one.
He took to evening parties as a duck to water, and before the winter
was half over was the most freely and frequently discussed young
man in the heterogeneous foreign colony. Rowland's theory
of his own duty was to let him run his course and play his cards,
only holding himself ready to point out shoals and pitfalls,
and administer a friendly propulsion through tight places.
Roderick's manners on the precincts of the Pincian were
quite the same as his manners on Cecilia's veranda:
that is, they were no manners at all. But it remained
as true as before that it would have been impossible,
on the whole, to violate ceremony with less of lasting offense.
He interrupted, he contradicted, he spoke to people
he had never seen, and left his social creditors without
the smallest conversational interest on their loans;
he lounged and yawned, he talked loud when he should have
talked low, and low when he should have talked loud.
Many people, in consequence, thought him insufferably conceited,
and declared that he ought to wait till he had something to show
for his powers, before he assumed the airs of a spoiled celebrity.
But to Rowland and to most friendly observers this judgment
was quite beside the mark, and the young man's undiluted
naturalness was its own justification. He was impulsive,
spontaneous, sincere; there were so many people at dinner-tables
and in studios who were not, that it seemed worth while to
allow this rare specimen all possible freedom of action.
If Roderick took the words out of your mouth when you were
just prepared to deliver them with the most effective accent,
he did it with a perfect good conscience and with no pretension
of a better right to being heard, but simply because he was full
to overflowing of his own momentary thought and it sprang from
his lips without asking leave. There were persons who waited
on your periods much more deferentially, who were a hundred
times more capable than Roderick of a reflective impertinence.
Roderick received from various sources, chiefly feminine,
enough finely-adjusted advice to have established him in life
as an embodiment of the proprieties, and he received it,
as he afterwards listened to criticisms on his statues,
with unfaltering candor and good-humor. Here and there,
doubtless, as he went, he took in a reef in his sail;
but he was too adventurous a spirit to be successfully tamed,
and he remained at most points the florid, rather strident
young Virginian whose serene inflexibility had been the despair
of Mr. Striker. All this was what friendly commentators
(still chiefly feminine) alluded to when they spoke of his
delightful freshness, and critics of harsher sensibilities
(of the other sex) when they denounced his damned impertinence.
His appearance enforced these impressions--his handsome face,
his radiant, unaverted eyes, his childish, unmodulated voice.
Afterwards, when those who loved him were in tears, there was
something in all this unspotted comeliness that seemed to lend
a mockery to the causes of their sorrow.

Certainly, among the young men of genius who, for so
many ages, have gone up to Rome to test their powers,
none ever made a fairer beginning than Roderick.
He rode his two horses at once with extraordinary good fortune;
he established the happiest modus vivendi betwixt work and play.
He wrestled all day with a mountain of clay in his studio,
and chattered half the night away in Roman drawing-rooms.
It all seemed part of a kind of divine facility.
He was passionately interested, he was feeling his powers;
now that they had thoroughly kindled in the glowing aesthetic
atmosphere of Rome, the ardent young fellow should be pardoned
for believing that he never was to see the end of them.
He enjoyed immeasurably, after the chronic obstruction of home,
the downright act of production. He kept models in his studio
till they dropped with fatigue; he drew, on other days,
at the Capitol and the Vatican, till his own head swam
with his eagerness, and his limbs stiffened with the cold.
He had promptly set up a life-sized figure which he called
an "Adam," and was pushing it rapidly toward completion.
There were naturally a great many wiseheads who smiled
at his precipitancy, and cited him as one more example of
Yankee crudity, a capital recruit to the great army of those
who wish to dance before they can walk. They were right,
but Roderick was right too, for the success of his statue was not
to have been foreseen; it partook, really, of the miraculous.
He never surpassed it afterwards, and a good judge here and there
has been known to pronounce it the finest piece of sculpture
of our modern era. To Rowland it seemed to justify superbly
his highest hopes of his friend, and he said to himself
that if he had invested his happiness in fostering a genius,
he ought now to be in possession of a boundless complacency.
There was something especially confident and masterly in the
artist's negligence of all such small picturesque accessories
as might serve to label his figure to a vulgar apprehension.
If it represented the father of the human race and the primal
embodiment of human sensation, it did so in virtue
of its look of balanced physical perfection, and deeply,
eagerly sentient vitality. Rowland, in fraternal zeal, traveled up
to Carrara and selected at the quarries the most magnificent
block of marble he could find, and when it came down to Rome,
the two young men had a "celebration."  They drove out to Albano,
breakfasted boisterously (in their respective measure) at the inn,
and lounged away the day in the sun on the top of Monte Cavo.
Roderick's head was full of ideas for other works,
which he described with infinite spirit and eloquence,
as vividly as if they were ranged on their pedestals before him.
He had an indefatigable fancy; things he saw in the streets,
in the country, things he heard and read, effects he saw just
missed or half-expressed in the works of others, acted upon his
mind as a kind of challenge, and he was terribly restless until,
in some form or other, he had taken up the glove and set his
lance in rest.

The Adam was put into marble, and all the world came to see it.
Of the criticisms passed upon it this history undertakes to offer no record;
over many of them the two young men had a daily laugh for a month,
and certain of the formulas of the connoisseurs, restrictive or indulgent,
furnished Roderick with a permanent supply of humorous catch-words.
But people enough spoke flattering good-sense to make Roderick feel
as if he were already half famous. The statue passed formally into
Rowland's possession, and was paid for as if an illustrious name had been
chiseled on the pedestal. Poor Roderick owed every franc of the money.
It was not for this, however, but because he was so gloriously in
the mood, that, denying himself all breathing-time, on the same day
he had given the last touch to the Adam, he began to shape the rough
contour of an Eve. This went forward with equal rapidity and success.
Roderick lost his temper, time and again, with his models, who offered
but a gross, degenerate image of his splendid ideal; but his ideal,
as he assured Rowland, became gradually such a fixed, vivid presence,
that he had only to shut his eyes to behold a creature far more to his
purpose than the poor girl who stood posturing at forty sous an hour.
The Eve was finished in a month, and the feat was extraordinary,
as well as the statue, which represented an admirably beautiful woman.
When the spring began to muffle the rugged old city with its
clambering festoons, it seemed to him that he had done a handsome
winter's work and had fairly earned a holiday. He took a liberal one,
and lounged away the lovely Roman May, doing nothing. He looked
very contented; with himself, perhaps, at times, a trifle too obviously.
But who could have said without good reason? He was "flushed
with triumph;" this classic phrase portrayed him, to Rowland's sense.
He would lose himself in long reveries, and emerge from them with a
quickened smile and a heightened color. Rowland grudged him none
of his smiles, and took an extreme satisfaction in his two statues.
He had the Adam and the Eve transported to his own apartment, and one
warm evening in May he gave a little dinner in honor of the artist.
It was small, but Rowland had meant it should be very agreeably composed.
He thought over his friends and chose four. They were all persons
with whom he lived in a certain intimacy.

One of them was an American sculptor of French extraction,
or remotely, perhaps, of Italian, for he rejoiced in the somewhat
fervid name of Gloriani. He was a man of forty, he had been
living for years in Paris and in Rome, and he now drove a very
pretty trade in sculpture of the ornamental and fantastic sort.
In his youth he had had money; but he had spent it recklessly,
much of it scandalously, and at twenty-six had found himself obliged
to make capital of his talent. This was quite inimitable, and fifteen
years of indefatigable exercise had brought it to perfection.
Rowland admitted its power, though it gave him very little pleasure;
what he relished in the man was the extraordinary vivacity
and frankness, not to call it the impudence, of his ideas.
He had a definite, practical scheme of art, and he knew at least
what he meant. In this sense he was solid and complete.
There were so many of the aesthetic fraternity who were floundering
in unknown seas, without a notion of which way their noses were turned,
that Gloriani, conscious and compact, unlimitedly intelligent
and consummately clever, dogmatic only as to his own duties,
and at once gracefully deferential and profoundly indifferent
to those of others, had for Rowland a certain intellectual
refreshment quite independent of the character of his works.
These were considered by most people to belong to a very corrupt,
and by many to a positively indecent school. Others thought them
tremendously knowing, and paid enormous prices for them; and indeed,
to be able to point to one of Gloriani's figures in a shady corner
of your library was tolerable proof that you were not a fool.
Corrupt things they certainly were; in the line of sculpture they
were quite the latest fruit of time. It was the artist's opinion
that there is no essential difference between beauty and ugliness;
that they overlap and intermingle in a quite inextricable manner;
that there is no saying where one begins and the other ends;
that hideousness grimaces at you suddenly from out of the very bosom
of loveliness, and beauty blooms before your eyes in the lap of vileness;
that it is a waste of wit to nurse metaphysical distinctions,
and a sadly meagre entertainment to caress imaginary lines;
that the thing to aim at is the expressive, and the way to reach
it is by ingenuity; that for this purpose everything may serve,
and that a consummate work is a sort of hotch-potch of the pure
and the impure, the graceful and the grotesque. Its prime duty is
to amuse, to puzzle, to fascinate, to savor of a complex imagination.
Gloriani's statues were florid and meretricious; they looked
like magnified goldsmith's work. They were extremely elegant,
but they had no charm for Rowland. He never bought one,
but Gloriani was such an honest fellow, and withal was so deluged
with orders, that this made no difference in their friendship.
The artist might have passed for a Frenchman. He was a great talker,
and a very picturesque one; he was almost bald; he had a small,
bright eye, a broken nose, and a moustache with waxed ends.
When sometimes he received you at his lodging, he introduced
you to a lady with a plain face whom he called Madame Gloriani--
which she was not.

Rowland's second guest was also an artist, but of a very different type.
His friends called him Sam Singleton; he was an American, and he had
been in Rome a couple of years. He painted small landscapes,
chiefly in water-colors: Rowland had seen one of them in a shop window,
had liked it extremely, and, ascertaining his address, had gone
to see him and found him established in a very humble studio near
the Piazza Barberini, where, apparently, fame and fortune had not
yet found him out. Rowland took a fancy to him and bought several
of his pictures; Singleton made few speeches, but was grateful.
Rowland heard afterwards that when he first came to Rome he painted
worthless daubs and gave no promise of talent. Improvement had come,
however, hand in hand with patient industry, and his talent,
though of a slender and delicate order, was now incontestable.
It was as yet but scantily recognized, and he had hard work to live.
Rowland hung his little water-colors on the parlor wall, and found that,
as he lived with them, he grew very fond of them. Singleton was
a diminutive, dwarfish personage; he looked like a precocious child.
He had a high, protuberant forehead, a transparent brown eye,
a perpetual smile, an extraordinary expression of modesty and patience.
He listened much more willingly than he talked, with a little fixed,
grateful grin; he blushed when he spoke, and always offered his ideas
in a sidelong fashion, as if the presumption were against them.
His modesty set them off, and they were eminently to the point.
He was so perfect an example of the little noiseless,
laborious artist whom chance, in the person of a moneyed patron,
has never taken by the hand, that Rowland would have liked to befriend
him by stealth. Singleton had expressed a fervent admiration
for Roderick's productions, but had not yet met the young master.
Roderick was lounging against the chimney-piece when he came in,
and Rowland presently introduced him. The little water-colorist
stood with folded hands, blushing, smiling, and looking up at him
as if Roderick were himself a statue on a pedestal. Singleton began
to murmur something about his pleasure, his admiration; the desire
to make his compliment smoothly gave him a kind of grotesque formalism.
Roderick looked down at him surprised, and suddenly burst into a laugh.
Singleton paused a moment and then, with an intenser smile, went on:
"Well, sir, your statues are beautiful, all the same!"

Rowland's two other guests were ladies, and one of them,
Miss Blanchard, belonged also to the artistic fraternity.
She was an American, she was young, she was pretty,
and she had made her way to Rome alone and unaided.
She lived alone, or with no other duenna than a bushy-browed
old serving-woman, though indeed she had a friendly
neighbor in the person of a certain Madame Grandoni,
who in various social emergencies lent her a protecting wing,
and had come with her to Rowland's dinner. Miss Blanchard had
a little money, but she was not above selling her pictures.
These represented generally a bunch of dew-sprinkled roses,
with the dew-drops very highly finished, or else a wayside shrine,
and a peasant woman, with her back turned, kneeling before it.
She did backs very well, but she was a little weak in faces.
Flowers, however, were her speciality, and though her touch
was a little old-fashioned and finical, she painted them with
remarkable skill. Her pictures were chiefly bought by the English.
Rowland had made her acquaintance early in the winter, and as she
kept a saddle horse and rode a great deal, he had asked permission
to be her cavalier. In this way they had become almost intimate.
Miss Blanchard's name was Augusta; she was slender, pale,
and elegant looking; she had a very pretty head and brilliant
auburn hair, which she braided with classical simplicity.
She talked in a sweet, soft voice, used language at times
a trifle superfine, and made literary allusions. These had
often a patriotic strain, and Rowland had more than once been
irritated by her quotations from Mrs. Sigourney in the cork-woods
of Monte Mario, and from Mr. Willis among the ruins of Veii.
Rowland was of a dozen different minds about her, and was
half surprised, at times, to find himself treating it
as a matter of serious moment whether he liked her or not.
He admired her, and indeed there was something admirable in her
combination of beauty and talent, of isolation and tranquil
self-support. He used sometimes to go into the little,
high-niched, ordinary room which served her as a studio, and find
her working at a panel six inches square, at an open casement,
profiled against the deep blue Roman sky. She received him
with a meek-eyed dignity that made her seem like a painted saint
on a church window, receiving the daylight in all her being.
The breath of reproach passed her by with folded wings.
And yet Rowland wondered why he did not like her better.
If he failed, the reason was not far to seek. There was
another woman whom he liked better, an image in his heart
which refused to yield precedence.

On that evening to which allusion has been made, when Rowland
was left alone between the starlight and the waves with the sudden
knowledge that Mary Garland was to become another man's wife,
he had made, after a while, the simple resolution to forget her.
And every day since, like a famous philosopher who wished
to abbreviate his mourning for a faithful servant, he had said
to himself in substance--"Remember to forget Mary Garland."
Sometimes it seemed as if he were succeeding; then, suddenly,
when he was least expecting it, he would find her name, inaudibly,
on his lips, and seem to see her eyes meeting his eyes. All this
made him uncomfortable, and seemed to portend a possible discord.
Discord was not to his taste; he shrank from imperious passions,
and the idea of finding himself jealous of an unsuspecting
friend was absolutely repulsive. More than ever, then, the path
of duty was to forget Mary Garland, and he cultivated oblivion,
as we may say, in the person of Miss Blanchard.
Her fine temper, he said to himself, was a trifle cold
and conscious, her purity prudish, perhaps, her culture pedantic.
But since he was obliged to give up hopes of Mary Garland,
Providence owed him a compensation, and he had fits of angry sadness
in which it seemed to him that to attest his right to sentimental
satisfaction he would be capable of falling in love with a woman
he absolutely detested, if she were the best that came in his way.
And what was the use, after all, of bothering about a possible
which was only, perhaps, a dream? Even if Mary Garland had been free,
what right had he to assume that he would have pleased her?
The actual was good enough. Miss Blanchard had beautiful hair,
and if she was a trifle old-maidish, there is nothing like matrimony
for curing old-maidishness.

Madame Grandoni, who had formed with the companion of Rowland's
rides an alliance which might have been called defensive on
the part of the former and attractive on that of Miss Blanchard,
was an excessively ugly old lady, highly esteemed in Roman society
for her homely benevolence and her shrewd and humorous good sense.
She had been the widow of a German archaeologist, who had come to Rome in
the early ages as an attache of the Prussian legation on the Capitoline.
Her good sense had been wanting on but a single occasion,
that of her second marriage. This occasion was certainly a
momentous one, but these, by common consent, are not test cases.
A couple of years after her first husband's death, she had accepted
the hand and the name of a Neapolitan music-master, ten years
younger than herself, and with no fortune but his fiddle-bow. The
marriage was most unhappy, and the Maestro Grandoni was suspected
of using the fiddle-bow as an instrument of conjugal correction.
He had finally run off with a prima donna assoluta, who, it was to
be hoped, had given him a taste of the quality implied in her title.
He was believed to be living still, but he had shrunk to a small
black spot in Madame Grandoni's life, and for ten years she had not
mentioned his name. She wore a light flaxen wig, which was never very
artfully adjusted, but this mattered little, as she made no secret of it.
She used to say, "I was not always so ugly as this; as a young
girl I had beautiful golden hair, very much the color of my wig."
She had worn from time immemorial an old blue satin dress,
and a white crape shawl embroidered in colors; her appearance
was ridiculous, but she had an interminable Teutonic pedigree,
and her manners, in every presence, were easy and jovial, as became
a lady whose ancestor had been cup-bearer to Frederick Barbarossa.
Thirty years' observation of Roman society had sharpened her wits
and given her an inexhaustible store of anecdotes, but she had beneath
her crumpled bodice a deep-welling fund of Teutonic sentiment,
which she communicated only to the objects of her particular favor.
Rowland had a great regard for her, and she repaid it by wishing
him to get married. She never saw him without whispering to him
that Augusta Blanchard was just the girl.

It seemed to Rowland a sort of foreshadowing of matrimony to see Miss
Blanchard standing gracefully on his hearth-rug and blooming behind
the central bouquet at his circular dinner-table. The dinner was very
prosperous and Roderick amply filled his position as hero of the feast.
He had always an air of buoyant enjoyment in his work, but on this
occasion he manifested a good deal of harmless pleasure in his glory.
He drank freely and talked bravely; he leaned back in his chair with
his hands in his pockets, and flung open the gates of his eloquence.
Singleton sat gazing and listening open-mouthed, as if Apollo in person
were talking. Gloriani showed a twinkle in his eye and an evident
disposition to draw Roderick out. Rowland was rather regretful,
for he knew that theory was not his friend's strong point, and that it
was never fair to take his measure from his talk.

"As you have begun with Adam and Eve," said Gloriani,
"I suppose you are going straight through the Bible."
He was one of the persons who thought Roderick delightfully fresh.

"I may make a David," said Roderick, "but I shall not try
any more of the Old Testament people. I don't like the Jews;
I don't like pendulous noses. David, the boy David, is rather
an exception; you can think of him and treat him as a young Greek.
Standing forth there on the plain of battle between the contending armies,
rushing forward to let fly his stone, he looks like a beautiful runner
at the Olympic games. After that I shall skip to the New Testament.
I mean to make a Christ."

"You 'll put nothing of the Olympic games into him, I hope," said Gloriani.

"Oh, I shall make him very different from the Christ
of tradition; more--more"--and Roderick paused a moment to think.
This was the first that Rowland had heard of his Christ.

"More rationalistic, I suppose," suggested Miss Blanchard.

"More idealistic!" cried Roderick. "The perfection of form,
you know, to symbolize the perfection of spirit."

"For a companion piece," said Miss Blanchard, "you ought to make a Judas."

"Never! I mean never to make anything ugly. The Greeks never
made anything ugly, and I 'm a Hellenist; I 'm not a Hebraist!
I have been thinking lately of making a Cain, but I should never
dream of making him ugly. He should be a very handsome fellow,
and he should lift up the murderous club with the beautiful
movement of the fighters in the Greek friezes who are chopping
at their enemies."

"There 's no use trying to be a Greek," said Gloriani.
"If Phidias were to come back, he would recommend you to give it up.
I am half Italian and half French, and, as a whole, a Yankee.
What sort of a Greek should I make? I think the Judas is a capital
idea for a statue. Much obliged to you, madame, for the suggestion.
What an insidious little scoundrel one might make of him,
sitting there nursing his money-bag and his treachery!
There can be a great deal of expression in a pendulous nose,
my dear sir, especially when it is cast in green bronze."

"Very likely," said Roderick. "But it is not the sort of expression
I care for. I care only for perfect beauty. There it is, if you
want to know it! That 's as good a profession of faith as another.
In future, so far as my things are not positively beautiful,
you may set them down as failures. For me, it 's either
that or nothing. It 's against the taste of the day, I know;
we have really lost the faculty to understand beauty in the large,
ideal way. We stand like a race with shrunken muscles,
staring helplessly at the weights our forefathers easily lifted.
But I don't hesitate to proclaim it--I mean to lift them again!
I mean to go in for big things; that 's my notion of my art.
I mean to do things that will be simple and vast and infinite.
You 'll see if they won't be infinite! Excuse me if I brag a little;
all those Italian fellows in the Renaissance used to brag.
There was a sensation once common, I am sure, in the human breast--
a kind of religious awe in the presence of a marble image newly
created and expressing the human type in superhuman purity.
When Phidias and Praxiteles had their statues of goddesses
unveiled in the temples of the ;aEgean, don't you suppose there
was a passionate beating of hearts, a thrill of mysterious terror?
I mean to bring it back; I mean to thrill the world again!
I mean to produce a Juno that will make you tremble, a Venus
that will make you swoon!"

"So that when we come and see you," said Madame Grandoni,
"we must be sure and bring our smelling-bottles. And pray
have a few soft sofas conveniently placed."

"Phidias and Praxiteles," Miss Blanchard remarked, "had the advantage
of believing in their goddesses. I insist on believing, for myself,
that the pagan mythology is not a fiction, and that Venus and Juno
and Apollo and Mercury used to come down in a cloud into this very city
of Rome where we sit talking nineteenth century English."

"Nineteenth century nonsense, my dear!" cried Madame Grandoni.
"Mr. Hudson may be a new Phidias, but Venus and Juno--
that 's you and I--arrived to-day in a very dirty cab;
and were cheated by the driver, too."

