Dope
by Sax Rohmer
Hypertext Meanings and Commentaries
from the Encyclopedia of the Self
by Mark Zimmerman

by Sax Rohmer

PART FIRST

KAZMAH THE DREAM-READER

CHAPTER I

A MESSAGE FOR IRVIN

Monte Irvin, alderman of the city and prospective Lord Mayor of
London, paced restlessly from end to end of the well-appointed library
of his house in Prince's Gate. Between his teeth he gripped the stump
of a burnt-out cigar. A tiny spaniel lay beside the fire, his beady
black eyes following the nervous movements of the master of the house.

At the age of forty-five Monte Irvin was not ill-looking, and, indeed,
was sometimes spoken of as handsome. His figure was full without being
corpulent; his well-groomed black hair and moustache and fresh if
rather coarse complexion, together with the dignity of his upright
carriage, lent him something of a military air. This he assiduously
cultivated as befitting an ex-Territorial officer, although as he had
seen no active service he modestly refrained from using any title of
rank.

Some quality in his brilliant smile, an oriental expressiveness of the
dark eyes beneath their drooping lids, hinted a Semitic strain; but it
was otherwise not marked in his appearance, which was free from
vulgarity, whilst essentially that of a successful man of affairs.

In fact, Monte Irvin had made a success of every affair in life with
the lamentable exception of his marriage. Of late his forehead had
grown lined, and those business friends who had known him for a man of
abstemious habits had observed in the City chophouse at which he
lunched almost daily that whereas formerly he had been a noted
trencherman, he now ate little but drank much.

Suddenly the spaniel leapt up with that feverish, spider-like activity
of the toy species and began to bark.

Monte Irvin paused in his restless patrol and listened.

"Lie down!" he said. "Be quiet."

The spaniel ran to the door, sniffing eagerly. A muffled sound of
voices became audible, and Irvin, following a moment of hesitation,
crossed and opened the door. The dog ran out, yapping in his
irritating staccato fashion, and an expression of hope faded from
Irvin's face as he saw a tall fair girl standing in the hallway
talking to Hinkes, the butler. She wore soiled Burberry, high-legged
tan boots, and a peaked cap of distinctly military appearance. Irvin
would have retired again, but the girl glanced up and saw him where he
stood by the library door. He summoned up a smile and advanced.

"Good evening, Miss Halley," he said, striving to speak genially--for
of all of his wife's friends he liked Margaret Halley the best. "Were
you expecting to find Rita at home?"

The girl's expression was vaguely troubled. She had the clear
complexion and bright eyes of perfect health, but to-night her eyes
seemed over-bright, whilst her face was slightly pale.

"Yes," she replied; "that is, I hoped she might be at home."

"I am afraid I cannot tell you when she is likely to return. But
please come in, and I will make inquiries."

"Oh, no, I would rather you did not trouble and I won't stay, thank
you nevertheless. I expect she will ring me up when she comes in."

"Is there any message I can give her?"

"Well"--she hesitated for an instant--"you might tell her, if you
would, that I only returned home at eight o'clock, so that I could not
come around any earlier." She glanced rapidly at Irvin, biting her
lip. "I wish I could have seen her," she added in a low voice.

"She wishes to see you particularly?"

"Yes. She left a note this afternoon." Again she glanced at him in a
troubled way. "Well, I suppose it cannot be helped," she added and
smilingly extended her hand. "Good night, Mr. Irvin. Don't bother to
come to the door."

But Irvin passed Hinkes and walked out under the porch with Margaret
Halley. Humid yellow mist floated past the street lamps, and seemed to
have gathered in a moving reef around the little runabout car which
was standing outside the house, its motor chattering tremulously.

"Phew! a beastly night!" he said. "foggy and wet."

"It's a brute isn't it?" said the girl laughingly, and turned on the
steps so that the light shining out of the hallway gleamed on her
white teeth and upraised eyes. She was pulling on big, ugly, furred
gloves, and Monte Irvin mentally contrasted her fresh, athletic type
of beauty with the delicate, exotic charm of his wife.

She opened the door of the little car, got in and drove off, waving
one hugely gloved hand to Irvin as he stood in the porch looking after
her. When the red tail-light had vanished in the mist he returned to
the house and re-entered the library. If only all his wife's friends
were like Margaret Halley, he mused, he might have been spared the
insupportable misgivings which were goading him to madness. His mind
filled with poisonous suspicions, he resumed his pacing of the
library, awaiting and dreading that which should confirm his blackest
theories. He was unaware of the fact that throughout the interview he
had held the stump of cigar between his teeth. He held it there yet,
pacing, pacing up and down the long room.

Then came the expected summons. The telephone bell rang. Monte Irvin
clenched his hands and inhaled deeply. His color changed in a manner
that would have aroused a physician's interest. Regaining his
self-possession by a visible effort, he crossed to a small side-table
upon which the instrument rested. Rolling the cigar stump into the
left corner of his mouth, he took up the receiver.

"Hallo!" he said.

"Someone named Brisley, sir, wishes--"

"Put him through to me here."

"Very good, sir."

A short interval, then:

"Yes?" said Monte Irvin.

"My name is Brisley. I have a message for Mr. Monte Irvin."

"Monte Irvin speaking. Anything to report, Brisley?"

Irvin's deep, rich voice was not entirely under control.

"Yes, sir. The lady drove by taxicab from Prince's Gate to Albemarle
Street."

"Ah!"

"Went up to chambers of Sir Lucien Pyne and was admitted."

"Well?"

"Twenty minutes later came out. Lady was with Sir Lucien. Both walked
around to old Bond Street. The Honorable Quentin Gray--"

"Ah!" breathed Irvin.

"--Overtook them there. He got out of a cab. He joined them. All three
up to apartments of a professional crystal-gazer styling himself
Kazmah 'the dream-reader.'"

A puzzled expression began to steal over the face of Monte Irvin. At
the sound of the telephone bell he had paled somewhat. Now he began to
recover his habitual florid coloring.

"Go on," he directed, for the speaker had paused.

"Seven to ten minutes later," resumed the nasal voice, "Mr. Gray came
down. He hailed a passing cab, but man refused to stop. Mr. Gray
seemed to be very irritable."

The fact that the invisible speaker was reading from a notebook he
betrayed by his monotonous intonation and abbreviated sentences, which
resembled those of a constable giving evidence in a police court.

"He walked off rapidly in direction of Piccadilly. Colleague followed.
Near the Ritz he obtained a cab. He returned in same to old Bond
Street. He ran upstairs and was gone from four-and-a-half to five
minutes. He then came down again. He was very pale and agitated. He
discharged cab and walked away. Colleague followed. He saw Mr. Gray
enter Prince's Restaurant. In the hall Mr. Gray met a gent unknown by
sight to colleague. Following some conversation both gents went in to
dinner. They are there now. Speaking from Dover Street Tube."

"Yes, yes. But the lady?"

"A native, possibly Egyptian, apparently servant of Kazmah, came out a
few minutes after Mr. Gray had gone for cab, and went away. Sir Lucien
Pyne and lady are still in Kazmah's rooms."

"What!" cried Irvin, pulling out his watch and glancing at the disk.
"But it's after eight o'clock!"

"Yes, sir. The place is all shut up, and other offices in block closed
at six. Door of Kazmah's is locked. I knocked and got no reply."

"Damn it! You're talking nonsense! There must be another exit."

"No, sir. Colleague has just relieved me. Left two gents over their
wine at Prince's."

Monte Irvin's color began to fade slowly.

"Then it's Pyne!" he whispered. The hand which held the receiver
shook. "Brisley--meet me at the Piccadilly end of Bond Street. I am
coming now."

He put down the telephone, crossed to the wall and pressed a button.
The cigar stump held firmly between his teeth, he stood on the rug
before the hearth, facing the door. Presently it opened and Hinkes
came in.

"The car is ready, Hinkes?"

"Yes, sir, as you ordered. Shall Pattison come round to the door?"

"At once."

"Very good, sir."

He withdrew, closing the door quietly, and Monte Irvin stood staring
across the library at the full-length portrait in oils of his wife in
the pierrot dress which she had worn in the third act of The Maid of
the Masque.

The clock in the hall struck half-past eight.

CHAPTER II

THE APARTMENTS OF KAZMAH

It was rather less than two hours earlier on the same evening that
Quentin Gray came out of the confectioner's shop in old Bond Street
carrying a neat parcel. Yellow dusk was closing down upon this bazaar
of the New Babylon, and many of the dealers in precious gems, vendors
of rich stuffs, and makers of modes had already deserted their shops.
Smartly dressed show-girls, saleswomen, girl clerks and others crowded
the pavements, which at high noon had been thronged with ladies of
fashion. Here a tailor's staff, there a hatter's lingered awhile as
iron shutters and gratings were secured, and bidding one another good
night, separated and made off towards Tube and bus. The working day
was ended. Society was dressing for dinner.

Gray was about to enter the cab which awaited him, and his
fresh-colored, boyish face wore an expression of eager expectancy,
which must have betrayed the fact to an experienced beholder that he
was hurrying to keep an agreeable appointment. Then, his hand resting
on the handle of the cab-door, this expression suddenly changed to one
of alert suspicion.

A tall, dark man, accompanied by a woman muffled in grey furs and
wearing a silk scarf over her hair, had passed on foot along the
opposite side of the street. Gray had seen them through the cab
windows.

His smooth brow wrinkled and his mouth tightened to a thin straight
line beneath the fair "regulation" moustache. He fumbled under his
overcoat for loose silver, drew out a handful and paid off the
taximan.

Sometimes walking in the gutter in order to avoid the throngs upon the
pavement, regardless of the fact that his glossy dress-boots were
becoming spattered with mud, Gray hurried off in pursuit of the pair.
Twenty yards ahead he overtook them, as they were on the point of
passing a picture dealer's window, from which yellow light streamed
forth into the humid dusk. They were walking slowly, and Gray stopped
in front of them.

"Hello, you too!" he cried. "Where are you off to? I was on my way to
call for you, Rita."

Flushed and boyish he stood before them, and his annoyance was
increased by their failure to conceal the fact that his appearance was
embarrassing if not unwelcome. Mrs. Monte Irvin was a petite, pretty
woman, although some of the more wonderful bronzed tints of her hair
suggested the employment of henna, and her naturally lovely complexion
was delicately and artistically enhanced by art. Nevertheless, the
flower-like face peeping out from the folds of a gauzy scarf, like a
rose from a mist, whilst her soft little chin nestled into the fur,
might have explained even in the case of an older man the infatuation
which Quentin Gray was at no pains to hide.

She glanced up at her companion, Sir Lucien Pyne, a swarthy, cynical
type of aristocrat, imperturbably. Then: "I had left a note for you,
Quentin," she said hurriedly. She seemed to be in a dangerously
high-strung condition.

"But I have booked a table and a box," cried Gray, with a hint of
juvenile petulance.

"My dear Gray," said Sir Lucien coolly, "we are men of the world--and
we do not look for consistency in womenfolk. Mrs. Irvin has decided to
consult a palmist or a hypnotist or some such occult authority before
dining with you this evening. Doubtless she seeks to learn if the play
to which you propose to take her is an amusing one."

His smile of sardonic amusement Gray found to be almost insupportable,
and although Sir Lucien refrained from looking at Mrs. Irvin whilst he
spoke, it was evident enough that his words held some covert
significance, for:

"You know perfectly well that I have a particular reason for seeing
him," she said.

"A woman's particular reason is a man's feeble excuse," murmured Sir
Lucien rudely. "At least, according to a learned Arabian philosopher."

"I was going to meet you at Prince's," said Mrs. Irvin hurriedly, and
again glancing at Gray. There was a pathetic hesitancy in her manner,
the hesitancy of a weak woman who adheres to a purpose only by supreme
effort.

"Might I ask," said Gray, "the name of the pervert you are going to
consult?"

Again she hesitated and glanced rapidly at Sir Lucien, but he was
staring coolly in another direction.

"Kazmah," she replied in a low voice.

"Kazmah!" cried Gray. "The man who sells perfume and pretends to read
dreams? What an extraordinary notion. Wouldn't tomorrow do? He will
surely have shut up shop!"

"I have been at pains to ascertain," replied Sir Lucien, "at Mrs.
Irvin's express desire, that the man of mystery is still in session
and will receive her."

Beneath the mask of nonchalance which he wore it might have been
possible to detect excitement repressed with difficulty; and had Gray
been more composed and not obsessed with the idea that Sir Lucien had
deliberately intruded upon his plans for the evening, he could not
have failed to perceive that Mrs. Monte Irvin was feverishly
preoccupied with matters having no relation to dinner and the theatre.
But his private suspicions grew only the more acute.

"Then if the dinner is not off," he said, "may I come along and wait
for you?"

"At Kazmah's?" asked Mrs. Irvin. "Certainly." She turned to Sir
Lucien. "Shall you wait? It isn't much use as I'm dining with
Quentin."

"If I do not intrude," replied the baronet, "I will accompany you as
far as the cave of the oracle, and then bid you good night."

The trio proceeded along old Bond Street. Quentin Gray regarded the
story of Kazmah as a very poor lie devised on the spur of the moment.
If he had been less infatuated, his natural sense of dignity must have
dictated an offer to release Mrs. Irvin from her engagement. But
jealousy stimulates the worst instincts and destroys the best. He was
determined to attach himself as closely as the old Man of the Sea
attached himself to Es-Sindibad, in order that the lie might be
unmasked. Mrs. Irvin's palpable embarrassment and nervousness he
ascribed to her perception of his design

A group of shop girls and others waiting for buses rendered it
impossible for the three to keep abreast, and Gray, falling to the
rear, stepped upon the foot of a little man who was walking close
behind them.

"Sorry, sir," said the man, suppressing an exclamation of pain--for
the fault had been Gray's.

Gray muttered an ungenerous acknowledgment, all anxiety to regain the
side of Mrs. Irvin; for she seemed to be speaking rapidly and
excitedly to Sir Lucien.

He recovered his place as the two turned in at a lighted doorway. Upon
the wall was a bronze plate bearing the inscription:

    KAZMAH
    Second Floor

Gray fully expected Mrs. Irvin to suggest that he should return later.
But without a word she began to ascend the stairs. Gray followed, Sir
Lucien standing aside to give him precedence. On the second floor was
a door painted in Oriental fashion. It possessed neither bell nor
knocker, but as one stepped upon the threshold this door opened
noiselessly as if dumbly inviting the visitor to enter the square
apartment discovered. This apartment was richly furnished in the Arab
manner, and lighted by a fine brass lamp swung upon chains from the
painted ceiling. The intricate perforations of the lamp were inset
with colored glass, and the result was a subdued and warm
illumination. Odd-looking oriental vessels, long-necked jars, jugs
with tenuous spouts and squat bowls possessing engraved and figured
covers emerged from the shadows of niches. A low divan with gaily
colored mattresses extended from the door around one corner of the
room where it terminated beside a kind of mushrabiyeh cabinet or
cupboard. Beyond this cabinet was a long, low counter laden with
statuettes of Nile gods, amulets, mummy-beads and little stoppered
flasks of blue enamel ware. There were two glass cases filled with
other strange-looking antiquities. A faint perfume was perceptible.

Sir Lucien entering last of the party, the door closed behind him, and
from the cabinet on the right of the divan a young Egyptian stepped
out. He wore the customary white robe, red sash and red slippers, and
a tarbush, the little scarlet cap commonly called a fez, was set upon
his head. He walked to a door on the left of the counter, and slid it
noiselessly open. Bowing gravely, "The Sheikh el Kazmah awaits," he
said, speaking with the soft intonation of a native of Upper Egypt.

It now became evident, even to the infatuated Gray, that Mrs. Irvin
was laboring under the influence of tremendous excitement. She turned
to him quickly, and he thought that her face looked almost haggard,
whilst her eyes seemed to have changed color--become lighter, although
he could not be certain that this latter effect was not due to the
peculiar illumination of the room. But when she spoke her voice was
unsteady.

"Will you see if you can find a cab," she said. "It is so difficult at
night, and my shoes will get frightfully muddy crossing Piccadilly. I
shall not be more than a few minutes." She walked through the doorway,
the Egyptian standing aside as she passed. He followed her, but came
out again almost immediately, reclosed the door, and retired into the
cabinet, which was evidently his private cubicle.

Silence claimed the apartment. Sir Lucien threw himself nonchalantly
upon the divan, and took out his cigarette-case.

"Will you have a cigarette, Gray?" he asked.

"No thanks," replied the other, in tones of smothered hostility. He
was ill at ease, and paced the apartment nervously. Pyne lighted a
cigarette, and tossed the extinguished match into a brass bowl.

"I think," said Gray jerkily, "I shall go for a cab. Are you
remaining?"

"I am dining at the club," answered Pyne, "but I can wait until you
return."

"As you wish," jerked Gray. "I don't expect to be long."

He walked rapidly to the outer door, which opened at his approach and
closed noiselessly behind him as he made his exit.

CHAPTER III

KAZMAH

Mrs. Monte Irvin entered the inner room. The air was heavy with the
perfume of frankincense which smouldered in a brass vessel set upon a
tray. This was the audience chamber of Kazmah. In marked contrast to
the overcrowded appointments, divans and cupboards of the first room,
it was sparsely furnished. The floor was thickly carpeted, but save
for an ornate inlaid table upon which stood the tray and incense-
burner, and a long, low-cushioned seat placed immediately beneath a
hanging lamp burning dimly in a globular green shade, it was devoid of
decoration. The walls were draped with green curtains, so that except
for the presence of the painted door, the four sides of the apartment
appeared to be uniform.

Having conducted Mrs. Irvin to the seat, the Egyptian bowed and
retired again through the doorway by which they had entered. The
visitor found herself alone.

She moved nervously, staring across at the blank wall before her. With
her little satin shoe she tapped the carpet, biting her under lip and
seeming to be listening. Nothing stirred. Not even an echo of busy
Bond Street penetrated to the place. Mrs. Irvin unfastened her cloak
and allowed it to fall back upon the settee. Her bare shoulders looked
waxen and unnatural in the weird light which shone down upon them. She
was breathing rapidly.

The minutes passed by in unbroken silence. So still was the room that
Mrs. Irvin could hear the faint crackling sound made by the burning
charcoal in the brass vessel near her. Wisps of blue-grey smoke arose
through the perforated lid and she began to watch them fascinatedly,
so lithe they seemed, like wraiths of serpents creeping up the green
draperies.

So she was seated, her foot still restlessly tapping, but her gaze
arrested by the hypnotic movements of the smoke, when at last a sound
from the outer world, penetrated to the room. A church clock struck
the hour of seven, its clangor intruding upon the silence only as a
muffled boom. Almost coincident with the last stroke came the sweeter
note of a silver gong from somewhere close at hand.

Mrs. Irvin started, and her eyes turned instantly in the direction of
the greenly draped wall before her. Her pupils had grown suddenly
dilated, and she clenched her hands tightly.

The light above her head went out.

Now that the moment was come to which she had looked forward with
mingled hope and terror, long pent-up emotion threatened to overcome
her, and she trembled wildly.

Out of the darkness dawned a vague light and in it a shape seemed to
take form. As the light increased the effect was as though part of the
wall had become transparent so as to reveal the interior of an inner
room where a figure was seated in a massive ebony chair. The figure
was that of an oriental, richly robed and wearing a white turban. His
long slim hands, of the color of old ivory, rested upon the arms of
the chair, and on the first finger of the right hand gleamed a big
talismanic ring. The face of the seated man was lowered, but from
under heavy brows his abnormally large eyes regarded her fixedly.

So dim the light remained that it was impossible to discern the
details with anything like clearness, but that the clean-shaven face
of the man with those wonderful eyes was strikingly and intellectually
handsome there could be no doubt.

This was Kazmah, "the dream reader," and although Mrs. Irvin had seen
him before, his statuesque repose and the weirdness of his unfaltering
gaze thrilled her uncannily.

Kazmah slightly raised his hand in greeting: the big ring glittered in
the subdued light.

"Tell me your dream," came a curious mocking voice; "and I will read
its portent."

Such was the set formula with which Kazmah opened all interviews. He
spoke with a slight and not unmusical accent. He lowered his hand
again. The gaze of those brilliant eyes remained fixed upon the
woman's face. Moistening her lips, Mrs. Irvin spoke.

"Dreams! What I have to say does not belong to dreams, but to
reality!" She laughed unmirthfully. "You know well enough why I am
here."

She paused.

"Why are you here?"

"You know! You know!" Suddenly into her voice had come the
unmistakable note of hysteria. "Your theatrical tricks do not impress
me. I know what you are! A spy--an eavesdropper who watches--watches,
and listens! But you may go too far! I am nearly desperate--do you
understand?--nearly desperate. Speak! Move! Answer me!"

But Kazmah preserved his uncanny repose.

"You are distracted," he said. "I am sorry for you. But why do you
come to me with your stories of desperation? You have insisted upon
seeing me. I am here."

"And you play with me--taunt me!"

"The remedy is in your hands."

"For the last time, I tell you I will never do it! Never, never,
never!"

"Then why do you complain? If you cannot afford to pay for your
amusements, and you refuse to compromise in a simple manner, why do
you approach me?"

"Oh, my God!" She moaned and swayed dizzily--"have pity on me! Who are
you, what are you, that you can bring ruin on a woman because--" She
uttered a choking sound, but continued hoarsely, "Raise your head. Let
me see your face. As heaven is my witness, I am ruined--ruined!"

"Tomorrow--"

"I cannot wait for tomorrow--"

That quivering, hoarse cry betrayed a condition of desperate febrile
excitement. Mrs. Irvin was capable of proceeding to the wildest
extremities. Clearly the mysterious Egyptian recognized this to be the
case, for slowly raising his hand:

"I will communicate with you," he said, and the words were spoken
almost hurriedly. "Depart in peace--"; a formula wherewith he
terminated every seance. He lowered his hand.

The silver gong sounded again--and the dim light began to fade.

Thereupon the unhappy woman acted; the long suppressed outburst came
at last. Stepping rapidly to the green transparent veil behind which
Kazmah was seated, she wrenched it asunder and leapt toward the figure
in the black chair.

"You shall not trick me!" she panted. "Hear me out or I go straight to
the police--now--now!" She grasped the hands of Kazmah as they rested
motionless, on the chair-arms.

Complete darkness came.

Out of it rose a husky, terrified cry--a second, louder cry; and then
a long, wailing scream . . . horror-laden as that of one who has
touched some slumbering reptile. . . .

CHAPTER IV

THE ClOSED DOOR

Rather less than five minutes later a taxicab drew up in old Bond
Street, and from it Quentin Gray leapt out impetuously and ran in at
the doorway leading to Kazmah's stairs. So hurried was his progress
that he collided violently with a little man who, carrying himself
with a pronounced stoop, was slinking furtively out.

The little man reeled at the impact and almost fell, but:

"Hang it all!" cried Gray irritably. "Why the devil don't you look
where you're going!"

He glared angrily into the face of the other. It was a peculiar and
rememberable face, notable because of a long, sharp, hooked nose and
very little, foxy, brown eyes; a sly face to which a small, fair
moustache only added insignificance. It was crowned by a wide-brimmed
bowler hat which the man wore pressed down upon his ears like a Jew
pedlar.

"Why!" cried Gray, "this is the second time tonight you have jostled
me!"

He thought he had recognized the man for the same who had been
following himself, Mrs. Irvin and Sir Lucien Pyne along old Bond
Street.

A smile, intended to be propitiatory, appeared upon the pale face.

"No, sir, excuse me, sir--"

"Don't deny it!" said Gray angrily. "If I had the time I should give
you in charge as a suspicious loiterer."

Calling to the cabman to wait, he ran up the stairs to the second
floor landing. Before the painted door bearing the name of Kazmah he
halted, and as the door did not open, stamped impatiently, but with no
better result.

At that, since there was neither bell nor knocker, he raised his fist
and banged loudly.

No one responded to the summons.

"Hi, there!" he shouted. "Open the door! Pyne! Rita!"

Again he banged--and yet again. Then he paused, listening, his ear
pressed to the panel.

He could detect no sound of movement within. Fists clenched, he stood
staring at the closed door, and his fresh color slowly deserted him
and left him pale.

"Damn him!" he muttered savagely. "Damn him! he has fooled me!"

Passionate and self-willed, he was shaken by a storm of murderous
anger. That Pyne had planned this trick, with Rita Irvin's consent, he
did not doubt, and his passive dislike of the man became active hatred
of the woman he dared not think. He had for long looked upon Sir
Lucien in the light of a rival, and the irregularity of his own
infatuation for another's wife in no degree lessened his resentment.

Again he pressed his ear to the door, and listened intently. Perhaps
they were hiding within. Perhaps this charlatan, Kazmah, was an
accomplice in the pay of Sir Lucien. Perhaps this was a secret place
of rendezvous.

To the manifest absurdity of such a conjecture he was blind in his
anger. But that he was helpless, befooled, he recognized; and with a
final muttered imprecation he turned and slowly descended the stair. A
lingering hope was dispelled when, looking right and left along Bond
Street, he failed to perceive the missing pair.

The cabman glanced at him interrogatively. "I shall not require you,"
said Gray, and gave the man half-a-crown.

Busy with his poisonous conjectures, he remained all unaware of the
presence of a furtive, stooping figure which lurked behind the
railings of the arcade at this point linking old Bond Street to
Albemarle Street. Nor had the stooping stranger any wish to attract
Gray's attention. Most of the shops in the narrow lane were already
closed, although the florist's at the corner remained open, but of the
shadow which lay along the greater part of the arcade this alert
watcher took every advantage. From the recess formed by a shop door he
peered out at Gray, where the light of a street lamp fell upon him,
studying his face, his movements, with unrelaxing vigilance.

Gray, following some moments of indecision, strode off towards
Piccadilly. The little man came out cautiously from his hiding-place
and looked after him. Out of a dark porch, ten paces along Bond
Street, appeared a burly figure to fall into step a few yards behind
Gray. The little man licked his lips appreciatively and returned to
the doorway below the premises of Kazmah.

Reaching Piccadilly, Gray stood for a time on the corner, indifferent
to the jostling of passers-by. Finally he crossed, walked along to the
Prince's Restaurant. and entered the lobby. He glanced at his wrist-
watch. It registered the hour of seven-twenty-five.

He cancelled his order for a table and was standing staring moodily
towards the entrance when the doors swung open and a man entered who
stepped straight up to him, hand extended, and:

"Glad to see you, Gray," he said. "What's the trouble?"

Quentin Gray stared as if incredulous at the speaker, and it was with
an unmistakable note of welcome in his voice that he replied:

"Seton! Seton Pasha!"

The frown disappeared from Gray's forehead, and he gripped the other's
hand in hearty greeting. But:

"Stick to plain Seton!" said the new-comer, glancing rapidly about
him. "Ottoman titles are not fashionable."

The speaker was a man of arresting personality. Above medium height,
well but leanly built, the face of Seton "Pasha" was burned to a
deeper shade than England's wintry sun is capable of producing. He
wore a close-trimmed beard and moustache, and the bronze on his cheeks
enhanced the brightness of his grey eyes and rendered very noticeable
a slight frosting of the dark hair above his temples. He had the
indescribable air of a "sure" man, a sound man to have beside one in a
tight place; and looking into the rather grim face, Quentin Gray felt
suddenly ashamed of himself. From Seton Pasha he knew that he could
keep nothing back. He knew that presently he should find himself
telling this quiet, brown-skinned man the whole story of his
humiliation--and he knew that Seton would not spare his feelings.

"My dear fellow," he said, "you must pardon me if I sometimes fail to
respect your wishes in this matter. When I left the East the name of
Seton Pasha was on everybody's tongue. But are you alone?"

"I am. I only arrived in London tonight and in England this morning."

"Were you thinking of dining here?"

"No; I saw you through the doorway as I was passing. But this will do
as well as another place. I gather that you are disengaged. Perhaps
you will dine with me?"

"Splendid!" cried Gray. "Wait a moment. Perhaps my table hasn't gone!"

He ran off in his boyish, impetuous fashion, and Seton watched him,
smiling quietly.

The table proved to be available, and ere long the two were discussing
an excellent dinner. Gray lost much of his irritability and began to
talk coherently upon topics of general interest. Presently, following
an interval during which he had been covertly watching his companion:

"Do you know, Seton," he said, "you are the one man in London whose
company I could have tolerated tonight."

"My arrival was peculiarly opportune."

"Your arrivals are always peculiarly opportune." Gray stared at Seton
with an expression of puzzled admiration. "I don't think I shall ever
understand your turning up immediately before the Senussi raid in
Egypt. Do you remember? I was with the armored cars."

"I remember perfectly."

"Then you vanished in the same mysterious fashion, and the C. O. was a
sphinx on the subject. I next saw you strolling out of the gate at
Baghdad. How the devil you'd got to Baghdad, considering that you
didn't come with us and that you weren't with the cavalry, heaven only
knows!"

"No," said Seton judicially, gazing through his uplifted wine-glass;
"when one comes to consider the matter without prejudice it is
certainly odd. But do I know the lady to whose non-appearance I owe
the pleasure of your company tonight?"

Quentin Gray stared at him blankly.

"Really, Seton, you amaze me. Did I say that I had an appointment with
a lady?"

"My dear Gray, when I see a man standing biting his nails and glaring
out into Piccadilly from a restaurant entrance I ask myself a
question. When I learn that he has just cancelled an order for a table
for two I answer it."

Gray laughed. "You always make me feel so infernally young, Seton."

"Good!"

"Yes, it's good to feel young, but bad to feel a young fool; and
that's what I feel--and what I am. Listen!"

Leaning across the table so that the light of the shaded lamp fell
fully upon his flushed, eager face, Gray, not without embarrassment,
told his companion of the "dirty trick"--so he phrased it--which Sir
Lucien Pyne had played upon him. In conclusion:

"What would you do, Seton?" he asked.

Seton sat regarding him in silence with a cool, calculating stare
which some men had termed insolent, absently tapping his teeth with
the gold rim of a monocle which he carried but apparently never used
for any other purpose; and it was at about this time that a long low
car passed near the door of the restaurant, crossing the traffic
stream of Piccadilly to draw up at the corner of old Bond Street.

From the car Monte Irvin alighted and, telling the man to wait, set
out on foot. Ten paces along Bond Street he encountered a small,
stooping figure which became detached from the shadows of a shop door.
The light of a street lamp shone down upon the sharp, hooked nose and
into the cunning little brown eyes of Brisley, of Spinker's Detective
Agency. Monte Irvin started.

"Ah, Brisley!" he said, "I was looking for you. Are they still there?"

"Probably, sir." Brisley licked his lips. "My colleague, Gunn, reports
no one came out whilst I was away 'phoning."

"But the whole thing seems preposterous. Are there no other offices in
the block where they might be?"

"I personally saw Mr. Gray, Sir Lucien Pyne and the lady go into
Kazmah's. At that time--roughly, ten to seven--all the other offices
had been closed, approximately, one hour."

"There is absolutely no possibility that they might have come out
unseen by you?"

"None, sir. I should not have troubled a client if in doubt. Here's
Gunn."

Old Bond Street now was darkened and deserted; the yellow mist had
turned to fine rain, and Gunn, his hands thrust in his pockets, was
sheltering under the porch of the arcade. Gunn possessed a purple
complexion which attained to full vigor of coloring in the nasal
region. His moustache of dirty grey was stained brown in the centre as
if by frequent potations of stout, and his bulky figure was
artificially enlarged by the presence of two overcoats, the outer of
which was a waterproof and the inner a blue garment appreciably longer
both in sleeve and skirt than the former. The effect produced was one
of great novelty. Gunn touched the brim of his soft felt hat, which he
wore turned down all round apparently in imitation of a flower-pot.

"All snug, sir," he said, hoarsely and confidentially, bending forward
and breathing the words into Irvin's ear. "Snug as a bee in a hive.
You're as good as a bachelor again."

Monte Irvin mentally recoiled.

"Lead the way to the door of this place," he said tersely.

"Yes, sir, this way, sir. Be careful of the step there. You may remark
that the outer door is not yet closed. I am informed upon reliable
authority as the last to go locks the door. Hence we perceive that the
last has not yet gone. It is likewise opened by the first to come of a
mornin'. Here we are, sir; door on the right."

The landing was in darkness, but as Gunn spoke he directed the ray of
a pocket lamp upon a bronze plate bearing the name "Kazmah." He rested
one hand upon his hip.

"All snug," he repeated; "as snug as a eel in mud. The decree nisi is
yours, sir. As an alderman of the City of London and a Justice of the
Peace you are entitled to call a police officer--"

"Hold your tongue!" rapped Irvin. "You've been drinking: and I place
no reliance whatever in your evidence. I do not believe that my wife
or any one else but ourselves is upon these premises."

The watery eyes of the insulted man protruded unnaturally. "Drinkin'!"
he whispered, "drink--"

But indignation now deprived Gunn of speech and:

"Excuse me, sir," interrupted the nasal voice of Brisley, "but I can
absolutely answer for Gunn. Reputation of the Agency at stake. Worked
with us for three years. Parties undoubtedly on the premises as
reported."

"Drink--" whispered Gunn.

"I shall be glad," said Monte Irvin, and his voice shook emotionally,
"if you will lend me your pocket lamp. I am naturally upset. Will you
kindly both go downstairs. I will call if I want you."

The two men obeyed, Gunn muttering hoarsely to Brisley; and Monte
Irvin was left standing on the landing, the lamp in his hand. He
waited until he knew from the sound of their footsteps that the pair
had regained the street, then, resting his arm against the closed
door, and pressing his forehead to the damp sleeve of his coat, he
stood awhile, the lamp, which he held limply, shining down upon the
floor.

His lips moved, and almost inaudibly he murmured his wife's name.

CHAPTER V

THE DOOR IS OPENED

Quentin Gray and Seton strolled out of Prince's and both paused whilst
Seton lighted a long black cheroot.

"It seems a pity to waste that box," said Gray. "Suppose we look in at
the Gaiety for an hour?"

His humor was vastly improved, and he watched the passing throngs with
an expression more suited to his boyish good looks than that of anger
and mortification which had rested upon him an hour earlier.

Seton Pasha tossed a match into the road.

"My official business is finished for the day," he replied. "I place
myself unreservedly in your hands."

"Well, then," began Gray--and paused.

A long, low car, the chauffeur temporarily detained by the stoppage of
a motorbus ahead, had slowed up within three yards of the spot where
they were standing. Gray seized Seton's arm in a fierce grip.

"Seton," he said, his voice betraying intense excitement, "Look! There
is Monte Irvin!"

"In the car?"

"Yes, yes! But--he has two police with him! Seton, what can it mean?"

The car moved away, swinging to the right across the traffic stream
and clearly heading for old Bond Street. Quentin Gray's mercurial
color deserted him, and he turned to Seton a face grown suddenly pale.

"Good God," he whispered, "something has happened to Rita!"

Neglectful of his personal safety, he plunged out into the traffic,
dodging this way and that, and making after Monte Irvin's car. Of the
fact that his friend was close beside him he remained unaware until,
on the corner of old Bond Street, a firm grip settled upon his
shoulder. Gray turned angrily. But the grip was immovable, and he
found himself staring into the unemotional face of Seton Pasha.

"Seton, for God's sake, don't detain me! I must learn what's wrong."

"Pull up, Gray."

Quentin Gray clenched his teeth.

"Listen to me, Seton. This is no time for interference. I--"

"You are about to become involved in some very unsavory business; and
I repeat--pull up. In a moment we shall learn all there is to be
learned. But are you determined openly to thrust yourself into the
family affairs of Mr. Monte Irvin?"

"If anything has happened to Rita I'll kill that damned cur Pyne!"

"You are determined to intrude upon this man in your present frame of
mind at a time of evident trouble?"

But Gray was deaf to the promptings of prudence and good taste alike.

"I'm going to see the thing through," he said hoarsely.

"Quite so. Rely upon me. But endeavor to behave more like a man of the
world and less like a dangerous lunatic, or we shall quarrel
atrociously."

Quentin Gray audibly gnashed his teeth, but the cool stare of the
other's eyes was quelling, and now as their glances met and clashed, a
sympathetic smile softened the lines of Seton's grim mouth, and:

"I quite understand, old chap," he said, linking his arm in Gray's.
"But can't you see how important it is, for everybody's sake, that we
should tackle the thing coolly?"

"Seton"--Gray's voice broke--"I'm sorry. I know I'm mad; but I was
with her only an hour ago, and now--"

"And now 'her' husband appears on the scene accompanied by a police
inspector and a sergeant. What are your relations with Mr. Monte
Irvin?"

They were walking rapidly again along Bond Street.

"What do you mean, Seton?" asked Gray.

"I mean does he approve of your friendship with his wife, or is it a
clandestine affair?"

"Clandestine?--certainly not. I was on my way to call at the house
when I met her with Pyne this evening."

"That is what I wanted to know. Very well; since you intend to follow
the thing up, it simplifies matters somewhat. Here is the car."

"At Kazmah's door! What in heaven's name does it mean?"

"It means that we shall get a very poor reception if we intrude.
Question the chauffeur."

But Gray had already approached the man, who touched his cap in
recognition.

"What's the trouble, Pattison?" he demanded breathlessly. "I saw
police in the car a moment ago."

"Yes, sir. I don't rightly know, sir, what's happened. But Mr. Irvin
drove from home to the corner of old Bond Street a quarter of an hour
ago and told me to wait, then came back again and drove round to Vine
Street to fetch the police. They're inside now."

Even as he spoke, with excitement ill-concealed, a police-sergeant
came out of the doorway, and:

"Move on, there," he said to Seton and Gray. "You mustn't hang about
this door."

"Excuse me, Sergeant," cried Gray, "but if the matter concerns Mrs.
Monte Irvin I can probably supply information."

The Sergeant stared at him hard, saw that both he and his friend wore
evening dress, and grew proportionately respectful.

"What is your name, sir?" he asked. "I'll mention it to the officer in
charge."

"Quentin Gray. Inform Mr. Monte Irvin that I wish to speak to him."

"Very good, sir." He turned to the chauffeur. "Hand me out the bag I
gave you at Vine Street." Pattison leaned over the door at the front
of the car, and brought out a big leather grip. With this in hand the
police-sergeant returned into the doorway.

"We're in for it now," said Seton grimly, "whatever it is."

Gray returned no answer, moving restlessly up and down before the door
in a fever of excitement and dread. Presently the Sergeant reappeared.

"Step this way, please," he said.

Followed by Seton and Gray he led the way up to the landing before
Kazmah's apartments. It was vaguely lighted by two police-lanterns.
Four men were standing there, and four pairs of eyes were focussed
upon the stair-head.

Monte Irvin, his features a distressing ashen color, spoke.

"That you, Gray?" Quentin Gray would not have recognized the voice.
"Thanks for offering your help. God knows I need all I can get. You
were with Rita tonight. What happened? Where is she?"

"Heaven knows where she is!" cried Gray. "I left her here with Pyne
shortly after seven o'clock."

He paused, fixing his gaze upon the face of Brisley, whose shifty eyes
avoided him and who was licking his lips in the manner of a dog who
has seen the whip.

"Why," said Gray, "I believe you are the fellow who has been following
me all night for some reason."

He stepped toward the foxy little man but:

"Never mind, Gray," interrupted Irvin. "I was to blame. But he was
following my wife, not you. Tell me quickly: Why did she come here?"

Gray raised his hand to his brow with a gesture of bewilderment.

"To consult this man, Kazmah. I actually saw her enter the inner room,
I went to get a cab, and when I returned the door was locked."

"You knocked?"

"Of course. I made no end of a row. But I could get no reply and went
away."

Monte Irvin turned, a pathetic figure, to the Inspector who stood
beside him.

"We may as well proceed, Inspector Whiteleaf," he said. "Mr. Gray's
evidence throws no light on the matter at all."

"Very well, sir," was the reply; "we have the warrant, and have given
the usual notice to whoever may be hiding inside. Burton!"

The Sergeant stepped forward, placed the leather bag on the floor, and
stooping, opened it, revealing a number of burglarious-looking
instruments.

"Shall I try to cut through the panel?" he asked.

"No, no!" cried Monte Irvin. "Waste no time. You have a crowbar there.
Force the door from its hinges. Hurry, man!"

"It doesn't work on hinges!" Gray interrupted excitedly. "It slides to
the right by means of some arrangement concealed under the mat."

"Pass that lantern," directed Burton, glancing over his shoulder to
Gunn.

Setting it beside him, the Sergeant knelt and examined the threshold
of the door.

"A metal plate," he said. "The weight moves a lever, I suppose, which
opens the door if it isn't locked. The lock will be on the left of the
door as it opens to the right. Let's see what we can do."

He stood up, crowbar in hand, and inserted the chisel blade of the
implement between the edge of the door and the doorcase.

"Hold steady!" said the Inspector, standing at his elbow.

The dull metallic sound of hammer blows on steel echoed queerly around
the well of the staircase. Brisley and Gunn, standing very close
together on the bottom step of the stair to the third floor, watched
the police furtively. Irvin and Gray found a common fascination in the
door itself, and Seton, cheroot in mouth, looked from group to group
with quiet interest.

"Right!" cried the Sergeant.

The blows ceased.

Firmly grasping the bar, Burton brought all his weight to bear upon
it. There was a dull, cracking sound and a sort of rasping. The door
moved slightly.

"There's where it locks!" said the Inspector, directing the light of a
lantern upon the crevice created. "Three inches lower. But it may be
bolted as well."

"We'll soon get at the bolts," replied Burton, the lust of destruction
now strong upon him.

Wrenching the crowbar from its place he attacked the lower panel of
the door, and amid a loud splintering and crashing created a hole big
enough to allow of the passage of a hand and arm.

The Inspector reached in, groped about, and then uttered an
exclamation of triumph.

"I've unfastened the bolt," he said. "If there isn't another at the
top you ought to be able to force the door now, Burton."

The jimmy was thrust back into position, and:

"Stand clear!" cried Burton.

Again he threw his weight upon the bar--and again.

"Drive it further in!" said Monte Irvin; and snatching up the heavy
hammer, he rained blows upon the steel butt. "Now try."

Burton exerted himself to the utmost.

"Take hold up here, someone!" he panted. "Two of us can pull."

Gray leapt forward, and the pair of them bent to the task.

There came a dull report of parting mechanism, more sounds of
splintering wood . . . and the door rolled open!

A moment of tense silence, then:

"Is anyone inside there?" cried the Inspector loudly.

Not a sound came from the dark interior.

"The lantern!" whispered Monte Irvin.

He stumbled into the room, from which a heavy smell of perfume swept
out upon the landing. Quentin Gray, snatching the lantern from the
floor, where it had been replaced, was the next to enter.

"Look for the switch, and turn the lights on!" called the Inspector,
following.

Even as he spoke, Gray had found the switch, and the apartment of
Kazmah became flooded with subdued light.

A glance showed it to be unoccupied.

Gray ran across to the mushrabiyeh cabinet and jerked the curtains
aside. There was no one in the cabinet. It contained a chair and a
table. Upon the latter was a telephone and some papers and books.
"This way!" he cried, his voice high pitched and unnatural.

He burst through the doorway into the inner room which he had seen
Mrs. Irvin enter. The air was laden with the smell of frankincense.

"A lantern!" he called. "I left one on the divan."

But Monte Irvin had caught it up and was already at his elbow. His
hand was shaking so that the light danced wildly now upon the carpet,
now upon the green walls. This room also was deserted. A black gap in
the curtain showed where the material had been roughly torn. Suddenly:

"My God, look!" muttered the Inspector, who, with the others, now
stood in the curious draped apartment.

A thin stream of blood was trickling out from beneath the torn
hangings!

Monte Irvin staggered and fell back against the Inspector, clutching
at him for support. But Sergeant Burton, who carried the second
lantern, crossed the room and wrenched the green draperies bodily from
their fastenings.

They had masked a wooden partition or stout screen, having an aperture
in the centre which could be closed by means of another of the sliding
doors. A space some five feet deep was thus walled off from this
second room. It contained a massive ebony chair. Behind the chair, and
dividing the second room into yet a third section, extended another
wooden partition in one end of which was an ordinary office door; and
immediately at the back of the chair appeared a little opening or
window, some three feet up from the floor. The sound of a groan,
followed by that of a dull thud, came from the outer room.

"Hullo!" cried Inspector Whiteleaf. "Mr. Irvin has fainted. Lend a
hand."

"I am here," replied the quiet voice of Seton Pasha.

"My God!" whispered Gray. "Seton! Seton!"

"Touch nothing," cried the Inspector from outside, "until I come!"

And now the narrow apartment became filled with all the awe-stricken
company, only excepting Monte Irvin, and Brisley, who was attending to
the swooning man.

Flat upon the floor, between the door and the ebony chair, arms
extended and eyes staring upward at the ceiling, lay Sir Lucien Pyne,
his white shirt front redly dyed. In the hush which had fallen, the
footsteps of Inspector Whiteleaf sounded loudly as he opened the final
door, and swept the interior of an inner room with the rays of the
lantern.

The room was barely furnished as an office. There was another half-
glazed door opening on to a narrow corridor. This door was locked.

"Pyne!" whispered Gray, pale now to the lips. "Do you understand,
Seton? It's Pyne! Look! He has been stabbed!"

Sergeant Burton knelt down and gingerly laid his hand upon the stained
linen over the breast of Sir Lucien.

"Dead?" asked the Inspector, speaking from the inner doorway.

"Yes."

"You say, sir," turning to Quentin Gray, "that this is Sir Lucien
Pyne?"

"Yes."

Inspector Whiteleaf rather clumsily removed his cap. The odor of
Seton's cheroot announced itself above the oriental perfume with which
the place was laden.

"Burton!"

"Yes?"

"See if this telephone in the office is in order. It appears to be an
extension from the outer room."

While the others stood grouped about that still figure on the floor,
Sergeant Burton entered the little office.

"Hello!" he cried. "Yes?" A momentary interval, then: "It's all right,
sir. What number?"

"Gentlemen," said the Inspector, firmly and authoritatively, "I am
about to telephone to Vine Street for instructions. No one will leave
the premises."

Amid an intense hush:

"Regent 201," called Sergeant Burton.

CHAPTER VI

RED KERRY

Chief Inspector Kerry, of the Criminal Investigation Department, stood
before the empty grate of his cheerless office in New Scotland Yard,
one hand thrust into the pocket of his blue reefer jacket and the
other twirling a malacca cane, which was heavily silver-mounted and
which must have excited the envy of every sergeant-major beholding it.
Chief Inspector Kerry wore a very narrow-brimmed bowler hat, having
two ventilation holes conspicuously placed immediately above the band.
He wore this hat tilted forward and to the right.

"Red Kerry" wholly merited his sobriquet, for the man was as red as
fire. His hair, which he wore cropped close as a pugilist's, was
brilliantly red, and so was his short, wiry, aggressive moustache. His
complexion was red, and from beneath his straight red eyebrows he
surveyed the world with a pair of unblinking, intolerant steel-blue
eyes. He never smoked in public, as his taste inclined towards Irish
twist and a short clay pipe; but he was addicted to the use of
chewing-gum, and as he chewed--and he chewed incessantly--he revealed
a perfect row of large, white, and positively savage-looking teeth.
High cheek bones and prominent maxillary muscles enhanced the
truculence indicated by his chin.

But, next to this truculence, which was the first and most alarming
trait to intrude itself upon the observer's attention, the outstanding
characteristic of Chief Inspector Kerry was his compact neatness. Of
no more than medium height but with shoulders like an acrobat, he had
slim, straight legs and the feet of a dancing master. His attire, from
the square-pointed collar down to the neat black brogues, was
spotless. His reefer jacket fitted him faultlessly, but his trousers
were cut so unfashionably narrow that the protuberant thigh muscles
and the line of a highly developed calf could quite easily be
discerned. The hand twirling the cane was small but also muscular,
freckled and covered with light down. Red Kerry was built on the lines
of a whippet, but carried the equipment of an Irish terrier.

The telephone bell rang. Inspector Kerry moved his square shoulders in
a manner oddly suggestive of a wrestler, laid the malacca cane on the
mantleshelf, and crossed to the table. Taking up the telephone:

"Yes?" he said, and his voice was high-pitched and imperious.

He listened for a moment.

"Very good, sir."

He replaced the receiver, took up a wet oilskin overall from the back
of a chair and the cane from the mantleshelf. Then rolling chewing-gum
from one corner of his mouth into the other, he snapped off the
electric light and walked from the room.

Along the corridor he went with a lithe, silent step, moving from the
hips and swinging his shoulders. Before a door marked "Private" he
paused. From his waistcoat pocket he took a little silver convex
mirror and surveyed himself critically therein. He adjusted his neat
tie, replaced the mirror, knocked at the door and entered the room of
the Assistant Commissioner.

This important official was a man constructed on huge principles, a
man of military bearing, having tired eyes and a bewildered manner. He
conveyed the impression that the collection of documents, books,
telephones, and other paraphernalia bestrewing his table had reduced
him to a state of stupor. He looked up wearily and met the fierce gaze
of the chief inspector with a glance almost apologetic.

"Ah, Chief Inspector Kerry?" he said, with vague surprise. "Yes. I
told you to come. Really, I ought to have been at home hours ago. It's
most unfortunate. I have to do the work of three men. This is your
department, is it not, Chief Inspector?"

He handed Kerry a slip of paper, at which the Chief Inspector stared
fiercely.

"Murder!" rapped Kerry. "Sir Lucien Pyne. Yes, sir, I am still on
duty."

His speech, in moments of interest, must have suggested to one
overhearing him from an adjoining room, for instance, the operation of
a telegraphic instrument. He gave to every syllable the value of a rap
and certain words he terminated with an audible snap of his teeth.

"Ah," murmured the Assistant Commissioner. "Yes. Divisional Inspector
--Somebody (I cannot read the name) has detained all the parties. But
you had better report at Vine Street. It appears to be a big case."

He sighed wearily.

"Very good, sir. With your permission I will glance at Sir Lucien's
pedigree."

"Certainly--certainly," said the Assistant Commissioner, waving one
large hand in the direction of a bookshelf.

Kerry crossed the room, laid his oilskin and cane upon a chair, and
from the shelf where it reposed took a squat volume. The Assistant
Commissioner, hand pressed to brow, began to study a document which
lay before him.

"Here we are," said Kerry, sotto voce. "Pyne, Sir Lucien St. Aubyn,
fourth baronet, son of General Sir Christian Pyne, K.C.B. H'm! Born
Malta. . . . Oriel College; first in classics. . . . H'm. Blue. . . .
India, Burma. . . . Contested Wigan. . . . attached British Legation.
. . . H'm! . . ."

He returned the book to its place, took up his overall and cane, and:

"Very good, sir," he said. "I will proceed to Vine Street."

"Certainly--certainly," murmured the Assistant Comissioner, glancing
up absently. "Good night."

"Good night,sir."

"Oh, Chief Inspector!"

Kerry turned, his hand on the door-knob.

"Sir?"

"I--er--what was I going to say? Oh, yes! The social importance of the
murdered man raises the case from the--er--you follow me? Public
interest will become acute, no doubt. I have therefore selected you
for your well known discretion. I met Sir Lucien once. Very sad. Good
night."

"Good night, sir."

Kerry passed out into the corridor, closing the door quietly. The
Assistant Commissioner was a man for whom he entertained the highest
respect. Despite the bewildered air and wandering manner, he knew this
big, tired-looking soldier for an administrator of infinite capacity
and inexhaustive energy.

Proceeding to a room further along the corridor, Chief Inspector Kerry
opened the door and looked in.

"Detective-Sergeant Coombes." he snapped, and rolled chewing-gum from
side to side of his mouth.

Detective-Sergeant Coombes, a plump, short man having lank black hair
and a smile of sly contentment perpetually adorning his round face,
rose hurriedly from the chair upon which he had been seated. Another
man who was in the room rose also, as if galvanized by the glare of
the fierce blue eyes.

"I'm going to Vine Street," said Kerry succinctly; "you're coming with
me," turned, and went on his way.

Two taxicabs were standing in the yard, and into the first of these
Inspector Kerry stepped, followed by Coombes, the latter breathing
heavily and carrying his hat in his hand, since he had not yet found
time to put it on.

"Vine Street," shouted Kerry. "Brisk."

He leaned back in the cab, chewing industriously. Coombes, having
somewhat recovered his breath, essayed speech.

"Is it something big?" he asked.

"Sure," snapped Kerry. "Do they send me to stop dog-fights?"

Knowing the man and recognizing the mood, Coombes became silent, and
this silence he did not break all the way to Vine Street. At the
station:

"Wait," said Chief Inspector Kerry, and went swinging in, carrying his
overall and having the malacca cane tucked under his arm.

A few minutes later he came out again and reentered the cab.

"Piccadilly corner of Old Bond Street," he directed the man.

"Is it burglary?" asked Detective-Sergeant Coombes with interest.

"No," said Kerry. "It's murder; and there seems to be stacks of
evidence. Sharpen your pencil."

"Oh!" murmured Coombes.

They were almost immediately at their destination, and Chief Inspector
Kerry, dismissing the cabman, set off along Bond Street with his
lithe, swinging gait, looking all about him intently. Rain had ceased,
but the air was damp and chilly, and few pedestrians were to be seen.

A car was standing before Kazmah's premises, the chauffeur walking up
and down on the pavement and flapping his hands across his chest in
order to restore circulation. The Chief Inspector stopped, "Hi, my
man!", he said.

The chauffeur stood still.

"Whose car?"

"Mr. Monte Irvin's."

Kerry turned on his heel and stepped to the office door. It was ajar,
and Kerry, taking an electric torch from his overall pocket, flashed
the light upon the name-plate. He stood for a moment, chewing and
looking up the darkened stairs. Then, torch in hand he ascended.

Kazmah's door was closed, and the Chief Inspector rapped loudly. It
was opened at once by Sergeant Burton, and Kerry entered, followed by
Coombes.

The room at first sight seemed to be extremely crowded. Monte Irvin,
very pale and haggard, sat upon the divan beside Quentin Gray. Seton
was standing near the cabinet, smoking. These three had evidently been
conversing at the time of the detective's arrival with an
alert-looking, clean-shaven man whose bag, umbrella, and silk hat
stood upon one of the little inlaid tables. Just inside the second
door were Brisley and Gunn, both palpably ill at ease, and glancing at
Inspector Whiteleaf, who had been interrogating them.

Kerry chewed silently for a moment, bestowing a fierce stare upon each
face in turn, then:

"Who's in charge?" he snapped.

"I am," replied Whiteleaf.

"Why is the lower door open?"

"I thought--"

"Don't think. Shut the door. Post your Sergeant inside. No one is to
go out. Grab anybody who comes in. Where's the body?"

"This way," said Inspector Whiteleaf hurriedly; then, over his
shoulder: "Go down to the door, Burton."

He led Kerry towards the inner room, Coombes at his heels. Brisley and
Gunn stood aside to give them passage; Gray and Monte Irvin prepared
to follow. At the doorway Kerry turned.

"You will all be good enough to stay where you are," he said. He
directed the aggressive stare in Seton's direction. "And if the
gentleman smoking a cheroot is not satisfied that he has quite
destroyed any clue perceptible by the sense of smell I should be glad
to send out for some fireworks."

He tossed his oilskin and his cane on the divan and went into the room
of seance, savagely biting at a piece of apparently indestructible
chewing-gum.

The torn green curtain had been laid aside and the electric lights
turned on in the inside rooms. Pallid, Sir Lucien Pyne lay by the
ebony chair glaring horribly upward.

Always with the keen eyes glancing this way and that, Inspector Kerry
crossed the little audience room and entered the enclosure contained
between the two screens. By the side of the dead man he stood, looking
down silently. Then he dropped upon one knee and peered closely into
the white face. He looked up.

"He has not been moved?"

"No."

Kerry bent yet lower, staring closely at a discolored abrasion on Sir
Lucien's forehead. His glance wandered from thence to the carved ebony
chair. Still kneeling, he drew from his waistcoat pocket a powerful
lens contained in a washleather bag. He began to examine the back and
sides of the chair. Once he laid his finger lightly on a protruding
point of the carving, and then scrutinised his finger through the
glass. He examined the dead man's hands, his nails, his garments. Then
he crawled about, peering closely at the carpet.

He stood up suddenly. "The doctor," he snapped.

Inspector Whiteleaf retired, but returned immediately with the
clean-shaven man to whom Monte Irvin had been talking when Kerry
arrived.

"Good evening, doctor," said Kerry. "Do I know your name? Start your
notes, Coombes."

"My name is Dr. Wilbur Weston, and I live in Albemarle Street."

"Who called you?"

"Inspector Whiteleaf telephoned to me about half an hour ago."

"You examined the dead man?"

"I did."

"You avoided moving him?

"It was unnecessary to move him. He was dead, and the wound was in the
left shoulder. I pulled his coat open and unbuttoned his shirt. That
was all."

"How long dead?"

"I should say he had been dead not more than an hour when I saw him."

"What had caused death?"

"The stab of some long, narrow-bladed weapon, such as a stiletto."

"Why a stiletto?" Kerry's fierce eyes challenged him. "Did you ever
see a wound made by a stiletto?"

"Several--in Italy, and one at Saffron Hill. They are characterised by
very little external bleeding."

"Right, doctor. It had reached his heart?"

"Yes. The blow was delivered from behind."

"How do you know?"

"The direction of the wound is forward. I have seen an almost
identical wound in the case of an Italian woman stabbed by a jealous
rival."

"He would fall on his back."

"Oh, no. He would fall on his face, almost certainly."

"But he lies on his back."

"In my opinion he had been moved."

"Right. I know he had. Good night, doctor. See him out, Inspector."

Dr. Weston seemed rather startled by this abrupt dismissal, but the
steel-blue eyes of Inspector Kerry were already bent again upon the
dead man, and, murmuring "good night," the doctor took his departure,
followed by Whiteleaf.

"Shut this door," snapped Kerry after the Inspector. "I will call when
I want you. You stay, Coombes. Got it all down?"

Sergeant Coombes scratched his head with the end of a pencil, and:

"Yes," he said, with hesitancy. "That is, except the word after
'narrow-bladed weapon such as a' I've got what looks like
'steelhatto.'"

Kerry glared.

"Try taking the cotton-wool out of your ears," he suggested. "The word
was stiletto, s-t-i-l-e-t-t-o--stiletto."

"Oh," said Coombes, "thanks."

Silence fell between the two men from Scotland Yard. Kerry stood
awhile, chewing and staring at the ghastly face of Sir Lucien. Then:

"Go through all pockets," he directed.

Sergeant Coombes placed his notebook and pencil upon the seat of the
chair and set to work. Kerry entered the inside room or office. It
contained a writing-table (upon which was a telephone and a pile of
old newspapers), a cabinet, and two chairs. Upon one of the chairs lay
a crush-hat, a cane, and an overcoat. He glanced at some of the
newspapers, then opened the drawers of the writing-table. They were
empty. The cabinet proved to be locked, and a door which he saw must
open upon a narrow passage running beside the suite of rooms was
locked also. There was nothing in the pockets of the overcoat, but
inside the hat he found pasted the initials L. P. He rolled chewing-
gum, stared reflectively at the little window immediately above the
table, through which a glimpse might be obtained of the ebony chair,
and went out again.

"Nothing," reported Coombes.

"What do you mean--nothing?"

"His pockets are empty!"

"All of them?"

"Every one."

"Good," said Kerry. "Make a note of it. He wears a real pearl stud and
a good signet ring; also a gold wrist watch, face broken and hands
stopped at seven-fifteen. That was the time he died. He was stabbed
from behind as he stood where I'm standing now, fell forward, struck
his head on the leg of the chair, and lay face downwards."

"I've got that," muttered Coombes. "What stopped the watch?"

"Broken as he fell. There are tiny fragments of glass stuck in the
carpet, showing the exact position in which his body originally lay;
and for God's sake stop smiling."

Kerry threw open the door.

"Who first found the body?" he demanded of the silent company.

"I did," cried Quentin Gray, coming forward. "I and Seton Pasha."

"Seton Pasha!" Kerry's teeth snapped together, so that he seemed to
bite off the words. "I don't see a Turk present."

Seton smiled quietly.

"My friend uses a title which was conferred upon me some years ago by
the ex-Khedive," he said. "My name is Greville Seton."

Inspector Kerry glanced back across his shoulder.

"Notes," he said. "Unlock your ears, Coombes. He looked at Gray. "What
is your name?"

"Quentin Gray."

"Who are you, and in what way are you concerned in this case?"

"I am the son of Lord Wrexborough, and I--"

He paused, glancing helplessly at Seton. He had recognized that the
first mention of Rita Irvin's name in the police evidence must be made
by himself.

"Speak up, sir," snapped Kerry. "Sergeant Coombes is deaf."

Gray's face flushed, and his eyes gleamed angrily.

"I should be glad, Inspector," he said, "if you would remember that
the dead man was a personal acquaintance and that other friends are
concerned in this ghastly affair."

"Coombes will remember it," replied Kerry frigidly. "He's taking
notes."

"Look here--" began Gray.

Seton laid his hand upon the angry man's shoulder.

"Pull up, Gray," he said quietly. "Pull up, old chap." He turned his
cool regard upon Chief Inspector Kerry, twirling the cord of his
monocle about one finger. "I may remark, Inspector Kerry--for I
understand this to be your name--that your conduct of the inquiry is
not always characterised by the best possible taste."

Kerry rolled chewing-gum, meeting Seton's gaze with a stare intolerant
and aggressive. He imparted that odd writhing movement to his
shoulders.

"For my conduct I am responsible to the Commissioner," he replied.
"And if he's not satisfied the Commissioner can have my written
resignation at any hour in the twenty-four that he's short of a
pipe-lighter. If it would not inconvenience you to keep quiet for two
minutes I will continue my examination of this witness."