"But, my dear fellow," objected Gloriani, "you don't mean to say
you are going to make over in cold blood those poor old exploded
Apollos and Hebes."

"It won't matter what you call them," said Roderick.
"They shall be simply divine forms. They shall be Beauty;
they shall be Wisdom; they shall be Power; they shall be Genius;
they shall be Daring. That 's all the Greek divinities were."

"That 's rather abstract, you know," said Miss Blanchard.

"My dear fellow," cried Gloriani, "you 're delightfully young."

"I hope you 'll not grow any older," said Singleton,
with a flush of sympathy across his large white forehead.
"You can do it if you try."

"Then there are all the Forces and Mysteries and Elements of Nature,"
Roderick went on. "I mean to do the Morning; I mean to do the Night!
I mean to do the Ocean and the Mountains; the Moon and the West Wind.
I mean to make a magnificent statue of America!"

"America--the Mountains--the Moon!" said Gloriani.
"You 'll find it rather hard, I 'm afraid, to compress such
subjects into classic forms."

"Oh, there 's a way," cried Roderick, "and I shall think it out.
My figures shall make no contortions, but they shall mean
a tremendous deal."

"I 'm sure there are contortions enough in Michael Angelo,"
said Madame Grandoni. "Perhaps you don't approve of him."

"Oh, Michael Angelo was not me!" said Roderick, with sublimity.
There was a great laugh; but after all, Roderick had done
some fine things.

Rowland had bidden one of the servants bring him a small
portfolio of prints, and had taken out a photograph of Roderick's
little statue of the youth drinking. It pleased him to see
his friend sitting there in radiant ardor, defending idealism
against so knowing an apostle of corruption as Gloriani,
and he wished to help the elder artist to be confuted.
He silently handed him the photograph.

"Bless me!" cried Gloriani, "did he do this?"

"Ages ago," said Roderick.

Gloriani looked at the photograph a long time, with evident admiration.

"It 's deucedly pretty," he said at last. "But, my dear young friend,
you can't keep this up."

"I shall do better," said Roderick.

"You will do worse! You will become weak. You will have to take
to violence, to contortions, to romanticism, in self-defense. This
sort of thing is like a man trying to lift himself up by the seat
of his trousers. He may stand on tiptoe, but he can't do more.
Here you stand on tiptoe, very gracefully, I admit; but you can't fly;
there 's no use trying."

"My 'America' shall answer you!" said Roderick, shaking toward
him a tall glass of champagne and drinking it down.

Singleton had taken the photograph and was poring over it with a little
murmur of delight.

"Was this done in America?" he asked.

"In a square white wooden house at Northampton, Massachusetts,"
Roderick answered.

"Dear old white wooden houses!" said Miss Blanchard.

"If you could do as well as this there," said Singleton, blushing and smiling,
"one might say that really you had only to lose by coming to Rome."

"Mallet is to blame for that," said Roderick. "But I am willing
to risk the loss."

The photograph had been passed to Madame Grandoni.
"It reminds me," she said, "of the things a young man used
to do whom I knew years ago, when I first came to Rome.
He was a German, a pupil of Overbeck and a votary of spiritual art.
He used to wear a black velvet tunic and a very low shirt collar;
he had a neck like a sickly crane, and let his hair grow
down to his shoulders. His name was Herr Schafgans.
He never painted anything so profane as a man taking a drink,
but his figures were all of the simple and slender and angular
pattern, and nothing if not innocent--like this one of yours.
He would not have agreed with Gloriani any more than you.
He used to come and see me very often, and in those days I thought
his tunic and his long neck infallible symptoms of genius.
His talk was all of gilded aureoles and beatific visions;
he lived on weak wine and biscuits, and wore a lock
of Saint Somebody's hair in a little bag round his neck.
If he was not a Beato Angelico, it was not his own fault.
I hope with all my heart that Mr. Hudson will do the fine things
he talks about, but he must bear in mind the history of dear
Mr. Schafgans as a warning against high-flown pretensions.
One fine day this poor young man fell in love with a Roman model,
though she had never sat to him, I believe, for she was a buxom,
bold-faced, high-colored creature, and he painted none but pale,
sickly women. He offered to marry her, and she looked at him
from head to foot, gave a shrug, and consented. But he was ashamed
to set up his menage in Rome. They went to Naples, and there,
a couple of years afterwards, I saw him. The poor fellow was ruined.
His wife used to beat him, and he had taken to drinking.
He wore a ragged black coat, and he had a blotchy, red face.
Madame had turned washerwoman and used to make him go and fetch
the dirty linen. His talent had gone heaven knows where!
He was getting his living by painting views of Vesuvius
in eruption on the little boxes they sell at Sorrento."

"Moral: don't fall in love with a buxom Roman model," said Roderick.
"I 'm much obliged to you for your story, but I don't mean to fall
in love with any one."

Gloriani had possessed himself of the photograph again, and was
looking at it curiously. "It 's a happy bit of youth," he said.
"But you can't keep it up--you can't keep it up!"

The two sculptors pursued their discussion after dinner,
in the drawing-room. Rowland left them to have it out in a corner,
where Roderick's Eve stood over them in the shaded lamplight,
in vague white beauty, like the guardian angel of the
young idealist. Singleton was listening to Madame Grandoni,
and Rowland took his place on the sofa, near Miss Blanchard.
They had a good deal of familiar, desultory talk.
Every now and then Madame Grandoni looked round at them.
Miss Blanchard at last asked Rowland certain questions about Roderick:
who he was, where he came from, whether it was true,
as she had heard, that Rowland had discovered him and brought
him out at his own expense. Rowland answered her questions;
to the last he gave a vague affirmative. Finally, after a pause,
looking at him, "You 're very generous," Miss Blanchard said.
The declaration was made with a certain richness of tone,
but it brought to Rowland's sense neither delight nor confusion.
He had heard the words before; he suddenly remembered the grave
sincerity with which Miss Garland had uttered them as he
strolled with her in the woods the day of Roderick's picnic.
They had pleased him then; now he asked Miss Blanchard whether
she would have some tea.

When the two ladies withdrew, he attended them to their carriage.
Coming back to the drawing-room, he paused outside the open door;
he was struck by the group formed by the three men. They were standing
before Roderick's statue of Eve, and the young sculptor had lifted up
the lamp and was showing different parts of it to his companions.
He was talking ardently, and the lamplight covered his head and face.
Rowland stood looking on, for the group struck him with its
picturesque symbolism. Roderick, bearing the lamp and glowing
in its radiant circle, seemed the beautiful image of a genius which
combined sincerity with power. Gloriani, with his head on one side,
pulling his long moustache and looking keenly from half-closed
eyes at the lighted marble, represented art with a worldly motive,
skill unleavened by faith, the mere base maximum of cleverness.
Poor little Singleton, on the other side, with his hands behind him,
his head thrown back, and his eyes following devoutly the course of
Roderick's elucidation, might pass for an embodiment of aspiring candor,
with feeble wings to rise on. In all this, Roderick's was certainly
the beau role.

Gloriani turned to Rowland as he came up, and pointed back
with his thumb to the statue, with a smile half sardonic,
half good-natured. "A pretty thing--a devilish pretty thing,"
he said. "It 's as fresh as the foam in the milk-pail. He
can do it once, he can do it twice, he can do it at a stretch
half a dozen times. But--but"

He was returning to his former refrain, but Rowland intercepted him.
"Oh, he will keep it up," he said, smiling, "I will answer for him."

Gloriani was not encouraging, but Roderick had listened smiling.
He was floating unperturbed on the tide of his deep self-confidence. Now,
suddenly, however, he turned with a flash of irritation in his eye,
and demanded in a ringing voice, "In a word, then, you prophesy that I
am to fail?"

Gloriani answered imperturbably, patting him kindly on the shoulder.
"My dear fellow, passion burns out, inspiration runs to seed.
Some fine day every artist finds himself sitting face to face
with his lump of clay, with his empty canvas, with his sheet
of blank paper, waiting in vain for the revelation to be made,
for the Muse to descend. He must learn to do without the Muse!
When the fickle jade forgets the way to your studio, don't waste
any time in tearing your hair and meditating on suicide.
Come round and see me, and I will show you how to console yourself."

"If I break down," said Roderick, passionately, "I shall stay down.
If the Muse deserts me, she shall at least have her infidelity
on her conscience."

"You have no business," Rowland said to Gloriani, "to talk lightly
of the Muse in this company. Mr. Singleton, too, has received
pledges from her which place her constancy beyond suspicion."
And he pointed out on the wall, near by, two small landscapes
by the modest water-colorist.

The sculptor examined them with deference, and Singleton
himself began to laugh nervously; he was trembling
with hope that the great Gloriani would be pleased.
"Yes, these are fresh too," Gloriani said; "extraordinarily fresh!
How old are you?"

"Twenty-six, sir," said Singleton.

"For twenty-six they are famously fresh. They must have taken
you a long time; you work slowly."

"Yes, unfortunately, I work very slowly. One of them took me six weeks,
the other two months."

"Upon my word! The Muse pays you long visits."  And Gloriani turned
and looked, from head to foot, at so unlikely an object of her favors.
Singleton smiled and began to wipe his forehead very hard.
"Oh, you!" said the sculptor; "you 'll keep it up!"

A week after his dinner-party, Rowland went into Roderick's
studio and found him sitting before an unfinished piece of work,
with a hanging head and a heavy eye. He could have fancied
that the fatal hour foretold by Gloriani had struck.
Roderick rose with a sombre yawn and flung down his tools.
"It 's no use," he said, "I give it up!"

"What is it?"

"I have struck a shallow! I have been sailing bravely, but for the last day
or two my keel has been crunching the bottom."

"A difficult place?"  Rowland asked, with a sympathetic inflection,
looking vaguely at the roughly modeled figure.

"Oh, it 's not the poor clay!"  Roderick answered.
"The difficult place is here!"  And he struck a blow on his heart.
"I don't know what 's the matter with me. Nothing comes;
all of a sudden I hate things. My old things look ugly;
everything looks stupid."

Rowland was perplexed. He was in the situation of a man
who has been riding a blood horse at an even, elastic gallop,
and of a sudden feels him stumble and balk. As yet,
he reflected, he had seen nothing but the sunshine of genius;
he had forgotten that it has its storms. Of course it had!
And he felt a flood of comradeship rise in his heart which
would float them both safely through the worst weather.
"Why, you 're tired!" he said. "Of course you 're tired.
You have a right to be!"

"Do you think I have a right to be?"  Roderick asked, looking at him.

"Unquestionably, after all you have done."

"Well, then, right or wrong, I am tired. I certainly have done
a fair winter's work. I want a change."

Rowland declared that it was certainly high time they
should be leaving Rome. They would go north and travel.
They would go to Switzerland, to Germany, to Holland, to England.
Roderick assented, his eye brightened, and Rowland talked
of a dozen things they might do. Roderick walked up and down;
he seemed to have something to say which he hesitated to bring out.
He hesitated so rarely that Rowland wondered, and at last
asked him what was on his mind. Roderick stopped before him,
frowning a little.

"I have such unbounded faith in your good-will," he said,
"that I believe nothing I can say would offend you."

"Try it," said Rowland.

"Well, then, I think my journey will do me more good if I take it alone.
I need n't say I prefer your society to that of any man living.
For the last six months it has been everything to me.
But I have a perpetual feeling that you are expecting something of me,
that you are measuring my doings by a terrifically high standard.
You are watching me; I don't want to be watched. I want to go my own way;
to work when I choose and to loaf when I choose. It is not that I
don't know what I owe you; it is not that we are not friends.
It is simply that I want a taste of absolutely unrestricted freedom.
Therefore, I say, let us separate."

Rowland shook him by the hand. "Willingly. Do as you desire,
I shall miss you, and I venture to believe you 'll pass
some lonely hours. But I have only one request to make:
that if you get into trouble of any kind whatever, you will
immediately let me know."

They began their journey, however, together, and crossed the Alps side
by side, muffled in one rug, on the top of the St. Gothard coach.
Rowland was going to England to pay some promised visits; his companion
had no plan save to ramble through Switzerland and Germany as fancy
guided him. He had money, now, that would outlast the summer;
when it was spent he would come back to Rome and make another statue.
At a little mountain village by the way, Roderick declared that he would stop;
he would scramble about a little in the high places and doze in the shade
of the pine forests. The coach was changing horses; the two young men
walked along the village street, picking their way between dunghills,
breathing the light, cool air, and listening to the plash of the fountain
and the tinkle of cattle-bells. The coach overtook them, and then Rowland,
as he prepared to mount, felt an almost overmastering reluctance.

"Say the word," he exclaimed, "and I will stop too."

Roderick frowned. "Ah, you don't trust me; you don't think I 'm able
to take care of myself. That proves that I was right in feeling
as if I were watched!"

"Watched, my dear fellow!" said Rowland. "I hope you may never have anything
worse to complain of than being watched in the spirit in which I watch you.
But I will spare you even that. Good-by!" Standing in his place, as the coach
rolled away, he looked back at his friend lingering by the roadside.
A great snow-mountain, behind Roderick, was beginning to turn pink
in the sunset. The young man waved his hat, still looking grave.
Rowland settled himself in his place, reflecting after all that this was
a salubrious beginning of independence. He was among forests and glaciers,
leaning on the pure bosom of nature. And then--and then--was it not in itself
a guarantee against folly to be engaged to Mary Garland?

CHAPTER IV. Experience

Rowland passed the summer in England, staying with several
old friends and two or three new ones. On his arrival,
he felt it on his conscience to write to Mrs. Hudson and
inform her that her son had relieved him of his tutelage.
He felt that she considered him an incorruptible Mentor,
following Roderick like a shadow, and he wished to let her know
the truth. But he made the truth very comfortable, and gave
a succinct statement of the young man's brilliant beginnings.
He owed it to himself, he said, to remind her that he had
not judged lightly, and that Roderick's present achievements
were more profitable than his inglorious drudgery at Messrs.
Striker & Spooner's. He was now taking a well-earned
holiday and proposing to see a little of the world.
He would work none the worse for this; every artist
needed to knock about and look at things for himself.
They had parted company for a couple of months, for Roderick was
now a great man and beyond the need of going about with a keeper.
But they were to meet again in Rome in the autumn,
and then he should be able to send her more good news.
Meanwhile, he was very happy in what Roderick had already done--
especially happy in the happiness it must have brought to her.
He ventured to ask to be kindly commended to Miss Garland.

His letter was promptly answered--to his surprise in Miss Garland's
own hand. The same mail brought also an epistle from Cecilia.
The latter was voluminous, and we must content ourselves with
giving an extract.

"Your letter was filled with an echo of that brilliant
Roman world, which made me almost ill with envy. For a week
after I got it I thought Northampton really unpardonably tame.
But I am drifting back again to my old deeps of resignation,
and I rush to the window, when any one passes, with all my old
gratitude for small favors. So Roderick Hudson is already
a great man, and you turn out to be a great prophet?
My compliments to both of you; I never heard of anything
working so smoothly. And he takes it all very quietly,
and does n't lose his balance nor let it turn his head?
You judged him, then, in a day better than I had done in six months,
for I really did not expect that he would settle down into such
a jog-trot of prosperity. I believed he would do fine things,
but I was sure he would intersperse them with a good
many follies, and that his beautiful statues would spring up
out of the midst of a straggling plantation of wild oats.
But from what you tell me,
Mr. Striker may now go hang himself..... There is one thing,
however, to say as a friend, in the way of warning.
That candid soul can keep a secret, and he may have private
designs on your equanimity which you don't begin to suspect.
What do you think of his being engaged to Miss Garland?
The two ladies had given no hint of it all winter, but a fortnight ago,
when those big photographs of his statues arrived, they first
pinned them up on the wall, and then trotted out into the town,
made a dozen calls, and announced the news. Mrs. Hudson did,
at least; Miss Garland, I suppose, sat at home writing letters.
To me, I confess, the thing was a perfect surprise.
I had not a suspicion that all the while he was coming so regularly
to make himself agreeable on my veranda, he was quietly preferring
his cousin to any one else. Not, indeed, that he was ever at
particular pains to make himself agreeable! I suppose he has
picked up a few graces in Rome. But he must not acquire too many:
if he is too polite when he comes back, Miss Garland will count
him as one of the lost. She will be a very good wife for a man
of genius, and such a one as they are often shrewd enough to take.
She 'll darn his stockings and keep his accounts, and sit at home
and trim the lamp and keep up the fire while he studies the Beautiful
in pretty neighbors at dinner-parties. The two ladies are evidently
very happy, and, to do them justice, very humbly grateful to you.
Mrs. Hudson never speaks of you without tears in her eyes, and I am
sure she considers you a specially patented agent of Providence.
Verily, it 's a good thing for a woman to be in love:
Miss Garland has grown almost pretty. I met her the other night
at a tea-party; she had a white rose in her hair, and sang
a sentimental ballad in a fine contralto voice."

Miss Garland's letter was so much shorter that we may give it entire:--

My dear Sir,--Mrs. Hudson, as I suppose you know, has been
for some time unable to use her eyes. She requests me,
therefore, to answer your favor of the 22d of June.
She thanks you extremely for writing, and wishes me to say that she
considers herself in every way under great obligations to you.
Your account of her son's progress and the high estimation
in which he is held has made her very happy, and she earnestly
prays that all may continue well with him. He sent us,
a short time ago, several large photographs of his two statues,
taken from different points of view. We know little about
such things, but they seem to us wonderfully beautiful.
We sent them to Boston to be handsomely framed, and the man,
on returning them, wrote us that he had exhibited them for a week
in his store, and that they had attracted great attention.
The frames are magnificent, and the pictures now hang in a row
on the parlor wall. Our only quarrel with them is that they make
the old papering and the engravings look dreadfully shabby.
Mr. Striker stood and looked at them the other day full five minutes,
and said, at last, that if Roderick's head was running on such
things it was no wonder he could not learn to draw up a deed.
We lead here so quiet and monotonous a life that I am
afraid I can tell you nothing that will interest you.
Mrs. Hudson requests me to say that the little more or less
that may happen to us is of small account, as we live
in our thoughts and our thoughts are fixed on her dear son.
She thanks Heaven he has so good a friend. Mrs. Hudson says
that this is too short a letter, but I can say nothing more.

Yours most respectfully,

Mary Garland.

It is a question whether the reader will know why, but this
letter gave Rowland extraordinary pleasure. He liked its very
brevity and meagreness, and there seemed to him an exquisite
modesty in its saying nothing from the young girl herself.
He delighted in the formal address and conclusion;
they pleased him as he had been pleased by an angular gesture
in some expressive girlish figure in an early painting.
The letter renewed that impression of strong feeling combined
with an almost rigid simplicity, which Roderick's betrothed had
personally given him. And its homely stiffness seemed a vivid
reflection of a life concentrated, as the young girl had borrowed
warrant from her companion to say, in a single devoted idea.
The monotonous days of the two women seemed to Rowland's fancy
to follow each other like the tick-tick of a great time-piece,
marking off the hours which separated them from the supreme
felicity of clasping the far-away son and lover to lips sealed
with the excess of joy. He hoped that Roderick, now that
he had shaken off the oppression of his own importunate faith,
was not losing a tolerant temper for the silent prayers
of the two women at Northampton.

He was left to vain conjectures, however, as to Roderick's actual
moods and occupations. He knew he was no letter-writer, and that,
in the young sculptor's own phrase, he had at any time rather
build a monument than write a note. But when a month had passed
without news of him, he began to be half anxious and half angry,
and wrote him three lines, in the care of a Continental banker,
begging him at least to give some sign of whether he was alive or dead.
A week afterwards came an answer--brief, and dated Baden-Baden. "I
know I have been a great brute," Roderick wrote, "not to have sent
you a word before; but really I don't know what has got into me.
I have lately learned terribly well how to be idle. I am afraid
to think how long it is since I wrote to my mother or to Mary.
Heaven help them--poor, patient, trustful creatures!
I don't know how to tell you what I am doing. It seems all amusing
enough while I do it, but it would make a poor show in a narrative
intended for your formidable eyes. I found Baxter in Switzerland,
or rather he found me, and he grabbed me by the arm and brought me here.
I was walking twenty miles a day in the Alps, drinking milk
in lonely chalets, sleeping as you sleep, and thinking it
was all very good fun; but Baxter told me it would never do,
that the Alps were 'd----d rot,' that Baden-Baden was the place,
and that if I knew what was good for me I would come along with him.
It is a wonderful place, certainly, though, thank the Lord,
Baxter departed last week, blaspheming horribly at trente et quarante.
But you know all about it and what one does--what one is liable to do.
I have succumbed, in a measure, to the liabilities, and I wish
I had some one here to give me a thundering good blowing up.
Not you, dear friend; you would draw it too mild; you have too
much of the milk of human kindness. I have fits of horrible
homesickness for my studio, and I shall be devoutly grateful
when the summer is over and I can go back and swing a chisel.
I feel as if nothing but the chisel would satisfy me;
as if I could rush in a rage at a block of unshaped marble.
There are a lot of the Roman people here, English and American;
I live in the midst of them and talk nonsense from morning till night.
There is also some one else; and to her I don't talk sense, nor,
thank heaven, mean what I say. I confess, I need a month's work
to recover my self-respect."

These lines brought Rowland no small perturbation;
the more, that what they seemed to point to surprised him.
During the nine months of their companionship Roderick had shown
so little taste for dissipation that Rowland had come to think
of it as a canceled danger, and it greatly perplexed him to learn
that his friend had apparently proved so pliant to opportunity.
But Roderick's allusions were ambiguous, and it was possible they
might simply mean that he was out of patience with a frivolous
way of life and fretting wholesomely over his absent work.
It was a very good thing, certainly, that idleness should prove,
on experiment, to sit heavily on his conscience. Nevertheless, the letter
needed, to Rowland's mind, a key: the key arrived a week later.
"In common charity," Roderick wrote, "lend me a hundred pounds!
I have gambled away my last franc--I have made a mountain of debts.
Send me the money first; lecture me afterwards!"  Rowland sent
the money by return of mail; then he proceeded, not to lecture,
but to think. He hung his head; he was acutely disappointed.
He had no right to be, he assured himself; but so it was.
Roderick was young, impulsive, unpracticed in stoicism; it was a
hundred to one that he was to pay the usual vulgar tribute to folly.
But his friend had regarded it as securely gained to his own
belief in virtue that he was not as other foolish youths are,
and that he would have been capable of looking at folly in the face
and passing on his way. Rowland for a while felt a sore sense of wrath.
What right had a man who was engaged to that fine girl in Northampton
to behave as if his consciousness were a common blank, to be overlaid
with coarse sensations? Yes, distinctly, he was disappointed.
He had accompanied his missive with an urgent recommendation to leave
Baden-Baden immediately, and an offer to meet Roderick at any point
he would name. The answer came promptly; it ran as follows:
"Send me another fifty pounds! I have been back to the tables.
I will leave as soon as the money comes, and meet you at Geneva.
There I will tell you everything."

There is an ancient terrace at Geneva, planted with trees and studded
with benches, overlooked by gravely aristocratic old dwellings
and overlooking the distant Alps. A great many generations have made
it a lounging-place, a great many friends and lovers strolled there,
a great many confidential talks and momentous interviews gone forward.
Here, one morning, sitting on one of the battered green benches,
Roderick, as he had promised, told his friend everything.
He had arrived late the night before; he looked tired, and yet flushed
and excited. He made no professions of penitence, but he practiced
an unmitigated frankness, and his self-reprobation might be taken
for granted. He implied in every phrase that he had done with it all,
and that he was counting the hours till he could get back to work.
We shall not rehearse his confession in detail; its main outline
will be sufficient. He had fallen in with some very idle people,
and had discovered that a little example and a little practice were capable
of producing on his own part a considerable relish for their diversions.
What could he do? He never read, and he had no studio; in one way
or another he had to pass the time. He passed it in dangling about
several very pretty women in wonderful Paris toilets, and reflected
that it was always something gained for a sculptor to sit under a tree,
looking at his leisure into a charming face and saying things that made
it smile and play its muscles and part its lips and show its teeth.
Attached to these ladies were certain gentlemen who walked about in clouds
of perfume, rose at midday, and supped at midnight. Roderick had
found himself in the mood for thinking them very amusing fellows.
He was surprised at his own taste, but he let it take its course.
It led him to the discovery that to live with ladies who expect you
to present them with expensive bouquets, to ride with them in the Black
Forest on well-looking horses, to come into their opera-boxes on nights
when Patti sang and prices were consequent, to propose little light
suppers at the Conversation House after the opera or drives by moonlight
to the Castle, to be always arrayed and anointed, trinketed and gloved,--
that to move in such society, we say, though it might be a privilege,
was a privilege with a penalty attached. But the tables made such
things easy; half the Baden world lived by the tables. Roderick tried
them and found that at first they smoothed his path delightfully.
This simplification of matters, however, was only momentary,
for he soon perceived that to seem to have money, and to have it
in fact, exposed a good-looking young man to peculiar liabilities.
At this point of his friend's narrative, Rowland was reminded of
Madame de Cruchecassee in The Newcomes, and though he had listened
in tranquil silence to the rest of it, he found it hard not to say
that all this had been, under the circumstances, a very bad business.
Roderick admitted it with bitterness, and then told how much--
measured simply financially--it had cost him. His luck had changed;
the tables had ceased to back him, and he had found himself up
to his knees in debt. Every penny had gone of the solid sum which
had seemed a large equivalent of those shining statues in Rome.
He had been an ass, but it was not irreparable; he could make another
statue in a couple of months.

Rowland frowned. "For heaven's sake," he said, "don't play such
dangerous games with your facility. If you have got facility,
revere it, respect it, adore it, treasure it--don't speculate on it."
And he wondered what his companion, up to his knees in debt, would have done
if there had been no good-natured Rowland Mallet to lend a helping hand.
But he did not formulate his curiosity audibly, and the contingency
seemed not to have presented itself to Roderick's imagination.
The young sculptor reverted to his late adventures again in the evening,
and this time talked of them more objectively, as the phrase is;
more as if they had been the adventures of another person.
He related half a dozen droll things that had happened to him,
and, as if his responsibility had been disengaged by all this
free discussion, he laughed extravagantly at the memory of them.
Rowland sat perfectly grave, on principle. Then Roderick began
to talk of half a dozen statues that he had in his head, and set forth
his design, with his usual vividness. Suddenly, as it was relevant,
he declared that his Baden doings had not been altogether fruitless,
for that the lady who had reminded Rowland of Madame de Cruchecassee
was tremendously statuesque. Rowland at last said that it
all might pass if he felt that he was really the wiser for it.
"By the wiser," he added, "I mean the stronger in purpose, in will."

"Oh, don't talk about will!"  Roderick answered, throwing back his head
and looking at the stars. This conversation also took place in the open air,
on the little island in the shooting Rhone where Jean-Jacques has
a monument. "The will, I believe, is the mystery of mysteries.
Who can answer for his will? who can say beforehand that it 's strong?
There are all kinds of indefinable currents moving to and fro between
one's will and one's inclinations. People talk as if the two things
were essentially distinct; on different sides of one's organism,
like the heart and the liver. Mine, I know, are much nearer together.
It all depends upon circumstances. I believe there is a certain group
of circumstances possible for every man, in which his will is destined
to snap like a dry twig."

"My dear boy," said Rowland, "don't talk about the will being 'destined.'
The will is destiny itself. That 's the way to look at it."

"Look at it, my dear Rowland," Roderick answered, "as you
find most comfortable. One conviction I have gathered from
my summer's experience," he went on--"it 's as well to look
it frankly in the face--is that I possess an almost unlimited
susceptibility to the influence of a beautiful woman."

Rowland stared, then strolled away, softly whistling to himself.
He was unwilling to admit even to himself that this speech
had really the sinister meaning it seemed to have.
In a few days the two young men made their way back to Italy,
and lingered a while in Florence before going on to Rome.
In Florence Roderick seemed to have won back his old innocence
and his preference for the pleasures of study over any others.
Rowland began to think of the Baden episode as a bad dream,
or at the worst as a mere sporadic piece of disorder,
without roots in his companion's character.
They passed a fortnight looking at pictures and exploring
for out the way bits of fresco and carving, and Roderick
recovered all his earlier fervor of appreciation and comment.
In Rome he went eagerly to work again, and finished in a month
two or three small things he had left standing on his departure.
He talked the most joyous nonsense about finding himself back
in his old quarters. On the first Sunday afternoon following
their return, on their going together to Saint Peter's, he delivered
himself of a lyrical greeting to the great church and to the city
in general, in a tone of voice so irrepressibly elevated
that it rang through the nave in rather a scandalous fashion,
and almost arrested a procession of canons who were marching
across to the choir. He began to model a new statue--
a female figure, of which he had said nothing to Rowland.
It represented a woman, leaning lazily back in her chair,
with her head drooping as if she were listening, a vague smile
on her lips, and a pair of remarkably beautiful arms folded
in her lap. With rather less softness of contour, it would
have resembled the noble statue of Agrippina in the Capitol.
Rowland looked at it and was not sure he liked it.
"Who is it? what does it mean?" he asked.

"Anything you please!" said Roderick, with a certain petulance.
"I call it A Reminiscence."

Rowland then remembered that one of the Baden ladies had been
"statuesque," and asked no more questions. This, after all,
was a way of profiting by experience. A few days later he took
his first ride of the season on the Campagna, and as, on his
homeward way, he was passing across the long shadow of a ruined tower,
he perceived a small figure at a short distance, bent over a
sketch-book. As he drew near, he recognized his friend Singleton.
The honest little painter's face was scorched to flame-color
by the light of southern suns, and borrowed an even deeper crimson
from his gleeful greeting of his most appreciative patron.
He was making a careful and charming little sketch.
On Rowland's asking him how he had spent his summer, he gave
an account of his wanderings which made poor Mallet sigh with a
sense of more contrasts than one. He had not been out of Italy,
but he had been delving deep into the picturesque heart of
the lovely land, and gathering a wonderful store of subjects.
He had rambled about among the unvisited villages of the Apennines,
pencil in hand and knapsack on back, sleeping on straw and eating black
bread and beans, but feasting on local color, rioting, as it were,
on chiaroscuro, and laying up a treasure of pictorial observations.
He took a devout satisfaction in his hard-earned wisdom and his
happy frugality. Rowland went the next day, by appointment,
to look at his sketches, and spent a whole morning turning them over.
Singleton talked more than he had ever done before, explained them all,
and told some quaintly humorous anecdote about the production of each.

"Dear me, how I have chattered!" he said at last. "I am afraid
you had rather have looked at the things in peace and quiet.
I did n't know I could talk so much. But somehow, I feel very happy;
I feel as if I had improved."

"That you have," said Rowland. "I doubt whether an artist
ever passed a more profitable three months. You must feel
much more sure of yourself."

Singleton looked for a long time with great intentness at a knot in
the floor. "Yes," he said at last, in a fluttered tone, "I feel much
more sure of myself. I have got more facility!"  And he lowered his voice
as if he were communicating a secret which it took some courage to impart.
"I hardly like to say it, for fear I should after all be mistaken.
But since it strikes you, perhaps it 's true. It 's a great happiness;
I would not exchange it for a great deal of money."

"Yes, I suppose it 's a great happiness," said Rowland.
"I shall really think of you as living here in a state of
scandalous bliss. I don't believe it 's good for an artist
to be in such brutally high spirits."

Singleton stared for a moment, as if he thought Rowland was in earnest;
then suddenly fathoming the kindly jest, he walked about the room,
scratching his head and laughing intensely to himself. "And Mr. Hudson?"
he said, as Rowland was going; "I hope he is well and happy."

"He is very well," said Rowland. "He is back at work again."

"Ah, there 's a man," cried Singleton, "who has taken his start once for all,
and does n't need to stop and ask himself in fear and trembling every month
or two whether he is advancing or not. When he stops, it 's to rest!
And where did he spend his summer?"

"The greater part of it at Baden-Baden."

"Ah, that 's in the Black Forest," cried Singleton, with profound simplicity.
"They say you can make capital studies of trees there."

"No doubt," said Rowland, with a smile, laying an almost
paternal hand on the little painter's yellow head.
"Unfortunately trees are not Roderick's line. Nevertheless, he tells
me that at Baden he made some studies. Come when you can,
by the way," he added after a moment, "to his studio,
and tell me what you think of something he has lately begun."
Singleton declared that he would come delightedly, and Rowland
left him to his work.

He met a number of his last winter's friends again, and called upon
Madame Grandoni, upon Miss Blanchard, and upon Gloriani, shortly after
their return. The ladies gave an excellent account of themselves.
Madame Grandoni had been taking sea-baths at Rimini, and Miss Blanchard
painting wild flowers in the Tyrol. Her complexion was somewhat browned,
which was very becoming, and her flowers were uncommonly pretty.
Gloriani had been in Paris and had come away in high good-humor,
finding no one there, in the artist-world, cleverer than himself.
He came in a few days to Roderick's studio, one afternoon when Rowland
was present. He examined the new statue with great deference, said it was
very promising, and abstained, considerately, from irritating prophecies.
But Rowland fancied he observed certain signs of inward jubilation
on the clever sculptor's part, and walked away with him to learn
his private opinion.

"Certainly; I liked it as well as I said," Gloriani declared in answer
to Rowland's anxious query; "or rather I liked it a great deal better.
I did n't say how much, for fear of making your friend angry.
But one can leave him alone now, for he 's coming round. I told you he could
n't keep up the transcendental style, and he has already broken down.
Don't you see it yourself, man?"

"I don't particularly like this new statue," said Rowland.

"That 's because you 're a purist. It 's deuced clever, it 's deuced knowing,
it 's deuced pretty, but it is n't the topping high art of three months ago.
He has taken his turn sooner than I supposed. What has happened to him?
Has he been disappointed in love? But that 's none of my business.
I congratulate him on having become a practical man."

Roderick, however, was less to be congratulated than Gloriani had taken
it into his head to believe. He was discontented with his work,
he applied himself to it by fits and starts, he declared that he did
n't know what was coming over him; he was turning into a man of moods.
"Is this of necessity what a fellow must come to"--he asked of Rowland,
with a sort of peremptory flash in his eye, which seemed to imply
that his companion had undertaken to insure him against perplexities
and was not fulfilling his contract--"this damnable uncertainty
when he goes to bed at night as to whether he is going to wake up
in a working humor or in a swearing humor? Have we only a season,
over before we know it, in which we can call our faculties our own?
Six months ago I could stand up to my work like a man, day after day,
and never dream of asking myself whether I felt like it.
But now, some mornings, it 's the very devil to get going.
My statue looks so bad when I come into the studio that I have twenty
minds to smash it on the spot, and I lose three or four hours
in sitting there, moping and getting used to it."

Rowland said that he supposed that this sort of thing was the lot of
every artist and that the only remedy was plenty of courage and faith.
And he reminded him of Gloriani's having forewarned him against these
sterile moods the year before.

"Gloriani 's an ass!" said Roderick, almost fiercely.
He hired a horse and began to ride with Rowland on the Campagna.
This delicious amusement restored him in a measure to cheerfulness,
but seemed to Rowland on the whole not to stimulate his industry.
Their rides were always very long, and Roderick insisted on making
them longer by dismounting in picturesque spots and stretching
himself in the sun among a heap of overtangled stones.
He let the scorching Roman luminary beat down upon him
with an equanimity which Rowland found it hard to emulate.
But in this situation Roderick talked so much amusing nonsense that,
for the sake of his company, Rowland consented to be uncomfortable,
and often forgot that, though in these diversions the days
passed quickly, they brought forth neither high art nor low.
And yet it was perhaps by their help, after all, that Roderick
secured several mornings of ardent work on his new figure,
and brought it to rapid completion. One afternoon, when it
was finished, Rowland went to look at it, and Roderick asked
him for his opinion.

"What do you think yourself?"  Rowland demanded, not from pusillanimity,
but from real uncertainty.

"I think it is curiously bad," Roderick answered.
"It was bad from the first; it has fundamental vices.
I have shuffled them in a measure out of sight, but I have not
corrected them. I can't--I can't--I can't!" he cried passionately.
"They stare me in the face--they are all I see!"

Rowland offered several criticisms of detail, and suggested certain
practicable changes. But Roderick differed with him on each of these points;
the thing had faults enough, but they were not those faults.
Rowland, unruffled, concluded by saying that whatever its faults might be,
he had an idea people in general would like it.

"I wish to heaven some person in particular would buy it,
and take it off my hands and out of my sight!"  Roderick cried.
"What am I to do now?" he went on. "I have n't an idea.
I think of subjects, but they remain mere lifeless names.
They are mere words--they are not images. What am I to do?"

Rowland was a trifle annoyed. "Be a man," he was on the point of saying,
"and don't, for heaven's sake, talk in that confoundedly querulous voice."
But before he had uttered the words, there rang through the studio a loud,
peremptory ring at the outer door.

Roderick broke into a laugh. "Talk of the devil,"
he said, "and you see his horns! If that 's not a customer,
it ought to be."

The door of the studio was promptly flung open, and a lady
advanced to the threshold--an imposing, voluminous person,
who quite filled up the doorway. Rowland immediately felt
that he had seen her before, but he recognized her only when she
moved forward and disclosed an attendant in the person of a little
bright-eyed, elderly gentleman, with a bristling white moustache.
Then he remembered that just a year before he and his companion
had seen in the Ludovisi gardens a wonderfully beautiful girl,
strolling in the train of this conspicuous couple.
He looked for her now, and in a moment she appeared, following her
companions with the same nonchalant step as before, and leading
her great snow-white poodle, decorated with motley ribbons.
The elder lady offered the two young men a sufficiently gracious salute;
the little old gentleman bowed and smiled with extreme alertness.
The young girl, without casting a glance either at Roderick
or at Rowland, looked about for a chair, and, on perceiving one,
sank into it listlessly, pulled her poodle towards her,
and began to rearrange his top-knot. Rowland saw that,
even with her eyes dropped, her beauty was still dazzling.

"I trust we are at liberty to enter," said the elder lady, with majesty.
"We were told that Mr. Hudson had no fixed day, and that we might come
at any time. Let us not disturb you."

Roderick, as one of the lesser lights of the Roman art-world, had
not hitherto been subject to incursions from inquisitive tourists,
and, having no regular reception day, was not versed in the usual
formulas of welcome. He said nothing, and Rowland, looking at him,
saw that he was looking amazedly at the young girl and was apparently
unconscious of everything else. "By Jove!" he cried precipitately,
"it 's that goddess of the Villa Ludovisi!"  Rowland in some confusion,
did the honors as he could, but the little old gentleman begged him
with the most obsequious of smiles to give himself no trouble.
"I have been in many a studio!" he said, with his finger on his nose
and a strong Italian accent.

"We are going about everywhere," said his companion.
"I am passionately fond of art!"

Rowland smiled sympathetically, and let them turn to Roderick's statue.
He glanced again at the young sculptor, to invite him to bestir himself,
but Roderick was still gazing wide-eyed at the beautiful young
mistress of the poodle, who by this time had looked up and was
gazing straight at him. There was nothing bold in her look;
it expressed a kind of languid, imperturbable indifference.
Her beauty was extraordinary; it grew and grew as the young
man observed her. In such a face the maidenly custom of
averted eyes and ready blushes would have seemed an anomaly;
nature had produced it for man's delight and meant that it
should surrender itself freely and coldly to admiration.
It was not immediately apparent, however, that the young lady
found an answering entertainment in the physiognomy of her host;
she turned her head after a moment and looked idly round the room,
and at last let her eyes rest on the statue of the woman seated.
It being left to Rowland to stimulate conversation, he began
by complimenting her on the beauty of her dog.

"Yes, he 's very handsome," she murmured. "He 's a Florentine.
The dogs in Florence are handsomer than the people."
And on Rowland's caressing him: "His name is Stenterello,"
she added. "Stenterello, give your hand to the gentleman."
This order was given in Italian. "Say buon giorno a lei."

Stenterello thrust out his paw and gave four short, shrill barks;
upon which the elder lady turned round and raised her forefinger.

"My dear, my dear, remember where you are! Excuse my foolish child,"
she added, turning to Roderick with an agreeable smile.
"She can think of nothing but her poodle."

"I am teaching him to talk for me," the young girl went on,
without heeding her mother; "to say little things in society.
It will save me a great deal of trouble. Stenterello, love,
give a pretty smile and say tanti complimenti!"
The poodle wagged his white pate--it looked like one of those
little pads in swan's-down, for applying powder to the face--
and repeated the barking process.

"He is a wonderful beast," said Rowland.

"He is not a beast," said the young girl. "A beast is something
black and dirty--something you can't touch."

"He is a very valuable dog," the elder lady explained.
"He was presented to my daughter by a Florentine nobleman."

"It is not for that I care about him. It is for himself.
He is better than the prince."

"My dear, my dear!" repeated the mother in deprecating accents,
but with a significant glance at Rowland which seemed to bespeak
his attention to the glory of possessing a daughter who could
deal in that fashion with the aristocracy.

Rowland remembered that when their unknown visitors had passed
before them, a year previous, in the Villa Ludovisi, Roderick and he had
exchanged conjectures as to their nationality and social quality.
Roderick had declared that they were old-world people; but Rowland
now needed no telling to feel that he might claim the elder lady as a
fellow-countrywoman. She was a person of what is called a great deal
of presence, with the faded traces, artfully revived here and there,
of once brilliant beauty. Her daughter had come lawfully by her loveliness,
but Rowland mentally made the distinction that the mother was silly
and that the daughter was not. The mother had a very silly mouth--
a mouth, Rowland suspected, capable of expressing an inordinate
degree of unreason. The young girl, in spite of her childish
satisfaction in her poodle, was not a person of feeble understanding.
Rowland received an impression that, for reasons of her own,
she was playing a part. What was the part and what were her reasons?
She was interesting; Rowland wondered what were her domestic secrets.
If her mother was a daughter of the great Republic, it was to be
supposed that the young girl was a flower of the American soil;
but her beauty had a robustness and tone uncommon in the somewhat
facile loveliness of our western maidenhood. She spoke with a vague
foreign accent, as if she had spent her life in strange countries.
The little Italian apparently divined Rowland's mute imaginings,
for he presently stepped forward, with a bow like a master of ceremonies.
"I have not done my duty," he said, "in not announcing these ladies.
Mrs. Light, Miss Light!"

Rowland was not materially the wiser for this information, but Roderick
was aroused by it to the exercise of some slight hospitality.
He altered the light, pulled forward two or three figures,
and made an apology for not having more to show. "I don't pretend
to have anything of an exhibition--I am only a novice."

"Indeed?--a novice! For a novice this is very well," Mrs. Light declared.
"Cavaliere, we have seen nothing better than this."

The Cavaliere smiled rapturously. "It is stupendous!" he murmured.
"And we have been to all the studios."