CHAPTER VII

FURTHER EVIDENCE

The examination of Quentin Gray was three times interrupted by
telephone messages from Vine Street; and to the unsatisfactory
character of these the growing irascibility of Chief Inspector Kerry
bore testimony. Then the divisional surgeon arrived, and Burton
incurred the wrath of the Chief Inspector by deserting his post to
show the doctor upstairs.

"If inspired idiocy can help the law," shouted Kerry, "the man who did
this job is as good as dead!" He turned his fierce gaze in Gray's
direction. "Thank you, sir. I need trouble you no further."

"Do you wish me to remain?"

"No. Inspector Whiteleaf, see these two gentlemen past the Sergeant on
duty."

"But damn it all!" cried Gray, his pent-up emotions at last demanding
an outlet, "I won't submit to your infernal dragooning! Do you realize
that while you're standing here, doing nothing--absolutely nothing--an
unhappy woman is--"

"I realize," snapped Kerry, showing his teeth in canine fashion, "that
if you're not outside in ten seconds there's going to be a cloud of
dust on the stairs!"

White with passion, Gray was on the point of uttering other angry and
provocative words when Seton took his arm in a firm grip. "Gray!" he
said sharply. "You leave with me now or I leave alone."

The two walked from the room, followed by Whiteleaf. As they
disappeared:

"Read out all the times mentioned in the last witness's evidence,"
directed Kerry, undisturbed by the rencontre.

Sergeant Coombes smiled rather uneasily, consulting his notebook.

"'At about half-past six I drove to Bond Street,'" he began.

"I said the times," rapped Kerry. "I know to what they refer. Just
give me the times as mentioned."

"Oh," murmured Coombes, "Yes. 'About half-past six.'" He ran his
finger down the page. "'A quarter to seven.' 'Seven o'clock.'
'Twenty-five minutes past seven.' 'Eight o'clock.' "

"Stop!" said Kerry. "That's enough." He fixed a baleful glance upon
Gunn, who from a point of the room discreetly distant from the
terrible red man was watching with watery eyes. "Who's the smart in
all the overcoats?" he demanded.

"My name is James Gunn," replied this greatly insulted man in a husky
voice.

"Who are you? What are you? What are you doing here?"

"I'm employed by Spinker's Agency, and--"

"Oh!" shouted Kerry, moving his shoulders. He approached the speaker
and glared menacingly into his purple face. "Ho, ho! So you're one of
the queer birds out of that roost, are you? Spinker's Agency! Ah,
yes!" He fixed his gaze now upon the pale features of Brisley. "I've
seen you before, haven't I?"

"Yes, Chief Inspector," said Brisley, licking his lips. "Hayward's
Heath. We have been retained by--"

"You have been retained!" shouted Kerry. "You have!"

He twisted round upon his heel, facing Monte Irvin. Angry words
trembled on his tongue. But at sight of the broken man who sat there
alone, haggard, a subtle change of expression crept into his fierce
eyes, and when he spoke again the high-pitched voice was almost
gentle. "You had employed these men, sir, to watch--"

He paused, glancing towards Whiteleaf, who had just entered again, and
then in the direction of the inner room where the divisional surgeon
was at work.

"To watch my wife, Inspector. Thank you, but all the world will know
tomorrow. I might as well get used to it."

Monte Irvin's pallor grew positively alarming. He swayed suddenly and
extended his hands in a significant groping fashion. Kerry sprang
forward and supported him.

"All right, Inspector--all right," muttered Irvin. "Thank you. It has
been a great shock. At first I feared--"

"You thought your wife had been attacked, I understand? Well--it's not
so bad as that, sir. I am going to walk downstairs to the car with
you."

"But there is so much you will want to know--"

"It can keep until tomorrow. I've enough work in this peep-show here
to have me busy all night. Come along. Lean on my arm."

Monte Irvin rose unsteadily. He knew that there was cardiac trouble in
his family, but he had never realized before the meaning of his
heritage. He felt physically ill.

"Inspector"--his voice was a mere whisper--"have you any theory to
explain--"

"Mrs. Irvin's disappearance ? Don't worry, sir. Without exactly having
a theory I think I may say that in my opinion she will turn up
presently."

"God bless you," murmured Irvin, as Kerry assisted him out on to the
landing.

Inspector Whiteleaf held back the sliding door, the mechanism of which
had been broken so that the door now automatically remained half
closed.

"Funny, isn't it," said Gunn, as the two disappeared and Inspector
Whiteleaf re-entered, "that a man should be so upset about the
disappearance of a woman he was going to divorce?"

"Damn funny!" said Whiteleaf, whose temper was badly frayed by contact
with Kerry. "I should have a good laugh if I were you."

He crossed the room, going in to where the surgeon was examining the
victim of this mysterious crime. Gunn stared after him dismally.

"A person doesn't get much sympathy from the police, Brisley," he
declared. "That one's almost as bad as him," jerking his thumb in the
direction of the landing.

Brisley smiled in a somewhat sickly manner.

"Red Kerry is a holy terror," he agreed, sotto voce, glancing aside to
where Coombes was checking his notes. "Look out! Here he comes."

"Now," cried Kerry, swinging into the room, "what's the game? Plotting
to defeat the ends of justice?"

He stood with hands thrust in reefer pockets, feet wide apart,
glancing fiercely from Brisley to Gunn, and from Gunn back again to
Brisley. Neither of the representatives of Spinker's Agency ventured
any remark, and:

"How long have you been watching Mrs. Monte Irvin?" demanded Kerry.

"Nearly a fortnight," replied Brisley.

"Got your evidence in writing?"

"Yes."

"Up to tonight?"

"Yes."

"Dictate to Sergeant Coombes."

He turned on his heel and crossed to the divan upon which his oilskin
overall was lying. Rapidly he removed his reefer and his waistcoat,
folded them, and placed them neatly beside his overall. He retained
his bowler at its jaunty angle.

A cud of presumably flavorless chewing-gum he deposited in a brass
bowl, and from a little packet which he had taken out of his jacket
pocket he drew a fresh piece, redolent of mint. This he put into his
mouth, and returned the packet to its resting-place. A slim, trim
figure, he stood looking round him reflectively.

"Now," he muttered, "what about it?"

CHAPTER VIII

KERRY CONSULTS THE ORACLE

The clock of Brixton Town Hall was striking the hour of 1 a.m. as
Chief Inspector Kerry inserted his key in the lock of the door of his
house in Spenser Road.

A light was burning in the hallway, and from the little dining-room on
the left the reflection of a cheerful fire danced upon the white paint
of the half-open door. Kerry deposited his hat, cane, and overall upon
the rack, and moving very quietly entered the room and turned on the
light. A modestly furnished and scrupulously neat apartment was
revealed. On the sheepskin rug before the fire a Manx cat was dozing
beside a pair of carpet slippers. On the table some kind of cold
repast was laid, the viands concealed under china covers. At a large
bottle of Guiness's Extra Stout Kerry looked with particular
appreciation.

He heaved a long sigh of contentment, and opened the bottle of stout.
Having poured out a glass of the black and foaming liquid and
satisfied an evidently urgent thirst, he explored beneath the covers,
and presently was seated before a spread of ham and tongue, tomatoes,
and bread and butter.

A door opened somewhere upstairs, and:

"Is that yoursel', Dan?" inquired a deep but musical female voice.

"Sure it is," replied Kerry; and no one who had heard the high
official tones of the imperious Chief Inspector would have supposed
that they could be so softened and modulated. "You should have been
asleep hours ago, Mary."

"Have ye to go out again?"

"I have, bad luck; but don't trouble to come down. I've all I want and
more."

"If 'tis a new case I'll come down."

"It's the devil's own case; but you'll get your death of cold."

Sounds of movement in the room above followed, and presently footsteps
on the stairs. Mrs. Kerry, enveloped in a woollen dressing-gown, which
obviously belonged to the Inspector, came into the room. Upon her
Kerry directed a look from which all fierceness had been effaced, and
which expressed only an undying admiration. And, indeed, Mary Kerry
was in many respects a remarkable character. Half an inch taller than
Kerry, she fully merited the compliment designed by that trite
apothegm, "a fine woman." Large-boned but shapely, as she came in with
her long dark hair neatly plaited, it seemed to her husband--who had
regained her lover--that he saw before him the rosy-cheeked lass whom
ten years before he had met and claimed on the chilly shores of Loch
Broom. By all her neighbors Mrs. Kerry was looked upon as a proud,
reserved person, who had held herself much aloof since her husband had
become Chief Inspector; and the reputation enjoyed by Red Kerry was
that of an aggressive and uncompanionable man. Now here was a lover's
meeting, not lacking the shy, downward glance of dark eyes as steel-
blue eyes flashed frank admiration.

Kerry, who quarrelled with everybody except the Assistant
Commissioner, had only found one cause of quarrel with Mary. He was a
devout Roman Catholic, and for five years he had clung with the
bull-dog tenacity which was his to the belief that he could convert
his wife to the faith of Rome. She remained true to the Scottish Free
Church, in whose precepts she had been reared, and at the end of the
five years Kerry gave it up and admired her all the more for her
Caledonian strength of mind. Many and heated were the debates he had
held with worthy Father O'Callaghan respecting the validity of a
marriage not solemnized by a priest, but of late years he had grown
reconciled to the parting of the ways on Sunday morning; and as the
early mass was over before the Scottish service he was regularly to be
seen outside a certain Presbyterian chapel waiting for his heretical
spouse.

He pulled her down on to his knee and kissed her.

"It's twelve hours since I saw you," he said.

She rested her arm on the back of the saddle-back chair, and her dark
head close beside Kerry's fiery red one.

"I kenned ye had a new case on," she said, "when it grew so late. How
long can ye stay?"

"An hour. No more. There's a lot to do before the papers come out in
the morning. By breakfast time all England, including the murderer,
will know I'm in charge of the case. I wish I could muzzle the Press."

"'Tis a murder, then? The Lord gi'e us grace. Ye'll be wishin' to tell
me?"

"Yes. I'm stumped!"

"Ye've time for a rest an' a smoke. Put ye're slippers on."

"I've no time for that, Mary."

She stood up and took the slippers from the hearth.

"Put ye're slippers on," she repeated firmly.

Kerry stooped without another word and began to unlace his brogues.
Meanwhile from a side-table his wife brought a silver tobacco-box and
a stumpy Irish clay. The slippers substituted for his shoes, Kerry
lovingly filled the cracked and blackened bowl with strong Irish
twist, which he first teased carefully in his palm. The bowl rested
almost under his nostrils when he put the pipe in his mouth, and how
he contrived to light it without burning his moustache was not readily
apparent. He succeeded, however, and soon was puffing clouds of
pungent smoke into the air with the utmost contentment.

"Now," said his wife, seating herself upon the arm of the chair, "tell
me, Dan."

Thereupon began a procedure identical to that which had characterized
the outset of every successful case of the Chief Inspector. He rapidly
outlined the complexities of the affair in old Bond Street, and Mary
Kerry surveyed the problem with a curious and almost fey detachment of
mind, which enabled her to see light where all was darkness to the man
on the spot. With the clarity of a trained observer Kerry described
the apartments of Kazmah, the exact place where the murdered man had
been found, and the construction of the rooms. He gave the essential
points from the evidence of the several witnesses, quoting the exact
times at which various episodes had taken place. Mary Kerry, looking
straightly before her with unseeing eyes, listened in silence until he
ceased speaking; then:

"There are really but twa rooms," she said, in a faraway voice, "but
the second o' these is parteetioned into three parts?"

"That's it."

"A door free the landing opens upon the fairst room, a door free a
passage opens upon the second. Where does yon passage lead?"

"From the main stair along beside Kazmah's rooms to a small back
stair. This back stair goes from top to bottom of the building, from
the end of the same hallway as the main stair."

"There is na either way out but by the front door?"

"No."

"Then if the evidence o' the Spinker man is above suspeecion, Mrs.
Irvin and this Kazmah were still on the premises when ye arrived?"

"Exactly. I gathered that much at Vine Street before I went on to Bond
Street. The whole block was surrounded five minutes after my arrival,
and it still is."

"What ither offices are in this passage?"

"None. It's a blank wall on the left, and one door on the right--the
one opening into the Kazmah office. There are other premises on the
same floor, but they are across the landing."

"What premises?"

"A solicitor and a commission agent."

"The floor below?"

"It's all occupied by a modiste, Renan."

"The top floor?"

"Cubanis Cigarette Company, a servants' and an electrician."

"Nae more?"

"No more."

"Where does yon back stair open on the topmaist floor?"

"In a corridor similar to that alongside Kazmah's. It has two windows
on the right overlooking a narrow roof and the top of the arcade, and
on the left is the Cubanis Cigarette Company. The other offices are
across the landing."

Mary Kerry stared into space awhile.

"Kazmah and Mrs. Irvin could ha' come down to the fairst floor, or
gene up to the thaird floor unseen by the Spinker man," she said
dreamily.

"But they couldn't have reached the street, my dear!" cried Kerry.

"No--they couldn'a ha' gained the street."

She became silent again, her husband watching her expectantly. Then:

"If puir Sir Lucien Pyne was killed at a quarter after seven--the time
his watch was broken--the native sairvent did no' kill him. Frae the
Spinker's evidence the black man went awe' before then," she said.
"Mrs. Irvin?"

Kerry shook his head.

"From all accounts a slip of a woman," he replied. "It was a strong
hand that struck the blow."

"Kazmah?"

"Probably."

"Mr. Quentin Gray came back wi' a cab and went upstairs, free the
Spinker's evidence, at aboot a quarter after seven, and came doon five
meenites later sair pale an' fretful."

Kerry surrounded himself and the speaker with wreaths of stifling
smoke.

"We have only the bare word of Mr. Gray that he didn't go in again,
Mary; but I believe him. He's a hot-headed fool, but square."

"Then 'twas yon Kazmah," announced Mrs. Kerry. "Who is Kazmah?"

Her husband laughed shortly.

"That's the point at which I got stumped," he replied. "We've heard of
him at the Yard, of course, and we know that under the cloak of a
dealer in Eastern perfumes he carried on a fortune-telling business.
He managed to avoid prosecution, though. It took me over an hour
tonight to explore the thought-reading mechanism; it's a sort of
Maskelyne's Mysteries worked from the inside room. But who Kazmah is
or what's his nationality I know no more than the man in the moon."

"Pairfume?" queried the far-away voice.

"Yes, Mary. The first room is a sort of miniature scent bazaar. There
are funny little imitation antique flasks of Kazmah preparations,
creams, perfumes and incense, also small square wooden boxes of a kind
of Turkish delight, and a stock of Egyptian mummy-beads, statuettes,
and the like, which may be genuine for all I know."

"Nae books or letters?"

"Not a thing, except his own advertisements, a telephone directory,
and so on."

"The inside office bureau?"

"Empty as Mother Hubbard's cupboard!"

"The place was ransacked by the same folk that emptied the dead man's
pockets so as tee leave nae clue," pronounced the sibyl-like voice.
"Mr. Gray said he had choc'lates wi' him. Where did he leave them?"

"Mary, you're a wonder!" exclaimed the admiring Kerry. "The box was
lying on the divan in the first room where he said he had left it on
going out for a cab."

"Does nane o' the evidence show if Mrs. Irvin had been to Kazmah's
before?"

"Yes. She went there fairly regularly to buy perfume."

"No' for the fortune-tellin'?"

"No. According to Mr. Gray, to buy perfume."

"Had Mr. Gray been there wi' her before?"

"No. Sir Lucien Pyne seems to have been her pretty constant
companion."

"Do ye suspect she was his lady-love?"

"I believe Mr. Gray suspects something of the kind."

"And Mr. Gray?"

"He is not such an old friend as Sir Lucien was. But I fancy
nevertheless it was Mr. Gray that her husband doubted."

"Do ye suspect the puir soul had cause, Dan?"

"No," replied Kerry promptly; "I don't. The boy is mad about her, but
I fancy she just liked his company. He's the heir of Lord Wrexborough,
and Mrs. Irvin used to be a stage beauty. It's a usual state of
affairs, and more often than not means nothing."

"I dinna ken sich folk," declared Mary Kerry. "They a'most desairve
all they get. They are bound tee come tee nae guid end. Where did ye
say Sir Lucien lived?"

"Albemarle Street; just round the corner."

"Ye told me that he only kepit twa sairvents: a cook, hoosekeper, who
lived awe', an' a man--a foreigner?"

"A kind of half-baked Dago, named Juan Mareno. A citizen of the United
States according to his own account."

"Ye dinna like Juan Mareno?"

"He's a hateful swine!" flashed Kerry, with sudden venom. "I'm
watching Mareno very closely. Coombes is at work upon Sir Lucien's
papers. His life was a bit of a mystery. He seems to have had no
relations living, and I can't find that he even employed a solicitor."

"Ye'll be sairchin' for yon Egyptian?"

"The servant? Yes. We'll have him by the morning, and then we shall
know who Kazmah is. Meanwhile, in which of the offices is Kazmah
hiding?"

Mary Kerry was silent for so long that her husband repeated the
question:

"In which of the offices is Kazmah hiding?"

"In nane," she said dreamily. "Ye surrounded the buildings too late, I
ken."

"Eh!" cried Kerry, turning his head excitedly. "But the man Brisley
was at the door all night!"

"It doesna' matter. They have escapit."

Kerry scratched his close-cropped head in angry perplexity.

"You're always right, Mary," he said. "But hang me if--Never mind!
When we get the servant we'll soon get Kazmah."

"Aye," murmured his wife. "If ye hae na' got Kazmah the now."

"But--Mary! This isn't helping me! It's mystifying me deeper than
ever!"

"It's no' clear eno', Dan. But for sure behind this mystery o' the
death o' Sir Lucien there's a darker mystery still; sair dark. 'Tis
the biggest case ye ever had. Dinna look for Kazmah. Look tee find why
the woman went tee him; and try tee find the meanin' o' the sma'
window behind the big chair. . . . Yes"--she seemed to be staring at
some distant visible object--"watch the man Mareno--"

"But--Mrs. Irvin--"

"Is in God's guid keepin'--"

"You don't think she's dead!"

"She is wairse than dead. Her sins have found her out." The fey light
suddenly left her eyes, and they became filled with tears. She turned
impulsively to her husband. "Oh, Dan! Ye must find her! Ye must find
her! Puir weak hairt--dinna ye ken how she is suffering!"

"My dear," he said, putting his arms around her, "What is it? What is
it?"

She brushed the tears from her eyes and tried to smile. "'Tis
something like the second sight, Dan," she answered simply. "And it's
escapit me again. I a'most had the clue to it a' oh, there's some
horrible wickedness in it, an' cruelty an' shame."

The clock on the mantel shelf began to peal. Kerry was watching his
wife's rosy face with a mixture of loving admiration and wonder. She
looked so very bonny and placid and capable that he was puzzled anew
at the strange gift which she seemingly inherited from her mother, who
had been equally shrewd, equally comely and similarly endowed.

"God bless us all!" he said, kissed her heartily, and stood up. "Back
to bed you go, my dear. I must be off. There's Mr. Irvin to see in the
morning, too."

A few minutes later he was swinging through the deserted streets, his
mind wholly occupied with lover-like reflections to the exclusion of
those professional matters which properly should have been engaging
his attention. As he passed the end of a narrow court near the railway
station, the gleam of his silver mounted malacca attracted the
attention of a couple of loafers who were leaning one on either side
of an iron pillar in the shadow of the unsavory alley. Not another
pedestrian was in sight, and only the remote night-sounds of London
broke the silence.

Twenty paces beyond, the footpads silently closed in upon their prey.
The taller of the pair reached him first, only to receive a back-
handed blow full in his face which sent him reeling a couple of yards.

Round leapt the assaulted man to face his second assailant.

"If you two smarts really want handling," he rapped ferociously, "say
the word, and I'll bash you flat."

As he turned, the light of a neighboring lamp shone down upon the
savage face, and a smothered yell came from the shorter ruffian:

"Blimey, Bill! It's Red Kerry!"

Whereupon, as men pursued by devils, the pair made off like the wind!

Kerry glared after the retreating figures for a moment, and a grin of
fierce satisfaction revealed his gleaming teeth. He turned again and
swung on his way toward the main road. The incident had done him good.
It had banished domestic matters from his mind, and he was become
again the highly trained champion of justice, standing, an unseen
buckler, between society and the criminal.

CHAPTER IX

A PACKET OF CIGARETTES

Following their dismissal by Chief Inspector Kerry, Seton and Gray
walked around to the latter's chambers in Piccadilly. They proceeded
in silence, Gray too angry for speech, and Seton busy with
reflections. As the man admitted them:

"Has anyone 'phoned, Willis?" asked Gray.

"No one, sir."

They entered a large room which combined the characteristics of a
library with those of a military gymnasium. Gray went to a side table
and mixed drinks. Placing a glass before Seton, he emptied his own at
a draught.

"If you'll excuse me for a moment," he said, "I should like to ring up
and see if by any possible chance there's news of Rita."

He walked out to the telephone, and Seton heard him making a call.
Then:

"Hullo! Is that you, Hinkes?" he asked. . . . "Yes, speaking. Is Mrs.
Irvin at home?"

A few moments of silence followed, and:

"Thanks! Good-bye," said Gray.

He rejoined his friend.

"Nothing," he reported, and made a gesture of angry resignation.
"Evidently Hinkes is still unaware of what has happened. Irvin hasn't
returned yet. Seton, this business is driving me mad."

He refilled his glass, and having looked in his cigarette-case, began
to ransack a small cupboard.

"Damn it all!" he exclaimed. "I haven't got a cigarette in the place!"

"I don't smoke them myself," said Seton, "but I can offer you a
cheroot."

"Thanks. They are a trifle too strong. Hullo! here are some."

From the back of a shelf he produced a small, plain brown packet, and
took out of it a cigarette at which he stared oddly. Seton, smoking
one of the inevitable cheroots, watched him, tapping his teeth with
the rim of his eyeglass.

"Poor old Pyne!" muttered Gray, and, looking up, met the inquiring
glance. "Pyne left these here only the other day," he explained
awkwardly. "I don't know where he got them, but they are something
very special. I suppose I might as well."

He lighted one, and, uttering a weary sigh, threw himself into a deep
leather-covered arm-chair. Almost immediately he was up again. The
telephone bell had rung. His eyes alight with hope, he ran out,
leaving the door open so that his conversation was again audible to
the visitor.

"Yes, yes, speaking. What?" His tone changed "Oh, it's you, Margaret.
What? . . . Certainly, delighted. No, there's nobody here but old
Seton Pasha. What? You've heard the fellows talk about him who were
out East. . . . Yes, that's the chap. . . . Come right along."

"You don't propose to lionise me, I hope, Gray?" said Seton, as Gray
returned to his seat.

The other laughed.

"I forgot you could hear me," he admitted. "It's my cousin, Margaret
Halley. You'll like her. She's a tip-top girl, but eccentric. Goes in
for pilling."

"Pilling?" inquired Seton gravely.

"Doctoring. She's an M.R.C.S., and only about twenty-four or so.
Fearfully clever kid; makes me feel an infant."

"Flat heels, spectacles, and a judicial manner?"

"Flat heels, yes. But not the other. She's awfully pretty, and used to
look simply terrific in khaki. She was an M.O. in Serbia, you know,
and afterwards at some nurses' hospital in Kent. She's started in
practice for herself now round in Dover Street. I wonder what she
wants."

Silence fell between them; for, although prompted by different
reasons, both were undesirous of discussing the tragedy; and this
silence prevailed until the ringing of the doorbell announced the
arrival of the girl. Willis opening the door, she entered composedly,
and Gray introduced Seton.

"I am so glad to have met you at last, Mr. Seton," she said
laughingly. "From Quentin's many accounts I had formed the opinion
that you were a kind of Arabian Nights myth."

"I am glad to disappoint you," replied Seton, finding something very
refreshing in the company of this pretty girl, who wore a creased
Burberry, and stray locks of whose abundant bright hair floated about
her face in the most careless fashion imaginable.

She turned to her cousin, frowning in a rather puzzled way.

"Whatever have you been burning here?" she asked. "There is such a
curious smell in the room."

Gray laughed more heartily than he had laughed that night, glancing in
Seton's direction.

"So much for your taste in cigars!" he cried

"Oh!" said Margaret, "I'm sure it's not Mr. Seton's cigar. It isn't a
smell of tobacco."

"I don't believe they're made of tobacco!" cried Gray, laughing louder
yet, although his merriment was forced.

Seton smiled good-naturedly at the joke, but he had perceived at the
moment of Margaret's entrance the fact that her gaiety also was
assumed. Serious business had dictated her visit, and he wondered the
more to note how deeply this odor, real or fancied, seemed to intrigue
her.

She sat down in the chair which Gray placed by the fireside, and her
cousin unceremoniously slid the grown packet of cigarettes across the
little table in her direction.

"Try one of these, Margaret," he said. "They are great, and will quite
drown the unpleasant odor of which you complain."

Whereupon the observant Seton saw a quick change take place in the
girl's expression. She had the same clear coloring as her cousin, and
now this freshness deserted her cheeks, and her pretty face became
quite pale. She was staring at the brown packet. "Where did you get
them?" she asked quietly.

A smile faded from Gray's lips. Those five words had translated him in
spirit to that green-draped room in which Sir Lucien Pyne was lying
dead. He glanced at Seton in the appealing way which sometimes made
him appear so boyish.

"Er--from Pyne," he replied. "I must tell you, Margaret--"

"Sir Lucien Pyne?" she interrupted.

"Yes."

"Not from Rita Irvin?"

Quentin Gray started upright in his chair.

"No! But why do you mention her?"

Margaret bit her lip in sudden perplexity.

"Oh, I don't know." She glanced apologetically toward Seton. He rose
immediately.

"My dear Miss Halley," he said, "I perceive, indeed I had perceived
all along, that you have something of a private nature to communicate
to your cousin."

But Gray stood up, and:

"Seton! . . . Margaret!" he said, looking from one to the other. "I
mean to say, Margaret, if you've anything to tell me about Rita . . .
Have you? Have you?"

He fixed his gaze eagerly upon her.

"I have--yes."

Seton prepared to take his leave, but Gray impetuously thrust him
back, immediately turning again to his cousin.

"Perhaps you haven't heard, Margaret," he began. "I have heard what
has happened tonight--to Sir Lucien."

Both men stared at her silently for a moment.

"Seton has been with me all the time," said Gray. "If he will consent
to stay, with your permission, Margaret, I should like him to do so."

"Why, certainly," agreed the girl. "In fact, I shall be glad of his
advice."

Seton inclined his head, and without another word resumed his seat.
Gray was too excited to sit down again. He stood on the tiger-skin rug
before the fender, watching his cousin and smoking furiously.

"Firstly, then," continued Margaret, "please throw that cigarette in
the fire, Quentin."

Gray removed the cigarette from between his lips, and stared at it
dazedly. He looked at the girl, and the clear grey eyes were watching
him with an inscrutable expression.

"Right-o!" he said awkwardly, and tossed the cigarette in the fire.
"You used to smoke like a furnace, Margaret. Is this some new 'cult'?"

"I still smoke a great deal more than is good for me," she confessed,
"but I don't smoke opium."

The effect of these words upon the two men who listened was curious.
Gray turned an angry glance upon the brown packet lying on the table,
and "Faugh!" he exclaimed, and drawing a handkerchief from his sleeve
began disgustedly to wipe his lips. Seton stared hard at the speaker,
tossed his cheroot into the fire, and taking up the packet withdrew a
cigarette and sniffed at it critically. Margaret watched him.

He tore the wrapping off, and tasted a strand of the tobacco.

"Good heavens!" he whispered. "Gray, these things are doped!"

CHAPTER X

SIR LUCIEN'S STUDY WINDOW

Old Bond Street presented a gloomy and deserted prospect to Chief
Inspector Kerry as he turned out of Picadilly and swung along toward
the premises of Kazmah. He glanced at the names on some of the shop
windows as he passed, and wondered if the furriers, jewelers and other
merchants dealing in costly wares properly appreciated the services of
the Metropolitan Police Force. He thought of the peacefully slumbering
tradesmen in their suburban homes, the safety of their stocks wholly
dependent upon the vigilance of that Unsleeping Eye--for to an
unsleeping eye he mentally compared the service of which he was a
member.

A constable stood on duty before the door of the block. Red Kerry was
known by sight and reputation to every member of the force, and the
constable saluted as the celebrated Chief Inspector appeared.

"Anything to report, constable?"

"Yes, sir."

"What?"

"The ambulance has been for the body, and another gentleman has been."

Kerry stared at the man.

"Another gentleman? Who the devil's the other gentleman?"

"I don't know, sir. He came with Inspector Whiteleaf, and was inside
for nearly an hour."

"Inspector Whiteleaf is off duty. What time was this?"

"Twelve-thirty, sir."

Kerry chewed reflectively ere nodding to the man and passing on.

"Another gentleman!" he muttered, entering the hallway. "Why didn't
Inspector Warley report this? Who the devil--" Deep in thought he
walked upstairs, finding his way by the light of the pocket torch
which he carried. A second constable was on duty at Kazmah's door. He
saluted.

"Anything to report?" rapped Kerry.

"Yes, sir. The body has been removed, and the gentleman with
Inspector--"

"Damn that for a tale! Describe this gentleman."

"Rather tall, pale, dark, clean-shaven. Wore a fur-collared overcoat,
collar turned up. He was accompanied by Inspector Whiteleaf."

"H'm. Anything else?"

"Yes. About an hour ago I heard a noise on the next floor--"

"Eh!" snapped Kerry, and shone the light suddenly into the man's face
so that he blinked furiously.

"Eh? What kind of noise?"

"Very slight. Like something moving."

"Like something! Like what thing? A cat or an elephant?"

"More like, say, a box or a piece of furniture."

"And you did--what?"

"I went up to the top landing and listened."

"What did you hear?"

"Nothing at all."

Chief Inspector Kerry chewed audibly.

"All quiet?" he snapped.

"Absolutely. But I'm certain I heard something all the same."

"How long had Inspector Whiteleaf and this dark horse in the fur coat
been gone at the time you heard the noise?"

"About half an hour, sir."

"Do you think the noise came from the landing or from one of the
offices above?"

"An office I should say. It was very dim."

Chief Inspector Kerry pushed upon the broken door, and walked into the
rooms of Kazmah. Flashing the ray of his torch on the wall, he found
the switch and snapped up the lights. He removed his overall and
tossed it on a divan with his cane. Then, tilting his bowler further
forward, he thrust his hands into his reefer pockets, and stood
staring toward the door, beyond which lay the room of the murder, in
darkness.

"Who is he?" he muttered. "What's it mean?"