"Not to all--heaven forbid!" cried Mrs. Light. "But to a number that I
have had pointed out by artistic friends. I delight in studios:
they are the temples of the beautiful here below. And if you are
a novice, Mr. Hudson," she went on, "you have already great admirers.
Half a dozen people have told us that yours were among the things to see."
This gracious speech went unanswered; Roderick had already wandered across
to the other side of the studio and was revolving about Miss Light.
"Ah, he 's gone to look at my beautiful daughter; he is not the first
that has had his head turned," Mrs. Light resumed, lowering her
voice to a confidential undertone; a favor which, considering the
shortness of their acquaintance, Rowland was bound to appreciate.
"The artists are all crazy about her. When she goes into a studio
she is fatal to the pictures. And when she goes into a ball-room
what do the other women say? Eh, Cavaliere?"

"She is very beautiful," Rowland said, gravely.

Mrs. Light, who through her long, gold-cased glass was looking a little
at everything, and at nothing as if she saw it, interrupted her random
murmurs and exclamations, and surveyed Rowland from head to foot.
She looked at him all over; apparently he had not been mentioned
to her as a feature of Roderick's establishment. It was the gaze,
Rowland felt, which the vigilant and ambitious mamma of a beautiful
daughter has always at her command for well-dressed young men of
candid physiognomy. Her inspection in this case seemed satisfactory.
"Are you also an artist?" she inquired with an almost caressing inflection.
It was clear that what she meant was something of this kind:
"Be so good as to assure me without delay that you are really the young
man of substance and amiability that you appear."

But Rowland answered simply the formal question--not the latent one.
"Dear me, no; I am only a friend of Mr. Hudson."

Mrs. Light, with a sigh, returned to the statues, and after mistaking
the Adam for a gladiator, and the Eve for a Pocahontas, declared that she
could not judge of such things unless she saw them in the marble.
Rowland hesitated a moment, and then speaking in the interest of
Roderick's renown, said that he was the happy possessor of several
of his friend's works and that she was welcome to come and see them
at his rooms. She bade the Cavaliere make a note of his address.
"Ah, you 're a patron of the arts," she said. "That 's what I should
like to be if I had a little money. I delight in beauty in every form.
But all these people ask such monstrous prices. One must be a millionaire,
to think of such things, eh? Twenty years ago my husband had my portrait
painted, here in Rome, by Papucci, who was the great man in those days.
I was in a ball dress, with all my jewels, my neck and arms, and all that.
The man got six hundred francs, and thought he was very well treated.
Those were the days when a family could live like princes in Italy for five
thousand scudi a year. The Cavaliere once upon a time was a great dandy--
don't blush, Cavaliere; any one can see that, just as any one can see that I
was once a pretty woman! Get him to tell you what he made a figure upon.
The railroads have brought in the vulgarians. That 's what I call it now--
the invasion of the vulgarians! What are poor we to do?"

Rowland had begun to murmur some remedial proposition,
when he was interrupted by the voice of Miss Light calling
across the room, "Mamma!"

"My own love?"

"This gentleman wishes to model my bust. Please speak to him."

The Cavaliere gave a little chuckle. "Already?" he cried.

Rowland looked round, equally surprised at the promptitude of the proposal.
Roderick stood planted before the young girl with his arms folded,
looking at her as he would have done at the Medicean Venus.
He never paid compliments, and Rowland, though he had not heard him speak,
could imagine the startling distinctness with which he made his request.

"He saw me a year ago," the young girl went on, "and he has
been thinking of me ever since."  Her tone, in speaking,
was peculiar; it had a kind of studied inexpressiveness,
which was yet not the vulgar device of a drawl.

"I must make your daughter's bust--that 's all, madame!"
cried Roderick, with warmth.

"I had rather you made the poodle's," said the young girl.
"Is it very tiresome? I have spent half my life sitting for my photograph,
in every conceivable attitude and with every conceivable coiffure.
I think I have posed enough."

"My dear child," said Mrs. Light, "it may be one's duty to pose.
But as to my daughter's sitting to you, sir--to a young sculptor
whom we don't know--it is a matter that needs reflection.
It is not a favor that 's to be had for the mere asking."

"If I don't make her from life," said Roderick, with energy,
"I will make her from memory, and if the thing 's to be done,
you had better have it done as well as possible."

"Mamma hesitates," said Miss Light, "because she does n't
know whether you mean she shall pay you for the bust.
I can assure you that she will not pay you a sou."

"My darling, you forget yourself," said Mrs. Light, with an attempt
at majestic severity. "Of course," she added, in a moment,
with a change of note, "the bust would be my own property."

"Of course!" cried Roderick, impatiently.

"Dearest mother," interposed the young girl, "how can
you carry a marble bust about the world with you?
Is it not enough to drag the poor original?"

"My dear, you 're nonsensical!" cried Mrs. Light, almost angrily.

"You can always sell it," said the young girl, with the
same artful artlessness.

Mrs. Light turned to Rowland, who pitied her, flushed and irritated.
"She is very wicked to-day!"

The Cavaliere grinned in silence and walked away on tiptoe,
with his hat to his lips, as if to leave the field clear for action.
Rowland, on the contrary, wished to avert the coming storm.
"You had better not refuse," he said to Miss Light,
"until you have seen Mr. Hudson's things in the marble.
Your mother is to come and look at some that I possess."

"Thank you; I have no doubt you will see us. I dare say
Mr. Hudson is very clever; but I don't care for modern sculpture.
I can't look at it!"

"You shall care for my bust, I promise you!" cried Roderick,
with a laugh.

"To satisfy Miss Light," said the Cavaliere, "one of the old
Greeks ought to come to life."

"It would be worth his while," said Roderick, paying, to Rowland's knowledge,
his first compliment.

"I might sit to Phidias, if he would promise to be very amusing and make
me laugh. What do you say, Stenterello? would you sit to Phidias?"

"We must talk of this some other time," said Mrs. Light. "We are
in Rome for the winter. Many thanks. Cavaliere, call the carriage."
The Cavaliere led the way out, backing like a silver-stick, and
Miss Light, following her mother, nodded, without looking at them,
to each of the young men.

"Immortal powers, what a head!" cried Roderick, when they had gone.
"There 's my fortune!"

"She is certainly very beautiful," said Rowland.
"But I 'm sorry you have undertaken her bust."

"And why, pray?"

"I suspect it will bring trouble with it."

"What kind of trouble?"

"I hardly know. They are queer people. The mamma, I suspect, is the least
bit of an adventuress. Heaven knows what the daughter is."

"She 's a goddess!" cried Roderick.

"Just so. She is all the more dangerous."

"Dangerous? What will she do to me? She does n't bite, I imagine."

"It remains to be seen. There are two kinds of women--
you ought to know it by this time--the safe and the unsafe.
Miss Light, if I am not mistaken, is one of the unsafe.
A word to the wise!"

"Much obliged!" said Roderick, and he began to whistle a triumphant air,
in honor, apparently, of the advent of his beautiful model.

In calling this young lady and her mamma "queer people,"
Rowland but roughly expressed his sentiment. They were so marked
a variation from the monotonous troop of his fellow-country people
that he felt much curiosity as to the sources of the change,
especially since he doubted greatly whether, on the whole,
it elevated the type. For a week he saw the two ladies driving
daily in a well-appointed landau, with the Cavaliere and the poodle
in the front seat. From Mrs. Light he received a gracious salute,
tempered by her native majesty; but the young girl, looking straight
before her, seemed profoundly indifferent to observers.
Her extraordinary beauty, however, had already made observers
numerous and given the habitues of the Pincian plenty to talk about.
The echoes of their commentary reached Rowland's ears; but he had little
taste for random gossip, and desired a distinctly veracious informant.
He had found one in the person of Madame Grandoni, for whom
Mrs. Light and her beautiful daughter were a pair of old friends.

"I have known the mamma for twenty years," said this judicious critic,
"and if you ask any of the people who have been living
here as long as I, you will find they remember her well.
I have held the beautiful Christina on my knee when she was a
little wizened baby with a very red face and no promise of beauty
but those magnificent eyes. Ten years ago Mrs. Light disappeared,
and has not since been seen in Rome, except for a few days
last winter, when she passed through on her way to Naples.
Then it was you met the trio in the Ludovisi gardens.
When I first knew her she was the unmarried but very marriageable
daughter of an old American painter of very bad landscapes,
which people used to buy from charity and use for fire-boards.
His name was Savage; it used to make every one laugh,
he was such a mild, melancholy, pitiful old gentleman.
He had married a horrible wife, an Englishwoman who had been
on the stage. It was said she used to beat poor Savage
with his mahl-stick and when the domestic finances were low
to lock him up in his studio and tell him he should n't
come out until he had painted half a dozen of his daubs.
She had a good deal of showy beauty. She would then go forth, and,
her beauty helping, she would make certain people take the pictures.
It helped her at last to make an English lord run away with her.
At the time I speak of she had quite disappeared.
Mrs. Light was then a very handsome girl, though by no means
so handsome as her daughter has now become. Mr. Light was an
American consul, newly appointed at one of the Adriatic ports.
He was a mild, fair-whiskered young man, with some little property,
and my impression is that he had got into bad company at home,
and that his family procured him his place to keep him
out of harm's way. He came up to Rome on a holiday,
fell in love with Miss Savage, and married her on the spot.
He had not been married three years when he was drowned
in the Adriatic, no one ever knew how. The young widow came
back to Rome, to her father, and here shortly afterwards,
in the shadow of Saint Peter's, her little girl was born.
It might have been supposed that Mrs. Light would marry again,
and I know she had opportunities. But she overreached herself.
She would take nothing less than a title and a fortune,
and they were not forthcoming. She was admired and very
fond of admiration; very vain, very worldly, very silly.
She remained a pretty widow, with a surprising variety
of bonnets and a dozen men always in her train.
Giacosa dates from this period. He calls himself a Roman,
but I have an impression he came up from Ancona with her.
He was l'ami de la maison. He used to hold her bouquets,
clean her gloves (I was told), run her errands, get her
opera-boxes, and fight her battles with the shopkeepers.
For this he needed courage, for she was smothered in debt.
She at last left Rome to escape her creditors. Many of them must
remember her still, but she seems now to have money to satisfy them.
She left her poor old father here alone--helpless, infirm and
unable to work. A subscription was shortly afterwards taken
up among the foreigners, and he was sent back to America,
where, as I afterwards heard, he died in some sort of asylum.
From time to time, for several years, I heard vaguely of Mrs. Light
as a wandering beauty at French and German watering-places.
Once came a rumor that she was going to make a grand marriage
in England; then we heard that the gentleman had thought
better of it and left her to keep afloat as she could.
She was a terribly scatter-brained creature. She pretends
to be a great lady, but I consider that old Filomena,
my washer-woman, is in essentials a greater one.
But certainly, after all, she has been fortunate.
She embarked at last on a lawsuit about some property,
with her husband's family, and went to America to attend to it.
She came back triumphant, with a long purse. She reappeared
in Italy, and established herself for a while in Venice.
Then she came to Florence, where she spent a couple of years
and where I saw her. Last year she passed down to Naples,
which I should have said was just the place for her, and this
winter she has laid siege to Rome. She seems very prosperous.
She has taken a floor in the Palazzo F----, she keeps her carriage,
and Christina and she, between them, must have a pretty
milliner's bill. Giacosa has turned up again, looking as if
he had been kept on ice at Ancona, for her return."

"What sort of education," Rowland asked, "do you imagine the mother's
adventures to have been for the daughter?"

"A strange school! But Mrs. Light told me, in Florence, that she
had given her child the education of a princess. In other words,
I suppose, she speaks three or four languages, and has read several
hundred French novels. Christina, I suspect, is very clever.
When I saw her, I was amazed at her beauty, and, certainly, if there
is any truth in faces, she ought to have the soul of an angel.
Perhaps she has. I don't judge her; she 's an extraordinary young person.
She has been told twenty times a day by her mother, since she was
five years old, that she is a beauty of beauties, that her face is
her fortune, and that, if she plays her cards, she may marry a duke.
If she has not been fatally corrupted, she is a very superior girl.
My own impression is that she is a mixture of good and bad, of ambition
and indifference. Mrs. Light, having failed to make her own fortune
in matrimony, has transferred her hopes to her daughter, and nursed
them till they have become a kind of monomania. She has a hobby,
which she rides in secret; but some day she will let you see it.
I 'm sure that if you go in some evening unannounced, you will find
her scanning the tea-leaves in her cup, or telling her daughter's
fortune with a greasy pack of cards, preserved for the purpose.
She promises her a prince--a reigning prince. But if Mrs. Light
is silly, she is shrewd, too, and, lest considerations of state
should deny her prince the luxury of a love-match, she keeps on
hand a few common mortals. At the worst she would take a duke,
an English lord, or even a young American with a proper number
of millions. The poor woman must be rather uncomfortable.
She is always building castles and knocking them down again--
always casting her nets and pulling them in. If her daughter were
less of a beauty, her transparent ambition would be very ridiculous;
but there is something in the girl, as one looks at her, that seems
to make it very possible she is marked out for one of those wonderful
romantic fortunes that history now and then relates. 'Who, after all,
was the Empress of the French?'  Mrs. Light is forever saying.
'And beside Christina the Empress is a dowdy!' "

"And what does Christina say?"

"She makes no scruple, as you know, of saying that her
mother is a fool. What she thinks, heaven knows.
I suspect that, practically, she does not commit herself.
She is excessively proud, and thinks herself good enough
to occupy the highest station in the world; but she knows
that her mother talks nonsense, and that even a beautiful
girl may look awkward in making unsuccessful advances.
So she remains superbly indifferent, and lets her mother take
the risks. If the prince is secured, so much the better;
if he is not, she need never confess to herself that even
a prince has slighted her."

"Your report is as solid," Rowland said to Madame Grandoni,
thanking her, "as if it had been prepared for the Academy of Sciences;
" and he congratulated himself on having listened to it when, a couple
of days later, Mrs. Light and her daughter, attended by the Cavaliere
and the poodle, came to his rooms to look at Roderick's statues.
It was more comfortable to know just with whom he was dealing.

Mrs. Light was prodigiously gracious, and showered down compliments not
only on the statues, but on all his possessions. "Upon my word," she said,
"you men know how to make yourselves comfortable. If one of us poor women
had half as many easy-chairs and knick-knacks, we should be famously abused.
It 's really selfish to be living all alone in such a place as this.
Cavaliere, how should you like this suite of rooms and a fortune to fill them
with pictures and statues? Christina, love, look at that mosaic table.
Mr. Mallet, I could almost beg it from you. Yes, that Eve is certainly
very fine. We need n't be ashamed of such a great-grandmother as that.
If she was really such a beautiful woman, it accounts for the good looks
of some of us. Where is Mr. What 's-his-name, the young sculptor?
Why is n't he here to be complimented?"

Christina had remained but for a moment in the chair which Rowland
had placed for her, had given but a cursory glance at the statues,
and then, leaving her place, had begun to wander round the room--
looking at herself in the mirror, touching the ornaments and curiosities,
glancing at the books and prints. Rowland's sitting-room was
encumbered with bric-a-brac, and she found plenty of occupation.
Rowland presently joined her, and pointed out some of the objects
he most valued.

"It 's an odd jumble," she said frankly. "Some things are very pretty--
some are very ugly. But I like ugly things, when they have a
certain look. Prettiness is terribly vulgar nowadays, and it is
not every one that knows just the sort of ugliness that has chic.
But chic is getting dreadfully common too. There 's a hint of it
even in Madame Baldi's bonnets. I like looking at people's things,"
she added in a moment, turning to Rowland and resting her eyes on him.
"It helps you to find out their characters."

"Am I to suppose," asked Rowland, smiling, "that you have arrived
at any conclusions as to mine?"

"I am rather muddled; you have too many things; one seems
to contradict another. You are very artistic and yet you
are very prosaic; you have what is called a 'catholic' taste
and yet you are full of obstinate little prejudices and habits
of thought, which, if I knew you, I should find very tiresome.
I don't think I like you."

"You make a great mistake," laughed Rowland; "I assure you I
am very amiable."

"Yes, I am probably wrong, and if I knew you, I should find out I
was wrong, and that would irritate me and make me dislike you more.
So you see we are necessary enemies."

"No, I don't dislike you."

"Worse and worse; for you certainly will not like me."

"You are very discouraging."

"I am fond of facing the truth, though some day you will deny that.
Where is that queer friend of yours?"

"You mean Mr. Hudson. He is represented by these beautiful works."

Miss Light looked for some moments at Roderick's statues.
"Yes," she said, "they are not so silly as most of the things we have seen.
They have no chic, and yet they are beautiful."

"You describe them perfectly," said Rowland. "They are beautiful,
and yet they have no chic. That 's it!"

"If he will promise to put none into my bust, I have a mind to let him
make it. A request made in those terms deserves to be granted."

"In what terms?"

"Did n't you hear him? 'Mademoiselle, you almost satisfy
my conception of the beautiful. I must model your bust.'
That almost should be rewarded. He is like me; he likes
to face the truth. I think we should get on together."

The Cavaliere approached Rowland, to express the pleasure
he had derived from his beautiful "collection."  His smile was
exquisitely bland, his accent appealing, caressing, insinuating.
But he gave Rowland an odd sense of looking at a little waxen image,
adjusted to perform certain gestures and emit certain sounds.
It had once contained a soul, but the soul had leaked out.
Nevertheless, Rowland reflected, there are more profitless
things than mere sound and gesture, in a consummate Italian.
And the Cavaliere, too, had soul enough left to desire to speak a few
words on his own account, and call Rowland's attention to the fact
that he was not, after all, a hired cicerone, but an ancient
Roman gentleman. Rowland felt sorry for him; he hardly knew why.
He assured him in a friendly fashion that he must come again;
that his house was always at his service. The Cavaliere bowed
down to the ground. "You do me too much honor," he murmured.
"If you will allow me--it is not impossible!"

Mrs. Light, meanwhile, had prepared to depart. "If you are
not afraid to come and see two quiet little women, we shall
be most happy!" she said. "We have no statues nor pictures--
we have nothing but each other. Eh, darling?"

"I beg your pardon," said Christina.

"Oh, and the Cavaliere," added her mother.

"The poodle, please!" cried the young girl.

Rowland glanced at the Cavaliere; he was smiling more blandly than ever.

A few days later Rowland presented himself, as civility demanded,
at Mrs. Light's door. He found her living in one of the stately
houses of the Via dell' Angelo Custode, and, rather to his surprise,
was told she was at home. He passed through half a dozen rooms
and was ushered into an immense saloon, at one end of which sat
the mistress of the establishment, with a piece of embroidery.
She received him very graciously, and then, pointing mysteriously
to a large screen which was unfolded across the embrasure
of one of the deep windows, "I am keeping guard!" she said.
Rowland looked interrogative; whereupon she beckoned him forward
and motioned him to look behind the screen. He obeyed, and for some
moments stood gazing. Roderick, with his back turned, stood before
an extemporized pedestal, ardently shaping a formless mass of clay.
Before him sat Christina Light, in a white dress, with her
shoulders bare, her magnificent hair twisted into a classic coil,
and her head admirably poised. Meeting Rowland's gaze,
she smiled a little, only with her deep gray eyes, without moving.
She looked divinely beautiful.

CHAPTER V. Christina

The brilliant Roman winter came round again, and Rowland enjoyed it,
in a certain way, more deeply than before. He grew at last to feel
that sense of equal possession, of intellectual nearness, which it
belongs to the peculiar magic of the ancient city to infuse into minds
of a cast that she never would have produced. He became passionately,
unreasoningly fond of all Roman sights and sensations, and to breathe
the Roman atmosphere began to seem a needful condition of being.
He could not have defined and explained the nature of his great love,
nor have made up the sum of it by the addition of his calculable pleasures.
It was a large, vague, idle, half-profitless emotion, of which perhaps
the most pertinent thing that may be said is that it enforced a sort
of oppressive reconciliation to the present, the actual, the sensuous--
to life on the terms that there offered themselves. It was perhaps
for this very reason that, in spite of the charm which Rome flings
over one's mood, there ran through Rowland's meditations an undertone
of melancholy, natural enough in a mind which finds its horizon
insidiously limited to the finite, even in very picturesque forms.
Whether it is one that tacitly concedes to the Roman Church the monopoly
of a guarantee of immortality, so that if one is indisposed to bargain
with her for the precious gift, one must do without it altogether;
or whether in an atmosphere so heavily weighted with echoes and memories
one grows to believe that there is nothing in one's consciousness that
is not foredoomed to moulder and crumble and become dust for the feet,
and possible malaria for the lungs, of future generations--the fact
at least remains that one parts half-willingly with one's hopes in Rome,
and misses them only under some very exceptional stress of circumstance.
For this reason one may perhaps say that there is no other place
in which one's daily temper has such a mellow serenity, and none,
at the same time, in which acute attacks of depression are more intolerable.
Rowland found, in fact, a perfect response to his prevision that to
live in Rome was an education to one's senses and one's imagination,
but he sometimes wondered whether this was not a questionable
gain in case of one's not being prepared to live wholly by one's
imagination and one's senses. The tranquil profundity of his daily
satisfaction seemed sometimes to turn, by a mysterious inward impulse,
and face itself with questioning, admonishing, threatening eyes.
"But afterwards.... ?" it seemed to ask, with a long reverberation;
and he could give no answer but a shy affirmation that there was no
such thing as afterwards, and a hope, divided against itself, that his
actual way of life would last forever. He often felt heavy-hearted;
he was sombre without knowing why; there were no visible clouds in
his heaven, but there were cloud-shadows on his mood. Shadows projected,
they often were, without his knowing it, by an undue apprehension
that things after all might not go so ideally well with Roderick.
When he understood his anxiety it vexed him, and he rebuked himself for
taking things unmanfully hard. If Roderick chose to follow a crooked path,
it was no fault of his; he had given him, he would continue to give him,
all that he had offered him--friendship, sympathy, advice. He had
not undertaken to provide him with unflagging strength of purpose,
nor to stand bondsman for unqualified success.

If Rowland felt his roots striking and spreading in the Roman soil,
Roderick also surrendered himself with renewed abandon to the
local influence. More than once he declared to his companion
that he meant to live and die within the shadow of Saint Peter's,
and that he cared little if he never again drew breath in American air.
"For a man of my temperament, Rome is the only possible place,"
he said; "it 's better to recognize the fact early than late.
So I shall never go home unless I am absolutely forced."

"What is your idea of 'force'?" asked Rowland, smiling.
"It seems to me you have an excellent reason for going home
some day or other."

"Ah, you mean my engagement?"  Roderick answered with unaverted eyes.
"Yes, I am distinctly engaged, in Northampton, and impatiently waited for!"
And he gave a little sympathetic sigh. "To reconcile Northampton
and Rome is rather a problem. Mary had better come out here.
Even at the worst I have no intention of giving up Rome within six or
eight years, and an engagement of that duration would be rather absurd."

"Miss Garland could hardly leave your mother," Rowland observed.

"Oh, of course my mother should come. I think I will suggest it
in my next letter. It will take her a year or two to make up
her mind to it, but if she consents it will brighten her up.
It 's too small a life, over there, even for a timid old lady.
It is hard to imagine," he added, "any change in Mary being
a change for the better; but I should like her to take a look
at the world and have her notions stretched a little.
One is never so good, I suppose, but that one can improve a little."

"If you wish your mother and Miss Garland to come," Rowland suggested,
"you had better go home and bring them."

"Oh, I can't think of leaving Europe, for many a day," Roderick answered.
"At present it would quite break the charm. I am just beginning
to profit, to get used to things and take them naturally.
I am sure the sight of Northampton Main Street would permanently
upset me. "

It was reassuring to hear that Roderick, in his own view,
was but "just beginning" to spread his wings, and Rowland,
if he had had any forebodings, might have suffered them to be
modified by this declaration. This was the first time since their
meeting at Geneva that Roderick had mentioned Miss Garland's name,
but the ice being broken, he indulged for some time afterward
in frequent allusions to his betrothed, which always had
an accent of scrupulous, of almost studied, consideration.
An uninitiated observer, hearing him, would have imagined her to be
a person of a certain age--possibly an affectionate maiden aunt--
who had once done him a kindness which he highly appreciated:
perhaps presented him with a check for a thousand dollars.
Rowland noted the difference between his present frankness
and his reticence during the first six months of his engagement,
and sometimes wondered whether it was not rather an anomaly
that he should expatiate more largely as the happy event receded.
He had wondered over the whole matter, first and last,
in a great many different ways, and looked at it in all
possible lights. There was something terribly hard to explain
in the fact of his having fallen in love with his cousin.
She was not, as Rowland conceived her, the sort of girl he would
have been likely to fancy, and the operation of sentiment,
in all cases so mysterious, was particularly so in this one.
Just why it was that Roderick should not logically have fancied
Miss Garland, his companion would have been at loss to say,
but I think the conviction had its roots in an unformulated
comparison between himself and the accepted suitor.
Roderick and he were as different as two men could be,
and yet Roderick had taken it into his head to fall
in love with a woman for whom he himself had been keeping
in reserve, for years, a profoundly characteristic passion.
That if he chose to conceive a great notion of the merits
of Roderick's mistress, the irregularity here was hardly
Roderick's, was a view of the case to which poor Rowland
did scanty justice. There were women, he said to himself,
whom it was every one's business to fall in love with a little--
women beautiful, brilliant, artful, easily fascinating.
Miss Light, for instance, was one of these; every man who
spoke to her did so, if not in the language, at least with
something of the agitation, the divine tremor, of a lover.
There were other women--they might have great beauty, they might
have small; perhaps they were generally to be classified as plain--
whose triumphs in this line were rare, but immutably permanent.
Such a one pre; aueminently, was Mary Garland.
Upon the doctrine of probabilities, it was unlikely that
she had had an equal charm for each of them, and was it
not possible, therefore, that the charm for Roderick had
been simply the charm imagined, unquestioningly accepted:
the general charm of youth, sympathy, kindness--of the
present feminine, in short--enhanced indeed by several fine
facial traits? The charm in this case for Rowland was--
the charm!--the mysterious, individual, essential woman.
There was an element in the charm, as his companion saw it,
which Rowland was obliged to recognize, but which he forbore
to ponder; the rather important attraction, namely, of reciprocity.
As to Miss Garland being in love with Roderick and becoming
charming thereby, this was a point with which his imagination
ventured to take no liberties; partly because it would have
been indelicate, and partly because it would have been vain.
He contented himself with feeling that the young girl was
still as vivid an image in his memory as she had been five
days after he left her, and with drifting nearer and nearer
to the impression that at just that crisis any other girl
would have answered Roderick's sentimental needs as well.
Any other girl indeed would do so still! Roderick had confessed
as much to him at Geneva, in saying that he had been taking
at Baden the measure of his susceptibility to female beauty.

His extraordinary success in modeling the bust of the beautiful
Miss Light was pertinent evidence of this amiable quality.
She sat to him, repeatedly, for a fortnight, and the work was
rapidly finished. On one of the last days Roderick asked Rowland
to come and give his opinion as to what was still wanting;
for the sittings had continued to take place in Mrs. Light's apartment,
the studio being pronounced too damp for the fair model.
When Rowland presented himself, Christina, still in her white dress,
with her shoulders bare, was standing before a mirror,
readjusting her hair, the arrangement of which, on this occasion,
had apparently not met the young sculptor's approval.
He stood beside her, directing the operation with a peremptoriness
of tone which seemed to Rowland to denote a considerable advance
in intimacy. As Rowland entered, Christina was losing patience.
"Do it yourself, then!" she cried, and with a rapid movement
unloosed the great coil of her tresses and let them fall
over her shoulders.

They were magnificent, and with her perfect face dividing their
rippling flow she looked like some immaculate saint of legend
being led to martyrdom. Rowland's eyes presumably betrayed
his admiration, but her own manifested no consciousness of it.
If Christina was a coquette, as the remarkable timeliness of this
incident might have suggested, she was not a superficial one.

"Hudson 's a sculptor," said Rowland, with warmth.
"But if I were only a painter!"

"Thank Heaven you are not!" said Christina. "I am having quite
enough of this minute inspection of my charms."

"My dear young man, hands off!" cried Mrs. Light, coming forward and seizing
her daughter's hair. "Christina, love, I am surprised."

"Is it indelicate?"  Christina asked. "I beg Mr. Mallet's pardon."
Mrs. Light gathered up the dusky locks and let them fall through
her fingers, glancing at her visitor with a significant smile.
Rowland had never been in the East, but if he had attempted
to make a sketch of an old slave-merchant, calling attention
to the "points" of a Circassian beauty, he would have depicted
such a smile as Mrs. Light's. "Mamma 's not really shocked,"
added Christina in a moment, as if she had guessed her mother's
by-play. "She is only afraid that Mr. Hudson might have injured
my hair, and that, per consequenza, I should sell for less."

"You unnatural child!" cried mamma. "You deserve that I should make
a fright of you!"  And with half a dozen skillful passes she twisted
the tresses into a single picturesque braid, placed high on the head,
as a kind of coronal.

"What does your mother do when she wants to do you justice?"
Rowland asked, observing the admirable line of the young girl's neck.

"I do her justice when I say she says very improper things.
What is one to do with such a thorn in the flesh?"
Mrs. Light demanded.

"Think of it at your leisure, Mr. Mallet," said Christina,
"and when you 've discovered something, let us hear.
But I must tell you that I shall not willingly believe in any
remedy of yours, for you have something in your physiognomy
that particularly provokes me to make the remarks that my mother
so sincerely deplores. I noticed it the first time I saw you.
I think it 's because your face is so broad. For some reason or other,
broad faces exasperate me; they fill me with a kind of rabbia.
Last summer, at Carlsbad, there was an Austrian count,
with enormous estates and some great office at court.
He was very attentive--seriously so; he was really very far gone.
Cela ne tenait qu' a moi! But I could n't; he was impossible!
He must have measured, from ear to ear, at least a yard and a half.
And he was blond, too, which made it worse--as blond as Stenterello;
pure fleece! So I said to him frankly, 'Many thanks, Herr Graf;
your uniform is magnificent, but your face is too fat.'  "

"I am afraid that mine also," said Rowland, with a smile,
"seems just now to have assumed an unpardonable latitude."

"Oh, I take it you know very well that we are looking for a husband,
and that none but tremendous swells need apply. Surely, before
these gentlemen, mamma, I may speak freely; they are disinterested.
Mr. Mallet won't do, because, though he 's rich, he 's not rich enough.
Mamma made that discovery the day after we went to see you, moved to it
by the promising look of your furniture. I hope she was right, eh?
Unless you have millions, you know, you have no chance."

"I feel like a beggar," said Rowland.

"Oh, some better girl than I will decide some day, after mature reflection,
that on the whole you have enough. Mr. Hudson, of course, is nowhere;
he has nothing but his genius and his beaux yeux."

Roderick had stood looking at Christina intently while she delivered herself,
softly and slowly, of this surprising nonsense. When she had finished,
she turned and looked at him; their eyes met, and he blushed a little.
"Let me model you, and he who can may marry you!" he said, abruptly.

Mrs. Light, while her daughter talked, had been adding a few touches
to her coiffure. "She is not so silly as you might suppose,"
she said to Rowland, with dignity. "If you will give me your arm,
we will go and look at the bust."

"Does that represent a silly girl?"  Christina demanded,
when they stood before it.

Rowland transferred his glance several times from the portrait
to the original. "It represents a young lady," he said,
"whom I should not pretend to judge off-hand."

"She may be a fool, but you are not sure. Many thanks!
You have seen me half a dozen times. You are either very slow
or I am very deep."

"I am certainly slow," said Rowland. "I don't expect to make
up my mind about you within six months."

"I give you six months if you will promise then a perfectly frank opinion.
Mind, I shall not forget; I shall insist upon it."

"Well, though I am slow, I am tolerably brave," said Rowland.
"We shall see."

Christina looked at the bust with a sigh. "I am afraid, after all,"
she said, "that there 's very little wisdom in it save what the artist
has put there. Mr. Hudson looked particularly wise while he was working;
he scowled and growled, but he never opened his mouth. It is very kind
of him not to have represented me gaping."

"If I had talked a lot of stuff to you," said Roderick, roundly, "the thing
would not have been a tenth so good."

"Is it good, after all? Mr. Mallet is a famous connoisseur;
has he not come here to pronounce?"

The bust was in fact a very happy performance, and Roderick had risen
to the level of his subject. It was thoroughly a portrait, and not a vague
fantasy executed on a graceful theme, as the busts of pretty women,
in modern sculpture, are apt to be. The resemblance was deep and vivid;
there was extreme fidelity of detail and yet a noble simplicity.
One could say of the head that, without idealization, it was a
representation of ideal beauty. Rowland, however, as we know, was not
fond of exploding into superlatives, and, after examining the piece,
contented himself with suggesting two or three alterations of detail.

"Nay, how can you be so cruel?" demanded Mrs. Light,
with soft reproachfulness. "It is surely a wonderful thing!"

"Rowland knows it 's a wonderful thing," said Roderick, smiling.
"I can tell that by his face. The other day I finished something
he thought bad, and he looked very differently from this."

"How did Mr. Mallet look?" asked Christina.

"My dear Rowland," said Roderick, "I am speaking of my seated woman.
You looked as if you had on a pair of tight boots."

"Ah, my child, you 'll not understand that!" cried Mrs. Light.
"You never yet had a pair that were small enough."

"It 's a pity, Mr. Hudson," said Christina, gravely,
"that you could not have introduced my feet into the bust.
But we can hang a pair of slippers round the neck!"

"I nevertheless like your statues, Roderick," Rowland rejoined,
"better than your jokes. This is admirable. Miss Light,
you may be proud!"

"Thank you, Mr. Mallet, for the permission," rejoined the young girl.

"I am dying to see it in the marble, with a red velvet screen behind it,"
said Mrs. Light.

"Placed there under the Sassoferrato!"  Christina went on.
"I hope you keep well in mind, Mr. Hudson, that you have not
a grain of property in your work, and that if mamma chooses,
she may have it photographed and the copies sold in the Piazza
di Spagna, at five francs apiece, without your having a sou
of the profits."

"Amen!" said Roderick. "It was so nominated in the bond.
My profits are here!" and he tapped his forehead.

"It would be prettier if you said here!"  And Christina touched her heart.

"My precious child, how you do run on!" murmured Mrs. Light.

"It is Mr. Mallet," the young girl answered.
"I can't talk a word of sense so long as he is in the room.
I don't say that to make you go," she added, "I say it simply
to justify myself."

Rowland bowed in silence. Roderick declared that he must get at work
and requested Christina to take her usual position, and Mrs. Light
proposed to her visitor that they should adjourn to her boudoir.
This was a small room, hardly more spacious than an alcove,
opening out of the drawing-room and having no other issue.
Here, as they entered, on a divan near the door, Rowland perceived
the Cavaliere Giacosa, with his arms folded, his head dropped upon
his breast, and his eyes closed.

"Sleeping at his post!" said Rowland with a kindly laugh.

"That 's a punishable offense," rejoined Mrs. Light, sharply.
She was on the point of calling him, in the same tone,
when he suddenly opened his eyes, stared a moment, and then
rose with a smile and a bow.

"Excuse me, dear lady," he said, "I was overcome by the--
the great heat."

"Nonsense, Cavaliere!" cried the lady, "you know we are perishing
here with the cold! You had better go and cool yourself in one
of the other rooms."

"I obey, dear lady," said the Cavaliere; and with another smile
and bow to Rowland he departed, walking very discreetly on his toes.
Rowland out-stayed him but a short time, for he was not fond of
Mrs. Light, and he found nothing very inspiring in her frank intimation
that if he chose, he might become a favorite. He was disgusted
with himself for pleasing her; he confounded his fatal urbanity.
In the court-yard of the palace he overtook the Cavaliere, who had
stopped at the porter's lodge to say a word to his little girl.
She was a young lady of very tender years and she wore a very dirty pinafore.
He had taken her up in his arms and was singing an infantine rhyme
to her, and she was staring at him with big, soft Roman eyes.
On seeing Rowland he put her down with a kiss, and stepped forward
with a conscious grin, an unresentful admission that he was sensitive
both to chubbiness and ridicule. Rowland began to pity him again;
he had taken his dismissal from the drawing-room so meekly.

"You don't keep your promise," said Rowland, "to come and see me.
Don't forget it. I want you to tell me about Rome thirty years ago."

"Thirty years ago? Ah, dear sir, Rome is Rome still; a place
where strange things happen! But happy things too, since I
have your renewed permission to call. You do me too much honor.
Is it in the morning or in the evening that I should least intrude?"

"Take your own time, Cavaliere; only come, sometime.
I depend upon you," said Rowland.

The Cavaliere thanked him with an humble obeisance.
To the Cavaliere, too, he felt that he was, in Roman phrase,
sympathetic, but the idea of pleasing this extremely reduced
gentleman was not disagreeable to him.

Miss Light's bust stood for a while on exhibition in
Roderick's studio, and half the foreign colony came to see it.
With the completion of his work, however, Roderick's visits
at the Palazzo F---- by no means came to an end.
He spent half his time in Mrs. Light's drawing-room,
and began to be talked about as "attentive" to Christina.
The success of the bust restored his equanimity, and in
the garrulity of his good-humor he suffered Rowland to see
that she was just now the object uppermost in his thoughts.
Rowland, when they talked of her, was rather listener than speaker;
partly because Roderick's own tone was so resonant and exultant,
and partly because, when his companion laughed at him for having
called her unsafe, he was too perplexed to defend himself.
The impression remained that she was unsafe; that she was
a complex, willful, passionate creature, who might easily engulf
a too confiding spirit in the eddies of her capricious temper.
And yet he strongly felt her charm; the eddies had a
strange fascination! Roderick, in the glow of that renewed
admiration provoked by the fixed attention of portrayal,
was never weary of descanting on the extraordinary perfection
of her beauty.

"I had no idea of it," he said, "till I began to look at her
with an eye to reproducing line for line and curve for curve.
Her face is the most exquisite piece of modeling that ever came
from creative hands. Not a line without meaning, not a hair's
breadth that is not admirably finished. And then her mouth!
It 's as if a pair of lips had been shaped to utter pure truth without
doing it dishonor!"  Later, after he had been working for a week,
he declared if Miss Light were inordinately plain, she would still
be the most fascinating of women. "I 've quite forgotten her beauty,"
he said, "or rather I have ceased to perceive it as something
distinct and defined, something independent of the rest of her.
She is all one, and all consummately interesting!"

"What does she do--what does she say, that is so remarkable?"
Rowland had asked.

"Say? Sometimes nothing--sometimes everything. She is never the same.
Sometimes she walks in and takes her place without a word,
without a smile, gravely, stiffly, as if it were an awful bore.
She hardly looks at me, and she walks away without even glancing at my work.
On other days she laughs and chatters and asks endless questions,
and pours out the most irresistible nonsense. She is a creature of moods;
you can't count upon her; she keeps observation on the stretch.
And then, bless you, she has seen such a lot! Her talk is full
of the oddest allusions!"

"It is altogether a very singular type of young lady,"
said Rowland, after the visit which I have related at length.
"It may be a charm, but it is certainly not the orthodox charm
of marriageable maidenhood, the charm of shrinking innocence
and soft docility. Our American girls are accused of being more
knowing than any others, and Miss Light is nominally an American.
But it has taken twenty years of Europe to make her what she is.
The first time we saw her, I remember you called her a product
of the old world, and certainly you were not far wrong."

"Ah, she has an atmosphere," said Roderick, in the tone of high appreciation.

"Young unmarried women," Rowland answered, "should be careful
not to have too much!"

"Ah, you don't forgive her," cried his companion, "for hitting you so hard!
A man ought to be flattered at such a girl as that taking so much
notice of him."

"A man is never flattered at a woman's not liking him."

"Are you sure she does n't like you? That 's to the credit of your humility.
A fellow of more vanity might, on the evidence, persuade himself that
he was in favor."

"He would have also," said Rowland, laughing, "to be a fellow
of remarkable ingenuity!"  He asked himself privately how the deuce
Roderick reconciled it to his conscience to think so much more
of the girl he was not engaged to than of the girl he was.
But it amounted almost to arrogance, you may say, in poor Rowland
to pretend to know how often Roderick thought of Miss Garland.
He wondered gloomily, at any rate, whether for men of his
companion's large, easy power, there was not a larger moral law
than for narrow mediocrities like himself, who, yielding Nature
a meagre interest on her investment (such as it was), had no reason
to expect from her this affectionate laxity as to their accounts.
Was it not a part of the eternal fitness of things that Roderick,
while rhapsodizing about Miss Light, should have it at his command
to look at you with eyes of the most guileless and unclouded blue,
and to shake off your musty imputations by a toss of his picturesque
brown locks? Or had he, in fact, no conscience to speak of?
Happy fellow, either way!

Our friend Gloriani came, among others, to congratulate Roderick
on his model and what he had made of her. "Devilish pretty,
through and through!" he said as he looked at the bust.
"Capital handling of the neck and throat; lovely work
on the nose. You 're a detestably lucky fellow, my boy!
But you ought not to have squandered such material on a
simple bust; you should have made a great imaginative figure.
If I could only have got hold of her, I would have put her
into a statue in spite of herself. What a pity she is not
a ragged Trasteverine, whom we might have for a franc an hour!
I have been carrying about in my head for years a delicious
design for a fantastic figure, but it has always stayed there
for want of a tolerable model. I have seen intimations
of the type, but Miss Light is the perfection of it.
As soon as I saw her I said to myself, 'By Jove, there 's
my statue in the flesh!' "

"What is your subject?" asked Roderick.

"Don't take it ill," said Gloriani. "You know I 'm the very deuce
for observation. She would make a magnificent Herodias!"

If Roderick had taken it ill (which was unlikely, for we know
he thought Gloriani an ass, and expected little of his wisdom),
he might have been soothed by the candid incense of Sam Singleton,
who came and sat for an hour in a sort of mental prostration before
both bust and artist. But Roderick's attitude before his patient
little devotee was one of undisguised though friendly amusement;
and, indeed, judged from a strictly plastic point of view,
the poor fellow's diminutive stature, his enormous mouth,
his pimples and his yellow hair were sufficiently ridiculous.
"Nay, don't envy our friend," Rowland said to Singleton afterwards,
on his expressing, with a little groan of depreciation of his own
paltry performances, his sense of the brilliancy of Roderick's talent.
"You sail nearer the shore, but you sail in smoother waters.
Be contented with what you are and paint me another picture."

"Oh, I don't envy Hudson anything he possesses," Singleton said,
"because to take anything away would spoil his beautiful completeness.
'Complete,' that 's what he is; while we little clevernesses
are like half-ripened plums, only good eating on the side
that has had a glimpse of the sun. Nature has made him so,
and fortune confesses to it! He is the handsomest fellow in Rome,
he has the most genius, and, as a matter of course, the most
beautiful girl in the world comes and offers to be his model.
If that is not completeness, where shall we find it?"