Taking up the torch, he walked through and turned on the lights in the
inner rooms. For a long time he stood staring at the little square
window low down behind the ebony chair, striving to imagine uses for
it as his wife had urged him to do. The globular green lamp in the
second apartment was worked by three switches situated in the inside
room, and he had discovered that in this way the visitor who came to
consult Kazmah was treated to the illusion of a gradually falling
darkness. Then, the door in the first partition being opened, whoever
sat in the ebony chair would become visible by the gradual uncovering
of a light situated above the chair. On this light being covered again
the figure would apparently fade away.

It was ingenious, and, so far, quite clear. But two things badly
puzzled the inquirer; the little window down behind the chair, and the
fact that all the arrangements for raising and lowering the lights
were situated not in the narrow chamber in which Kazmah's chair stood,
and in which Sir Lucien had been found, but in the room behind it--the
room with which the little window communicated.

The table upon which the telephone rested was set immediately under
this mysterious window, the window was provided with a green blind,
and the switchboard controlling the complicated lighting scheme was
also within reach of anyone seated at the table.

Kerry rolled mint gum from side to side of his mouth, and absently
tried the handle of the door opening out from this interior room--
evidently the office of the establishment--into the corridor. He knew
it to be locked. Turning, he walked through the suite and out on to
the landing, passing the constable and going upstairs to the top
floor, torch in hand.

From the main landing he walked along the narrow corridor until he
stood at the head of the back stairs. The door nearest to him bore the
name: "Cubanis Cigarette Company." He tried the handle. The door was
locked, as he had anticipated. Kneeling down, he peered into the
keyhole, holding the electric torch close beside his face and chewing
industriously.

Ere long he stood up, descended again, but by the back stair, and
stood staring reflectively at the door communicating with Kazmah's
inner room. Then walking along the corridor to where the man stood on,
the landing, he went in again to the mysterious apartments, but only
to get his cane and his overall and to turn out the lights.

Five minutes later he was ringing the late Sir Lucien's door-bell.

A constable admitted him, and he walked straight through into the
study where Coombes, looking very tired but smiling undauntedly, sat
at a littered table studying piles of documents.

"Anything to report?" rapped Kerry.

"The man, Mareno, has gone to bed, and the expert from the Home office
has been--"

Inspector Kerry brought his cane down with a crash upon the table,
whereat Coombes started nervously.

"So that's it!" he shouted furiously, "an 'expert from the Home
office'! So that's the dark horse in the fur coat. Coombes! I'm fed up
to the back teeth with this gun from the Home office! If I'm not to
have entire charge of the case I'll throw it up. I'll stand for no
blasted overseer checking my work! Wait till I see the Assistant
Commissioner! What the devil has the job to do with the Home office!"

"Can't say," murmured Coombes. "But he's evidently a big bug from the
way Whiteleaf treated him. He instructed me to stay in the kitchen and
keep an eye on Mareno while he prowled about in here."

"Instructed you!" cried Kerry, his teeth gleaming and his steel-blue
eyes creating upon Coombes' mind an impression that they were emitting
sparks. "Instructed you! I'll ask you a question, Detective-Sergeant
Coombes: Who is in charge of this case?"

"Well, I thought you were."

"You thought I was?"

"Well, you are."

"I am? Very well--you were saying--?"

"I was saying that I went into the kitchen--"

"Before that! Something about 'instructed.'"

Poor Coombes smiled pathetically.

"Look here," he said, bravely meeting the ferocious glare of his
superior, "as man to man. What could I do?"

"You could stop smiling!" snapped Kerry. "Hell!" He paced several
times up and down the room. "Go ahead, Coombes."

"Well, there's nothing much to report. I stayed in the kitchen, and
the man from the Home office was in here alone for about half an
hour."

"Alone?"

"Inspector Whiteleaf stayed in the dining-room."

"Had he been 'instructed' too?"

"I expect so. I think he just came along as a sort of guide."

"Ah!" muttered Kerry savagely, "a sort of guide! Any idea what the
bogey man did in here?"

"He opened the window. I heard him."

"That's funny. It's exactly what I'm going to do! This smart from
Whitehall hasn't got a corner in notions yet, Coombes."

The room was a large and lofty one, and had been used by a former
tenant as a studio. The toplights had been roofed over by Sir Lucien,
however, but the raised platform, approached by two steps, which had
probably been used as a model's throne, was a permanent fixture of the
apartment. It was backed now by bookcases, except where a blue plush
curtain was draped before a French window.

Kerry drew the curtain back, and threw open the folding leaves of the
window. He found himself looking out upon the leads of Albemarle
Street. No stars and no moon showed through the grey clouds draping
the wintry sky, but a dim and ghostly half-light nevertheless rendered
the ugly expanse visible from where he stood.

On one side loomed a huge tank, to the brink of which a rickety wooden
ladder invited the explorer to ascend. Beyond it were a series of iron
gangways and ladders forming part of the fire emergency arrangements
of the neighboring institution. Straight ahead a section of building
jutted up and revealed two small windows, which seemed to regard him
like watching eyes.

He walked out on to the roof, looking all about him. Beyond the tank
opened a frowning gully--the Arcade connecting Albemarle Street with
old Bond Street; on the other hand, the scheme of fire gangways was
continued. He began to cross the leads, going in the direction of Bond
Street. Coombes watched him from the study. When he came to the more
northerly of the two windows which had attracted his attention, he
knelt down and flashed the ray of his torch through the glass.

A kind of small warehouse was revealed, containing stacks of packages.
Immediately inside the window was a rough wooden table, and on this
table lay a number of smaller packages, apparently containing
cigarettes.

Kerry turned his attention to the fastening of the window. A glance
showed him that it was unlocked. Resting the torch on the leads, he
grasped the sash and gently raised the window, noting that it opened
almost noiselessly. Then, taking up the torch again, he stooped and
stepped in on to the table below.

It moved slightly beneath his weight. One of the legs was shorter than
its fellows. But he reached the floor as quietly as possible, and
instantly snapped off the light of the torch.

A heavy step sounded from outside--someone was mounting the stairs--
and a disk of light suddenly appeared upon the ground-glass panel of
the door.

Kerry stood quite still, chewing steadily.

"Who's there?" came the voice of the constable posted on Kazmah's
landing.

The inspector made no reply.

"Is there anyone here?" cried the man.

The disk of light disappeared, and the alert constable could be heard
moving along the corridor to inspect the other offices. But the ray
had shone upon the frosted glass long enough to enable Kerry to read
the words painted there in square black letters. They had appeared
reversed, of course, and had read thus:

.OC ETTERAGIC SINABUC

CHAPTER XI

THE DRUG SYNDICATE

At six-thirty that morning Margaret Halley was aroused by her maid--
the latter but half awake--and sitting up in bed and switching on the
lamp, she looked at the card which the servant had brought to her, and
read the following:

    CHIEF INSPECTOR KERRY,
    C.I.D.
    New Scotland Yard, S.W.I.

"Oh, dear," she said sleepily, "what an appallingly early visitor. Is
the bath ready yet, Janet?"

"I'm afraid not," replied the maid, a plain, elderly woman of the
old-fashioned useful servant type. "Shall I take a kettle into the
bathroom?"

"Yes--that will have to do. Tell Inspector Kerry that I shall not be
long."

Five minutes later Margaret entered her little consulting-room, where
Kerry, having adjusted his tie, was standing before the mirror in the
overmantle, staring at a large photograph of the charming lady doctor
in military uniform. Kerry's fierce eyes sparkled appreciatively as
his glance rested on the tall figure arrayed in a woollen dressing-
gown, the masculine style of which by no means disguised the beauty of
Margaret's athletic figure. She had hastily arranged her bright hair
with deliberate neglect of all affectation. She belonged to that
ultra-modern school which scorns to sue masculine admiration, but
which cannot dispense with it nevertheless. She aspired to be assessed
upon an intellectual basis, an ambition which her unfortunate good
looks rendered difficult of achievement.

"Good morning, Inspector," she said composedly. "I was expecting you."

"Really, miss?" Kerry stared curiously. "Then you know what I've come
about?"

"I think so. Won't you sit down? I am afraid the room is rather cold.
Is it about--Sir Lucien Pyne?"

"Well," replied Kerry, "it concerns him certainly. I've been in
communication by telephone with Hinkes, Mr. Monte Irvin's butler, and
from him I learned that you were professionally attending Mrs. Irvin."

"I was not her regular medical adviser, but--"

Margaret hesitated, glancing rapidly at the Inspector, and then down
at the writing-table before which she was seated. She began to tap the
blotting-pad with an ivory paper-knife. Kerry was watching her
intently.

"Upon your evidence, Miss Halley," he said rapidly, "may depend the
life of the missing woman."

"Oh!" cried Margaret, "whatever can have happened to her? I rang up as
late as two o'clock this morning; after that I abandoned hope."

"There's something underlying the case that I don't understand, miss.
I look to you to put me wise."

She turned to him impulsively.

"I will tell you all I know, Inspector," she said. "I will be
perfectly frank with you."

"Good!" rapped Kerry. "Now--you have known Mrs. Monte Irvin for some
time?"

"For about two years."

"You didn't know her when she was on the stage?"

"No. I met her at a Red Cross concert at which she sang."

"Do you think she loved her husband?"

"I know she did."

"Was there any--prior attachment?"

"Not that I know of."

"Mr. Quentin Gray?"

Margaret smiled, rather mirthlessly.

"He is my cousin, Inspector, and it was I who introduced him to Rita
Irvin. I sincerely wish I had never done so. He lost his head
completely."

"There was nothing in Mrs. Irvin's attitude towards him to justify her
husband's jealousy?"

"She was always frightfully indiscreet, Inspector, but nothing more.
You see, she is greatly admired, and is used to the company of silly,
adoring men. Her husband doesn't really understand the ways of these
Bohemian folks. I knew it would lead to trouble sooner or later."

"Ah!"

Chief Inspector Kerry thrust his hands into the pockets of his jacket.

"Now--Sir Lucien?"

Margaret tapped more rapidly with the paper-knife.

"Sir Lucien belonged to a set of which Rita had been a member during
her stage career. I think--he admired her; in fact, I believe he had
offered her marriage. But she did not care for him in the least--in
that way."

"Then in what way did she care for him?" rapped Kerry.

"Well--now we are coming to the point." Momentarily she hesitated,
then: "They were both addicted--"

"Yes?"

"--to drugs."

"Eh?" Kerry's eyes grew hard and fierce in a moment. "What drugs?"

"All sorts of drugs. Shortly after I became acquainted with Rita Irvin
I learned that she was a victim of the drug habit, and I tried to cure
her. I regret to say that I failed. At that time she had acquired a
taste for opium."

Kerry said not a word, and Margaret raised her head and looked at him
pathetically.

"I can see that you have no pity for the victims of this ghastly vice,
Inspector Kerry," she said.

"I haven't!" he snapped fiercely. "I admit I haven't, miss. It's bad
enough in the heathens, but for an Englishwoman to dope herself is
downright unchristian and beastly."

"Yet I have come across so many of these cases, during the war and
since, that I have begun to understand how easy, how dreadfully easy
it is, for a woman especially, to fall into the fatal habit.
Bereavement or that most frightful of all mental agonies, suspense,
will too often lead the poor victim into the path that promises
forgetfulness. Rita Irvin's case is less excusable. I think she must
have begun drug-taking because of the mental and nervous exhaustion
resulting from late hours and over-much gaiety. The demands of her
profession proved too great for her impaired nervous energy, and she
sought some stimulant which would enable her to appear bright on the
stage when actually she should have been recuperating, in sleep, that
loss of vital force which can be recuperated in no other way."

"But opium!" snapped Kerry.

"I am afraid her other drug habits had impaired her will, and shaken
her self-control. She was tempted to try opium by its promise of a new
and novel excitement."

"Her husband, I take it, was ignorant of all this?"

"I believe he was. Quentin--Mr. Gray--had no idea of it either."

"Then it was Sir Lucien Pyne who was in her confidence in the matter?"

Margaret nodded slowly, still tapping the blotting-pad.

"He used to accompany her to places where drugs could be obtained, and
on several occasions--I cannot say how many--I believe he went with
her to some den in Chinatown. It may have been due to Mr. Irvin's
discovery that his wife could not satisfactorily account for some of
these absences from home which led him to suspect her fidelity."

"Ah!" said Kerry hardly, "I shouldn't wonder. And now"--he thrust out
a pointing finger--"where did she get these drugs?"

Margaret met the fierce stare composedly.

"I have said that I shall be quite frank," she replied. "In my opinion
she obtained them from Kazmah."

"Kazmah!" shouted Kerry. "Excuse me, miss, but I see I've been wearing
blinkers without knowing it! Kazmah's was a dope-shop?"

"That has been my belief for a long time, Inspector. I may add that I
have never been able to obtain a shred of evidence to prove it. I am
so keenly interested in seeing the people who pander to this horrible
vice unmasked and dealt with as they merit, that I have tried many
times to find out if my suspicion was correct."

Inspector Kerry was writhing his shoulders excitedly. "Did you ever
visit Kazmah?" he asked.

"Yes. I asked Rita Irvin to take me, but she refused, and I could see
that the request embarrassed her. So I went alone."

"Describe exactly what took place."

Margaret Halley stared reflectively at the blotting-pad for a moment,
and then described a typical seance at Kazmah's. In conclusion:

"As I came away," she said, "I bought a bottle of every kind of
perfume on sale, some of the incense, and also a box of sweetmeat; but
they all proved to be perfectly harmless. I analyzed them."

Kerry's eyes glistened with admiration.

"We could do with you at the Yard, miss," he said. "Excuse me for
saying so."

Margaret smiled rather wanly.

"Now--this man Kazmah," resumed the Chief Inspector. "Did you ever see
him again?"

"Never. I have been trying for months and months to find out who he
is."

Kerry's face became very grim.

"About ten trained men are trying to find that out at the present
moment!" he rapped. "Do you think he wore a make-up?"

"He may have done so," Margaret admitted. "But his features were
obviously undisguised, and his eyes one would recognize anywhere. They
were larger than any human eyes I have ever seen."

"He couldn't have been the Egyptian who looked after the shop, for
instance?"

"Impossible! He did not remotely resemble him. Besides, the man to
whom you refer remained outside to receive other visitors. Oh, that's
out of the question, Inspector."

"The light was very dim?"

"Very dim indeed, and Kazmah never once raised his head. Indeed,
except for a dignified gesture of greeting and one of dismissal, he
never moved. His immobility was rather uncanny."

Kerry began to pace up and down the narrow room, and:

"He bore no resemblance to the late Sir Lucien Pyne, for instance?" he
rapped.

Margaret laughed outright and her laughter was so inoffensive and so
musical that the Chief Inspector laughed also.

"That's more hopeless than ever!" she said. "Poor Sir Lucien had
strong, harsh features and rather small eyes. He wore a moustache,
too. But Sir Lucien, I feel sure, was one of Kazmah's clients."

"Ah!" said Kerry. "And what leads you to suppose Miss Halley, that
this Kazmah dealt in drugs?"

"Well, you see, Rita Irvin was always going there to buy perfumes, and
she frequently sent her maid as well."

"But"--Kerry stared--"you say that the perfume was harmless."

"That which was sold to casual visitors was harmless, Inspector. But I
strongly suspect that regular clients were supplied with something
quite different. You see, I know no fewer than thirty unfortunate
women in the West End of London alone who are simply helpless slaves
to various drugs, and I think it more than a coincidence that upon
their dressing-tables I have almost invariably found one or more of
Kazmah's peculiar antique flasks."

Chief Inspector Kerry's jaw muscles protruded conspicuously.

"You speak of patients?" he asked.

Margaret nodded her head.

"When a woman becomes addicted to the drug habit," she explained, "she
sometimes shuns her regular medical adviser. I have many patients who
came to me originally simply because they dared not face their family
doctor. In fact, since I gave up Army work, my little practice has
threatened to develop into that of a drug-habit specialist."

"Have you taxed any of these people with obtaining drugs from Kazmah?"

"Not directly. It would have been undiplomatic. But I have tried to
surprise them into telling me. Unfortunately, these poor people are as
cunning as any other kind of maniac, for, of course, it becomes a form
of mania. They recognize that confession might lead to a stoppage of
supplies--the eventuality they most dread."

"Did you examine the contents of any of these flasks found on
dressing-tables?"

"I rarely had an opportunity; but when I did they proved to contain
perfume when they contained anything."

"H'm," mused Kerry, and although in deference to Margaret, he had
denied himself chewing-gum, his jaws worked automatically. "I gather
that Mrs. Monte Irvin had expressed a wish to see you last night?"

"Yes. Apparently she was threatened with a shortage of cocaine."

"Cocaine was her drug?"

"One of them. She had tried them all, poor, silly girl! You must
understand that for a habitual drug-taker suddenly to be deprived of
drugs would lead to complete collapse, perhaps death. And during the
last few days I had noticed a peculiar nervous symptom in Rita Irvin
which had interested me. Finally, the day before yesterday, she
confessed that her usual source of supply had been closed to her. Her
words were very vague, but I gathered that some form of coercion was
being employed."

"With what object?"

"I have no idea. But she used the words, 'They will drive me mad,' and
seemed to be in a dangerously nervous condition. She said that she was
going to make a final attempt to obtain a supply of the poison which
had become indispensable to her. 'I cannot do without it!' she said.
'But if they refuse, will you give me some?'"

"What did you say?"

"I begged of her, as I had done on many previous occasions, to place
herself in my hands. But she evaded a direct answer, as is the way of
one addicted to this vice. 'If I cannot get some by tomorrow,' she
said, 'I shall go mad, or dead. Can I rely on you?'"

"I told her that I would prescribe cocaine for her on the distinct
understanding that from the first dose she was to place herself under
my care for a cure."

"She agreed?"

"She agreed. Yesterday afternoon, while I was away at an important
case, she came here. Poor Rita!" Margaret's soft voice trembled. "Look
--she left this note."

From a letter-rack she took a square sheet of paper and handed it to
the Chief Inspector. He bent his fierce eyes upon the writing--large,
irregular and shaky.

"'Dear Margaret,'" he read aloud. "'Why aren't you at home? I am wild
with pain, and feel I am going mad. Come to me directly you return,
and bring enough to keep me alive. I--', Hullo! there's no finish!"

He glanced up from the page. Margaret Halley's eyes were dim.

"She despaired of my coming and went to Kazmah," she said. "Can you
doubt that that was what she went for?"

"No!" snapped Kerry savagely, "I can't. But do you mean to tell me,
Miss Halley, that Mrs. Irvin couldn't get cocaine anywhere else? I
know for a fact that it's smuggled in regularly, and there's more than
one receiver."

Margaret looked at him strangely.

"I know it, too, Inspector," she said quietly. "owing to the lack of
enterprise on the part of our British drug-houses, even reputable
chemists are sometimes dependent upon illicit stock from Japan and
America. But do you know that the price of these smuggled drugs has
latterly become so high as to be prohibitive in many cases?"

"I don't. What are you driving at, miss?"

"At this: Somebody had made a corner in contraband drugs. The most
wicked syndicate that ever was formed has got control of the lives of,
it may be, thousands of drug-slaves!"

Kerry's teeth closed with a sharp snap.

"At last," he said, "I see where the smart from the Home office comes
in."

"The Secretary of State has appointed a special independent
commissioner to inquire into this hellish traffic," replied Margaret
quietly. "I am glad to say that I have helped in getting this done by
the representations which I have made to my uncle, Lord Wrexborough.
But I give you my word, Inspector Kerry, that I have withheld nothing
from you any more than from him."

"Him!" snapped Kerry, eyes fiercely ablaze.

"From the Home Office representative--before whom I have already given
evidence."

Chief Inspector Kerry took up his hat, cane and overall from the chair
upon which he had placed them and, his face a savage red mask, bowed
with a fine courtesy. He burned to learn particulars; he disdained to
obtain them from a woman.

"Good morning, Miss Halley," he said. "I am greatly indebted to you."

He walked stiffly from the room and out of the flat without waiting
for a servant to open the door.

PART SECOND

MRS. SIN

CHAPTER XII

THE MAID OF THE MASQUE

The past life of Mrs. Monte Irvin, in which at this time three
distinct groups of investigators became interested--namely, those of
Whitehall, Scotland Yard, and Fleet Street--was of a character to have
horrified the prudish, but to have excited the compassion of the wise.

Daughter of a struggling suburban solicitor, Rita Esden, at the age of
seventeen, from a delicate and rather commonplace child began to
develop into a singularly pretty girl of an elusive and fascinating
type of beauty, almost ethereal in her dainty coloring, and possessed
of large and remarkably fine eyes, together with a wealth of copper-
red hair, a crown which seemed too heavy for her slender neck to
support. Her father viewed her increasing charms and ever-growing list
of admirers with the gloomy apprehension of a disappointed man who had
come to look upon each gift of the gods as a new sorrow cunningly
disguised. Her mother, on the contrary, fanned the girl's natural
vanity and ambition with a success which rarely attended the
enterprises of this foolish old woman, and Rita proving to be endowed
with a moderately good voice, a stage career was determined upon
without reference to the contrary wishes of Mr. Esden.

Following the usual brief "training" which is counted sufficient for
an aspirant to musical comedy honors, Rita, by the prefixing of two
letters to her name, set out to conquer the play-going world as Rita
Dresden.

Two years of hard work and disappointment served to dispel the girl's
illusions. She learned to appreciate at its true value that masculine
admiration which, in an unusual degree, she had the power to excite.
Those of her admirers who were in a position to assist her
professionally were only prepared to use their influence upon terms
which she was unprepared to accept. Those whose intentions were
strictly creditable, by some malignancy of fate, possessed no
influence whatever. She came to regard herself as a peculiarly unlucky
girl, being ignorant of the fact that Fortune, an impish hierophant,
imposes identical tests upon every candidate who aspires to the throne
of a limelight princess.

Matters stood thus when a new suitor appeared in the person of Sir
Lucien Pyne. When his card was brought up to Rita, her heart leaped
because of a mingled emotion of triumph and fear which the sight of
the baronet's name had occasioned. He was a director of the syndicate
in whose production she was playing--a man referred to with awe by
every girl in the company as having it in his power to make or mar a
professional reputation. Not that he took any active part in the
affairs of the concern; on the contrary, he was an aristocrat who held
himself aloof from all matters smacking of commerce, but at the same
time one who invested his money shrewdly. Sir Lucien's protegee of
today was London's idol of tomorrow, and even before Rita had spoken
to him she had fought and won a spiritual battle between her true self
and that vain, admiration-loving Rita Dresden who favored
capitulation.

She knew that Sir Lucien's card represented a signpost at the
cross-roads where many a girl, pretty but not exceptionally talented,
had hesitated with beating heart. It was no longer a question of
remaining a member of the chorus (and understudy for a small part) or
of accepting promotion to "lead" in a new production; it was that of
accepting whatever Sir Lucien chose to offer--or of retiring from the
profession so far as this powerful syndicate was concerned.

Such was the reputation enjoyed at this time by Sir Lucien Pyne among
those who had every opportunity of forming an accurate opinion.

Nevertheless, Rita was determined not to succumb without a struggle.
She did not count herself untalented nor a girl to be lightly valued,
and Sir Lucien might prove to be less black than rumor had painted
him. As presently appeared, both in her judgment of herself and in
that of Sir Lucien, she was at least partially correct. He was very
courteous, very respectful, and highly attentive.

Her less favored companions smiled significantly when the familiar
Rolls-Royce appeared at the stage door night after night, never
doubting that Rita Dresden was chosen to "star" in the forthcoming
production, but, with rare exceptions, frankly envying her this good
fortune.

Rita made no attempt to disillusion them, recognizing that it must
fail. She was resigned to being misjudged. If she could achieve
success at that price, success would have been purchased cheaply.

That Sir Lucien was deeply infatuated she was not slow to discover,
and with an address perfected by experience and a determination to
avoid the easy path inherited from a father whose scrupulous honesty
had ruined his professional prospects, she set to work to win esteem
as well as admiration.

Sir Lucien was first surprised, then piqued, and finally interested by
such unusual tactics. The second phase was the dangerous one for Rita,
and during a certain luncheon at Romanos her fate hung in the balance.
Sir Lucien realized that he was in peril of losing his head over this
tantalizingly pretty girl who gracefully kept him at a distance,
fencing with an adroitness which was baffling, and Sir Lucien Pyne had
set out with no intention of doing anything so preposterous as falling
in love. Keenly intuitive, Rita scented danger and made a bold move.
Carelessly rolling a bread-crumb along the cloth:

"I am giving up the stage when the run finishes," she said.

"Indeed," replied Sir Lucien imperturbably. "Why?"

"I am tired of stage life. I have been invited to go and live with my
uncle in New York and have decided to accept. You see"--she bestowed
upon him a swift glance of her brilliant eyes--"men in the theatrical
world are not all like you. Real friends, I mean. It isn't very nice,
sometimes."

Sir Lucien deliberately lighted a cigarette. If Rita was bluffing, he
mused, she had the pluck to make good her bluff. And if she did so? He
dropped the extinguished match upon a plate. Did he care? He glanced
at the girl, who was smiling at an acquaintance on the other side of
the room. Fortune's wheel spins upon a needle point. By an artistic
performance occupying less than two minutes, but suggesting that Rita
possessed qualities which one day might spell success, she had decided
her fate. Her heart was beating like a hammer in her breast, but she
preserved an attitude of easy indifference. Without for a moment
believing in the American uncle, Sir Lucien did believe, correctly,
that Rita Dresden was about to elude him. He realized, too, that he
was infinitely more interested than he had ever been hitherto, and
more interested than he had intended to become.

This seemingly trivial conversation was a turning point, and twelve
months later Rita Dresden was playing the title role in The Maid of
the Masque. Sir Lucien had discovered himself to be really in love
with her, and he might quite possibly have offered her marriage even
if a dangerous rival had not appeared to goad him to that desperate
leap--for so he regarded it. Monte Irvin, although considerably Rita's
senior, had much to commend him in the eyes of the girl--and in the
eyes of her mother, who still retained a curious influence over her
daughter. He was much more wealthy than Pyne, and although the latter
was a baronet, Irvin was certain to be knighted ere long, so that Rita
would secure the appendage of "Lady" in either case. Also, his
reputation promised a more reliable husband than Sir Lucien could be
expected to make. Moreover, Rita liked him, whereas she had never
sincerely liked and trusted Sir Lucien. And there was a final reason--
of which Mrs. Esden knew nothing.

On the first night that Rita had been entrusted with a part of any
consequence--and this was shortly after the conversation at Romanos--
she had discovered herself to be in a state of hopeless panic. All her
scheming and fencing would have availed her nothing if she were to
break down at the critical moment. It was an eventuality which Sir
Lucien had foreseen, and he seized the opportunity at once of securing
a new hold upon the girl and of rendering her more pliable than he had
hitherto found her to be. At this time the idea of marriage had not
presented itself to Sir Lucien.

Some hours before the performance he detected her condition of abject
fright . . . and from his waistcoat pocket he took a little gold
snuff-box.

At first the girl declined to follow advice which instinctively she
distrusted, and Sir Lucien was too clever to urge it upon her. But he
glanced casually at his wrist-watch--and poor Rita shuddered. The gold
box was hidden again in the baronet's pocket.

To analyze the process which thereupon took place in Rita's mind would
be a barren task, since its result was a foregone conclusion. Daring
ambition rather than any merely abstract virtue was the keynote of her
character. She had rebuffed the advances of Sir Lucien as she had
rebuffed others, primarily because her aim in life was set higher than
mere success in light comedy. This she counted but a means to a more
desirable end--a wealthy marriage. To the achievement of such an
alliance the presence of an accepted lover would be an obstacle; and
true love Rita Dresden had never known. Yet, short of this final
sacrifice which some women so lightly made, there were few scruples
which she was not prepared to discard in furtherance of her designs.
Her morality, then, was diplomatic, for the vice of ambition may
sometimes make for virtue.

Rita's vivacious beauty and perfect self-possession on the fateful
night earned her a permanent place in stageland: Rita Dresden became a
"star." She had won a long and hard-fought battle; but in avoiding one
master she had abandoned herself to another.

The triumph of her debut left her strangely exhausted. She dreaded the
coming of the second night almost as keenly as she had dreaded the
ordeal of the first. She struggled, poor victim, and only increased
her terrors. Not until the clock showed her that in twenty minutes she
must make her first entrance did she succumb. But Sir Lucien's gold
snuff-box lay upon her dressing-table--and she was trembling. When at
last she heard the sustained note of the oboe in the orchestra giving
the pitch to the answering violins, she raised the jewelled lid of the
box.

So she entered upon the path which leads down to destruction, and
since to conjure with the drug which pharmacists know as methylbenzoyl
ecgonine is to raise the demon Insomnia, ere long she found herself
exploring strange by-paths in quest of sleep.

By the time that she was entrusted with the leading part in The Maid
of the Masque, she herself did not recognize how tenacious was the
hold which this fatal habit had secured upon her. In the company of
Sir Lucien Pyne she met other devotees, and for a time came to regard
her unnatural mode of existence as something inseparable from the
Bohemian life. To the horrible side of it she was blind.

It was her meeting with Monte Irvin during the run of this successful
play which first awakened a dawning comprehension; not because she
ascribed his admiration to her artificial vivacity, but because she
realized the strength of the link subsisting between herself and Sir
Lucien. She liked and respected Irvin, and as a result began to view
her conduct from a new standpoint. His life was so entirely open and
free from reproach while part of her own was dark and secret. She
conceived a desire to be done with that dark and secret life.

This was a shadow-land over which Sir Lucien Pyne presided, and which
must be kept hidden from Monte Irvin; and it was not until she thus
contemplated cutting herself adrift from it all that she perceived the
Gordian knot which bound her to the drug coterie. How far, yet how
smoothly, by all but imperceptible stages she had glided down the
stream since that night when the gold box had lain upon her dressing-
table! Kazmah's drug store in Bond Street had few secrets for her; or
so she believed. She knew that the establishment of the strange,
immobile Egyptian was a source from which drugs could always be
obtained; she knew that the dream-reading business served some double
purpose; but she did not know the identity of Kazmah.

Two of the most insidious drugs familiar to modern pharmacy were
wooing her to slavery, and there was no strong hand to hold her back.
Even the presence of her mother might have offered some slight
deterrent at this stage of Rita's descent, but the girl had quitted
her suburban home as soon as her salary had rendered her sufficiently
independent to do so, and had established herself in a small but
elegant flat situated in the heart of theatreland.

But if she had walked blindly into the clutches of cocaine and
veronal, her subsequent experiments with chandu were prompted by
indefensible curiosity, and a false vanity which urged her to do
everything that was "done" by the ultra-smart and vicious set of which
she had become a member.

Her first introduction to opium-smoking was made under the auspices of
an American comedian then appearing in London, an old devotee of the
poppy, and it took place shortly after Sir Lucien Pyne had proposed
marriage to Rita. This proposal she had not rejected outright; she had
pleaded time for consideration. Monte Irvin was away, and Rita
secretly hoped that on his return he would declare himself. Meanwhile
she indulged in every new craze which became fashionable among her
associates. A chandu party took place at the American's flat in Duke
Street, and Rita, who had been invited, and who had consented to go
with Sir Lucien Pyne, met there for the first time the woman variously
known as "Lola" and "Mrs. Sin."