One morning, going into Roderick's studio, Rowland found the young
sculptor entertaining Miss Blanchard--if this is not too flattering
a description of his gracefully passive tolerance of her presence.
He had never liked her and never climbed into her sky-studio to
observe her wonderful manipulation of petals. He had once quoted
Tennyson against her:--

"And is there any moral shut

Within the bosom of the rose?"

"In all Miss Blanchard's roses you may be sure there is a moral,"
he had said. "You can see it sticking out its head, and,
if you go to smell the flower, it scratches your nose."
But on this occasion she had come with a propitiatory gift--
introducing her friend Mr. Leavenworth. Mr. Leavenworth
was a tall, expansive, bland gentleman, with a carefully
brushed whisker and a spacious, fair, well-favored face,
which seemed, somehow, to have more room in it than was occupied
by a smile of superior benevolence, so that (with his smooth,
white forehead) it bore a certain resemblance to a large parlor
with a very florid carpet, but no pictures on the walls.
He held his head high, talked sonorously, and told Roderick,
within five minutes, that he was a widower, traveling to
distract his mind, and that he had lately retired from
the proprietorship of large mines of borax in Pennsylvania.
Roderick supposed at first that, in his character
of depressed widower, he had come to order a tombstone;
but observing then the extreme blandness of his address
to Miss Blanchard, he credited him with a judicious prevision
that by the time the tombstone was completed, a monument
of his inconsolability might have become an anachronism.
But Mr. Leavenworth was disposed to order something.

"You will find me eager to patronize our indigenous talent,"
he said. "I am putting up a little shanty in my native town,
and I propose to make a rather nice thing of it.
It has been the will of Heaven to plunge me into mourning;
but art has consolations! In a tasteful home, surrounded by the
memorials of my wanderings, I hope to take more cheerful views.
I ordered in Paris the complete appurtenances of a dining-room.
Do you think you could do something for my library?
It is to be filled with well-selected authors, and I think a pure
white image in this style,"--pointing to one of Roderick's
statues,--"standing out against the morocco and gilt, would have
a noble effect. The subject I have already fixed upon.
I desire an allegorical representation of Culture.
Do you think, now," asked Mr. Leavenworth, encouragingly,
"you could rise to the conception?"

"A most interesting subject for a truly serious mind,"
remarked Miss Blanchard.

Roderick looked at her a moment, and then--"The simplest thing I could do,"
he said, "would be to make a full-length portrait of Miss Blanchard.
I could give her a scroll in her hand, and that would do for the allegory."

Miss Blanchard colored; the compliment might be ironical;
and there was ever afterwards a reflection of her uncertainty
in her opinion of Roderick's genius. Mr. Leavenworth
responded that with all deference to Miss Blanchard's beauty,
he desired something colder, more monumental, more impersonal.
"If I were to be the happy possessor of a likeness of Miss Blanchard,"
he added, "I should prefer to have it in no factitious disguise!"

Roderick consented to entertain the proposal, and while they were
discussing it, Rowland had a little talk with the fair artist.
"Who is your friend?" he asked.

"A very worthy man. The architect of his own fortune--which is magnificent.
One of nature's gentlemen!"

This was a trifle sententious, and Rowland turned to the bust
of Miss Light. Like every one else in Rome, by this time,
Miss Blanchard had an opinion on the young girl's beauty,
and, in her own fashion, she expressed it epigrammatically.
"She looks half like a Madonna and half like a ballerina," she said.

Mr. Leavenworth and Roderick came to an understanding, and the young sculptor
good-naturedly promised to do his best to rise to his patron's conception.
"His conception be hanged!"  Roderick exclaimed, after he had departed.
"His conception is sitting on a globe with a pen in her ear and a photographic
album in her hand. I shall have to conceive, myself. For the money,
I ought to be able to!"

Mrs. Light, meanwhile, had fairly established herself in Roman society.
"Heaven knows how!"  Madame Grandoni said to Rowland, who had
mentioned to her several evidences of the lady's prosperity.
"In such a case there is nothing like audacity. A month ago
she knew no one but her washerwoman, and now I am told that
the cards of Roman princesses are to be seen on her table.
She is evidently determined to play a great part, and she has
the wit to perceive that, to make remunerative acquaintances,
you must seem yourself to be worth knowing. You must have
striking rooms and a confusing variety of dresses, and give
good dinners, and so forth. She is spending a lot of money,
and you 'll see that in two or three weeks she will take upon
herself to open the season by giving a magnificent ball.
Of course it is Christina's beauty that floats her.
People go to see her because they are curious."

"And they go again because they are charmed," said Rowland.
"Miss Christina is a very remarkable young lady."

"Oh, I know it well; I had occasion to say so to myself the other day.
She came to see me, of her own free will, and for an hour she was
deeply interesting. I think she 's an actress, but she believes in her part
while she is playing it. She took it into her head the other day to believe
that she was very unhappy, and she sat there, where you are sitting,
and told me a tale of her miseries which brought tears into my eyes.
She cried, herself, profusely, and as naturally as possible.
She said she was weary of life and that she knew no one but me she
could speak frankly to. She must speak, or she would go mad.
She sobbed as if her heart would break. I assure you it 's well
for you susceptible young men that you don't see her when she sobs.
She said, in so many words, that her mother was an immoral woman.
Heaven knows what she meant. She meant, I suppose, that she makes debts
that she knows she can't pay. She said the life they led was horrible;
that it was monstrous a poor girl should be dragged about the world
to be sold to the highest bidder. She was meant for better things;
she could be perfectly happy in poverty. It was not money she wanted.
I might not believe her, but she really cared for serious things.
Sometimes she thought of taking poison!"

"What did you say to that?"

"I recommended her," said Madame Grandoni, "to come and see me instead.
I would help her about as much, and I was, on the whole, less unpleasant.
Of course I could help her only by letting her talk herself out and kissing
her and patting her beautiful hands and telling her to be patient and she
would be happy yet. About once in two months I expect her to reappear,
on the same errand, and meanwhile to quite forget my existence.
I believe I melted down to the point of telling her that I would find
some good, quiet, affectionate husband for her; but she declared,
almost with fury, that she was sick unto death of husbands, and begged I
would never again mention the word. And, in fact, it was a rash offer;
for I am sure that there is not a man of the kind that might really
make a woman happy but would be afraid to marry mademoiselle.
Looked at in that way she is certainly very much to be pitied,
and indeed, altogether, though I don't think she either means
all she says or, by a great deal, says all that she means.
I feel very sorry for her."

Rowland met the two ladies, about this time, at several entertainments,
and looked at Christina with a kind of distant attendrissement.
He imagined more than once that there had been a passionate
scene between them about coming out, and wondered what arguments
Mrs. Light had found effective. But Christina's face told no tales,
and she moved about, beautiful and silent, looking absently over
people's heads, barely heeding the men who pressed about her,
and suggesting somehow that the soul of a world-wearied mortal
had found its way into the blooming body of a goddess.
"Where in the world has Miss Light been before she is twenty,"
observers asked, "to have left all her illusions behind?"
And the general verdict was, that though she was incomparably beautiful,
she was intolerably proud. Young ladies to whom the former
distinction was not conceded were free to reflect that she was
"not at all liked."

It would have been difficult to guess, however, how they reconciled
this conviction with a variety of conflicting evidence, and,
in especial, with the spectacle of Roderick's inveterate devotion.
All Rome might behold that he, at least, "liked" Christina Light.
Wherever she appeared he was either awaiting her or immediately
followed her. He was perpetually at her side, trying, apparently,
to preserve the thread of a disconnected talk, the fate of which was,
to judge by her face, profoundly immaterial to the young lady.
People in general smiled at the radiant good faith of the handsome
young sculptor, and asked each other whether he really supposed
that beauties of that quality were meant to wed with poor artists.
But although Christina's deportment, as I have said, was one of
superb inexpressiveness, Rowland had derived from Roderick no suspicion
that he suffered from snubbing, and he was therefore surprised
at an incident which befell one evening at a large musical party.
Roderick, as usual, was in the field, and, on the ladies taking the chairs
which had been arranged for them, he immediately placed himself
beside Christina. As most of the gentlemen were standing, his position
made him as conspicuous as Hamlet at Ophelia's feet, at the play.
Rowland was leaning, somewhat apart, against the chimney-piece. There
was a long, solemn pause before the music began, and in the midst
of it Christina rose, left her place, came the whole length of the
immense room, with every one looking at her, and stopped before him.
She was neither pale nor flushed; she had a soft smile.

"Will you do me a favor?" she asked.

"A thousand!"

"Not now, but at your earliest convenience. Please remind Mr. Hudson
that he is not in a New England village--that it is not the custom
in Rome to address one's conversation exclusively, night after night,
to the same poor girl, and that"....

The music broke out with a great blare and covered her voice.
She made a gesture of impatience, and Rowland offered her his arm
and led her back to her seat.

The next day he repeated her words to Roderick, who burst into
joyous laughter. "She 's a delightfully strange girl!" he cried.
"She must do everything that comes into her head!"

"Had she never asked you before not to talk to her so much?"

"On the contrary, she has often said to me, 'Mind you now, I forbid
you to leave me. Here comes that tiresome So-and-so.' She cares
as little about the custom as I do. What could be a better proof
than her walking up to you, with five hundred people looking at her?
Is that the custom for young girls in Rome?"

"Why, then, should she take such a step?"

"Because, as she sat there, it came into her head. That 's reason
enough for her. I have imagined she wishes me well, as they say here--
though she has never distinguished me in such a way as that!"

Madame Grandoni had foretold the truth; Mrs. Light, a couple
of weeks later, convoked all Roman society to a brilliant ball.
Rowland went late, and found the staircase so encumbered with
flower-pots and servants that he was a long time making his way
into the presence of the hostess. At last he approached her, as she
stood making courtesies at the door, with her daughter by her side.
Some of Mrs. Light's courtesies were very low, for she had the happiness
of receiving a number of the social potentates of the Roman world.
She was rosy with triumph, to say nothing of a less metaphysical cause,
and was evidently vastly contented with herself, with her company,
and with the general promise of destiny. Her daughter was less
overtly jubilant, and distributed her greetings with impartial frigidity.
She had never been so beautiful. Dressed simply in vaporous white,
relieved with half a dozen white roses, the perfection of her
features and of her person and the mysterious depth of her
expression seemed to glow with the white light of a splendid pearl.
She recognized no one individually, and made her courtesy slowly,
gravely, with her eyes on the ground. Rowland fancied that,
as he stood before her, her obeisance was slightly exaggerated,
as with an intention of irony; but he smiled philosophically to himself,
and reflected, as he passed into the room, that, if she disliked him,
he had nothing to reproach himself with. He walked about,
had a few words with Miss Blanchard, who, with a fillet of cameos
in her hair, was leaning on the arm of Mr. Leavenworth, and at last
came upon the Cavaliere Giacosa, modestly stationed in a corner.
The little gentleman's coat-lappet was decorated with an enormous
bouquet and his neck encased in a voluminous white handkerchief
of the fashion of thirty years ago. His arms were folded,
and he was surveying the scene with contracted eyelids, through which
you saw the glitter of his intensely dark, vivacious pupil.
He immediately embarked on an elaborate apology for not having
yet manifested, as he felt it, his sense of the honor Rowland
had done him.

"I am always on service with these ladies, you see," he explained,
"and that is a duty to which one would not willingly be faithless
for an instant."

"Evidently," said Rowland, "you are a very devoted friend.
Mrs. Light, in her situation, is very happy in having you."

"We are old friends," said the Cavaliere, gravely. "Old friends.
I knew the signora many years ago, when she was the prettiest
woman in Rome--or rather in Ancona, which is even better.
The beautiful Christina, now, is perhaps the most beautiful
young girl in Europe!"

"Very likely," said Rowland.

"Very well, sir, I taught her to read; I guided her little
hands to touch the piano keys."  And at these faded memories,
the Cavaliere's eyes glittered more brightly. Rowland half expected
him to proceed, with a little flash of long-repressed passion,
"And now--and now, sir, they treat me as you observed the other day!"
But the Cavaliere only looked out at him keenly from among his wrinkles,
and seemed to say, with all the vividness of the Italian glance,
"Oh, I say nothing more. I am not so shallow as to complain!"

Evidently the Cavaliere was not shallow, and Rowland repeated respectfully,
"You are a devoted friend."

"That 's very true. I am a devoted friend. A man may do himself justice,
after twenty years!"

Rowland, after a pause, made some remark about the beauty of the ball.
It was very brilliant.

"Stupendous!" said the Cavaliere, solemnly. "It is a great day.
We have four Roman princes, to say nothing of others."  And he counted
them over on his fingers and held up his hand triumphantly.
"And there she stands, the girl to whom I--I, Giuseppe Giacosa--
taught her alphabet and her piano-scales; there she stands in her
incomparable beauty, and Roman princes come and bow to her.
Here, in his corner, her old master permits himself to be proud."

"It is very friendly of him," said Rowland, smiling.

The Cavaliere contracted his lids a little more and gave another
keen glance. "It is very natural, signore. The Christina is
a good girl; she remembers my little services. But here comes,"
he added in a moment, "the young Prince of the Fine Arts.
I am sure he has bowed lowest of all."

Rowland looked round and saw Roderick moving slowly across the room
and casting about him his usual luminous, unshrinking looks.
He presently joined them, nodded familiarly to the Cavaliere,
and immediately demanded of Rowland, "Have you seen her?"

"I have seen Miss Light," said Rowland. "She 's magnificent."

"I 'm half crazy!" cried Roderick; so loud that several persons turned round.

Rowland saw that he was flushed, and laid his hand on his arm.
Roderick was trembling. "If you will go away," Rowland said instantly,
"I will go with you."

"Go away?" cried Roderick, almost angrily. "I intend to dance with her!"

The Cavaliere had been watching him attentively; he gently laid his
hand on his other arm. "Softly, softly, dear young man," he said.
"Let me speak to you as a friend."

"Oh, speak even as an enemy and I shall not mind it,"
Roderick answered, frowning.

"Be very reasonable, then, and go away."

"Why the deuce should I go away?"

"Because you are in love," said the Cavaliere.

"I might as well be in love here as in the streets."

"Carry your love as far as possible from Christina.
She will not listen to you--she can't."

"She 'can't'?" demanded Roderick. "She is not a person of whom you
may say that. She can if she will; she does as she chooses."

"Up to a certain point. It would take too long to explain; I only beg you
to believe that if you continue to love Miss Light you will be very unhappy.
Have you a princely title? have you a princely fortune? Otherwise you can
never have her."

And the Cavaliere folded his arms again, like a man who has done his duty.
Roderick wiped his forehead and looked askance at Rowland; he seemed
to be guessing his thoughts and they made him blush a little.
But he smiled blandly, and addressing the Cavaliere, "I 'm much obliged
to you for the information," he said. "Now that I have obtained it,
let me tell you that I am no more in love with Miss Light than you are.
Mr. Mallet knows that. I admire her--yes, profoundly. But that 's no one's
business but my own, and though I have, as you say, neither a princely
title nor a princely fortune, I mean to suffer neither those advantages
nor those who possess them to diminish my right."

"If you are not in love, my dear young man," said the Cavaliere,
with his hand on his heart and an apologetic smile, "so much the better.
But let me entreat you, as an affectionate friend, to keep a watch on
your emotions. You are young, you are handsome, you have a brilliant
genius and a generous heart, but--I may say it almost with authority--
Christina is not for you!"

Whether Roderick was in love or not, he was nettled by what apparently
seemed to him an obtrusive negation of an inspiring possibility.
"You speak as if she had made her choice!" he cried.
"Without pretending to confidential information on the subject,
I am sure she has not."

"No, but she must make it soon," said the Cavaliere.
And raising his forefinger, he laid it against his under lip.
"She must choose a name and a fortune--and she will!"

"She will do exactly as her inclination prompts!
She will marry the man who pleases her, if he has n't a dollar!
I know her better than you. "

The Cavaliere turned a little paler than usual, and smiled more urbanely.
"No, no, my dear young man, you do not know her better than I. You have
not watched her, day by day, for twenty years. I too have admired her.
She is a good girl; she has never said an unkind word to me; the blessed
Virgin be thanked! But she must have a brilliant destiny; it has been
marked out for her, and she will submit. You had better believe me;
it may save you much suffering."

"We shall see!" said Roderick, with an excited laugh.

"Certainly we shall see. But I retire from the discussion,"
the Cavaliere added. "I have no wish to provoke you to attempt
to prove to me that I am wrong. You are already excited."

"No more than is natural to a man who in an hour or so is to dance
the cotillon with Miss Light."

"The cotillon? has she promised?"

Roderick patted the air with a grand confidence. "You 'll see!"
His gesture might almost have been taken to mean that the state
of his relations with Miss Light was such that they quite dispensed
with vain formalities.

The Cavaliere gave an exaggerated shrug. "You make a great many mourners!"

"He has made one already!"  Rowland murmured to himself.
This was evidently not the first time that reference had been made
between Roderick and the Cavaliere to the young man's possible passion,
and Roderick had failed to consider it the simplest and most natural
course to say in three words to the vigilant little gentleman
that there was no cause for alarm--his affections were preoccupied.
Rowland hoped, silently, with some dryness, that his motives
were of a finer kind than they seemed to be. He turned away;
it was irritating to look at Roderick's radiant, unscrupulous eagerness.
The tide was setting toward the supper-room and he drifted with it
to the door. The crowd at this point was dense, and he was
obliged to wait for some minutes before he could advance.
At last he felt his neighbors dividing behind him,
and turning he saw Christina pressing her way forward alone.
She was looking at no one, and, save for the fact of her being alone,
you would not have supposed she was in her mother's house.
As she recognized Rowland she beckoned to him, took his arm,
and motioned him to lead her into the supper-room. She said nothing
until he had forced a passage and they stood somewhat isolated.

"Take me into the most out-of-the-way corner you can find,"
she then said, "and then go and get me a piece of bread."

"Nothing more? There seems to be everything conceivable."

"A simple roll. Nothing more, on your peril. Only bring
something for yourself."

It seemed to Rowland that the embrasure of a window
(embrasures in Roman palaces are deep) was a retreat
sufficiently obscure for Miss Light to execute whatever
design she might have contrived against his equanimity.
A roll, after he had found her a seat, was easily procured.
As he presented it, he remarked that, frankly speaking,
he was at loss to understand why she should have selected
for the honor of a tete-a-tete an individual for whom she
had so little taste.

"Ah yes, I dislike you," said Christina. "To tell the truth,
I had forgotten it. There are so many people here whom I dislike more,
that when I espied you just now, you seemed like an intimate friend.
But I have not come into this corner to talk nonsense," she went on.
"You must not think I always do, eh?"

"I have never heard you do anything else," said Rowland, deliberately,
having decided that he owed her no compliments.

"Very good. I like your frankness. It 's quite true. You see,
I am a strange girl. To begin with, I am frightfully egotistical.
Don't flatter yourself you have said anything very clever
if you ever take it into your head to tell me so.
I know it much better than you. So it is, I can't help it.
I am tired to death of myself; I would give all I possess to get
out of myself; but somehow, at the end, I find myself so vastly
more interesting than nine tenths of the people I meet.
If a person wished to do me a favor I would say to him,
'I beg you, with tears in my eyes, to interest me. Be strong,
be positive, be imperious, if you will; only be something,--
something that, in looking at, I can forget my detestable self!'
Perhaps that is nonsense too. If it is, I can't help it.
I can only apologize for the nonsense I know to be such
and that I talk--oh, for more reasons than I can tell you!
I wonder whether, if I were to try, you would understand me."

"I am afraid I should never understand," said Rowland,
"why a person should willingly talk nonsense."

"That proves how little you know about women. But I like your frankness.
When I told you the other day that you displeased me, I had an idea you
were more formal,--how do you say it?--more guinde. I am very capricious.
To-night I like you better."

"Oh, I am not guinde," said Rowland, gravely.

"I beg your pardon, then, for thinking so. Now I have an idea
that you would make a useful friend--an intimate friend--
a friend to whom one could tell everything. For such a friend,
what would n't I give!"

Rowland looked at her in some perplexity. Was this touching sincerity,
or unfathomable coquetry? Her beautiful eyes looked divinely candid;
but then, if candor was beautiful, beauty was apt to be subtle.
"I hesitate to recommend myself out and out for the office," he said,
"but I believe that if you were to depend upon me for anything
that a friend may do, I should not be found wanting."

"Very good. One of the first things one asks of a friend is
to judge one not by isolated acts, but by one's whole conduct.
I care for your opinion--I don't know why."

"Nor do I, I confess," said Rowland with a laugh.

"What do you think of this affair?" she continued, without heeding his laugh.

"Of your ball? Why, it 's a very grand affair."

"It 's horrible--that 's what it is! It 's a mere rabble!
There are people here whom I never saw before, people who were never asked.
Mamma went about inviting every one, asking other people to invite any
one they knew, doing anything to have a crowd. I hope she is satisfied!
It is not my doing. I feel weary, I feel angry, I feel like crying.
I have twenty minds to escape into my room and lock the door and let
mamma go through with it as she can. By the way," she added in a moment,
without a visible reason for the transition, "can you tell me
something to read?"

Rowland stared, at the disconnectedness of the question.

"Can you recommend me some books?" she repeated.
"I know you are a great reader. I have no one else to ask.
We can buy no books. We can make debts for jewelry and bonnets
and five-button gloves, but we can't spend a sou for ideas.
And yet, though you may not believe it, I like ideas
quite as well."