CHAPTER XIII

A CHANDU PARTY

From the restaurant at which she had had supper with Sir Lucien, Rita
proceeded to Duke Street. Alighting from Pyne's car at the door, they
went up to the flat of the organizer of the opium party--Mr. Cyrus
Kilfane. One other guest was already present--a slender, fair woman,
who was introduced by the American as Mollie Gretna, but whose weakly
pretty face Rita recognized as that of a notorious society divorcee,
foremost in the van of every new craze, a past-mistress of the
smartest vices.

Kilfane had sallow, expressionless features and drooping, light-
colored eyes. His straw-hued hair, brushed back from a sloping brow,
hung lankly down upon his coat-collar. Long familiarity with China's
ruling vice and contact with those who practiced it had brought about
that mysterious physical alteration--apparently reflecting a mental
change--so often to be seen in one who has consorted with Chinamen.
Even the light eyes seemed to have grown slightly oblique; the voice,
the unimpassioned greeting, were those of a son of Cathay. He carried
himself with a stoop and had a queer, shuffling gait.

"Ah, my dear daughter," he murmured in a solemnly facetious manner,
"how glad I am to welcome you to our poppy circle."

He slowly turned his half-closed eyes in Pyne's direction, and slowly
turned them back again.

"Do you seek forgetfulness of old joys?" he asked. "This is my own
case and Pyne's. Or do you, as Mollie does, seek new joys--youth's
eternal quest?"

Rita laughed with a careless abandon which belonged to that part of
her character veiled from the outer world.

"I think I agree with Miss Gretna," she said lightly. "There is not so
much happiness in life that I want to forget the little I have had."

"Happiness," murmured Kilfane. "There is no real happiness. Happiness
is smoke. Let us smoke."

"I am curious, but half afraid," declared Rita. "I have heard that
opium sometimes has no other effect than to make one frightfully ill."

"Oh, my dear!" cried Miss Gretna, with a foolish giggling laugh, "you
will love it! Such fascinating dreams! Such delightful adventures!"

"Other drugs," drawled Sir Lucien, "merely stimulate one's normal
mental activities. Chandu is a key to another life. Cocaine, for
instance enhances our capacity for work. It is only a heretic like De
Quincey who prostitutes the magic gum to such base purposes. Chandu is
misunderstood in Europe; in Asia it is the companion of the aesthete's
leisure."

"But surely," said Rita, "one pipe of opium will not produce all these
wonders."

"Some people never experience them at all," interrupted Miss Gretna.
"The great idea is to get into a comfortable position, and just resign
yourself--let yourself go. Oh, it's heavenly!"

Cyrus Kilfane turned his dull eyes in Rita's direction.

"A question of temperament and adaptability," he murmured. "De
Quincey, Pyne"--slowly turning towards the baronet--"is didactic, of
course; but his Confessions may be true, nevertheless. He forgets, you
see, that he possessed an unusual constitution, and the temperament of
a Norwegian herring. He forgets, too, that he was a laudanum drinker,
not an opium smoker. Now you, my daughter"--the lustreless eyes again
sought Rita's flushed face--"are vivid--intensely vital. If you can
succeed in resigning yourself to the hypnosis induced your experiences
will be delightful. Trust your Uncle Cy."

Leaving Rita chatting with Miss Gretna, Kilfane took Pyne aside,
offering him a cigarette from an ornate, jewelled case.

"Hello," said the baronet, "can you still get these?"

"With the utmost difficulty," murmured Kilfane, returning the case to
his pocket. "Lola charges me five guineas a hundred for them, and only
supplies them as a favor. I shall be glad to get back home, Pyne. The
right stuff is the wrong price in London."

Sir Lucien laughed sardonically, lighting Kilfane's cigarette and then
his own.

"I find it so myself," he said. "Everything except opium is to be had
at Kazmah's, and nothing except opium interests me."

"He supplies me with cocaine," murmured the comedian. "His figure
works out, as nearly as I can estimate it, at 10s 7 1/2d. a grain. I
saw him about it yesterday afternoon, pointing out to the brown guy
that as the wholesale price is roughly 2 1/4d., I regarded his margin
of profit as somewhat broad."

"Indeed!"

"The first time I had ever seen him, Pyne. I brought an introduction
from Dr. Silver, of New York, and Kazmah supplied me without question
--at a price."

"You always saw Rashid?"

"Yes. If there were other visitors I waited. But yesterday I made a
personal appointment with Kazmah. He pretended to think I had come to
have a dream interpreted. He is clever, Pyne. He never moved a muscle
throughout the interview. But finally he assured me that all the
receivers in England had amalgamated, and that the price he charged
represented a very narrow margin of profit. Of course he is a liar. He
is making a fortune. Do you know him personally?"

"No," replied Sir Lucien. "outside his Bond Street home of mystery he
is unknown. A clever man, as you say. You obtain your opium from
Lola?"

"Yes. Kazmah sent her to me. She keeps me on ridiculously low rations,
and if I had not brought my own outfit I don't think she would have
sold me one. Of course, her game is beating up clients for the
Limehouse dive."

"You have visited 'The House of a Hundred Raptures'?"

"Many times, at week-ends. Opium, like wine, is better enjoyed in
company."

"Does she post you the opium?"

"Oh, no; my man goes to Limehouse for it. Ah! here she is."

A woman came in, carrying a brown leather attache case. She had left
her hat and coat in the hall, and wore a smart blue serge skirt and a
white blouse. She was not tall, but she possessed a remarkably
beautiful figure which the cut of her garments was not intended to
disguise, and her height was appreciably increased by a pair of suede
shoes having the most wonderful heels which Rita ever remembered to
have seen worn on or off the stage. They seemed to make her small feet
appear smaller, and lent to her slender ankles an exaggerated frontal
curve.

Her hair was of that true, glossy black which suggests the blue sheen
of raven's plumage, and her thickly fringed eyes were dark and
southern as her hair. She had full, voluptuous lips, and a bold self-
assurance. In the swift, calculating glance which she cast about the
room there was something greedy and evil; and when it rested upon Rita
Dresden's dainty beauty to the evil greed was added cruelty.

"Another little sister, dear Lola," murmured Kilfane. "of course, you
know who it is? This, my daughter," turning the sleepy glance towards
Rita, "is our officiating priestess, Mrs. Sin."

The woman so strangely named revealed her gleaming teeth in a swift,
unpleasant smile, then her nostrils dilated and she glanced about her
suspiciously.

"Someone smokes the chandu cigarettes," she said, speaking in a low
tone which, nevertheless, failed to disguise her harsh voice, and with
a very marked accent.

"I am the offender, dear Lola," said Kilfane, dreamily waving his
cigarette towards her. "I have managed to make the last hundred spin
out. You have brought me a new supply?"

"Oh no, indeed," replied Mrs. Sin, tossing her head in a manner oddly
reminiscent of a once famous Spanish dancer. "Next Tuesday you get
some more. Ah! it is no good! You talk and talk and it cannot alter
anything. Until they come I cannot give them to you."

"But it appears to me," murmured Kilfane, "that the supply is always
growing less."

"Of course. The best goes all to Edinburgh now. I have only three
sticks of Yezd left of all my stock."

"But the cigarettes."

"Are from Buenos Ayres? Yes. But Buenos Ayres must get the opium
before we get the cigarettes, eh? Five cases come to London on
Tuesday, Cy. Be of good courage, my dear."

She patted the sallow cheek of the American with her jewelled fingers,
and turned aside, glancing about her.

"Yes." murmured Kilfane. "We are all present, Lola. I have had the
room prepared. Come, my children, let us enter the poppy portico."

He opened a door and stood aside, waving one thin yellow hand between
the first two fingers of which smouldered the drugged cigarette. Led
by Mrs. Sin the company filed into an apartment evidently intended for
a drawing-room, but which had been hastily transformed into an opium
divan.

Tables, chairs, and other items of furniture had been stacked against
one of the walls and the floor spread with rugs, skins, and numerous
silk cushions. A gas fire was alight, but before it had been placed an
ornate Japanese screen whereon birds of dazzling plumage hovered amid
the leaves of gilded palm trees. In the centre of the room stood a
small card-table, and upon it were a large brass tray and an ivory
pedestal exquisitely carved in the form of a nude figure having one
arm upraised. The figure supported a lamp, the light of which was
subdued by a barrel-shaped shade of Chinese workmanship.

Mollie Gretna giggled hysterically.

"Make yourself comfortable, dear," she cried to Rita, dropping down
upon a heap of cushions stacked in a recess beside the fireplace. "I
am going to take off my shoes. The last time, Cyrus, when I woke up my
feet were quite numb."

"You should come down to my place," said Mrs. Sin, setting the leather
case on the little card-table beside the lamp. "You have there your
own little room and silken sheets to lie in, and it is quiet--so
quiet."

"Oh!" cried Mollie Gretna, "I must come! But I daren't go alone. Will
you come with me, dear?" turning to Rita.

"I don't know," was the reply. "I may not like opium."

"But if you do--and I know you will?"

"Why," said Rita, glancing rapidly at Pyne, "I suppose it would be a
novel experience."

"Let me arrange it for you," came the harsh voice of Mrs. Sin. "Lucy
will drive you both down--won't you, my dear?" The shadowed eyes
glanced aside at Sir Lucien Pyne.

"Certainly," he replied. "I am always at the ladies' service."

Rita Dresden settled herself luxuriously into a nest of silk and fur
in another corner of the room, regarding the baronet coquettishly
through her half-lowered lashes.

"I won't go unless it is my party, Lucy," she said. "You must let me
pay."

"A detail," murmured Pyne, crossing and standing beside her.

Interest now became centred upon the preparations being made by Mrs.
Sin. From the attache case she took out a lacquered box, silken-lined
like a jewel-casket. It contained four singular-looking pipes, the
parts of which she began to fit together. The first and largest of
these had a thick bamboo stem, an amber mouthpiece, and a tiny,
disproportionate bowl of brass. The second was much smaller and was of
some dark, highly-polished wood, mounted with silver conceived in an
ornate Chinese design representing a long-tailed lizard. The
mouthpiece was of jade. The third and fourth pipes were yet smaller, a
perfectly matched pair in figured ivory of exquisite workmanship,
delicately gold-mounted.

"These for the ladies," said Mrs. Sin, holding up the pair. "You"--
glancing at Kilfane--"have got your own pipe, I know."

She laid them upon the tray, and now took out of the case a little
copper lamp, a smaller lacquered box and a silver spatula, her
jewelled fingers handling the queer implements with a familiarity bred
of habit.

"What a strange woman!" whispered Rita to Pyne. "Is she an oriental?"

"Cuban-Jewess," he replied in a low voice.

Mrs. Sin carefully lighted the lamp, which burned with a short, bluish
flame, and, opening the lacquered box, she dipped the spatula into the
thick gummy substance which it contained and twisted the little
instrument round and round between her fingers, presently withdrawing
it with a globule of chandu, about the size of a bean, adhering to the
end. She glanced aside at Kilfane.

"Chinese way, eh?" she said.

She began to twirl the prepared opium above the flame of the lamp.
From it a slight, sickly smelling vapor arose. No one spoke, but all
watched her closely; and Rita was conscious of a growing, pleasurable
excitement. When by evaporation the chandu had become reduced to the
size of a small pea, and a vague spirituous blue flame began to dance
round the end of the spatula, Mrs. Sin pressed it adroitly into the
tiny bowl of one of the ivory pipes, having first held the bowl
inverted for a moment over the lamp. She turned to Rita.

"The guest of the evening," she said. "Do not be afraid. Inhale--oh,
so gentle--and blow the smoke from the nostrils. You know how to
smoke?"

"The same as a cigarette?" asked Rita excitedly, as Mrs. Sin bent over
her.

"The same, but very, very gentle."

Rita took the pipe and raised the mouthpiece to the lips.

CHAPTER XIV

IN THE SHADE OF THE LONELY PALM

Persian opium of good quality contains from ten to fifteen percent
morphine, and chandu made from opium of Yezd would contain perhaps
twenty-five per cent of this potent drug; but because in the act of
smoking distillation occurs, nothing like this quantity of morphine
reaches the smoker. To the distilling process, also, may be due the
different symptoms resulting from smoking chandu and injecting morphia
--or drinking tincture of opium, as De Quincey did.

Rita found the flavor of the preparation to be not entirely
unpleasant. Having overcome an initial aversion, caused by its marked
medicinal tang, she grew reconciled to it and finished her first smoke
without experiencing any other effect than a sensation of placid
contentment. Deftly, Mrs. Sin renewed the pipe. Silence had fallen
upon the party.

The second "pill" was no more than half consumed when a growing
feeling of nausea seized upon the novice, becoming so marked that she
dropped the ivory pipe weakly and uttered a faint moan.

Instantly, silently, Mrs. Sin was beside her.

"Lean forward--so," she whispered, softly, as if fearful of intruding
her voice upon these sacred rites. "In a moment you will be better.
Then, if you feel faint, lie back. It is the sleep. Do not fight
against it."

The influence of the stronger will prevailed. Self-control and
judgment are qualities among the first to succumb to opium. Rita
ceased to think longingly of the clean, fresh air, of escape from
these sickly fumes which seemed now to fill the room with a moving
vacuum. She bent forward, her chin resting upon her breast, and
gradually the deathly sickness passed. Mentally, she underwent a
change, too. From an active state of resistance the ego traversed a
descending curve ending in absolute passivity. The floor had seemingly
begun to revolve and was moving insidiously, so that the pattern of
the carpet formed a series of concentric rings. She found this
imaginary phenomenon to be soothing rather than otherwise, and
resigned herself almost eagerly to the delusion.

Mrs. Sin allowed her to fall back upon the cushions--so gently and so
slowly that the operation appeared to occupy several minutes and to
resemble that of sinking into innumerable layers of swansdown. The
sinuous figure bending over her grew taller with the passage of each
minute, until the dark eyes of Mrs. Sin were looking down at Rita from
a dizzy elevation. As often occurs in the case of a neurotic subject,
delusion as to time and space had followed the depression of the
sensory cells.

But surely, she mused, this could not be Mrs. Sin who towered so
loftily above her. Of course, how absurd to imagine that a woman could
remain motionless for so many hours. And Rita thought, now, that she
had been lying for several hours beneath the shadow of that tall,
graceful, and protective shape.

Why--it was a slender palm-tree, which stretched its fanlike foliage
over her! Far, far above her head the long, dusty green fronds
projected from the mast-like trunk. The sun, a ball of fiery brass,
burned directly in the zenith, so that the shadow of the foliage lay
like a carpet about her feet. That which she had mistaken for the
ever-receding eyes of Mrs. Sin, wondering with a delightful vagueness
why they seemed constantly to change color, proved to be a pair of
brilliantly plumaged parrakeets perched upon a lofty branch of the
palm.

This was an equatorial noon, and even if she had not found herself to
be under the influence of a delicious abstraction Rita would not have
moved; for, excepting the friendly palm, not another vestige of
vegetation was visible right away to the horizon; nothing but an ocean
of sand whereon no living thing moved. She and the parrakeets were
alone in the heart of the Great Sahara.

But stay! Many, many miles away, a speck on the dusty carpet of the
desert, something moved! Hours must elapse before that tiny figure,
provided it were approaching, could reach the solitary palm.
Delightedly, Rita contemplated the infinity of time. Even if the
figure moved ever so slowly, she should be waiting there beneath the
palm to witness its arrival. Already, she had been there for a period
which she was far too indolent to strive to compute--a week, perhaps.
She turned her attention to the parrakeets. One of them was moving,
and she noted with delight that it had perceived her far below and was
endeavoring to draw the attention of its less observant companion to
her presence. For many hours she lay watching it and wondering why,
since the one bird was so singularly intelligent, its companion was
equally dull. When she lowered her eyes and looked out again across
the sands, the figure had approached so close as to be recognizable.

It was that of Mrs. Sin. Rita appreciated the fitness of her presence,
and experienced no surprise, only a mild curiosity. This curiosity was
not concerned with Mrs. Sin herself, but with the nature of the burden
which she bore upon her head.

She was dressed in a manner which Rita dreamily thought would have
been inadequate in England, or even in Cuba, but which was appropriate
in the Great Sahara. How exquisitely she carried herself, mused the
dreamer; no doubt this fine carriage was due in part to her wearing
golden shoes with heels like stilts, and in part to her having been
trained to bear heavy burdens upon her head. Rita remembered that Sir
Lucien had once described to her the elegant deportment of the Arab
women, ascribing it to their custom of carrying water-jars in that
way.

The appearance of the speck on the horizon had marked the height of
her trance. Her recognition oF Mrs. Sin had signalized the decline of
the chandu influence. Now, the intrusion of a definite, uncontorted
memory was evidence of returning cerebral activity.

Rita had no recollection of the sunset; indeed, she had failed to
perceive any change in the form and position of the shadow cast by the
foliage. It had spread, an ebony patch, equally about the bole of the
tree, so that the sun must have been immediately overhead. But, of
course, she had lain watching the parrakeets for several hours, and
now night had fallen. The desert mounds were touched with silver, the
sky was a nest of diamonds, and the moon cast a shadow of the palm
like a bar of ebony right across the prospect to the rim of the sky
dome.

Mrs. Sin stood before her, one half of her lithe body concealed by
this strange black shadow and the other half gleaming in the moonlight
so that she resembled a beautiful ivory statue which some iconoclast
had cut in two.

Placing her burden upon the ground, Mrs. Sin knelt down before Rita
and reverently kissed her hand, whispering: "I am your slave, my poppy
queen."

She spoke in a strange language, no doubt some African tongue, but one
which Rita understood perfectly. Then she laid one hand upon the
object which she had carried on her head, and which now proved to be a
large lacquered casket covered with Chinese figures and bound by three
hoops of gold. It had a very curious shape.

"Do you command that the chest be opened?" she asked.

"Yes," answered Rita languidly.

Mrs. Sin threw up the lid, and from the interior of the casket which,
because of the glare of the moon light, seemed every moment to assume
a new form, drew out a bronze lamp.

"The sacred lamp," she whispered, and placed it on the sand. "Do you
command that it be lighted?"

Rita inclined her head.

The lamp became lighted; in what manner she did not observe, nor was
she curious to learn. Next from the large casket Mrs. Sin took another
smaller casket and a very long, tapering silver bodkin. The first
casket had perceptibly increased in size. It was certainly much larger
than Rita had supposed; for now out from its shadowy interior Mrs. Sin
began to take pipes--long pipes and short pipes, pipes of gold and
pipes of silver, pipes of ivory and pipes of jade. Some were carved to
represent the heads of demons, some had the bodies of serpents
wreathed about them; others were encrusted with precious gems, and
filled the night with the venomous sheen of emeralds, the blood-rays
of rubies and golden glow of topaz, while the spear-points of diamonds
flashed a challenge to the stars.

"Do you command that the pipes be lighted?" asked the harsh voice.

Rita desired to answer, "No", but heard herself saying, "Yes."

Thereupon, from a thousand bowls, linking that lonely palm to the
remote horizon, a thousand elfin fires arose--blue-tongued and
spirituous. Grey pencilings of smoke stole straightly upward to the
sky, so that look where she would Rita could discern nothing but these
countless thin, faintly wavering, vertical lines of vapor.

The dimensions of the lacquered casket had increased so vastly as to
conceal the kneeling figure of Mrs. Sin, and staring at it
wonderingly, Rita suddenly perceived that it was not an ordinary
casket. She knew at last why its shape had struck her as being
unusual.

It was a Chinese coffin.

The smell of the burning opium was stifling her. Those remorseless
threads of smoke were closing in, twining themselves about her throat.
It was becoming cold, too, and the moonlight was growing dim. The
position of the moon had changed, of course, as the night had stolen
on towards morning, and now it hung dimly before her. The smoke
obscured it.

But was this smoke obscuring the moon? Rita moved her hands for the
first time since she had found herself under the palm tree, weakly
fending off those vaporous tentacles which were seeking to entwine
themselves about her throat. Of course, it was not smoke obscuring the
moon, she decided; it was a lamp, upheld by an ivory figure--a lamp
with a Chinese shade.

A subdued roaring sound became audible; and this was occasioned by the
gas fire, burning behind the Japanese screen on which gaily plumaged
birds sported in the branches of golden palms. Rita raised her hands
to her eyes. Mist obscured her sight. Swiftly, now, reality was
asserting itself and banishing the phantasmagoria conjured up by
chandu.

In her dim, cushioned corner Mollie Gretna lay back against the wall,
her face pale and her weak mouth foolishly agape. Cyrus Kilfane was
indistinguishable from the pile of rugs amid which he sprawled by the
table, and of Sir Lucien Pyne nothing was to be seen but the
outstretched legs and feet which projected grotesquely from a recess.
Seated, oriental fashion, upon an improvised divan near the grand
piano and propped up by a number of garish cushions, Rita beheld Mrs.
Sin. The long bamboo pipe had fallen from her listless fingers. Her
face wore an expression of mystic rapture like that characterizing the
features of some Chinese Buddhas.

Fear, unaccountable but uncontrollable, suddenly seized upon Rita. She
felt weak and dizzy, but she struggled partly upright.

"Lucy!" she whispered.

Her voice was not under control, and once more she strove to call to
Pyne.

"Lucy!" came the hoarse whisper again.

The fire continued its muted roaring, but no other sound answered to
the appeal. A horror of the companionship in which she found herself
thereupon took possession of the girl. She must escape from these
sleepers, whose spirits had been expelled by the potent necromancer,
opium, from these empty tenements whose occupants had fled. The idea
of the cool night air in the open streets was delicious.

She staggered to her feet, swaying drunkenly, but determined to reach
the door. She shuddered, because of a feeling of internal chill which
assailed her, but step by step crept across the room, opened the door,
and tottered out into the hallway. There was no sound in the flat.
Presumably Kilfane's man had retired, or perhaps he, too, was a
devotee.

Rita's fur coat hung upon the rack, and although her fingers appeared
to have lost all their strength and her arm to have become weak as
that of an infant, she succeeded in detaching the coat from the hook.
Not pausing to put it on, she opened the door and stumbled out on to
the darkened landing. Whereas her first impulse had been to awaken
someone, preferably Sir Lucien, now her sole desire was to escape
undetected.

She began to feel less dizzy, and having paused for a moment on the
landing, she succeeded in getting her coat on. Then she closed the
door as quietly as possible, and clutching the handrail began to grope
her way downstairs. There was only one flight, she remembered, and a
short passage leading to the street door. She reached the passage
without mishap, and saw a faint light ahead.

The fastenings gave her some trouble, but finally her efforts were
successful, and she found herself standing in deserted Duke Street.
There was no moon, but the sky was cloudless. She had no idea of the
time, but because of the stillness of the surrounding streets she knew
that it must be very late. She set out for her flat, walking slowly
and wondering what explanation she should offer if a constable
observed her.

Oxford Street showed deserted as far as the eye could reach, and her
light footsteps seemed to awaken a hundred echoes. Having proceeded
for some distance without meeting anyone, she observed--and
experienced a childish alarm--the head-lights of an approaching car.
Instantly the idea of hiding presented itself to her, but so rapidly
did the big automobile speed along the empty thoroughfare that Rita
was just passing a street lamp as the car raced by, and she must
therefore have been clearly visible to the occupants.

Never for a moment glancing aside, Rita pressed on as quickly as she
could. Then her vague alarm became actual terror. She heard the brakes
being applied to the car, and heard the gritty sound of the tires upon
the roadway as the vehicle's headlong progress was suddenly checked.
She had been seen--perhaps recognized, and whoever was in the car
proposed to return to speak to her.

If her strength had allowed she would have run, but now it threatened
to desert her altogether and she tottered weakly. A pattering of
footsteps came from behind. Someone was running back to overtake her.
Recognizing escape to be impossible, Rita turned just as the runner
came up with her.

"Rita!" he cried, rather breathlessly. "Miss Dresden!"

She stood very still, looking at the speaker.

It was Monte Irvin.

CHAPTER XV

METAMORPHOSIS

As Irvin seized her hands and looked at her eagerly, half-fearfully,
Rita achieved sufficient composure to speak.

"Oh, Mr. Irvin," she said, and found that her voice was not entirely
normal, "what must you think--"

He continued to hold her hands, and:

"I think you are very indiscreet to be out alone at three o'clock in
the morning," he answered gently. "I was recalled to London by urgent
business, and returned by road--fortunately, since I have met you."

"How can I explain--"

"I don't ask you to explain--Miss Dresden. I have no right and no
desire to ask. But I wish I had the right to advise you."

"How good you are," she began, "and I--"

Her voice failed her completely, and her sensitive lips began to
tremble. Monte Irvin drew her arm under his own and led her back to
meet the car, which the chauffeur had turned and which was now
approaching.

"I will drive you home," he said, "and if I may call in the morning. I
should like to do so."

Rita nodded. She could not trust herself to speak again. And having
placed her in the car, Monte Irvin sat beside her, reclaiming her hand
and grasping it reassuringly and sympathetically throughout the short
drive. They parted at her door.

"Good night," said Irvin, speaking very deliberately because of an
almost uncontrollable desire which possessed him to take Rita in his
arms, to hold her fast, to protect her from her own pathetic self and
from those influences, dimly perceived about her, but which
intuitively he knew to be evil.

"If I call at eleven will that be too early?"

"No," she whispered. "Please come early. There is a matinee tomorrow."

"You mean today," he corrected. "Poor little girl, how tired you will
be. Good night."

"Good night," she said, almost inaudibly.

She entered, and, having closed the door, stood leaning against it for
several minutes. Bleakness and nausea threatened to overcome her anew,
and she felt that if she essayed another step she must collapse upon
the floor. Her maid was in bed, and had not been awakened by Rita's
entrance. After a time she managed to grope her way to her bedroom,
where, turning up the light, she sank down helplessly upon the bed.

Her mental state was peculiar, and her thoughts revolved about the
journey from Oxford Street homeward. A thousand times she mentally
repeated the journey, speaking the same words over and over again, and
hearing Monte Irvin's replies.

In those few minutes during which they had been together her
sentiments in regard to him had undergone a change. She had always
respected Irvin, but this respect had been curiously compounded of the
personal and the mercenary; his well-ordered establishment at Prince's
Gate had loomed behind the figure of the man forming a pleasing
background to the portrait. Without being showy he was a splendid
"match" for any woman. His wife would have access to good society, and
would enjoy every luxury that wealth could procure. This was the
picture lovingly painted and constantly retouched by Rita's mother.

Now it had vanished. The background was gone, and only the man
remained; the strong, reserved man whose deep voice had spoken so
gently, whose devotion was so true and unselfish that he only sought
to shield and protect her from follies the nature of which he did not
even seek to learn. She was stripped of her vanity, and felt loathsome
and unworthy of such a love.

"Oh," she moaned, rocking to and fro. "I hate myself--I hate myself!"

Now that the victory so long desired seemed at last about to be won,
she hesitated to grasp the prize. One solacing reflection she had. She
would put the errors of the past behind her. Many times of late she
had found herself longing to be done with the feverish life of the
stage. Envied by those who had been her companions in the old chorus
days, and any one of whom would have counted ambition crowned could
she have played The Maid of the Masque, Rita thought otherwise. The
ducal mansions and rose-bowered Riviera hotels through which she moved
nightly had no charm for her; she sighed for reality, and had wearied
long ago of the canvas palaces and the artificial Southern moonlight.
In fact, stage life had never truly appealed to her--save as a means
to an end.

Again and yet again her weary brain reviewed the episodes of the night
since she had left Cyrus Kilfane's flat, so that nearly an hour had
elapsed before she felt capable of the operation of undressing.
Finally, however, she undressed, shuddering although the room was
warmed by an electric radiator. The weakness and sickness had left
her, but she was quite wide awake, although her brain demanded rest
from that incessant review of the events of the evening.

She put on a warm wrap and seated herself at the dressing-table,
studying her face critically. She saw that she was somewhat pale and
that she had an indefinable air of dishevelment. Also she detected
shadows beneath her eyes, the pupils of which were curiously
contracted. Automatically, as a result of habit, she unlocked her
jewel-case and took out a tiny phial containing minute cachets. She
shook several out on to the palm of her hand, and then paused, staring
at her reflection in the mirror.

For fully half a minute she hesitated, then:

"I shall never close my eyes all night if I don't!" she whispered, as
if in reply to a spoken protest, "and I should be a wreck in the
morning."

Thus, in the very apogee of her resolve to reform, did she drive one
more rivet into the manacles which held her captive to Kazmah and
Company.

Upon a little spirit-stove stood a covered vessel containing milk,
which was placed there nightly by Rita's maid. She lighted the burner
and warmed the milk. Then, swallowing three of the cachets from the
phial, she drank the milk. Each cachet contained three decigrams of
malourea, the insidious drug notorious under its trade name of
Veronal.

She slept deeply, and was not awakened until ten o'clock. Her
breakfast consisted of a cup of strong coffee; but when Monte Irvin
arrived at eleven Rita exhibited no sign of nerve exhaustion. She
looked bright and charming, and Irvin's heart leapt hotly in his
breast at sight of her.

Following some desultory and unnatural conversation:

"May I speak quite frankly to you?" he said, drawing his chair nearer
to the settee upon which Rita was seated.

She glanced at him swiftly. "Of course," she replied. "Is it--about my
late hours?"

He shook his head, smiling rather sadly.

"That is only one phase of your rather feverish life, little girl," he
said. "I don't mean that I want to lecture you or reproach you. I only
want to ask you if you are satisfied?"

"Satisfied?" echoed Rita, twirling a tassel that hung from a cushion
beside her.

"Yes. You have achieved success in your profession." He strove in vain
to banish bitterness from his voice. "You are a 'star,' and your
photograph is to be seen frequently in the smartest illustrated
papers. You are clever and beautiful and have hosts of admirers. But--
are you satisfied?"

She stared absently at the silk tassel, twirling it about her white
fingers more and more rapidly. Then:

"No," she answered softly.

Monte Irvin hesitated for a moment ere bending forward and grasping
her hands.

"I am glad you are not satisfied," he whispered. "I always knew you
had a soul for something higher--better."

She avoided his ardent gaze, but he moved to the settee beside her and
looked into the bewitching face.

"Would it be a great sacrifice to give it all up?" he whispered in a
yet lower tone.

Rita shook her head, persistently staring at the tassel.

"For me?"

She gave him a swift, half-frightened glance, pressing her hands
against his breast and leaning, back.

"Oh, you don't know me--you don't know me!" she said, the good that
was in her touched to life by the man's sincerity. "I--don't deserve
it."

"Rita!" he murmured. "I won't hear you say that!"

"You know nothing about my friends--about my life--"

"I know that I want you for my wife, so that I can protect you from
those 'friends.'" He took her in his arms, and she surrendered her
lips to him.