"I shall be most happy to lend you some books," Rowland said.
"I will pick some out to-morrow and send them to you."

"No novels, please! I am tired of novels. I can imagine
better stories for myself than any I read. Some good poetry,
if there is such a thing nowadays, and some memoirs and histories
and books of facts."

"You shall be served. Your taste agrees with my own."

She was silent a moment, looking at him. Then suddenly--"Tell me something
about Mr. Hudson," she demanded. "You are great friends!"

"Oh yes," said Rowland; "we are great friends."

"Tell me about him. Come, begin!"

"Where shall I begin? You know him for yourself."

"No, I don't know him; I don't find him so easy to know.
Since he has finished my bust and begun to come here disinterestedly,
he has become a great talker. He says very fine things;
but does he mean all he says?"

"Few of us do that."

"You do, I imagine. You ought to know, for he tells me you
discovered him."  Rowland was silent, and Christina continued,
"Do you consider him very clever?"

"Unquestionably."

"His talent is really something out of the common way?"

"So it seems to me."

"In short, he 's a man of genius?"

"Yes, call it genius."

"And you found him vegetating in a little village and took him
by the hand and set him on his feet in Rome?"

"Is that the popular legend?" asked Rowland.

"Oh, you need n't be modest. There was no great merit in it;
there would have been none at least on my part in the same circumstances.
Real geniuses are not so common, and if I had discovered one in
the wilderness, I would have brought him out into the market-place
to see how he would behave. It would be excessively amusing.
You must find it so to watch Mr. Hudson, eh? Tell me this:
do you think he is going to be a great man--become famous,
have his life written, and all that?"

"I don't prophesy, but I have good hopes."

Christina was silent. She stretched out her bare arm
and looked at it a moment absently, turning it so as to see--
or almost to see--the dimple in her elbow. This was apparently
a frequent gesture with her; Rowland had already observed it.
It was as coolly and naturally done as if she had been in her
room alone. "So he 's a man of genius," she suddenly resumed.
"Don't you think I ought to be extremely flattered to have
a man of genius perpetually hanging about? He is the first I
ever saw, but I should have known he was not a common mortal.
There is something strange about him. To begin with, he has
no manners. You may say that it 's not for me to blame him,
for I have none myself. That 's very true, but the difference
is that I can have them when I wish to (and very charming ones too;
I 'll show you some day); whereas Mr. Hudson will never
have them. And yet, somehow, one sees he 's a gentleman.
He seems to have something urging, driving, pushing him,
making him restless and defiant. You see it in his eyes.
They are the finest, by the way, I ever saw. When a person
has such eyes as that you can forgive him his bad manners.
I suppose that is what they call the sacred fire."

Rowland made no answer except to ask her in a moment if she would
have another roll. She merely shook her head and went on:--

"Tell me how you found him. Where was he--how was he?"

"He was in a place called Northampton. Did you ever hear of it?
He was studying law--but not learning it."

"It appears it was something horrible, eh?"

"Something horrible?"

"This little village. No society, no pleasures, no beauty, no life."

"You have received a false impression. Northampton is not as gay as Rome,
but Roderick had some charming friends."

"Tell me about them. Who were they?"

"Well, there was my cousin, through whom I made his acquaintance:
a delightful woman."

"Young--pretty?"

"Yes, a good deal of both. And very clever."

"Did he make love to her?"

"Not in the least."

"Well, who else?"

"He lived with his mother. She is the best of women."

"Ah yes, I know all that one's mother is. But she does not count as society.
And who else?"

Rowland hesitated. He wondered whether Christina's
insistance was the result of a general interest in Roderick's
antecedents or of a particular suspicion. He looked at her;
she was looking at him a little askance, waiting for his answer.
As Roderick had said nothing about his engagement to the Cavaliere,
it was probable that with this beautiful girl he had not
been more explicit. And yet the thing was announced,
it was public; that other girl was happy in it, proud of it.
Rowland felt a kind of dumb anger rising in his heart.
He deliberated a moment intently.

"What are you frowning at?"  Christina asked.

"There was another person," he answered, "the most important of all:
the young girl to whom he is engaged."

Christina stared a moment, raising her eyebrows.
"Ah, Mr. Hudson is engaged?" she said, very simply.
"Is she pretty?"

"She is not called a beauty," said Rowland. He meant to practice
great brevity, but in a moment he added, "I have seen beauties,
however, who pleased me less."

"Ah, she pleases you, too? Why don't they marry?"

"Roderick is waiting till he can afford to marry."

Christina slowly put out her arm again and looked at the dimple
in her elbow. "Ah, he 's engaged?" she repeated in the same tone.
"He never told me."

Rowland perceived at this moment that the people about them
were beginning to return to the dancing-room, and immediately
afterwards he saw Roderick making his way toward themselves.
Roderick presented himself before Miss Light.

"I don't claim that you have promised me the cotillon," he said,
"but I consider that you have given me hopes which warrant
the confidence that you will dance with me."

Christina looked at him a moment. "Certainly I have made no promises,"
she said. "It seemed to me that, as the daughter of the house,
I should keep myself free and let it depend on circumstances."

"I beseech you to dance with me!" said Roderick, with vehemence.

Christina rose and began to laugh. "You say that very well,
but the Italians do it better."

This assertion seemed likely to be put to the proof.
Mrs. Light hastily approached, leading, rather than led by,
a tall, slim young man, of an unmistakably Southern physiognomy.
"My precious love," she cried, "what a place to hide in!
We have been looking for you for twenty minutes; I have chosen
a cavalier for you, and chosen well!"

The young man disengaged himself, made a ceremonious bow,
joined his two hands, and murmured with an ecstatic smile,
"May I venture to hope, dear signorina, for the honor
of your hand?"

"Of course you may!" said Mrs. Light. "The honor is for us."

Christina hesitated but for a moment, then swept the young man a courtesy
as profound as his own bow. "You are very kind, but you are too late.
I have just accepted!"

"Ah, my own darling!" murmured--almost moaned--Mrs. Light.

Christina and Roderick exchanged a single glance--a glance
brilliant on both sides. She passed her hand into his arm;
he tossed his clustering locks and led her away.

A short time afterwards Rowland saw the young man whom she
had rejected leaning against a doorway. He was ugly, but what
is called distinguished-looking. He had a heavy black eye,
a sallow complexion, a long, thin neck; his hair was cropped
en brosse. He looked very young, yet extremely bored.
He was staring at the ceiling and stroking an imperceptible moustache.
Rowland espied the Cavaliere Giacosa hard by, and, having joined him,
asked him the young man's name.

"Oh," said the Cavaliere, "he 's a pezzo grosso!
A Neapolitan. Prince Casamassima."

CHAPTER VI. Frascati

One day, on entering Roderick's lodging (not the modest rooms on
the Ripetta which he had first occupied, but a much more sumptuous
apartment on the Corso), Rowland found a letter on the table
addressed to himself. It was from Roderick, and consisted
of but three lines: "I am gone to Frascati--for meditation.
If I am not at home on Friday, you had better join me."
On Friday he was still absent, and Rowland went out to Frascati.
Here he found his friend living at the inn and spending
his days, according to his own account, lying under the trees
of the Villa Mondragone, reading Ariosto. He was in a
sombre mood; "meditation" seemed not to have been fruitful.
Nothing especially pertinent to our narrative had passed
between the two young men since Mrs. Light's ball, save a
few words bearing on an incident of that entertainment.
Rowland informed Roderick, the next day, that he had told
Miss Light of his engagement. "I don't know whether you 'll
thank me," he had said, "but it 's my duty to let you know it.
Miss Light perhaps has already done so."

Roderick looked at him a moment, intently, with his color slowly rising.
"Why should n't I thank you?" he asked. "I am not ashamed of my engagement."

"As you had not spoken of it yourself, I thought you might have a reason
for not having it known."

"A man does n't gossip about such a matter with strangers,"
Roderick rejoined, with the ring of irritation in his voice.

"With strangers--no!" said Rowland, smiling.

Roderick continued his work; but after a moment, turning round with a frown:
"If you supposed I had a reason for being silent, pray why should
you have spoken?"

"I did not speak idly, my dear Roderick. I weighed the matter before I spoke,
and promised myself to let you know immediately afterwards. It seemed to me
that Miss Light had better know that your affections are pledged."

"The Cavaliere has put it into your head, then, that I am making
love to her?"

"No; in that case I would not have spoken to her first."

"Do you mean, then, that she is making love to me?"

"This is what I mean," said Rowland, after a pause.
"That girl finds you interesting, and is pleased, even though
she may play indifference, at your finding her so.
I said to myself that it might save her some sentimental
disappointment to know without delay that you are not at liberty
to become indefinitely interested in other women."

"You seem to have taken the measure of my liberty with
extraordinary minuteness!" cried Roderick.

"You must do me justice. I am the cause of your separation
from Miss Garland, the cause of your being exposed to temptations
which she hardly even suspects. How could I ever face her,"
Rowland demanded, with much warmth of tone, "if at the end of it
all she should be unhappy?"

"I had no idea that Miss Garland had made such an impression on you.
You are too zealous; I take it she did n't charge you to look
after her interests."

"If anything happens to you, I am accountable. You must understand that."

"That 's a view of the situation I can't accept; in your own interest,
no less than in mine. It can only make us both very uncomfortable.
I know all I owe you; I feel it; you know that! But I am not a small boy nor
an outer barbarian any longer, and, whatever I do, I do with my eyes open.
When I do well, the merit 's mine; if I do ill, the fault 's mine!
The idea that I make you nervous is detestable. Dedicate your nerves
to some better cause, and believe that if Miss Garland and I have a quarrel,
we shall settle it between ourselves."

Rowland had found himself wondering, shortly before, whether
possibly his brilliant young friend was without a conscience;
now it dimly occurred to him that he was without a heart.
Rowland, as we have already intimated, was a man with a
moral passion, and no small part of it had gone forth into
his relations with Roderick. There had been, from the first,
no protestations of friendship on either side, but Rowland
had implicitly offered everything that belongs to friendship,
and Roderick had, apparently, as deliberately accepted it.
Rowland, indeed, had taken an exquisite satisfaction in his
companion's deep, inexpressive assent to his interest in him.
"Here is an uncommonly fine thing," he said to himself:
"a nature unconsciously grateful, a man in whom friendship
does the thing that love alone generally has the credit of--
knocks the bottom out of pride!"  His reflective judgment
of Roderick, as time went on, had indulged in a great many
irrepressible vagaries; but his affection, his sense of something
in his companion's whole personality that overmastered his heart
and beguiled his imagination, had never for an instant faltered.
He listened to Roderick's last words, and then he smiled
as he rarely smiled--with bitterness.

"I don't at all like your telling me I am too zealous," he said.
"If I had not been zealous, I should never have cared a fig for you."

Roderick flushed deeply, and thrust his modeling tool
up to the handle into the clay. "Say it outright!
You have been a great fool to believe in me."

"I desire to say nothing of the kind, and you don't honestly believe I do!"
said Rowland. "It seems to me I am really very good-natured even to reply
to such nonsense."

Roderick sat down, crossed his arms, and fixed his eyes on the floor.
Rowland looked at him for some moments; it seemed to him that he had
never so clearly read his companion's strangely commingled character--
his strength and his weakness, his picturesque personal attractiveness
and his urgent egoism, his exalted ardor and his puerile petulance.
It would have made him almost sick, however, to think that, on the whole,
Roderick was not a generous fellow, and he was so far from having ceased
to believe in him that he felt just now, more than ever, that all this
was but the painful complexity of genius. Rowland, who had not a grain
of genius either to make one say he was an interested reasoner,
or to enable one to feel that he could afford a dangerous theory or two,
adhered to his conviction of the essential salubrity of genius.
Suddenly he felt an irresistible compassion for his companion; it seemed
to him that his beautiful faculty of production was a double-edged instrument,
susceptible of being dealt in back-handed blows at its possessor.
Genius was priceless, inspired, divine; but it was also, at its hours,
capricious, sinister, cruel; and men of genius, accordingly, were alternately
very enviable and very helpless. It was not the first time he had had
a sense of Roderick's standing helpless in the grasp of his temperament.
It had shaken him, as yet, but with a half good-humored wantonness;
but, henceforth, possibly, it meant to handle him more roughly.
These were not times, therefore, for a friend to have a short patience.

"When you err, you say, the fault 's your own," he said at last.
"It is because your faults are your own that I care about them."

Rowland's voice, when he spoke with feeling, had an extraordinary amenity.
Roderick sat staring a moment longer at the floor, then he sprang
up and laid his hand affectionately on his friend's shoulder.
"You are the best man in the world," he said, "and I am a vile brute.
Only," he added in a moment, "you don't understand me!"  And he looked
at him with eyes of such radiant lucidity that one might have said
(and Rowland did almost say so, himself) that it was the fault of one's
own grossness if one failed to read to the bottom of that beautiful soul.

Rowland smiled sadly. "What is it now? Explain."

"Oh, I can't explain!" cried Roderick impatiently, returning to his work.
"I have only one way of expressing my deepest feelings--it 's this!"
And he swung his tool. He stood looking at the half-wrought clay
for a moment, and then flung the instrument down. "And even this half
the time plays me false!"

Rowland felt that his irritation had not subsided,
and he himself had no taste for saying disagreeable things.
Nevertheless he saw no sufficient reason to forbear uttering
the words he had had on his conscience from the beginning.
"We must do what we can and be thankful," he said.
"And let me assure you of this--that it won't help you to become
entangled with Miss Light."

Roderick pressed his hand to his forehead with vehemence and then shook
it in the air, despairingly; a gesture that had become frequent with him
since he had been in Italy. "No, no, it 's no use; you don't understand me!
But I don't blame you. You can't!"

"You think it will help you, then?" said Rowland, wondering.

"I think that when you expect a man to produce beautiful and wonderful
works of art, you ought to allow him a certain freedom of action,
you ought to give him a long rope, you ought to let him follow his
fancy and look for his material wherever he thinks he may find it!
A mother can't nurse her child unless she follows a certain diet; an artist
can't bring his visions to maturity unless he has a certain experience.
You demand of us to be imaginative, and you deny us that which feeds
the imagination. In labor we must be as passionate as the inspired sibyl;
in life we must be mere machines. It won't do. When you have got an
artist to deal with, you must take him as he is, good and bad together.
I don't say they are pleasant fellows to know or easy fellows to live with;
I don't say they satisfy themselves any better than other people.
I only say that if you want them to produce, you must let them conceive.
If you want a bird to sing, you must not cover up its cage.
Shoot them, the poor devils, drown them, exterminate them, if you will,
in the interest of public morality; it may be morality would gain--
I dare say it would! But if you suffer them to live, let them live
on their own terms and according to their own inexorable needs!"

Rowland burst out laughing. "I have no wish whatever either
to shoot you or to drown you!" he said. "Why launch such a
tirade against a warning offered you altogether in the interest
of your freest development? Do you really mean that you have
an inexorable need of embarking on a flirtation with Miss Light?--
a flirtation as to the felicity of which there may be differences
of opinion, but which cannot at best, under the circumstances,
be called innocent. Your last summer's adventures were more so!
As for the terms on which you are to live, I had an idea you
had arranged them otherwise!"

"I have arranged nothing--thank God! I don't pretend to arrange.
I am young and ardent and inquisitive, and I admire Miss Light.
That 's enough. I shall go as far as admiration leads me.
I am not afraid. Your genuine artist may be sometimes half a madman,
but he 's not a coward!"

"Suppose that in your speculation you should come to grief,
not only sentimentally but artistically?"

"Come what come will! If I 'm to fizzle out, the sooner
I know it the better. Sometimes I half suspect it.
But let me at least go out and reconnoitre for the enemy,
and not sit here waiting for him, cudgeling my brains for ideas
that won't come!"

Do what he would, Rowland could not think of Roderick's theory
of unlimited experimentation, especially as applied in the case
under discussion, as anything but a pernicious illusion.
But he saw it was vain to combat longer, for inclination
was powerfully on Roderick's side. He laid his hand on
Roderick's shoulder, looked at him a moment with troubled eyes,
then shook his head mournfully and turned away.

"I can't work any more," said Roderick. "You have upset me!
I 'll go and stroll on the Pincian."  And he tossed aside
his working-jacket and prepared himself for the street.
As he was arranging his cravat before the glass,
something occurred to him which made him thoughtful.
He stopped a few moments afterward, as they were going out,
with his hand on the door-knob. "You did, from your own point
of view, an indiscreet thing," he said, "to tell Miss Light
of my engagement."

Rowland looked at him with a glance which was partly an interrogation,
but partly, also, an admission.

"If she 's the coquette you say," Roderick added, "you have given
her a reason the more."

"And that 's the girl you propose to devote yourself to?" cried Rowland.

"Oh, I don't say it, mind! I only say that she 's the most interesting
creature in the world! The next time you mean to render me a service,
pray give me notice beforehand!"

It was perfectly characteristic of Roderick that, a fortnight later, he should
have let his friend know that he depended upon him for society at Frascati,
as freely as if no irritating topic had ever been discussed between them.
Rowland thought him generous, and he had at any rate a liberal faculty
of forgetting that he had given you any reason to be displeased with him.
It was equally characteristic of Rowland that he complied with his friend's
summons without a moment's hesitation. His cousin Cecilia had once told him
that he was the dupe of his intense benevolence. She put the case with too
little favor, or too much, as the reader chooses; it is certain, at least,
that he had a constitutional tendency towards magnanimous interpretations.
Nothing happened, however, to suggest to him that he was deluded in thinking
that Roderick's secondary impulses were wiser than his primary ones,
and that the rounded total of his nature had a harmony perfectly attuned
to the most amiable of its brilliant parts. Roderick's humor, for the time,
was pitched in a minor key; he was lazy, listless, and melancholy,
but he had never been more friendly and kindly and appealingly submissive.
Winter had begun, by the calendar, but the weather was divinely mild,
and the two young men took long slow strolls on the hills and lounged away
the mornings in the villas. The villas at Frascati are delicious places,
and replete with romantic suggestiveness. Roderick, as he had said,
was meditating, and if a masterpiece was to come of his meditations,
Rowland was perfectly willing to bear him company and coax along the process.
But Roderick let him know from the first that he was in a miserably
sterile mood, and, cudgel his brains as he would, could think of nothing
that would serve for the statue he was to make for Mr. Leavenworth.

"It is worse out here than in Rome," he said, "for here
I am face to face with the dead blank of my mind!
There I could n't think of anything either, but there
I found things to make me forget that I needed to."
This was as frank an allusion to Christina Light as could have been
expected under the circumstances; it seemed, indeed, to Rowland
surprisingly frank, and a pregnant example of his companion's
often strangely irresponsible way of looking at harmful facts.
Roderick was silent sometimes for hours, with a puzzled look on his
face and a constant fold between his even eyebrows; at other times
he talked unceasingly, with a slow, idle, half-nonsensical drawl.
Rowland was half a dozen times on the point of asking him what
was the matter with him; he was afraid he was going to be ill.
Roderick had taken a great fancy to the Villa Mondragone,
and used to declaim fantastic compliments to it as they
strolled in the winter sunshine on the great terrace which
looks toward Tivoli and the iridescent Sabine mountains.
He carried his volume of Ariosto in his pocket, and took
it out every now and then and spouted half a dozen stanzas
to his companion. He was, as a general thing, very little
of a reader; but at intervals he would take a fancy to one of
the classics and peruse it for a month in disjointed scraps.
He had picked up Italian without study, and had a wonderfully
sympathetic accent, though in reading aloud he ruined
the sense of half the lines he rolled off so sonorously.
Rowland, who pronounced badly but understood everything,
once said to him that Ariosto was not the poet for a man
of his craft; a sculptor should make a companion of Dante.
So he lent him the Inferno, which he had brought with him,
and advised him to look into it. Roderick took it
with some eagerness; perhaps it would brighten his wits.
He returned it the next day with disgust; he had found
it intolerably depressing.

"A sculptor should model as Dante writes--you 're right there," he said.
"But when his genius is in eclipse, Dante is a dreadfully smoky lamp.
By what perversity of fate," he went on, "has it come about that I am
a sculptor at all? A sculptor is such a confoundedly special genius;
there are so few subjects he can treat, so few things in life that bear
upon his work, so few moods in which he himself is inclined to it."
(It may be noted that Rowland had heard him a dozen times affirm
the flat reverse of all this.) "If I had only been a painter--
a little quiet, docile, matter-of-fact painter, like our friend Singleton--
I should only have to open my Ariosto here to find a subject, to find color
and attitudes, stuffs and composition; I should only have to look up from
the page at that mouldy old fountain against the blue sky, at that cypress
alley wandering away like a procession of priests in couples, at the crags
and hollows of the Sabine hills, to find myself grasping my brush.
Best of all would be to be Ariosto himself, or one of his brotherhood.
Then everything in nature would give you a hint, and every form
of beauty be part of your stock. You would n't have to look at
things only to say,--with tears of rage half the time,--'Oh, yes,
it 's wonderfully pretty, but what the deuce can I do with it?'
But a sculptor, now! That 's a pretty trade for a fellow who has got
his living to make and yet is so damnably constituted that he can't work
to order, and considers that, aesthetically, clock ornaments don't pay!
You can't model the serge-coated cypresses, nor those mouldering old
Tritons and all the sunny sadness of that dried-up fountain; you can't
put the light into marble--the lovely, caressing, consenting Italian
light that you get so much of for nothing. Say that a dozen times in his
life a man has a complete sculpturesque vision--a vision in which the
imagination recognizes a subject and the subject kindles the imagination.
It is a remunerative rate of work, and the intervals are comfortable!"