"My sweet little girl," he whispered. "I cannot believe it--yet."

But the die was cast, and when Rita went to the theatre to dress for
the afternoon performance she was pledged to sever her connection with
the stage on the termination of her contract. She had luncheon with
Monte Irvin, and had listened almost dazedly to his plans for the
future. His wealth was even greater than her mother had estimated it
to be, and Rita's most cherished dreams were dwarfed by the prospects
which Monte Irvin opened up before her. It almost seemed as though he
knew and shared her dearest ambitions. She was to winter beneath real
Southern palms and to possess a cruising yacht, not one of boards and
canvas like that which figured in The Maid of the Masque.

Real Southern palms, she mused guiltily, not those conjured up by
opium. That he was solicitous for her health the nature of his schemes
revealed. They were to visit Switzerland, and proceed thence to a
villa which he owned in Italy. Christmas they would spend in Cairo,
explore the Nile to Assouan in a private dahabiyeh, and return home
via the Riviera in time to greet the English spring. Rita's delicate,
swiftly changing color, her almost ethereal figure, her intense
nervous energy he ascribed to a delicate constitution.

She wondered if she would ever dare to tell him the truth; if she
ought to tell him.

Pyne came to her dressing-room just before the performance began. He
had telephoned at an early hour in the morning, and had learned from
her maid that Rita had come home safely and was asleep. Rita had
expected him; but the influence of Monte Irvin, from whom she had
parted at the stage-door, had prevailed until she actually heard Sir
Lucien's voice in the corridor. She had resolutely refrained from
looking at the little jewelled casket, engraved "From Lucy to Rita,"
which lay in her make-up box upon the table. But the imminence of an
ordeal which she dreaded intensely weakened her resolution. She
swiftly dipped a little nail-file into the white powder which the box
contained, and when Pyne came in she turned to him composedly.

"I am so sorry if I gave you a scare last night Lucy," she said. "But
I woke up feeling sick, and I had to go out into the fresh air."

"I was certainly alarmed," drawled Pyne, whose swarthy face looked
more than usually worn in the hard light created by the competition
between the dressing-room lamps and the grey wintry daylight which
crept through the windows. "Do you feel quite fit again?"

"Quite, thanks." Rita glanced at a ring which she had not possessed
three hours before. "Oh, Lucy--I don't know how to tell you--"

She turned in her chair, looking up wistfully at Pyne, who was
standing behind her. His jaw hardened, and his glance sought the white
hand upon which the costly gems glittered. He coughed nervously.

"Perhaps"--his drawling manner of speech temporarily deserted him; he
spoke jerkily--"perhaps--I can guess."

She watched him in a pathetic way, and there was a threat of tears in
her beautiful eyes; for whatever his earlier intentions may have been,
Sir Lucien had proved a staunch friend and, according to his own
peculiar code, an honorable lover.

"Is it--Irvin?" he asked jerkily.

Rita nodded, and a tear glistened upon her darkened lashes.

Sir Lucien cleared his throat again, then coolly extended his hand,
once more master of his emotions.

"Congratulations, Rita," he said. "The better man wins. I hope you
will be very happy."

He turned and walked quietly out of the dressing-room.

CHAPTER XVI

LIMEHOUSE

It was on the following Tuesday evening that Mrs. Sin came to the
theatre, accompanied by Mollie Gretna. Rita instructed that she should
be shown up to the dressing-room. The personality of this singular
woman interested her keenly. Mrs. Sin was well known in certain
Bohemian quarters, but was always spoken of as one speaks of a pet
vice. Not to know Mrs. Sin was to be outside the magic circle which
embraced the exclusively smart people who practiced the latest
absurdities.

The so-called artistic temperament is compounded of great strength and
great weakness; its virtues are whiter than those of ordinary people
and its vices blacker. For such a personality Mrs. Sin embodied the
idea of secret pleasure. Her bold good looks repelled Rita, but the
knowledge in her dark eyes was alluring.

"I arrange for you for Saturday night," she said. "Cy Kilfane is
coming with Mollie, and you bring--"

"Oh," replied Rita hesitatingly, "I am sorry you have gone to so much
trouble."

"No trouble, my dear," Mrs. Sin assured her. "Just a little matter of
business, and you can pay the bill when it suits you."

"I am frightfully excited!" cried Mollie Gretna. "It is so nice of you
to have asked me to join your party. Of course Cy goes practically
every week, but I have always wanted another girl to go with. Oh, I
shall be in a perfectly delicious panic when I find myself all among
funny Chinamen and things! I think there is something so magnificently
wicked-looking about a pigtail--and the very name of Limehouse thrills
me to the soul!"

That fixity of purpose which had enabled Rita to avoid the cunning
snares set for her feet and to snatch triumph from the very cauldron
of shame without burning her fingers availed her not at all in dealing
with Mrs. Sin. The image of Monte receded before this appeal to the
secret pleasure-loving woman, of insatiable curiosity, primitive and
unmoral, who dwells, according to a modern cynic philosopher, within
every daughter of Eve touched by the fire of genius.

She accepted the arrangement for Saturday, and before her visitors had
left the dressing-room her mind was busy with plausible deceits to
cover the sojourn in Chinatown. Something of Mollie Gretna's foolish
enthusiasm had communicated itself to Rita.

Later in the evening Sir Lucien called, and on hearing of the scheme
grew silent. Rita glancing at his reflection in the mirror, detected a
black and angry look upon his face. She turned to him.

"Why, Lucy," she said, "don't you want me to go?"

He smiled in his sardonic fashion.

"Your wishes are mine, Rita," he replied.

She was watching him closely.

"But you don't seem keen," she persisted. "Are you angry with me?"

"Angry?"

"We are still friends, aren't we?"

"Of course. Do you doubt my friendship?"

Rita's maid came in to assist her in changing for the third act, and
Pyne went out of the room. But, in spite of his assurances, Rita could
not forget that fierce, almost savage expression which had appeared
upon his face when she had told him of Mrs. Sin's visit.

Later she taxed him on the point, but he suffered her inquiry with
imperturbable sangfroid, and she found herself no wiser respecting the
cause of his annoyance. Painful twinges of conscience came during the
ensuing days, when she found herself in her fiance's company, but she
never once seriously contemplated dropping the acquaintance of Mrs.
Sin.

She thought, vaguely, as she had many times thought before, of cutting
adrift from the entire clique, but there was no return of that sincere
emotional desire to reform which she had experienced on the day that
Monte Irvin had taken her hand, in blind trust, and had asked her to
be his wife. Had she analyzed, or been capable of analyzing, her
intentions with regard to the future, she would have learned that
daily they inclined more and more towards compromise. The drug habit
was sapping will and weakening morale, insidiously, imperceptibly. She
was caught in a current of that "sacred river" seen in an opium-trance
by Coleridge, and which ran--

    "Through caverns measureless to man Down to a sunless sea."

Pyne's big car was at the stage-door on the fateful Saturday night,
for Rita had brought her dressing-case to the theatre, and having
called for Kilfane and Mollie Gretna they were to proceed direct to
Limehouse.

Rita, as she entered the car, noticed that Juan Mareno, Sir Lucien's
man, and not the chauffeur with whom she was acquainted, sat at the
wheel. As they drove off:

"Why is Mareno driving tonight, Lucy?" she asked.

Sir Lucien glanced aside at her.

"He is in my confidence," he replied. "Fraser is not."

"Oh, I see. You don't want Fraser to know about the Limehouse
journey?"

"Naturally I don't. He would talk to all the men at the garage, and
from South Audleystreet the tit-bit of scandal would percolate through
every stratum of society."

Rita was silent for a few moments, then:

"Were you thinking about Monte?" she asked diffidently.

Pyne laughed.

"He would scarcely approve, would he?"

"No," replied Rita. "Was that why you were angry when I told you I was
going?"

"This 'anger,' to which you constantly revert, had no existence
outside your own imagination, Rita. But" he hesitated--"you will have
to consider your position, dear, now that you are the future Mrs.
Monte." Rita felt her cheeks flush, and she did not reply immediately.

"I don't understand you, Lucy," she declared at last. "How odd you
are."

"Am I? Well, never mind. We will talk about my eccentricity later.
Here is Cyrus."

Kilfane was standing in the entrance to the stage door of the theatre
at which he was playing. As the car drew up he lifted two leather
grips on to the step, and Mareno, descending, took charge of them.

"Come along, Mollie," said Kilfane, looking back.

Miss Gretna, very excited, ran out and got into the car beside Rita.
Pyne lowered two of the collapsible seats for Kilfane and himself, and
the party set out for Limehouse.

"Oh!" cried the fair-haired Mollie, grasping Rita's hand, "my heart
began palpitating with excitement the moment I woke up this morning!
How calm you are, dear."

"I am only calm outside," laughed Rita.

The joie de vivre and apparently unimpaired vitality, of this woman,
for whom (if half that which rumor whispered were true) vice had no
secrets, astonished Rita. Her physical resources were unusual, no
doubt, because the demand made upon them by her mental activities was
slight.

As the car sped along the Strand, where theatre-goers might still be
seen making for tube, omnibus, and tramcar, and entered Fleet Street,
where the car and taxicab traffic was less, a mutual silence fell upon
the party. Two at least of the travellers were watching the lighted
windows of the great newspaper offices with a vague sense of
foreboding, and thinking how, bound upon a secret purpose, they were
passing along the avenue of publicity. It is well that man lacks
prescience. Neither Rita nor Sir Lucien could divine that a day was
shortly to come when the hidden presses which throbbed about them that
night should be busy with the story of the murder of one and
disappearance of the other.

Around St. Paul's Churchyard whirled the car, its engine running
strongly and almost noiselessly. The great bell of St. Paul's boomed
out the half-hour.

"Oh!" cried Mollie Gretna, "how that made me jump! What a beautifully
gloomy sound!"

Kilfane murmured some inaudible reply, but neither Pyne nor Rita
spoke.

Cornhill and Leadenhall Street, along which presently their route lay,
offered a prospect of lamp-lighted emptiness, but at Aldgate they
found themselves amid East End throngs which afforded a marked
contrast to those crowding theatreland; and from thence through
Whitechapel and the seemingly endless Commercial Road it was a
different world into which they had penetrated.

Rita hitherto had never seen the East End on a Saturday night, and the
spectacle afforded by these busy marts, lighted by naphtha flames, in
whose smoky glare Jews and Jewesses, Poles, Swedes, Easterns, dagoes,
and halfcastes moved feverishly, was a fascinating one. She thought
how utterly alien they were, the men and women of a world unknown to
that society upon whose borders she dwelled; she wondered how they
lived, where they lived, why they lived. The wet pavements were
crowded with nondescript humanity, the night was filled with the
unmusical voices of Hebrew hucksters, and the air laden with the smoky
odor of their lamps. Tramcars and motorbuses were packed unwholesomely
with these children of shadowland drawn together from the seven seas
by the magnet of London.

She glanced at Pyne, but he was seemingly lost in abstraction, and
Kilfane appeared to be asleep. Mollie Gretna was staring eagerly out
on the opposite side of the car at a group of three dago sailors, whom
Mareno had nearly run down, but she turned at that moment and caught
Rita's glance.

"Don't you simply love it!" she cried. "Some of those men were really
handsome, dear. If they would only wash I am sure I could adore them!"

"Even such charms as yours can be bought at too high a price,"'
drawled Sir Lucien. "They would gladly do murder for you, but never
wash."

Crossing Limehouse Canal, the car swung to the right into West India
Dock Road. The uproar of the commercial thoroughfare was left far
behind. Dark, narrow streets and sinister-looking alleys lay right and
left of them, and into one of the narrowest and least inviting of all
Mareno turned the car.

In the dimly-lighted doorway of a corner house the figure of a
Chinaman showed as a motionless silhouette.

"Oh!" sighed Mollie Gretna rapturously, "a Chinaman! I begin to feel
deliciously sinful!"

The car came to a standstill.

"We get out here and walk," said Sir Lucien. "It would not be wise to
drive further. Mareno will deliver our baggage by hand presently."

"But we shall all be murdered," cried Mollie, "murdered in cold blood!
I am dreadfully frightened!"

"Something of the kind is quite likely," drawled Sir Lucien, "if you
draw attention to our presence in the neighborhood so deliberately.
Walk ahead, Kilfane, with Mollie. Rita and I will follow at a discreet
distance. Leave the door ajar."

Temporarily subdued by Pyne's icy manner, Miss Gretna became silent,
and went on ahead with Cyrus Kilfane, who had preserved an almost
unbroken silence throughout the journey. Rita and Sir Lucien followed
slowly.

"What a creepy neighborhood," whispered Rita. "Look! Someone is
standing in that doorway over there, watching us."

"Take no notice," he replied. "A cat could not pass along this street
unobserved by the Chinese, but they will not interfere with us
provided we do not interfere with them."

Kilfane had turned to the right into a narrow court, at the entrance
to which stood an iron pillar. As he and his companion passed under
the lamp in a rusty bracket which projected from the wall, they
vanished into a place of shadows. There was a ceaseless chorus of
distant machinery, and above it rose the grinding and rattling solo of
a steam winch. Once a siren hooted apparently quite near them, and
looking upward at a tangled, indeterminable mass which overhung the
street at this point, Rita suddenly recognized it for a ship's
bow-sprit.

"Why," she said, "we are right on the bank of the river!"

"Not quite," answered Pyne. "We are skirting a dock basin. We are
nearly at our destination."

Passing in turn under the lamp, they entered the narrow court, and
from a doorway immediately on the left a faint light shone out upon
the wet pavement. Pyne pushed the door fully open and held it for Rita
to enter. As she did so:

"Hello! hello!" croaked a harsh voice. "Number one p'lice chop, lo!
Sin Sin Wa!"

The uncanny cracked voice proceeded to give an excellent imitation of
a police whistle, and concluded with that of the clicking of
castanets.

"Shut the door, Lucy," came the murmurous tones of Kilfane from the
gloom of the stuffy little room, in the centre of which stood a stove
wherefrom had proceeded the dim light shining out upon the pavement.
"Light up, Sin Sin."

"Sin Sin Wa! Sin Sin Wa!" shrieked the voice, and again came the
rattling of imaginary castanets. "Smartest leg in Buenos Ayres--Buenos
Ayres--p'lice chop--p'lice chop, lo!"

"Oh," whispered Mollie Gretna, in the darkness, "I believe I am going
to scream!"

Pyne closed the door, and a dimly discernible figure on the opposite
side of the room stooped and opened a little cupboard in which was a
lighted ship's lantern. The lantern being lifted out and set upon a
rough table near the stove, it became possible to view the apartment
and its occupants.

It was a small, low-ceiled place, having two doors, one opening upon
the street and the other upon a narrow, uncarpeted passage. The window
was boarded up. The ceiling had once been whitewashed and a few limp,
dark fragments of paper still adhering to the walls proved that some
forgotten decorator had exercised his art upon them in the past. A
piece of well-worn matting lay upon the floor, and there were two
chairs, a table, and a number of empty tea-chests in the room.

Upon one of the tea-chests placed beside the cupboard which had
contained the lantern a Chinaman was seated. His skin was of so light
a yellow color as to approximate to dirty white, and his face was
pock-marked from neck to crown. He wore long, snake-like moustaches,
which hung down below his chin. They grew from the extreme outer edges
of his upper lip, the centre of which, usually the most hirsute, was
hairless as the lip of an infant. He possessed the longest and
thickest pigtail which could possibly grow upon a human scalp, and his
left eye was permanently closed, so that a smile which adorned his
extraordinary countenance seemed to lack the sympathy of his surviving
eye, which, oblique, beady, held no mirth in its glittering depths.

The garments of the one-eyed Chinaman, who sat complacently smiling at
the visitors, consisted of a loose blouse, blue trousers tucked into
grey socks, and a pair of those native, thick-soled slippers which
suggest to a Western critic the acme of discomfort. A raven, black as
a bird of ebony, perched upon the Chinaman's shoulder, head a-tilt,
surveying the newcomers with a beady, glittering left eye which
strangely resembled the beady, glittering right eye of the Chinaman.
For, singular, uncanny circumstance, this was a one-eyed raven which
sat upon the shoulder of his one-eyed master!

Mollie Gretna uttered a stifled cry. "Oh!" she whispered. "I knew I
was going to scream!"

The eye of Sin Sin Wa turned momentarily in her direction, but
otherwise he did not stir a muscle.

"Are you ready for us, Sin?" asked Sir Lucien.

"All ready. Lola hate gotchee topside loom ready," replied the
Chinaman in a soft, crooning voice.

"Go ahead, Kilfane," directed Sir Lucien.

He glanced at Rita, who was standing very near him, surveying the evil
little room and its owner with ill-concealed disgust.

"This is merely the foyer, Rita," he said, smiling slightly. "The
state apartments are upstairs and in the adjoining house."

"Oh," she murmured--and no more.

Kilfane and Mollie Gretna were passing through the inner doorway, and
Mollie turned.

"Isn't it loathsomely delightful?" she cried.

"Smartest leg in Buenos Ayres!" shrieked the raven. "Sin Sin, Sin
Sin!"

Uttering a frightened exclamation, Mollie disappeared along the
passage. Sir Lucien indicated to Rita that she was to follow; and he,
passing through last of the party, closed the door behind him.

Sin Sin Wa never moved, and the raven, settling down upon the
Chinaman's shoulder, closed his serviceable eye.

CHAPTER XVII

THE BLACK SMOKE

Up an uncarpeted stair Cyrus Kilfane led the party, and into a kind of
lumber-room lighted by a tin oil lamp and filled to overflowing with
heterogeneous and unsavory rubbish. Here were garments, male and
female, no less than five dilapidated bowler hats, more tea-chests,
broken lamps, tattered fragments of cocoanut-matting, steel bed-laths
and straw mattresses, ruins of chairs--the whole diffusing an
indescribably unpleasant odor.

Opening a cupboard door, Kilfane revealed a number of pendent, ragged
garments, and two more bowler hats. Holding the garments aside, he
banged upon the back of the cupboard--three blows, a pause, and then
two blows.

Following a brief interval, during which even Mollie Gretna was held
silent by the strangeness of the proceedings,

"Who is it?" inquired a muffled voice.

"Cy and the crowd," answered Kilfane.

Thereupon ensued a grating noise, and hats and garments swung suddenly
backward, revealing a doorway in which Mrs. Sin stood framed. She wore
a Japanese kimona of embroidered green silk and a pair of green and
gold brocaded slippers which possessed higher heels than Rita
remembered to have seen even Mrs. Sin mounted upon before. Her ankles
were bare, and it was impossible to determine in what manner she was
clad beneath the kimona. Undoubtedly she had a certain dark beauty, of
a bold, abandoned type.

"Come right in," she directed. "Mind your head, Lucy."

The quartette filed through into a carpeted corridor, and Mrs. Sin
reclosed the false back of the cupboard, which, viewed from the other
side, proved to be a door fitted into a recess in the corridor of the
adjoining house. This recess ceased to exist when a second and heavier
door was closed upon the first.

"You know," murmured Kilfane, "old Sin Sin has his uses, Lola. Those
doors are perfectly made."

"Pooh!" scoffed the woman, with a flash of her dark eyes; "he is half
a ship's carpenter and half an ape!"

She moved along the passage, her arm linked in that of Sir Lucien. The
others followed, and:

"Is she truly married to that dreadful Chinaman?" whispered Mollie
Gretna.

"Yes, I believe so," murmured Kilfane. "She is known as Mrs. Sin Sin
Wa."

"Oh!" Mollie's eyes opened widely. "I almost envy her! I have read
that Chinamen tie their wives to beams in the roof and lash them with
leather thongs until they swoon. I could die for a man who lashed me
with leather thongs. Englishmen are so ridiculously gentle to women."

Opening a door on the left of the corridor, Mrs. Sin displayed a room
screened off into three sections. One shaded lamp high up near the
ceiling served to light all the cubicles, which were heated by small
charcoal stoves. These cubicles were identical in shape and
appointment, each being draped with quaint Chinese tapestry and
containing rugs, a silken divan, an armchair, and a low, Eastern
table.

"Choose for yourself," said Mrs. Sin, turning to Rita and Mollie
Gretna. "Nobody else come tonight. You two in this room, eh? Next door
each other for company."

She withdrew, leaving the two girls together. Mollie clasped her hands
ecstatically.

"Oh, my dear!" she said. "What do you think of it all?"

"Well," confessed Rita, looking about her, "personally I feel rather
nervous."

"My dear!" cried Mollie. "I am simply quivering with delicious
terror!"

Rita became silent again, looking about her, and listening. The harsh
voice of the Cuban-Jewess could be heard from a neighboring room, but
otherwise a perfect stillness reigned in the house of Sin Sin Wa. She
remembered that Mrs. Sin had said, "It is quiet--so quiet."

"The idea of undressing and reclining on these divans in real oriental
fashion," declared Mollie, giggling, "makes me feel that I am an
odalisque already. I have dreamed that I was an odalisque, dear--after
smoking, you know. It was heavenly. At least, I don't know that
'heavenly' is quite the right word."

And now that evil spirit of abandonment came to Rita--communicated to
her, possibly, by her companion. Dread, together with a certain sense
of moral reluctance, departed, and she began to enjoy the adventure at
last. It was as though something in the faintly perfumed atmosphere of
the place had entered into her blood, driving out reserve and stifling
conscience.

When Sir Lucien reappeared she ran to him excitedly, her charming face
flushed and her eyes sparkling.

"Oh, Lucy," she cried, "how long will our things be? I'm keen to
smoke!"

His jaw hardened, and when he spoke it was with a drawl more marked
than usual.

"Mareno will be here almost immediately," he answered.

The tone constituted a rebuff, and Rita's coquetry deserted her,
leaving her mortified and piqued. She stared at Pyne, biting her lip.

"You don't like me tonight," she declared. "if I look ugly, it's your
fault; you told me to wear this horrid old costume!"

He laughed in a forced, unnatural way.

"You are quite well aware that you could never look otherwise than
maddeningly beautiful," he said harshly. "Do you want me to recall the
fact to you again that you are shortly to be Monte Irvin's wife--or
should you prefer me to remind you that you have declined to be mine?"

Turning slowly, he walked away, but:

"Oh, Lucy!" whispered Rita.

He paused, looking back.

"I know now why you didn't want me to come," she said. "I--I'm sorry."

The hard look left Sir Lucien's face immediately and was replaced by a
curious, indefinable expression, an expression which rarely appeared
there.

"You only know half the reason," he replied softly.

At that moment Mrs. Sin came in, followed by Mareno carrying two
dressing-cases. Mollie Gretna had run off to Kilfane, and could be
heard talking loudly in another room; but, called by Mrs. Sin, she now
returned, wide-eyed with excitement.

Mrs. Sin cast a lightning glance at Sir Lucien, and then addressed
Rita.

"Which of these three rooms you choose?" she asked, revealing her
teeth in one of those rapid smiles which were mirthless as the eternal
smile of Sin Sin Wa.

"Oh," said Rita hurriedly, "I don't know. Which do you want, Mollie?"

"I love this end one!" cried Mollie. "It has cushions which simply
reek of oriental voluptuousness and cruelty. It reminds me of a
delicious book I have been reading called Musk, Hashish, and Blood."

"Hashish!" said Mrs. Sin, and laughed harshly. "One night you shall
eat the hashish, and then--"

She snapped her fingers, glancing from Rita to Pyne.

"Oh, really? Is that a promise?" asked Mollie eagerly.

"No, no!" answered Mrs. Sin. "It is a threat!"

Something in the tone of her voice as she uttered the last four words
in mock dramatic fashion caused Mollie and Rita to stare at one
another questioningly. That suddenly altered tone had awakened an
elusive memory, but neither of them could succeed in identifying it.

Mareno, a lean, swarthy fellow, his foreign cast of countenance
accentuated by close-cut side-whiskers, deposited Miss Gretna's case
in the cubicle which she had selected and, Rita pointing to that
adjoining it, he disposed the second case beside the divan and
departed silently. As the sound of a closing door reached them:

"You notice how quiet it is?" asked Mrs. Sin.

"Yes," replied Rita. "It is extraordinarily quiet."

"This an empty house--'To let,'" explained Mrs. Sin. "We watch it stay
so. Sin the landlord, see? Windows all boarded up and everything
padded. No sound outside, no sound inside. Sin call it the 'House of a
Hundred Raptures,' after the one he have in Buenos Ayres."

The voice of Cyrus Kilfane came, querulous, from a neighboring room.

"Lola, my dear, I am almost ready."

"Ho!" Mrs. Sin uttered a deep-toned laugh. "He is a glutton for
chandu! I am coming, Cy."

She turned and went out. Sir Lucien paused for a moment, permitting
her to pass, and:

"Good night, Rita," he said in a low voice. "Happy dreams!"

He moved away.

"Lucy!" called Rita softly.

"Yes?"

"Is it--is it really safe here?"

Pyne glanced over his shoulder towards the retreating figure of Mrs.
Sin, then:

"I shall be awake," he replied. "I would rather you had not come, but
since you are here you must go through with it." He glanced again
along the narrow passage created by the presence of the partitions,
and spoke in a voice lower yet. "You have never really trusted me,
Rita. You were wise. But you can trust me now. Good night, dear."

He walked out of the room and along the carpeted corridor to a little
apartment at the back of the house, furnished comfortably but in
execrably bad taste. A cheerful fire was burning in the grate, the
flue of which had been ingeniously diverted by Sin Sin Wa so that the
smoke issued from a chimney of the adjoining premises. On the
mantelshelf, which was garishly draped, were a number of photographs
of Mrs. Sin in Spanish dancing costume.

Pyne seated himself in an armchair and lighted a cigarette. Except for
the ticking of a clock the room was silent as a padded cell. Upon a
little Moorish table beside a deep, low settee lay a complete opium-
smoking outfit.

Lolling back in the chair and crossing his legs, Sir Lucien became
lost in abstraction, and he was thus seated when, some ten minutes
later, Mrs. Sin came in.

"Ah!" she said, her harsh voice softened to a whisper. "I wondered. So
you wait to smoke with me?" Pyne slowly turned his head, staring at
her as she stood in the doorway, one hand resting on her hip and her
shapely figure boldly outlined by the kimono.

"No," he replied. "I don't want to smoke. Are they all provided for?"

Mrs. Sin shook her head.

"Not Cy," she said. "Two pipes are nothing to him. He will need two
more--perhaps three. But you are not going to smoke?"

"Not tonight, Lola."

She frowned, and was about to speak, when:

"Lola, my dear," came a distant, querulous murmur. "Give me another
pipe."

Sin tossed her head, turned, and went out again. Sir Lucien lighted
another cigarette. When finally the woman came back, Cyrus Kilfane had
presumably attained the opium-smoker's paradise, for Lola closed the
door and seated herself upon the arm of Sir Lucien's chair. She bent
down, resting her dusky cheek against his.

"You smoke with me?" she whispered coaxingly.

"No, Lola, not tonight," he said, patting her jewel-laden hand and
looking aside into the dark eyes which were watching him intently.

Mrs. Sin became silent for a few moments.

"Something has changed in you," she said at last. "You are different--
lately."

"Indeed!" drawled Sir Lucien. "Possibly you are right. Others have
said the same thing."

"You have lots of money now. Your investments have been good. You want
to become respectable, eh?"

Pyne smiled sardonically.

"Respectability is a question of appearance," he replied. "The change
to which you refer would seem to go deeper."

"Very likely," murmured Mrs. Sin. "I know why you don't smoke. You
have promised your pretty little friend that you will stay awake and
see that nobody tries to cut her sweet white throat."

Sir Lucien listened imperturbably.

"She is certainly nervous," he admitted coolly. "I may add that I am
sorry I brought her here."

"Oh," said Mrs. Sin, her voice rising half a note. "Then why do you
bring her to the House?"

"She made the arrangement herself, and I took the easier path. I am
considering your interests as much as my own, Lola. She is about to
marry Monte Irvin, and if his suspicions were aroused he is quite
capable of digging down to the 'Hundred Raptures.'"

"You brought her to Kazmah's."

"She was not at that time engaged to Irvin."

"Ah, I see. And now everybody says you are changed. Yes, she is a
charming friend."

Pyne looked up into the half-veiled dark eyes.

"She never has been and never can be any more to me, Lola," he said.

At those words, designed to placate, the fire which smouldered in
Lola's breast burst into sudden flame. She leapt to her feet,
confronting Sir Lucien.

"I know! I know!" she cried harshly. "Do you think I am blind? If she
had been like any of the others, do you suppose it would have mattered
to me? But you respect her--you respect her!"

Eyes blazing and hands clenched, she stood before him, a woman mad
with jealousy, not of a successful rival but of a respected one. She
quivered with passion, and Pyne, perceiving his mistake too late, only
preserved his wonted composure by dint of a great effort. He grasped
Lola and drew her down on to the arm of the chair by sheer force, for
she resisted savagely. His ready wit had been at work, and:

"What a little spitfire you are," he said, firmly grasping her arms,
which felt rigid to the touch. "Surely you can understand? Rita amused
me, at first. Then, when I found she was going to marry Monte Irvin I
didn't bother about her any more. In fact, because I like and admire
Irvin, I tried to keep her away from the dope. We don't want trouble
with a man of that type, who has all sorts of influence. Besides,
Monte Irvin is a good fellow."

Gradually, as he spoke, the rigid arms relaxed and the lithe body
ceased to quiver. Finally, Lola sank back against his shoulder,
sighing.

"I don't believe you," she whispered. "You are telling me lies. But
you have always told me lies; one more does not matter, I suppose. How
strong you are. You have hurt my wrists. You will smoke with me now?"

For a moment Pyne hesitated, then:

"Very well," he said. "Go and lie down. I will roast the chandu."

CHAPTER XVIII

THE DREAM OF SIN SIN WA

For a habitual opium-smoker to abstain when the fumes of chandu
actually reach his nostrils is a feat of will-power difficult
adequately to appraise. An ordinary tobacco smoker cannot remain for
long among those who are enjoying the fragrant weed without catching
the infection and beginning to smoke also. Twice to redouble the lure
of my lady Nicotine would be but loosely to estimate the seductiveness
of the Spirit of the Poppy; yet Sir Lucien Pyne smoked one pipe with
Mrs. Sin, and perceiving her to be already in a state of dreamy
abstraction, loaded a second, but in his own case with a fragment of
cigarette stump which smouldered in a tray upon the table. His was
that rare type of character whose possessor remains master of his
vices.