One morning, as the two young men were lounging on the sun-warmed
grass at the foot of one of the slanting pines of the Villa
Mondragone, Roderick delivered himself of a tissue of lugubrious
speculations as to the possible mischances of one's genius.
"What if the watch should run down," he asked, "and you
should lose the key? What if you should wake up some morning
and find it stopped, inexorably, appallingly stopped?
Such things have been, and the poor devils to whom they happened have
had to grin and bear it. The whole matter of genius is a mystery.
It bloweth where it listeth and we know nothing of its mechanism.
If it gets out of order we can't mend it; if it breaks down
altogether we can't set it going again. We must let it choose
its own pace, and hold our breath lest it should lose its balance.
It 's dealt out in different doses, in big cups and little,
and when you have consumed your portion it 's as naif to ask
for more as it was for Oliver Twist to ask for more porridge.
Lucky for you if you 've got one of the big cups; we drink
them down in the dark, and we can't tell their size until
we tip them up and hear the last gurgle. Those of some men
last for life; those of others for a couple of years.
Nay, what are you smiling at so damnably?" he went on.
"Nothing is more common than for an artist who has set out
on his journey on a high-stepping horse to find himself all
of a sudden dismounted and invited to go his way on foot.
You can number them by the thousand--the people of two or
three successes; the poor fellows whose candle burnt out in a night.
Some of them groped their way along without it, some of them
gave themselves up for blind and sat down by the wayside
to beg. Who shall say that I 'm not one of these?
Who shall assure me that my credit is for an unlimited sum?
Nothing proves it, and I never claimed it; or if I did, I did
so in the mere boyish joy of shaking off the dust of Northampton.
If you believed so, my dear fellow, you did so at your own risk!
What am I, what are the best of us, but an experiment? Do I succeed--
do I fail? It does n't depend on me. I 'm prepared for failure.
It won't be a disappointment, simply because I shan't survive it.
The end of my work shall be the end of my life. When I have
played my last card, I shall cease to care for the game.
I 'm not making vulgar threats of suicide; for destiny, I trust,
won't add insult to injury by putting me to that abominable trouble.
But I have a conviction that if the hour strikes here,"
and he tapped his forehead, "I shall disappear, dissolve, be carried
off in a cloud! For the past ten days I have had the vision
of some such fate perpetually swimming before my eyes.
My mind is like a dead calm in the tropics, and my imagination
as motionless as the phantom ship in the Ancient Mariner!"

Rowland listened to this outbreak, as he often had occasion to listen
to Roderick's heated monologues, with a number of mental restrictions.
Both in gravity and in gayety he said more than he meant, and you
did him simple justice if you privately concluded that neither
the glow of purpose nor the chill of despair was of so intense
a character as his florid diction implied. The moods of an artist,
his exaltations and depressions, Rowland had often said to himself,
were like the pen-flourishes a writing-master makes in the air
when he begins to set his copy. He may bespatter you with ink,
he may hit you in the eye, but he writes a magnificent hand.
It was nevertheless true that at present poor Roderick gave
unprecedented tokens of moral stagnation, and as for genius being
held by the precarious tenure he had sketched, Rowland was at a loss
to see whence he could borrow the authority to contradict him.
He sighed to himself, and wished that his companion had a
trifle more of little Sam Singleton's evenness of impulse.
But then, was Singleton a man of genius? He answered that such
reflections seemed to him unprofitable, not to say morbid;
that the proof of the pudding was in the eating; that he did n't
know about bringing a genius that had palpably spent its last
breath back to life again, but that he was satisfied that vigorous
effort was a cure for a great many ills that seemed far gone.
"Don't heed your mood," he said, "and don't believe there is any
calm so dead that your own lungs can't ruffle it with a breeze.
If you have work to do, don't wait to feel like it; set to work
and you will feel like it."

"Set to work and produce abortions!" cried Roderick with ire.
"Preach that to others. Production with me must be either
pleasure or nothing. As I said just now, I must either stay
in the saddle or not go at all. I won't do second-rate work;
I can't if I would. I have no cleverness, apart from inspiration.
I am not a Gloriani! You are right," he added after a while;
"this is unprofitable talk, and it makes my head ache.
I shall take a nap and see if I can dream of a bright idea or two."

He turned his face upward to the parasol of the great pine,
closed his eyes, and in a short time forgot his sombre fancies.
January though it was, the mild stillness seemed to vibrate with faint
midsummer sounds. Rowland sat listening to them and wishing that,
for the sake of his own felicity, Roderick's temper were graced
with a certain absent ductility. He was brilliant, but was he,
like many brilliant things, brittle? Suddenly, to his musing sense,
the soft atmospheric hum was overscored with distincter sounds.
He heard voices beyond a mass of shrubbery, at the turn of a
neighboring path. In a moment one of them began to seem familiar,
and an instant later a large white poodle emerged into view.
He was slowly followed by his mistress. Miss Light paused a moment
on seeing Rowland and his companion; but, though the former perceived
that he was recognized, she made no bow. Presently she walked
directly toward him. He rose and was on the point of waking Roderick,
but she laid her finger on her lips and motioned him to forbear.
She stood a moment looking at Roderick's handsome slumber.

"What delicious oblivion!" she said. "Happy man! Stenterello"--and she
pointed to his face--"wake him up!"

The poodle extended a long pink tongue and began to lick Roderick's cheek.

"Why," asked Rowland, "if he is happy?"

"Oh, I want companions in misery! Besides, I want to show off my dog."
Roderick roused himself, sat up, and stared. By this time Mrs. Light
had approached, walking with a gentleman on each side of her.
One of these was the Cavaliere Giacosa; the other was Prince Casamassima.
"I should have liked to lie down on the grass and go to sleep,"
Christina added. "But it would have been unheard of."

"Oh, not quite," said the Prince, in English, with a tone of great precision.
"There was already a Sleeping Beauty in the Wood!"

"Charming!" cried Mrs. Light. "Do you hear that, my dear?"

"When the prince says a brilliant thing, it would be a pity
to lose it," said the young girl. "Your servant, sir!"
And she smiled at him with a grace that might have reassured him,
if he had thought her compliment ambiguous.

Roderick meanwhile had risen to his feet, and Mrs. Light began to exclaim
on the oddity of their meeting and to explain that the day was so lovely
that she had been charmed with the idea of spending it in the country.
And who would ever have thought of finding Mr. Mallet and Mr. Hudson
sleeping under a tree!

"Oh, I beg your pardon; I was not sleeping," said Rowland.

"Don't you know that Mr. Mallet is Mr. Hudson's sheep-dog?" asked Christina.
"He was mounting guard to keep away the wolves."

"To indifferent purpose, madame!" said Rowland, indicating the young girl.

"Is that the way you spend your time?"  Christina demanded of Roderick.
"I never yet happened to learn what men were doing when they supposed women
were not watching them but it was something vastly below their reputation."

"When, pray," said Roderick, smoothing his ruffled locks,
"are women not watching them?"

"We shall give you something better to do, at any rate.
How long have you been here? It 's an age since I have seen you.
We consider you domiciled here, and expect you to play host
and entertain us."

Roderick said that he could offer them nothing but to show them
the great terrace, with its view; and ten minutes later the group
was assembled there. Mrs. Light was extravagant in her satisfaction;
Christina looked away at the Sabine mountains, in silence.
The prince stood by, frowning at the rapture of the elder lady.

"This is nothing," he said at last. "My word of honor.
Have you seen the terrace at San Gaetano?"

"Ah, that terrace," murmured Mrs. Light, amorously. "I suppose
it is magnificent!"

"It is four hundred feet long, and paved with marble.
And the view is a thousand times more beautiful than this.
You see, far away, the blue, blue sea and the little
smoke of Vesuvio!"

"Christina, love," cried Mrs. Light forthwith, "the prince has
a terrace four hundred feet long, all paved with marble!"

The Cavaliere gave a little cough and began to wipe his eye-glass.

"Stupendous!" said Christina. "To go from one end to
the other, the prince must have out his golden carriage."
This was apparently an allusion to one of the other items
of the young man's grandeur.

"You always laugh at me," said the prince. "I know no more what to say!"

She looked at him with a sad smile and shook her head.
"No, no, dear prince, I don't laugh at you. Heaven forbid!
You are much too serious an affair. I assure you I feel your importance.
What did you inform us was the value of the hereditary diamonds
of the Princess Casamassima?"

"Ah, you are laughing at me yet!" said the poor young man,
standing rigid and pale.

"It does n't matter," Christina went on. "We have a note of it;
mamma writes all those things down in a little book!"

"If you are laughed at, dear prince, at least it 's in company,"
said Mrs. Light, caressingly; and she took his arm, as if to resist
his possible displacement under the shock of her daughter's sarcasm.
But the prince looked heavy-eyed toward Rowland and Roderick,
to whom the young girl was turning, as if he had much rather his lot
were cast with theirs.

"Is the villa inhabited?"  Christina asked, pointing to the vast
melancholy structure which rises above the terrace.

"Not privately," said Roderick. "It is occupied by a Jesuits'
college, for little boys."

"Can women go in?"

"I am afraid not."  And Roderick began to laugh.
"Fancy the poor little devils looking up from their Latin
declensions and seeing Miss Light standing there!"

"I should like to see the poor little devils, with their rosy
cheeks and their long black gowns, and when they were pretty,
I should n't scruple to kiss them. But if I can't have that
amusement I must have some other. We must not stand planted on this
enchanting terrace as if we were stakes driven into the earth.
We must dance, we must feast, we must do something picturesque.
Mamma has arranged, I believe, that we are to go back
to Frascati to lunch at the inn. I decree that we lunch
here and send the Cavaliere to the inn to get the provisions!
He can take the carriage, which is waiting below."

Miss Light carried out this undertaking with unfaltering ardor.
The Cavaliere was summoned, and he stook to receive her commands
hat in hand, with his eyes cast down, as if she had been
a princess addressing her major-domo. She, however, laid her hand
with friendly grace upon his button-hole, and called him a dear,
good old Cavaliere, for being always so willing. Her spirits had
risen with the occasion, and she talked irresistible nonsense.
"Bring the best they have," she said, "no matter if it ruins us!
And if the best is very bad, it will be all the more amusing.
I shall enjoy seeing Mr. Mallet try to swallow it for propriety's sake!
Mr. Hudson will say out like a man that it 's horrible stuff,
and that he 'll be choked first! Be sure you bring a dish of maccaroni;
the prince must have the diet of the Neapolitan nobility.
But I leave all that to you, my poor, dear Cavaliere; you know
what 's good! Only be sure, above all, you bring a guitar.
Mr. Mallet will play us a tune, I 'll dance with Mr. Hudson,
and mamma will pair off with the prince, of whom she is so fond!"

And as she concluded her recommendations, she patted
her bland old servitor caressingly on the shoulder.
He looked askance at Rowland; his little black eye glittered;
it seemed to say, "Did n't I tell you she was a good girl!"

The Cavaliere returned with zealous speed, accompanied by one
of the servants of the inn, laden with a basket containing
the materials of a rustic luncheon. The porter of the villa
was easily induced to furnish a table and half a dozen chairs,
and the repast, when set forth, was pronounced a perfect success;
not so good as to fail of the proper picturesqueness,
nor yet so bad as to defeat the proper function of repasts.
Christina continued to display the most charming animation,
and compelled Rowland to reflect privately that,
think what one might of her, the harmonious gayety of a
beautiful girl was the most beautiful sight in nature.
Her good-humor was contagious. Roderick, who an hour before had
been descanting on madness and suicide, commingled his laughter
with hers in ardent devotion; Prince Casamassima stroked his
young moustache and found a fine, cool smile for everything;
his neighbor, Mrs. Light, who had Rowland on the other side,
made the friendliest confidences to each of the young men,
and the Cavaliere contributed to the general hilarity by
the solemnity of his attention to his plate. As for Rowland,
the spirit of kindly mirth prompted him to propose the health of this
useful old gentleman, as the effective author of their pleasure.
A moment later he wished he had held his tongue, for although
the toast was drunk with demonstrative good-will, the Cavaliere
received it with various small signs of eager self-effacement
which suggested to Rowland that his diminished gentility
but half relished honors which had a flavor of patronage.
To perform punctiliously his mysterious duties toward
the two ladies, and to elude or to baffle observation on his
own merits--this seemed the Cavaliere's modest programme.
Rowland perceived that Mrs. Light, who was not always remarkable
for tact, seemed to have divined his humor on this point.
She touched her glass to her lips, but offered him no compliment
and immediately gave another direction to the conversation.
He had brought no guitar, so that when the feast was over there
was nothing to hold the little group together. Christina wandered
away with Roderick to another part of the terrace; the prince,
whose smile had vanished, sat gnawing the head of his cane,
near Mrs. Light, and Rowland strolled apart with the Cavaliere,
to whom he wished to address a friendly word in compensation
for the discomfort he had inflicted on his modesty.
The Cavaliere was a mine of information upon all Roman places
and people; he told Rowland a number of curious anecdotes
about the old Villa Mondragone. "If history could always be
taught in this fashion!" thought Rowland. "It 's the ideal--
strolling up and down on the very spot commemorated,
hearing sympathetic anecdotes from deeply indigenous lips."
At last, as they passed, Rowland observed the mournful
physiognomy of Prince Casamassima, and, glancing toward
the other end of the terrace, saw that Roderick and Christina
had disappeared from view. The young man was sitting upright,
in an attitude, apparently habitual, of ceremonious rigidity;
but his lower jaw had fallen and was propped up with his cane,
and his dull dark eye was fixed upon the angle of the villa
which had just eclipsed Miss Light and her companion.
His features were grotesque and his expression vacuous;
but there was a lurking delicacy in his face which seemed
to tell you that nature had been making Casamassimas for a great
many centuries, and, though she adapted her mould to circumstances,
had learned to mix her material to an extraordinary fineness
and to perform the whole operation with extreme smoothness.
The prince was stupid, Rowland suspected, but he imagined
he was amiable, and he saw that at any rate he had the great
quality of regarding himself in a thoroughly serious light.
Rowland touched his companion's arm and pointed to
the melancholy nobleman.

"Why in the world does he not go after her and insist on
being noticed!" he asked.

"Oh, he 's very proud!" said the Cavaliere.

"That 's all very well, but a gentleman who cultivates a passion
for that young lady must be prepared to make sacrifices."

"He thinks he has already made a great many. He comes
of a very great family--a race of princes who for six hundred
years have married none but the daughters of princes.
But he is seriously in love, and he would marry her to-morrow."

"And she will not have him?"

"Ah, she is very proud, too!"  The Cavaliere was silent
a moment, as if he were measuring the propriety of frankness.
He seemed to have formed a high opinion of Rowland's discretion,
for he presently continued: "It would be a great match, for she
brings him neither a name nor a fortune--nothing but her beauty.
But the signorina will receive no favors; I know her well!
She would rather have her beauty blasted than seem to care
about the marriage, and if she ever accepts the prince it
will be only after he has implored her on his knees!"

"But she does care about it," said Rowland, "and to bring him
to his knees she is working upon his jealousy by pretending
to be interested in my friend Hudson. If you said more,
you would say that, eh?"

The Cavaliere's shrewdness exchanged a glance with Rowland's. "By no means.
Miss Light is a singular girl; she has many romantic ideas. She would be
quite capable of interesting herself seriously in an interesting young man,
like your friend, and doing her utmost to discourage a splendid suitor,
like the prince. She would act sincerely and she would go very far.
But it would be unfortunate for the young man," he added, after a pause,
"for at the last she would retreat!"

"A singular girl, indeed!"

"She would accept the more brilliant parti. I can answer for it."

"And what would be her motive?"

"She would be forced. There would be circumstances.... I can't
tell you more."

"But this implies that the rejected suitor would also come back.
He might grow tired of waiting."

"Oh, this one is good! Look at him now."  Rowland looked,
and saw that the prince had left his place by Mrs. Light and was
marching restlessly to and fro between the villa and the parapet
of the terrace. Every now and then he looked at his watch.
"In this country, you know," said the Cavaliere, "a young
lady never goes walking alone with a handsome young man.
It seems to him very strange."

"It must seem to him monstrous, and if he overlooks it he must
be very much in love."

"Oh, he will overlook it. He is far gone."

"Who is this exemplary lover, then; what is he?"

"A Neapolitan; one of the oldest houses in Italy. He is a prince
in your English sense of the word, for he has a princely fortune.
He is very young; he is only just of age; he saw the signorina
last winter in Naples. He fell in love with her from the first,
but his family interfered, and an old uncle, an ecclesiastic,
Monsignor B----, hurried up to Naples, seized him, and locked him up.
Meantime he has passed his majority, and he can dispose of himself.
His relations are moving heaven and earth to prevent his
marrying Miss Light, and they have sent us word that he forfeits
his property if he takes his wife out of a certain line.
I have investigated the question minutely, and I find this is but a
fiction to frighten us. He is perfectly free; but the estates are
such that it is no wonder they wish to keep them in their own hands.
For Italy, it is an extraordinary case of unincumbered property.
The prince has been an orphan from his third year; he has therefore
had a long minority and made no inroads upon his fortune.
Besides, he is very prudent and orderly; I am only afraid that some day
he will pull the purse-strings too tight. All these years his affairs
have been in the hands of Monsignor B----, who has managed them
to perfection--paid off mortagages, planted forests, opened up mines.
It is now a magnificent fortune; such a fortune as, with his name,
would justify the young man in pretending to any alliance whatsoever.
And he lays it all at the feet of that young girl who is wandering
in yonder boschetto with a penniless artist."

"He is certainly a phoenix of princes! The signora must
be in a state of bliss."

The Cavaliere looked imperturbably grave. "The signora has a high
esteem for his character."

"His character, by the way," rejoined Rowland, with a smile;
"what sort of a character is it?"

"Eh, Prince Casamassima is a veritable prince!
He is a very good young man. He is not brilliant,
nor witty, but he 'll not let himself be made a fool of.
He 's very grave and very devout--though he does propose to marry
a Protestant. He will handle that point after marriage.
He 's as you see him there: a young man without many ideas,
but with a very firm grasp of a single one--the conviction that
Prince Casamassima is a very great person, that he greatly honors
any young lady by asking for her hand, and that things are going
very strangely when the young lady turns her back upon him.
The poor young man, I am sure, is profoundly perplexed.
But I whisper to him every day, 'Pazienza, Signor Principe!' "

"So you firmly believe," said Rowland, in conclusion, "that Miss
Light will accept him just in time not to lose him!"

"I count upon it. She would make too perfect a princess
to miss her destiny."

"And you hold that nevertheless, in the mean while,
in listening to, say, my friend Hudson, she will have been
acting in good faith?"

The Cavaliere lifted his shoulders a trifle, and gave an inscrutable smile.
"Eh, dear signore, the Christina is very romantic!"

"So much so, you intimate, that she will eventually retract, in consequence
not of a change of sentiment, but of a mysterious outward pressure?"

"If everything else fails, there is that resource.
But it is mysterious, as you say, and you need n't try to guess it.
You will never know."

"The poor signorina, then, will suffer!"

"Not too much, I hope."

"And the poor young man! You maintain that there is nothing
but disappointment in store for the infatuated youth who loses
his heart to her!"

The Cavaliere hesitated. "He had better," he said in a moment,
"go and pursue his studies in Florence. There are very fine
antiques in the Uffizi!"

Rowland presently joined Mrs. Light, to whom her restless
protege had not yet returned. "That 's right," she said;
"sit down here; I have something serious to say to you.
I am going to talk to you as a friend. I want your assistance.
In fact, I demand it; it 's your duty to render it.
Look at that unhappy young man."

"Yes," said Rowland, "he seems unhappy."

"He is just come of age, he bears one of the greatest names in Italy
and owns one of the greatest properties, and he is pining away with love
for my daughter."

"So the Cavaliere tells me."

"The Cavaliere should n't gossip," said Mrs. Light dryly.
"Such information should come from me. The prince
is pining, as I say; he 's consumed, he 's devoured.
It 's a real Italian passion; I know what that means!"
And the lady gave a speaking glance, which seemed to coquet
for a moment with retrospect. "Meanwhile, if you please,
my daughter is hiding in the woods with your dear friend Mr. Hudson.
I could cry with rage."

"If things are so bad as that," said Rowland, "it seems to me that you
ought to find nothing easier than to dispatch the Cavaliere to bring
the guilty couple back."

"Never in the world! My hands are tied. Do you know what Christina
would do? She would tell the Cavaliere to go about his business--
Heaven forgive her!--and send me word that, if she had a mind to,
she would walk in the woods till midnight. Fancy the Cavaliere
coming back and delivering such a message as that before the prince!
Think of a girl wantonly making light of such a chance as hers!
He would marry her to-morrow, at six o'clock in the morning!"

"It is certainly very sad," said Rowland.

"That costs you little to say. If you had left your precious young
meddler to vegetate in his native village you would have saved me
a world of distress!"

"Nay, you marched into the jaws of danger," said Rowland.
"You came and disinterred poor Hudson in his own secluded studio."

"In an evil hour! I wish to Heaven you would talk with him."

"I have done my best."

"I wish, then, you would take him away. You have plenty of money.
Do me a favor. Take him to travel. Go to the East--go to Timbuctoo.
Then, when Christina is Princess Casamassima," Mrs. Light added in a moment,
"he may come back if he chooses."

"Does she really care for him?"  Rowland asked, abruptly.

"She thinks she does, possibly. She is a living riddle.
She must needs follow out every idea