Following the fourth pipe--Pyne, after the second, had ceased to
trouble to repeat his feat of legerdemain, "The sleep" claimed Mrs.
Sin. Her languorous eyes closed, and her face assumed that rapt
expression of Buddha-like beatitude which Rita had observed at
Kilfane's flat. According to some scientific works on the subject,
sleep is not invariably induced in the case of Europeans by the use of
chandu. Loosely, this is true. But this type of European never becomes
an habitue; the habitue always sleeps. That dream-world to which opium
alone holds the key becomes the real world "for the delights of which
the smoker gladly resigns all mundane interests." The exiled Chinaman
returns again to the sampan of his boyhood, floating joyously on the
waters of some willow-lined canal; the Malay hears once more the
mystic whispering in the mangrove swamps, or scents the fragrance of
nutmeg and cinnamon in the far-off golden Chersonese. Mrs. Sin
doubtless lived anew the triumphs of earlier days in Buenos Ayres,
when she had been La Belle Lola, the greatly beloved, and before she
had met and married Sin Sin Wa. Gives much, but claims all, and he who
would open the poppy-gates must close the door of ambition and bid
farewell to manhood.

Sir Lucien stood looking at the woman, and although one pipe had
affected him but slightly, his imagination momentarily ran riot and a
pageant of his life swept before him, so that his jaw grew hard and
grim and he clenched his hands convulsively. An unbroken stillness
prevailed in the opium-house of Sin Sin Wa.

Recovering from his fit of abstraction, Pyne, casting a final keen
glance at the sleeper, walked out of the room. He looked along the
carpeted corridor in the direction of the cubicles, paused, and then
opened the heavy door masking the recess behind the cupboard. Next
opening the false back of the cupboard, he passed through to the
lumber-room beyond, and partly closed the second door.

He descended the stair and went along the passage; but ere he reached
the door of the room on the ground floor:

"Hello! hello! Sin Sin! Sin Sin Wa!" croaked the raven. "Number one
p'lice chop, lo!" The note of a police whistle followed, rendered with
uncanny fidelity.

Pyne entered the room. It presented the same aspect as when he had
left it. The ship's lantern stood upon the table, and Sin Sin Wa sat
upon the tea-chest, the great black bird perched on his shoulder. The
fire in the stove had burned lower, and its downcast glow revealed
less mercilessly the dirty condition of the floor. Otherwise no one,
nothing, seemed to have been disturbed. Pyne leaned against the
doorpost, taking out and lighting a cigarette. The eye of Sin Sin Wa
glanced sideways at him.

"Well, Sin Sin," said Sir Lucien, dropping a match and extinguishing
it under his foot, "you see I am not smoking tonight."

"No smokee," murmured the Chinaman. "Velly good stuff."

"Yes, the stuff is all right, Sin."

"Number one proper," crooned Sin Sin Wa, and relapsed into smiling
silence.

"Number one p'lice," croaked the raven sleepily "Smartest--" He even
attempted the castanets imitation, but was overcome by drowsiness.

For a while Sir Lucien stood watching the singular pair and smiling in
his ironical fashion. The motive which had prompted him to leave the
neighboring house and to seek the companionship of Sin Sin Wa was so
obscure and belonged so peculiarly to the superdelicacies of chivalry,
that already he was laughing at himself. But, nevertheless, in this
house and not in its secret annex of a Hundred Raptures he designed to
spend the night. Presently:

"Hon'lable p'lice patrol come 'long plenty soon," murmured Sin Sin Wa.

"Indeed?" said Sir Lucien, glancing at his wristwatch. "The door is
open above."

Sin Sin Wa raised one yellow forefinger, without moving either hand
from the knee upon which it rested, and shook it slightly to and fro.

"Allee lightee," he murmured. "No bhobbery. Allee peaceful fellers."

"Will they want to come in?"

"Wantchee dlink," replied Sin Sin Wa.

"Oh, I see. If I go out into the passage it will be all right?"

"Allee lightee."

Even as he softly crooned the words came a heavy squelch of rubbers
upon the wet pavement outside, followed by a rapping on the door. Sin
Sin Wa glanced aside at Sir Lucien, and the latter immediately
withdrew, partly closing the door. The Chinaman shuffled across and
admitted two constables. The raven, remaining perched upon his
shoulder, shrieked, "Smartest leg in Buenos Ayres," and, fully
awakened, rattled invisible castanets.

The police strode into the stuffy little room without ceremony, a pair
of burly fellows, fresh-complexioned, and genial as men are wont to be
who have reached a welcome resting-place on a damp and cheerless
night. They stood by the stove, warming their hands; and one of them
stooped, took up the little poker, and stirred the embers to a
brighter glow.

"Been havin' a pipe, Sin?" he asked, winking at his companion. "I can
smell something like opium!"

"No smokee opium," murmured Sin Sin Wa complacently. "Smokee
Woodbine."

"Ho, ho!" laughed the other constable. "I don't think."

"You likee tly one piecee pipee one time?" inquired the Chinaman.
"Gotchee fliend makee smokee."

The man who had poked the fire slapped his companion on the back.

"Now's your chance, Jim!" he cried. "You always said you'd like to
have a cut at it."

"H'm!" muttered the other. "A 'double' o' that fifteen over-proof
Jamaica of yours, Sin, would hit me in a tender spot tonight."

"Lum?" murmured Sin Sin blandly. "No hate got."

He resumed his seat on the tea-chest, and the raven muttered sleepily,
"Sin Sin--Sin."

"H'm!" repeated the constable.

He raised the skirt of his heavy top-coat, and from his trouser-pocket
drew out a leather purse. The eye of Sin Sin Wa remained fixed upon a
distant corner of the room. From the purse the constable took a
shilling, ringing it loudly upon the table.

"Double rum, miss, please!" he said, facetiously. "There's no treason
allowed nowadays, so my pal's--"

"I stood yours last night Jim, anyway!" cried the other, grinning. "Go
on, stump up!"

Jim rang a second shilling on the table.

"Two double rums!" he called.

Sin Sin Wa reached a long arm into the little cupboard beside him and
withdrew a bottle and a glass. Leaning forward he placed bottle and
glass on the table, and adroitly swept the coins into his yellow palm.

"Number one p'lice chop," croaked the raven.

"You're right, old bird!" said Jim, pouring out a stiff peg of the
spirit and disposing of it at a draught. "We should freeze to death on
this blasted riverside beat if it wasn't for Sin Sin."

He measured out a second portion for his companion, and the latter
drank the raw spirit off as though it had been ale, replaced the glass
on the table, and having adjusted his belt and lantern in that
characteristic way which belongs exclusively to members of the
Metropolitan Police Force, turned and departed.

"Good night, Sin," he said, opening the door.

"So-long," murmured the Chinaman.

"Good night, old bird," cried Jim, following his colleague.

"So-long."

The door closed, and Sin Sin Wa, shuffling across, rebolted it. As Sir
Lucien came out from his hiding-place Sin Sin Wa returned to his seat
on the tea-chest, first putting the glass, unwashed, and the rum
bottle back in the cupboard.

To the ordinary observer the Chinaman presents an inscrutable mystery.
His seemingly unemotional character and his racial inability to
express his thoughts intelligibly in any European tongue stamp him as
a creature apart, and one whom many are prone erroneously to classify
very low in the human scale and not far above the ape. Sir Lucien
usually spoke to Sin Sin Wa in English, and the other replied in that
weird jargon known as "pidgin." But the silly Sin Wa who murmured
gibberish and the Sin Sin Wa who could converse upon many and curious
subjects in his own language were two different beings--as Sir Lucien
was aware. Now, as the one-eyed Chinaman resumed his seat and the one-
eyed raven sank into slumber, Pyne suddenly spoke in Chinese, a tongue
which he understood as it is understood by few Englishmen; that
strange, sibilant speech which is alien from all Western conceptions
of oral intercourse as the Chinese institutions and ideals are alien
from those of the rest of the civilized world.

"So you make a profit on your rum, Sin Sin Wa," he said ironically,
"at the same time that you keep in the good graces of the police?"

Sin Sin Wa's expression underwent a subtle change at the sound of his
native language. He moved his hands and became slightly animated.

"A great people of the West, most honorable sir," he replied in the
pure mandarin dialect, "claim credit for having said that 'business is
business.' Yet he who thus expressed himself was a Chinaman."

"You surprise me."

"The wise man must often find occasion for surprise most honorable
sir."

Sir Lucien lighted a cigarette.

"I sometimes wonder, Sin Sin Wa," he said slowly, "what your aim in
life can be. Your father was neither a ship's carpenter nor a
shopkeeper. This I know. Your age I do not know and cannot guess, but
you are no longer young. You covet wealth. For what purpose, Sin Sin
Wa?"

Standing behind the Chinaman, Sir Lucien's dark face, since he made no
effort to hide his feelings, revealed the fact that he attached to
this seemingly abstract discussion a greater importance than his tone
of voice might have led one to suppose. Sin Sin Wa remained silent for
some time, then:

"Most honorable sir," he replied, "when I have smoked the opium,
before my eyes--for in dreams I have two--a certain picture arises. It
is that of a farm in the province of Ho-Nan. Beyond the farm stretch
paddy-fields as far as one can see. Men and women and boys and girls
move about the farm, happy in their labors, and far, far away dwell
the mountain gods, who send the great Yellow River sweeping down
through the valleys where the poppy is in bloom. It is to possess that
farm, most honorable sir, and those paddy-fields that I covet wealth."

"And in spite of the opium which you consume, you have never lost
sight of this ideal?"

"Never."

"But--your wife?"

Sin Sin Wa performed a curious shrugging movement, peculiarly racial.

"A man may not always have the same wife," he replied cryptically.
"The honorable wife who now attends to my requirements, laboring
unselfishly in my miserable house and scorning the love of other men
as she has always done--and as an honorable and upright woman is
expected to do--may one day be gathered to her ancestors. A man never
knows. Or she may leave me. I am not a good husband. It may be that
some little maiden of Ho-Nan, mild-eyed like the musk-deer and modest
and tender, will consent to minister to my old age. Who knows?"

Sir Lucien blew a thick cloud of tobacco smoke into the room, and:

"She will never love you, Sin Sin Wa," he said, almost sadly. "She
will come to your house only to cheat you."

Sin Sin Wa repeated the eloquent shrug.

"We have a saying in Ho-Nan, most honorable sir," he answered, "and it
is this: 'He who has tasted the poppy-cup has nothing to ask of love.'
She will cook for me, this little one, and stroke my brow when I am
weary, and light my pipe. My eye will rest upon her with pleasure. It
is all I ask."

There came a soft rapping on the outer door--three raps, a pause, and
then two raps. The raven opened his beady eye.

"Sin Sin Wa," he croaked, "number one p'lice chop, lo!"

Sin Sin Wa glanced aside at Sir Lucien.

"The traffic. A consignment of opium," he said. "Sam Tuk calls."

Sir Lucien consulted his watch, and:

"I should like to go with you, Sin Sin Wa," he said. "Would it be
safe to leave the house--with the upper door unlocked?"

Sin Sin Wa glanced at him again.

"All are sleeping, most honorable sir?"

"All."

"I will lock the room above and the outer door. It is safe."

He raised a yellow hand, and the raven stepped sedately from his
shoulder on to his wrist.

"Come, Tling-a-Ling," crooned Sin Sin Wa, "you go to bed, my little
black friend, and one day you, too, shall see the paddy-fields of
Ho-Nan."

Opening the useful cupboard, he stooped, and in hopped the raven. Sin
Sin Wa closed the cupboard, and stepped out into the passage.

"I will bring you a coat and a cap and scarf," he said. "Your
magnificent apparel would be out of place among the low pigs who wait
in my other disgusting cellar to rob me. Forgive my improper absence
for one moment, most honorable sir."

CHAPTER XIX

THE TRAFFIC

Sir Lucien came out into the alley wearing a greasy cloth cap pulled
down over his eyes and an old overall, the collar turned up about a
red woollen muffler which enveloped the lower part of his face. The
odor of the outfit was disgusting, but this man's double life had
brought him so frequently in contact with all forms of uncleanness,
including that of the Far East, compared with which the dirt of the
West is hygienic, that he suffered it without complaint.

A Chinese "boy" of indeterminable age, wearing a slop-shop suit and a
cap, was waiting outside the door, and when Sin Sin Wa appeared,
carefully locking up, he muttered something rapidly in his own
sibilant language.

Sin Sin Wa made no reply. To his indoor attire he had added a
pea-jacket and a bowler hat; and the oddly assorted trio set off
westward, following the bank of the Thames in the direction of
Limehouse Basin. The narrow, ill-lighted streets were quite deserted,
but from the river and the riverside arose that ceaseless jangle of
industry which belongs to the great port of London. On the Surrey
shore whistles shrieked, and endless moving chains sent up their
monstrous clangor into the night. Human voices sometimes rose above
the din of machinery.

In silence the three pursued their way, crossing inlets and circling
around basins dimly divined, turning to the right into a lane flanked
by high, eyeless walls, and again to the left, finally to emerge
nearly opposite a dilapidated gateway giving access to a small wharf,
on the rickety gates bills were posted announcing, "This Wharf to
Let." The annexed building appeared to be a mere shell. To the right
again they turned, and once more to the left, halting before a
two-story brick house which had apparently been converted into a
barber's shop. In one of the grimy windows were some loose packets of
cigarettes, a soapmaker's advertisement, and a card:

    SAM TUK
    BARBER

Opening the door with a key which he carried, the boy admitted Sir
Lucien and Sin Sin Wa to the dimly-lighted interior of a room the
pretensions of which to be regarded as a shaving saloon were supported
by the presence of two chairs, a filthy towel, and a broken mug. Sin
Sin Wa shuffled across to another door, and, followed by Sir Lucien,
descended a stone stair to a little cellar apparently intended for
storing coal. A tin lamp stood upon the bottom step.

Removing the lamp from the step, Sin Sin Wa set it on the cellar
floor, which was black with coal dust, then closed and bolted the
door. A heap of nondescript litter lay piled in a corner of the
cellar. This Sin Sin Wa disturbed sufficiently to reveal a movable
slab in the roughly paved floor. It was so ingeniously concealed by
coal dust that one who had sought it unaided must have experienced
great difficulty in detecting it. Furthermore, it could only be raised
in the following manner:

A piece of strong iron wire, which lay among the other litter, was
inserted in a narrow slot, apparently a crack in the stone. About an
inch of the end of the wire being bent outward to form a right angle,
when the seemingly useless piece of scrap-iron had been thrust through
the slab and turned, it formed a handle by means of which the trap
could be raised.

Again Sin Sin Wa took up the lamp, placing it at the brink of the
opening revealed. A pair of wooden steps rested below, and Sir Lucien,
who evidently was no stranger to the establishment, descended
awkwardly, since there was barely room for a big man to pass. He found
himself in the mouth of a low passage, unpaved and shored up with
rough timbers in the manner of a mine-working. Sin Sin Wa followed
with the lamp, drawing the slab down into its place behind him.

Stooping forward and bending his knees, Sir Lucien made his way along
the passage, the Chinaman following. It was of considerable length,
and terminated before a strong door bearing a massive lock. Sin Sin Wa
reached over the stooping figure of Sir Lucien and unfastened the
lock. The two emerged in a kind of dug-out. Part of it had evidently
been in existence before the ingenious Sin Sin Wa had exercised his
skill upon it, and was of solid brickwork and stone-paved; palpably a
storage vault. But it had been altered to suit the Chinaman's purpose,
and one end--that in which the passage came out--was timbered. It
contained a long counter and many shelves; also a large oil-stove and
a number of pots, pans, and queer-looking jars. On the counter stood a
ship's lantern. The shelves were laden with packages and bottles.
Behind the counter sat a venerable and perfectly bald Chinaman. The
only trace of hair upon his countenance grew on the shrunken upper lip
--mere wisps of white down. His skin was shrivelled like that of a
preserved fig, and he wore big horn-rimmed spectacles. He never once
exhibited the slightest evidence of life, and his head and face, and
the horn-rimmed spectacles, might quite easily have passed for those
of an unwrapped mummy. This was Sam Tuk.

Bending over a box upon which rested a canvas-bound package was a
burly seaman engaged in unknotting the twine with which the canvas was
kept in place. As Sin Sin Wa and Sir Lucien came in he looked up,
revealing a red-bearded, ugly face, very puffy under the eyes.

"Wotcher, Sin Sin!" he said gruffly. "Who's your long pal?"

"Friend," murmured Sin Sin Wa complacently. "You gotchee pukka stuff
thisee time, George?"

"I allus brings the pukka stuff!" roared the seaman, ceasing to fumble
with the knots and glaring at Sin Sin Wa. "Wotcher mean--pukka stuff?"

"Gotchee no use for bran," murmured Sin Sin Wa. "Gotchee no use for
tin-tack. Gotchee no use for glue."

"Bran!" roared the man, his glance and pose very menacing. "Tin-tacks
and glue! Who the flamin' 'ell ever tried to sell you glue?"

"Me only wantchee lemindee you," said Sin Sin Wa. "No pidgin."

"George" glared for a moment, breathing heavily; then he stooped and
resumed his task, Sin Sin Wa and Sir Lucien watching him in silence. A
sound of lapping water was faintly audible.

Opening the canvas wrappings, the man began to take out and place upon
the counter a number of reddish balls of "leaf" opium, varying in
weight from about eight ounces to a pound or more.

"H'm!" murmured Sin Sin Wa. "Smyrna stuff."

From a pocket of his pea-jacket he drew a long bodkin, and taking up
one of the largest balls he thrust the bodkin in and then withdrew it,
the steel stained a coffee color. Sin Sin Wa smelled and tasted the
substance adhering to the bodkin, weighed the ball reflectively in his
yellow palm, and then set it aside. He took up a second, whereupon:

"'Alf a mo', guvnor!" cried the seaman furiously. "D'you think I'm
going to wait 'ere while you prods about in all the blasted lot? It's
damn near high tide--I shan't get out. 'Alf time! Savvy? Shove it on
the scales!"

Sin Sin Wa shook his head.

"Too muchee slick. Too muchee bhobbery," he murmured. "Sin Sin Wa
gotchee sabby what him catchee buy or no pidgin."

"What's the game?" inquired George menacingly. "Don't you know a cake
o' Smyrna when you smells it?"

"No sabby lead chop till ploddem withee dipper," explained the
Chinaman, imperturbably.

"Lead!" shouted the man. "There ain't no bloody lead in 'em!"

"H'm," murmured Sin Sin Wa smilingly. "So fashion, eh? All velly
proper."

He calmly inserted the bodkin in the second cake; seemed to meet with
some obstruction, and laid the ball down upon the counter. From
beneath his jacket he took out a clasp-knife attached to a steel
chain. Undeterred by a savage roar from the purveyor, he cut the
sticky mass in half, and digging his long nails into one of the
halves, brought out two lead shots. He directed a glance of his beady
eye upon the man.

"Bloody liar," he murmured sweetly. "Lobber."

"Who's a robber?" shouted George, his face flushing darkly, and
apparently not resenting the earlier innuendo; "Who's a robber?"

"One sarcee Smyrna feller packee stuff so fashion," murmured Sin Sin
Wa. "Thief-feller lobbee poor sailorman."

George jerked his peaked cap from his head, revealing a tangle of
unkempt red hair. He scratched his skull with savage vigor.

"Blimey!" he said pathetically. "'Ere's a go! I been done brown,
guv'nor."

"Lough luck," murmured Sin Sin Wa, and resumed his examination of the
cakes of opium.

The man watched him now in silence, only broken by exclamations of
"Blimey" and "Flaming hell" when more shot was discovered. The tests
concluded:

"Gotchee some more?" asked Sin Sin Wa.

From the canvas wrapping George took out and tossed on the counter a
square packet wrapped in grease-paper.

"H'm," murmured Sin Sin Wa, "Patna. Where you catchee?"

"Off of a lascar," growled the man.

The cake of Indian opium was submitted to the same careful scrutiny as
that which the balls of Turkish had already undergone, but the Patna
opium proved to be unadulterated. Reaching over the counter Sin Sin Wa
produced a pair of scales, and, watched keenly by George, weighed the
leaf and then the cake.

"Ten-six Smyrna; one 'leben Patna," muttered Sin Sin Wa. "You catchee
eighty jimmies."

"Eh?" roared George. "Eighty quid! Eighty quid! Flamin' blind o'
Riley! D'you think I'm up the pole? Eighty quid? You're barmy!"

"Eighty-ten," murmured Sin Sin Wa. "Eighty jimmies opium; ten bob
lead."

"I give more'n that for it!" cried the seaman. "An' I damn near hit a
police boat comin' in, too!"

Sir Lucien spoke a few words rapidly in Chinese. Sin Sin Wa performed
his curious oriental shrug, and taking a fat leather wallet from his
hip-pocket, counted out the sum of eighty-five pounds upon the
counter.

"You catchee eighty-five," he murmured. "Too muchee price."

The man grabbed the money and pocketed it without a word of
acknowledgment. He turned and strode along the room, his heavy,
iron-clamped boots ringing on the paved floor.

"Fetch a grim, Sin Sin," he cried. "I'll never get out if I don't jump
to it."

Sin Sin Wa took the lantern from the counter and followed. Opening a
door at the further end of the place, he set the lantern at the head
of three descending wooden steps discovered. With the opening of the
door the sound of lapping water had grown perceptibly louder. George
clattered down the steps, which led to a second but much stouter door.
Sin Sin Wa followed, nearly closing the first door, so that only a
faint streak of light crept down to them.

The second door was opened, and the clangor of the Surrey shore
suddenly proclaimed itself. Cold, damp air touched them, and the faint
light of the lantern above cast their shadows over unctuous gliding
water, which lapped the step upon which they stood. Slimy shapes
uprose dim and ghostly from its darkly moving surface.

A boat was swinging from a ring beside the door, and into it George
tumbled. He unhitched the lashings, and strongly thrust the boat out
upon the water. Coming to the first of the dim shapes, he grasped it
and thereby propelled the skiff to another beyond. These indistinct
shapes were the piles supporting the structure of a wharf.

"Good night, guv'nor!" he cried hoarsely

"So-long," muttered Sin Sin Wa.

He waited until the boat was swallowed in the deeper shadows, then
reclosed the water-gate and ascended to the room where Sir Lucien
awaited. Such was the receiving office of Sin Sin Wa. While the wharf
remained untenanted it was not likely to be discovered by the
authorities, for even at low tide the river-door was invisible from
passing craft. Prospective lessees who had taken the trouble to
inquire about the rental had learned that it was so high as to be
prohibitive.

Sin Sin Wa paid fair prices and paid cash. This was no more than a
commercial necessity. For those who have opium, cocaine, veronal, or
heroin to sell can always find a ready market in London and elsewhere.
But one sufficiently curious and clever enough to have solved the
riddle of the vacant wharf would have discovered that the mysterious
owner who showed himself so loath to accept reasonable offers for the
property could well afford to be thus independent. Those who control
"the traffic" control El Dorado--a city of gold which, unlike the
fabled Manoa, actually exists and yields its riches to the
unscrupulous adventurer.

Smiling his mirthless, eternal smile, Sin Sin Wa placed the newly
purchased stock upon a shelf immediately behind Sam Tuk; and Sam Tuk
exhibited the first evidence of animation which had escaped him
throughout the progress of the "deal." He slowly nodded his hairless
head.

CHAPTER XX

KAZMAH'S METHODS

Rita Dresden married Monte Irvin in the spring and bade farewell to
the stage. The goal long held in view was attained at last. But
another farewell which at one time she had contemplated eagerly no
longer appeared desirable or even possible. To cocamania had been
added a tolerance for opium, and at the last party given by Cyrus
Kilfane she had learned that she could smoke nearly as much opium as
the American habitue.

The altered attitude of Sir Lucien surprised and annoyed her. He, who
had first introduced her to the spirit of the coca leaf and to the
goddess of the poppy, seemed suddenly to have determined to convince
her of the folly of these communions. He only succeeded in losing her
confidence. She twice visited the "House of a Hundred Raptures" with
Mollie Gretna, and once with Mollie and Kilfane, unknown to Sir
Lucien.

Urgent affairs of some kind necessitated his leaving England a few
weeks before the date fixed for Rita's wedding, and as Kilfane had
already returned to America, Rita recognized with a certain dismay
that she would be left to her own resources--handicapped by the
presence of a watchful husband. This subtle change in her view of
Monte Irvin she was incapable of appreciating, for Rita was no
psychologist. But the effect of the drug habit was pointedly
illustrated by the fact that in a period of little more than six
months, from regarding Monte Irvin as a rock of refuge--a chance of
salvation--she had come to regard him in the light of an obstacle to
her indulgence. Not that her respect had diminished. She really loved
at last, and so well that the idea of discovery by this man whose
wholesomeness was the trait of character which most potently attracted
her, was too appalling to be contemplated. The chance of discovery
would be enhanced, she recognized, by the absence of her friends and
accomplices.

Of course she was acquainted with many other devotees. In fact, she
met so many of them that she had grown reconciled to her habits,
believing them to be common to all "smart" people--a part of the
Bohemian life. The truth of the matter was that she had become a
prominent member of a coterie closely knit and associated by a bond of
mutual vice--a kind of masonry whereof Kazmah of Bond Street was Grand
Master and Mrs. Sin Grand Mistress.

The relations existing between Kazmah and his clients were of a most
peculiar nature, too, and must have piqued the curiosity of anyone but
a drug-slave. Having seen him once, in his oracular cave, Rita had
been accepted as one of the initiated. Thereafter she had had no
occasion to interview the strange, immobile Egyptian, nor had she
experienced any desire to do so. The method of obtaining drugs was a
simple one. She had merely to present herself at the establishment in
Bond Street and to purchase either a flask of perfume or a box of
sweetmeats. There were several varieties of perfume, and each
corresponded to a particular drug. The sweetmeats corresponded to
morphine. Rashid, the attendant, knew all Kazmah's clients, and with
the box or flask he gave them a quantity of the required drug. This
scheme was precautionary. For if a visitor should chance to be
challenged on leaving the place, there was the legitimate purchase to
show in evidence of the purpose of the visit.

No conversation was necessary, merely the selection of a scent and the
exchange of a sum of money. Rashid retired to wrap up the purchase,
and with it a second and smaller package was slipped into the
customer's hand. That the prices charged were excessive--nay,
ridiculous--did not concern Rita, for, in common with the rest of her
kind, she was careless of expenditure.

Opium, alone, Kazmah did not sell. He sold morphine, tincture of
opium, and other preparations; but those who sought the solace of the
pipe were compelled to deal with Mrs. Sin. She would arrange parties,
or would prepare the "Hundred Raptures" in Limehouse for visitors;
but, except in the form of opiated cigarettes, she could rarely be
induced to part with any of the precious gum. Thus she cleverly kept a
firm hold upon the devotees of the poppy.

Drug-takers form a kind of brotherhood, and outside the charmed circle
they are secretive as members of the Mafia, the Camorra, or the
Catouse-Menegant.

In this secrecy, which, indeed, is a recognized symptom of drug mania,
lay Kazmah's security. Rita experienced no desire to peer behind the
veil which, literally and metaphorically, he had placed between
himself and the world. At first she had been vaguely curious, and had
questioned Sir Lucien and others, but nobody seemed to know the real
identity of Kazmah, and nobody seemed to care provided that he
continued to supply drugs. They all led secret, veiled lives, these
slaves of the laboratory, and that Kazmah should do likewise did not
surprise them. He had excellent reasons.

During this early stage of faint curiosity she had suggested to Sir
Lucien that for Kazmah to conduct a dream-reading business seemed to
be to add to the likelihood of police interference.

The baronet had smiled sardonically.

"It is an additional safeguard," he had assured her "It corresponds to
the method of a notorious Paris assassin who was very generally
regarded by the police as a cunning pickpocket. Kazmah's business of
'dreamreading' does not actually come within the Act. He is clever
enough for that. Remember, he does not profess to tell fortunes. It
also enables him to balk idle curiosity."

At the time of her marriage Rita was hopelessly in the toils, and had
been really panic-stricken at the prospect--once so golden--of a
protracted sojourn abroad. The war, which rendered travel impossible,
she regarded rather in the light of a heaven-sent boon. Irvin, though
personally favoring a quiet ceremony, recognized that Rita cherished a
desire to quit theatreland in a chariot of fire, and accordingly the
wedding was on a scale of magnificence which outshone that of any
other celebrated during the season. Even the lugubrious Mr. Esden, who
gave his daughter away, was seen to smile twice. Mrs. Esden moved in a
rarified atmosphere of gratified ambition and parental pride, which no
doubt closely resembled that which the angels breathe.

It was during the early days of her married life, and while Sir Lucien
was still abroad, that Rita began to experience difficulty in
obtaining the drugs which she required. She had lost touch to a
certain extent with her former associates; but she had retained her
maid, Nina, and the girl regularly went to Kazmah's and returned with
the little flasks of perfume. When an accredited representative was
sent upon such a mission, Kazmah dispatched the drugs disguised in a
scent flask; but on each successive occasion that Nina went to him the
prices increased, and finally became so exorbitant that even Rita grew
astonished and dismayed.

She mentioned the matter to another habitue, a lady of title addicted
to the use of the hypodermic syringe, and learned that she (Rita) was
being charged nearly twice as much as her friend.

"I should bring the man to his senses, dear," said her ladyship. "I
know a doctor who will be only too glad to supply you. When I say a
doctor, he is no longer recognized by the B.M.A., but he's none the
less clever and kind for all that."

To the clever and kind medical man Rita repaired on the following day,
bearing a written introduction from her friend. The discredited
physician supplied her for a short time, charging only moderate fees.
Then, suddenly, this second source of supply was closed. The man
declared that he was being watched by the police, and that he dared
not continue to supply her with cocaine and veronal. His shifty eyes
gave the lie to his words, but he was firm in his resolution, whatever
may have led him to it, and Rita was driven back to Kazmah. His
charges had become more exorbitant than ever, but her need was
imperative. Nevertheless, she endeavored to find another drug dealer,
and after a time was again successful.

At a certain supper club she was introduced to a suave little man,
quite palpably an uninterned alien, who smilingly offered to provide
her with any drug to be found in the British Pharmacopeia, at most
moderate charges. With this little German-Jew villain she made a pact,
reflecting that, provided that his wares were of good quality, she had
triumphed over Kazmah.

The craving for chandu seized her sometimes and refused to be
exorcised by morphia, laudanum, or any other form of opium; but she
had not dared to spend a night at the "House of a Hundred Raptures"
since her marriage. Her new German friend volunteered to supply the
necessary gum, outfit, and to provide an apartment where she might
safely indulge in smoking. She declined--at first. But finally, on
Mollie Gretna's return from France, where she had been acting as a
nurse, Rita and Mollie accepted the suave alien's invitation to spend
an evening in his private opium divan.

Many thousands of careers were wrecked by the war, and to the war and
the consequent absence of her husband Rita undoubtedly owed her
relapse into opium-smoking. That she would have continued secretly to
employ cocaine, veronal, and possibly morphine was probable enough;
but the constant society of Monte Irvin must have made it extremely
difficult for her to indulge the craving for chandu. She began to
regret the gaiety of her old life. Loneliness and monotony plunged her
into a state of suicidal depression, and she grasped eagerly at every
promise of excitement.

It was at about this time that she met Margaret Halley, and between
the two, so contrary in disposition, a close friendship arose. The
girl doctor ere long discovered Rita's secret, of course, and the
discovery was hastened by an event which occurred shortly after they
had become acquainted.

The suave alien gentleman disappeared.

That was the entire story in five words--or all of the story that Rita
ever learned. His apartments were labelled "To Let," and the night
clubs knew him no more. Rita for a time was deprived of drugs, and the
nervous collapse which resulted revealed to Margaret Halley's trained
perceptions the truth respecting her friend.

Kazmah's terms proved to be more outrageous than ever, but Rita found
herself again compelled to resort to the Egyptian. She went personally
to the rooms in old Bond Street and arranged with Rashid to see Kazmah
on the following day, Friday, for Kazmah only received visitors by
appointment. As it chanced, Sir Lucien Pyne returned to England on
Thursday night and called upon Rita at Prince's Gate. She welcomed him
as a friend in need, unfolding the pitiful story, to the truth of
which her nervous condition bore eloquent testimony.

Sir Lucien began to pace up and down the charming little room in which
Rita had received him. She watched him, haggard-eyed. Presently:

"Leave Kazmah to me," he said. "If you visit him he will merely shield
himself behind the mystical business, or assure you that he is making
no profit on his sales. Kilfane had similar trouble with him."

"Then you will see him?" asked Rita.

"I will make a point of interviewing him in the morning. Meanwhile, if
you will send Nina around to Albemarle Street in about an hour I will
see what can be done."

"Oh, Lucy," whispered Rita, "what a pal you are."

Sir Lucien smiled in his cold fashion.

"I try to be," he said enigmatically; "but I don't always succeed." He
turned to her. "Have you ever thought of giving up this doping?" he
asked. "Have you ever realized that with increasing tolerance the
quantities must increase as well, and that a day is sure to come
when--"

Rita repressed a nervous shudder.

"You are trying to frighten me," she replied. "You have tried before;
I don't know why. But it's no good, Lucy. You know I cannot give it
up."

"You can try."

"I don't want to try!" she cried irritably. "It will be time enough
when Monte is back again, and we can really 'live.' This wretched
existence, with everything restricted and rationed, and all one's
friends in Flanders or Mesopotamia or somewhere, drives me mad! I tell
you I should die, Lucy, if I tried to do without it now."

The hollow presence of reform contemplated in a hazy future did not
deceive Sir Lucien. He suppressed a sigh, and changed the topic of
conversation.

CHAPTER XXI

THE CIGARETTES FROM BUENOS AYRES

Sir Lucien's intervention proved successful. Kazmah's charges became
more modest, and Rita no longer found it necessary to deprive herself
of hats and dresses in order to obtain drugs. But, nevertheless, these
were not the halcyon days of old. She was now surrounded by spies. It
was necessary to resort to all kinds of subterfuge in order to cover
her expenditures at the establishment in old Bond Street. Her husband
never questioned her outlay, but on the other hand it was expedient to
be armed against the possibility of his doing so, and Rita's debts
were accumulating formidably.

Then there was Margaret Halley to consider. Rita had never hitherto
given her confidence to anyone who was not addicted to the same
practices as herself, and she frequently experienced embarrassment
beneath the grave scrutiny of Margaret's watchful eyes. In another
this attitude of gentle disapproval would have been irritating, but
Rita loved and admired Margaret, and suffered accordingly.

As for Sir Lucien, she had ceased to understand him. An impalpable
barrier seemed to have arisen between them. The inner man had became
inaccessible. Her mind was not subtle enough to grasp the real
explanation of this change in her old lover. Being based upon wrong
premises, her inferences were necessarily wide of the truth, and she
believed that Sir Lucien was jealous of Margaret's cousin, Quentin
Gray.

Gray met Rita at Margaret Halley's flat shortly after he had returned
home from service in the East, and he immediately conceived a violent
infatuation for this pretty friend of his cousin's. In this respect
his conduct was in no way peculiar. Few men were proof against the
seductive Mrs. Monte Irvin, not because she designedly encouraged
admiration, but because she was one of those fortunately rare
characters who inspire it without conscious effort. Her appeal to men
was sweetly feminine and quite lacking in that self-assertive and
masculine "take me or leave me" attitude which characterizes some of
the beauties of today. There was nothing abstract about her delicate
loveliness, yet her charm was not wholly physical. Many women disliked
her.

At dance, theatre, and concert Quentin Gray played the doting
cavalier; and Rita, who was used to at least one such adoring
attendant, accepted his homage without demur. Monte Irvin returned to
civil life, but Rita showed no disposition to dispense with her new
admirer. Both Gray and Sir Lucien had become frequent visitors at
Prince's Gate, and Irvin, who understood his wife's character up to a
point, made them his friends.

Shortly after Monte Irvin's return Sir Lucien taxed Rita again with
her increasing subjection to drugs. She was in a particularly gay
humor, as the supplies from Kazmah had been regular, and she
laughingly fenced with him when he reminded her of her declared
intention to reform when her husband should return.

"You are really as bad as Margaret," she declared. "There is nothing
the matter with me. You talk of 'curing' me as though I were ill.
Physician, heal thyself."

The sardonic smile momentarily showed upon Pyne's face, and:

"I know when and where to pull up, Rita," he said. "A woman never
knows this. If I were deprived of opium tomorrow I could get along
without it."

"I have given up opium," replied Rita. "It's too much trouble, and the
last time Mollie and I went--"

She paused, glancing quickly at Sir Lucien.

"Go on," he said grimly. "I know you have been to Sin Sin Wa's. What
happened the last time?"

"Well," continued Rita hurriedly, "Monte seemed to be vaguely
suspicious. Besides, Mrs. Sin charged me most preposterously. I really
cannot afford it, Lucy."

"I am glad you cannot. But what I was about to say was this: Suppose
you were to be deprived, not of 'chard', but of cocaine and veronal,
do you know what would happen to you?"

"Oh!" whispered Rita, "why will you persist in trying to frighten me!
I am not going to be deprived of them."

"I persist, dear, because I want you to try, gradually, to depend less
upon drugs, so that if the worst should happen you would have a
chance."

Rita stood up and faced him, biting her lip.

"Lucy," she said, "do you mean that Kazmah--"

"I mean that anything might happen, Rita. After all, we do possess a
police service in London, and one day there might be an accident.
Kazmah has certain influence, but it may be withdrawn. Rita, won't you
try?"

She was watching him closely, and now the pupils of her beautiful eyes
became dilated.

"You know something," she said slowly, "which you are keeping from
me."

He laughed and turned aside.

"I know that I am compelled to leave England again, Rita, for a time;
and I should be a happier man if I knew that you were not so utterly
dependent upon Kazmah."

"Oh, Lucy, are you going away again?"

"I must. But I shall not be absent long, I hope."

Rita sank down upon the settee from which she had risen, and was
silent for some time; then:

"I will try, Lucy," she promised. "I will go to Margaret Halley, as
she is always asking me to do."

"Good girl," said Pyne quietly. "It is just a question of making the
effort, Rita. You will succeed, with Margaret's help."

A short time later Sir Lucien left England, but throughout the last
week that he remained in London Rita spent a great part of every day
in his company. She had latterly begun to experience an odd kind of
remorse for her treatment of the inscrutably reserved baronet. His
earlier intentions she had not forgotten, but she had long ago
forgiven them, and now she often felt sorry for this man whom she had
deliberately used as a stepping-stone to fortune.

Gray was quite unable to conceal his jealousy. He seemed to think that
he had a proprietary right to Mrs. Monte Irvin's society, and during
the week preceding Sir Lucien's departure Gray came perilously near to
making himself ridiculous on more than one occasion.

One night, on leaving a theatre, Rita suggested to Pyne that they
should proceed to a supper club for an hour. "It will be like old
times," she said.

"But your husband is expecting you," protested Sir Lucien.

"Let's ring him up and ask him to join us. He won't, but he cannot
very well object then."

As a result they presently found themselves descending a broad
carpeted stairway. From the rooms below arose the strains of an
American melody. Dancing was in progress, or, rather, one of those
orgiastic ceremonies which passed for dancing during this pagan
period. Just by the foot of the stairs they paused and surveyed the
scene.

"Why," said Rita, "there is Quentin--glaring insanely, silly boy."

"Do you see whom he is with?" asked Sir Lucien.

"Mollie Gretna."

"But I mean the woman sitting down."

Rita stood on tiptoe, trying to obtain a view, and suddenly:

"Oh!" she exclaimed, "Mrs. Sin!"

The dance at that moment concluding, they crossed the floor and joined
the party. Mrs. Sin greeted them with one of her rapid, mirthless
smiles. She was wearing a gown noticeable, but not for quantity, even
in that semi-draped assembly. Mollie Gretna giggled rapturously. But
Gray's swiftly changing color betrayed a mood which he tried in vain
to conceal by his manner. Having exchanged a few words with the new
arrivals, he evidently realized that he could not trust himself to
remain longer, and:

"Now I must be off," he said awkwardly. "I have an appointment--
important business. Good night, everybody."

He turned away and hurried from the room. Rita flushed slightly and
exchanged a glance with Sir Lucien. Mrs. Sin, who had been watching
the three intently, did not fail to perceive this glance. Mollie
Gretna characteristically said a silly thing.

"Oh!" she cried. "I wonder whatever is the matter with him! He looks
as though he had gone mad!"

"It is perhaps his heart," said Mrs. Sin harshly, and she raised her
bold dark eyes to Sir Lucien's face.

"Oh, please don't talk about hearts," cried Rita, willfully
misunderstanding. "Monte has a weak heart, and it frightens me."

"So?" murmured Mrs. Sin. "Poor fellow."

"I think a weak heart is most romantic," declared Mollie Gretna.

But Gray's behavior had cast a shadow upon the party which even
Mollie's empty light-hearted chatter was powerless to dispel, and
when, shortly after midnight, Sir Lucien drove Rita home to Prince's
Gate, they were very silent throughout the journey. Just before the
car reached the house:

"Where does Mrs. Sin live?" asked Rita, although it was not of Mrs.
Sin that she had been thinking.

"In Limehouse, I believe," replied Sir Lucien; "at The House. But I
fancy she has rooms somewhere in town also."

He stayed only a few minutes at Prince's Gate, and as the car returned
along Piccadilly, Sir Lucien, glancing upward towards the windows of a
tall block of chambers facing the Green Park, observed a light in one
of them. Acting upon a sudden impulse, he raised the speaking-tube.

"Pull up, Fraser," he directed.

The chauffeur stopped the car and Sir Lucien alighted, glancing at the
clock inside as he did so, and smiling at his own quixotic behavior.
He entered an imposing doorway and rang one of the bells. There was an
interval of two minutes or so, when the door opened and a man looked
out.

"Is that you, Willis?" asked Pyne.

"Oh, I beg pardon, Sir Lucien. I didn't know you in the dark."

"Has Mr. Gray retired yet?"

"Not yet. Will you please follow me, Sir Lucien. The stairway lights
are off."

A few moments later Sir Lucien was shown into the apartment of Gray's
which oddly combined the atmosphere of a gymnasium with that of a
study. Gray, wearing a dressing-gown and having a pipe in his mouth,
was standing up to receive his visitor, his face rather pale and the
expression of his lips at variance with that in his eyes. But:

"Hello, Pyne," he said quietly. "Anything wrong--or have you just
looked in for a smoke?"

Sir Lucien smiled a trifle sadly.

"I wanted a chat, Gray," he replied. "I'm leaving town tomorrow, or I
should not have intruded at such an unearthly hour."

"No intrusion," muttered Gray; "try the armchair, no, the big one.
It's more comfortable." He raised his voice: "Willis, bring some
fluid!"

Sir Lucien sat down, and from the pocket of his dinner jacket took out
a plain brown packet of cigarettes and selected one.

"Here," said Gray, "have a cigar!"

"No, thanks," replied Pyne. "I rarely smoke anything but these."

"Never seen that kind of packet before," declared Gray. "What brand
are they?"

"No particular brand. They are imported from Buenos Ayres, I believe."

Willis having brought in a tray of refreshments and departed again,
Sir Lucien came at once to the point.

"I really called, Gray," he said, "to clear up any misunderstanding
there may be in regard to Rita Irvin."

Quentin Gray looked up suddenly when he heard Rita's name, and:

"What misunderstanding?" he asked.

"Regarding the nature of my friendship with her," answered Sir Lucien
coolly. "Now, I am going to speak quite bluntly, Gray, because I like
Rita and I respect her. I also like and respect Monte Irvin; and I
don't want you, or anybody else, to think that Rita and I are, or ever
have been, anything more than pals. I have known her long enough to
have learned that she sails straight, and has always sailed straight.
Now--listen, Gray, please. You embarrassed me tonight, old chap, and
you embarrassed Rita. It was unnecessary." He paused, and then added
slowly: "She is as sacred to me, Gray, as she is to you--and we are
both friends of Monte Irvin."

For a moment Quentin Gray's fiery temper flickered up, as his
heightened color showed, but the coolness of the older and cleverer
man prevailed. Gray laughed, stood up, and held out his hand.

"You're right, Pyne!" he said. "But she's damn pretty!" He uttered a
loud sigh. "If only she were not married!"

Sir Lucien gripped the outstretched hand, but his answering smile had
much pathos in it.

"If only she were not, Gray," he echoed.

He took his departure shortly afterwards, absently leaving a brown
packet of cigarettes upon the table. It was an accident. Yet there
were few, when the truth respecting Sir Lucien Pyne became known, who
did not believe it to have been a deliberate act, designed to lure
Quentin Gray into the path of the poppy.

CHAPTER XXII

THE STRANGLE-HOLD

Less than a month later Rita was in a state of desperation again.
Kazmah's prices had soared above anything that he had hitherto
extorted. Her bank account, as usual, was greatly overdrawn, and
creditors of all kinds were beginning to press for payment. Then,
crowning catastrophe, Monte Irvin, for the first time during their
married life, began to take an interest in Rita's reckless
expenditure. By a combination of adverse circumstances, she, the wife
of one of the wealthiest aldermen of the City of London, awakened to
the fact that literally she had no money.

She pawned as much of her jewellery as she could safely dispose of,
and temporarily silenced the more threatening tradespeople; but Kazmah
declined to give credit, and cheques had never been acceptable at the
establishment in old Bond Street.

Rita feverishly renewed her old quest, seeking in all directions for
some less extortionate purveyor. But none was to be found. The
selfishness and secretiveness of the drug slave made it difficult for
her to learn on what terms others obtained Kazmah's precious goods;
but although his prices undoubtedly varied, she was convinced that no
one of all his clients was so cruelly victimized as she.

Mollie Gretna endeavored to obtain an extra supply to help Rita, but
Kazmah evidently saw through the device, and the endeavor proved a
failure.

She demanded to see Kazmah, but Rashid, the Egyptian, blandly assured
her that "the Sheikh-el-Kazmah" was away. She cast discretion to the
winds and wrote to him, protesting that it was utterly impossible for
her to raise so much ready money as he demanded, and begging him to
grant her a small supply or to accept the letter as a promissory note
to be redeemed in three months. No answer was received, but when Rita
again called at old Bond Street, Rashid proposed one of the few
compromises which the frenzied woman found herself unwilling to
accept.

"The Sheikh-el-Kazmah say, my lady, your friend Mr. Gray never come to
him. If you bring him it will be all right."

Rita found herself stricken dumb by this cool proposal. The
degradation which awaits the drug slave had never been more succinctly
expounded to her. She was to employ Gray's foolish devotion for the
commercial advantage of Kazmah. Of course Gray might any day become
one of the three wealthiest peers in the realm. She divined the
meaning of Kazmah's hitherto incomprehensible harshness (or believed
that she did); she saw what was expected of her. "My God!" she
whispered. "I have not come to that yet."

Rashid she knew to be incorruptible or powerless, and she turned away,
trembling, and left the place, whose faint perfume of frankincense had
latterly become hateful to her.

She was at this time bordering upon a state of collapse. Insomnia,
which latterly had defied dangerously increased doses of veronal, was
telling upon nerve and brain. Now, her head aching so that she often
wondered how long she could retain sanity, she found herself deprived
not only of cocaine, but also of malourea. Margaret Halley was her
last hope, and to Margaret she hastened on the day before the tragedy
which was destined to bring to light the sinister operations of the
Kazmah group.

Although, perhaps mercifully, she was unaware of the fact,
representatives of Spinker's Agency had been following her during the
whole of the preceding fortnight. That Rita was in desperate trouble
of some kind her husband had not failed to perceive, and her reticence
had quite naturally led him to a certain conclusion. He had sought to
win her confidence by every conceivable means and had failed. At last
had come doubt--and the hateful interview with Spinker.

As Rita turned in at the doorway below Margaret's flat, then, Brisley
was lighting a cigarette in the shelter of a porch nearly opposite,
and Gunn was not far away.

Margaret immediately perceived that her friend's condition was
alarming. But she realized that whatever the cause to which it might
be due, it gave her the opportunity for which she had been waiting.
She wrote a prescription containing one grain of cocaine, but declined
firmly to issue others unless Rita authorized her, in writing, to
undertake a cure of the drug habit.

Rita's disjointed statements pointed to a conspiracy of some kind on
the part of those who had been supplying her with drugs, but Margaret
knew from experience that to exhibit curiosity in regard to the matter
would be merely to provoke evasions.

A hopeless day and a pain-racked, sleepless night found Kazmah's
unhappy victim in the mood for any measure, however desperate, which
should promise even temporary relief. Monte Irvin went out very early,
and at about eleven o'clock Rita rang up Kazmah's, but only to be
informed by Rashid, who replied, that Kazmah was still away. "This
evening he tell me that he see your friend if he come, my lady." As if
the Fates sought to test her endurance to the utmost, Quentin Gray
called shortly afterwards and invited her to dine with him and go to a
theatre that evening.

For five age-long seconds Rita hesitated. If no plan offered itself by
nightfall she knew that her last scruple would be conquered. "After
all," whispered a voice within her brain, "Quentin is a man. Even if I
took him to Kazmah's and he was in some way induced to try opium, or
even cocaine, he would probably never become addicted to drug-taking.
But I should have done my part--"

"Very well, Quentin," she heard herself saying aloud. "Will you call
for me?"

But when he had gone Rita sat for more than half an hour, quite still,
her hands clenched and her face a tragic mask. (Gunn, of Spinker's
Agency, reported telephonically to Monte Irvin in the City that the
Hon. Quentin Gray had called and had remained about twenty-five
minutes; that he had proceeded to the Prince's Restaurant, and from
there to Mudie's, where he had booked a box at the Gaiety Theatre.)

Towards the fall of dusk the more dreadful symptoms which attend upon
a sudden cessation of the use of cocaine by a victim of cocainophagia
began to assert themselves again. Rita searched wildly in the lining
of her jewel-case to discover if even a milligram of the drug had by
chance fallen there from the little gold box. But the quest was in
vain.

As a final resort she determined to go to Margaret Halley again.

She hurried to Dover Street, and her last hope was shattered. Margaret
was out, and Janet had no idea when she was likely to return. Rita had
much ado to prevent herself from bursting into tears. She scribbled a
few lines, without quite knowing what she was writing, sealed the
paper in an envelope, and left it on Margaret's table.

Of returning to Prince's Gate and dressing for the evening she had
only a hazy impression. The hammer-beats in her head were depriving
her of reasoning power, and she felt cold, numbed, although a big fire
blazed in her room. Then as she sat before her mirror, drearily
wondering if her face really looked as drawn and haggard as the image
in the glass, or if definite delusions were beginning, Nina came in
and spoke to her. Some moments elapsed before Rita could grasp the
meaning of the girl's words.

"Sir Lucien Pyne has rung up, Madam, and wishes to speak to you."

Sir Lucien! Sir Lucien had come back? Rita experienced a swift return
of feverish energy. Half dressed as she was, and without pausing to
take a wrap, she ran out to the telephone.

Never had a man's voice sounded so sweet as that of Sir Lucien when he
spoke across the wires. He was at Albemarle Street, and Rita, wasting
no time in explanations, begged him to await her there. In another ten
minutes she had completed her toilette and had sent Nina to 'phone for
a cab. (One of the minor details of his wife's behavior which latterly
had aroused Irvin's distrust was her frequent employment of public
vehicles in preference to either of the cars.)

Quentin Gray she had quite forgotten, until, as she was about to
leave:

"Is there any message for Mr. Gray, Madam?" inquired Nina naively.

"Oh!" cried Rita. "Of course! Quick! Give me some paper and a pencil."

She wrote a hasty note, merely asking Gray to proceed to the
restaurant, where she promised to join him, left it in charge of the
maid, and hurried off to Albemarle Street.

Mareno, the silent, yellow-faced servant who had driven the car on the
night of Rita's first visit to Limehouse, admitted her. He showed her
immediately into the lofty study, where Sir Lucien awaited.

"Oh, Lucy--Lucy!" she cried, almost before the door had closed behind
Mareno. "I am desperate--desperate!"

Sir Lucien placed a chair for her. His face looked very drawn and
grim. But Rita was in too highly strung a condition to observe this
fact, or indeed to observe anything.

"Tell me," he said gently.

And in a torrent of disconnected, barely coherent language, the
tortured woman told him of Kazmah's attempt to force her to lure
Quentin Gray into the drug coterie. Sir Lucien stood behind her chair,
and the icy reserve which habitually rendered his face an impenetrable
mask deserted him as the story of Rita's treatment at the hands of the
Egyptian of Bond Street was unfolded in all its sordid hideousness.
Rita's soft, musical voice, for which of old she had been famous,
shook and wavered; her pose, her twitching gestures, all told of a
nervous agony bordering on prostration or worse. Finally:

"He dare not refuse you!" she cried. "Ring him up and insist upon him
seeing me tonight!"

"I will see him, Rita."

She turned to him, wild-eyed.

"You shall not! You shall not!" she said. "I am going to speak to that
man face to face, and if he is human he must listen to me. Oh! I have
realized the hold he has upon me, Lucy! I know what it means, this
disappearance of all the others who used to sell what Kazmah sells. If
I am to suffer, he shall not escape! I swear it. Either he listens to
me tonight or I go straight to the police!"

"Be calm, little girl," whispered Sir Lucien, and he laid his hand
upon her shoulder.

But she leapt up, her pupils suddenly dilating and her delicate
nostrils twitching in a manner which unmistakably pointed to the
impossibility of thwarting her if sanity were to be retained.

"Ring him up, Lucy," she repeated in a low voice. "He is there. Now
that I have someone behind me I see my way at last!"

"There may, nevertheless, be a better way," said Sir Lucien; but he
added quickly: "Very well, dear, I will do as you wish. I have a
little cocaine, which I will give you."

He went out to the telephone, carefully closing the study door.

That he had counted upon the influence of the drug to reduce Rita to a
more reasonable frame of mind was undoubtedly the fact, for presently
as they proceeded on foot towards old Bond Street he reverted to
something like his old ironical manner. But Rita's determination was
curiously fixed. Unmoved by every kind of appeal, she proceeded to the
appointment which Sir Lucien had made--ignorant of that which Fate
held in store for her--and Sir Lucien, also humanly blind, walked on
to meet his death.

PART THIRD

THE MAN FROM WHITEHALL

CHAPTER XXIII

CHIEF INSPECTOR KERRY RESIGNS

"Come in," said the Assistant Commissioner. The door opened and Chief
Inspector Kerry entered. His face was as fresh-looking, his attire as
spruce and his eyes were as bright, as though he had slept well,
enjoyed his bath and partaken of an excellent breakfast. Whereas he
had not been to bed during the preceding twenty-four hours, had
breakfasted upon biscuits and coffee, and had spent the night and
early morning in ceaseless toil. Nevertheless he had found time to
visit a hairdressing saloon, for he prided himself upon the nicety of
his personal appearance.

He laid his hat, cane and overall upon a chair, and from a pocket of
his reefer jacket took out a big notebook.

"Good morning, sir," he said.

"Good morning, Chief Inspector," replied the Assistant Commissioner.
"Pray be seated. No doubt"--he suppressed a weary sigh--"you have a
long report to make. I observe that some of the papers have the news
of Sir Lucien Pyne's death."

Chief Inspector Kerry smiled savagely.

"Twenty pressmen are sitting downstairs," he said "waiting for
particulars. One of them got into my room." He opened his notebook.
"He didn't stay long."

The Assistant Commissioner gazed wearily at his blotting-pad, striking
imaginary chords upon the table-edge with his large widely extended
fingers. He cleared his throat.

"Er--Chief Inspector," he said, "I fully recognize the difficulties
which--you follow me? But the Press is the Press. Neither you nor I
could hope to battle against such an institution even if we desired to
do so. Where active resistance is useless, a little tact--you quite
understand?"

"Quite, sir. Rely upon me," replied Kerry. "But I didn't mean to open
my mouth until I had reported to you. Now, sir, here is a precis of
evidence, nearly complete, written out clearly by Sergeant Coombes.
You would probably prefer to read it?"

"Yes, yes, I will read it. But has Sergeant Coombes been on duty all
night?"

"He has, sir, and so have I. Sergeant Coombes went home an hour ago."

"Ah," murmured the Assistant Commissioner

He took the notebook from Kerry, and resting his head upon his hand
began to read. Kerry sat very upright in his chair, chewing slowly and
watching the profile of the reader with his unwavering steel-blue
eyes. The reading was twice punctuated by telephone messages, but the
Assistant Commissioner apparently possessed the Napoleonic faculty of
doing two things at once, for his gaze travelled uninterruptedly along
the lines of the report throughout the time that he issued telephonic
instructions.

When he had arrived at the final page of Coombes' neat, schoolboy
writing, he did not look up for a minute or more, continuing to rest
his head in the palm of his hand. Then:

"So far you have not succeeded in establishing the identity of the
missing man, Kazmah?" he said.

"Not so far, sir," replied Kerry, enunciating the words with
characteristic swift precision, each syllable distinct as the rap of a
typewriter. "Inspector Whiteleaf, of Vine Street, has questioned all
constables in the Piccadilly area, and we have seen members of the
staffs of many shops and offices in the neighborhood, but no one is
familiar with the appearance of the missing man."

"Ah--now, the Egyptian servant?"

Inspector Kerry moved his shoulders restlessly.

"Rashid is his name. Many of the people in the neighborhood knew him
by sight, and at five o'clock this morning one of my assistants had
the good luck to find out, from an Arab coffee-house keeper named
Abdulla, where Rashid lived. He paid a visit to the place--it's off
the West India Dock Road--half an hour later. But Rashid had gone. I
regret to report that all traces of him have been lost."

"Ah--considering this circumstance side by side with the facts that no
scrap of evidence has come to light in the Kazmah premises and that
the late Sir Lucien's private books and papers cannot be found, what
do you deduce, Chief Inspector?"

"My report indicates what I deduce, sir! An accomplice of Kazmah's
must have been in Sir Lucien's household! Kazmah and Mrs. Irvin can
only have left the premises by going up to the roof and across the
leads to Sir Lucien's flat in Albemarle Street. I shall charge the man
Juan Mareno."

"What has he to say?" murmured the Assistant Commissioner, absently
turning over the pages of the notebook. "Ah, yes. 'Claims to be a
citizen of the United States but has produced no papers. Engaged by
Sir Lucien Pyne in San Francisco. Professes to have no evidence to
offer. Admitted Mrs. Monte Irvin to Sir Lucien's flat on night of
murder. Sir Lucien and Mrs. Irvin went out together shortly
afterwards, and Sir Lucien ordered him (Mareno) to go for the car to
garage in South Audley Street and drive to club, where Sir Lucien
proposed to dine. Mareno claims to have followed instructions. After
waiting near club for an hour, learned from hall porter that Sir
Lucien had not been there that evening. Drove car back to garage and
returned to Albemarle Street shortly after eight o'clock.' H'm. Is
this confirmed in any way?"

Kerry's teeth snapped together viciously.

"Up to a point it is, sir. The club porter remembers Mareno inquiring
about Sir Lucien, and the people at the garage testify that he took
out the car and returned it as stated."

"No one has come forward who actually saw him waiting outside the
club?"

"No one. But unfortunately it was a dark, misty night, and cars
waiting for club members stand in a narrow side turning. Mareno is a
surly brute, and he might have waited an hour without speaking to a
soul. Unless another chauffeur happened to notice and recognize the
car nobody would be any wiser."

The Assistant Commissioner sighed, glancing up for the first time.

"You don't think he waited outside the club at all?" he said.

"I don't, sir!" rapped Kerry.

The Assistant Commissioner rested his head upon his hand again.

"It doesn't seem to be germane to your case, Chief Inspector, in any
event. There is no question of an alibi. Sir Lucien's wrist-watch was
broken at seven-fifteen--evidently at the time of his death; and this
man Mareno does not claim to have left the flat until after that
hour."

"I know it, sir," said Kerry. "He took out the car at half-past seven.
What I want to know is where he went to!"

The Assistant Commissioner glanced rapidly into the speaker's fierce
eyes.

"From what you have gathered respecting the appearance of Kazmah, does
it seem possible that Mareno may be Kazmah?"

"It does not, sir. Kazmah has been described to me, at first hand and
at second hand. All descriptions tally in one respect: Kazmah has
remarkably large eyes. In Miss Halley's evidence you will note that
she refers to them as 'larger than any human eyes I have ever seen.'
Now, Mareno has eyes like a pig!"

"Then I take it you are charging him as accessory?"

"Exactly, sir. Somebody got Kazmah and Mrs. Irvin away, and it can
only have been Mareno. Sir Lucien had no other resident servant; he
was a man who lived almost entirely at restaurants and clubs. Again,
somebody cleaned up his papers, and it was somebody who knew where to
look for them."

"Quite so--quite so," murmured the Assistant Commissioner. "Of course,
we shall learn today something of his affairs from his banker. He must
have banked somewhere. But surely, Chief Inspector, there is a safe or
private bureau in his flat?"

"There is, sir," said Kerry grimly; "a safe. I had it opened at six
o'clock this morning. It had been hastily cleaned out; not a doubt of
it. I expect Sir Lucien carried the keys on his person. You will
remember, sir, that his pockets had been emptied?"

"H'm," mused the Assistant Commissioner. "This Cubanis Cigarette
Company, Chief Inspector?"

"Dummy goods!" rapped Kerry. "A blind. Just a back entrance to
Kazmah's office. Premises were leased on behalf of an agent. This
agent--a reputable man of business--paid the rent quarterly. I've seen
him.

"And who was his client?" asked the Assistant Commissioner, displaying
a faint trace of interest.

"A certain Mr. Isaacs!"

"Who can be traced?"

"Who can't be traced!"

"His checks?"

Chief Inspector Kerry smiled, so that his large white teeth gleamed
savagely.

"Mr. Isaacs represented himself as a dealer in Covent Garden who was
leasing the office for a lady friend, and who desired, for domestic
reasons, to cover his tracks. As ready money in large amounts changes
hands in the market, Mr. Isaacs paid ready money to the agent. Beyond
doubt the real source of the ready money was Kazmah's."

"But his address?"

"A hotel in Covent Garden."

"Where he lives?"

"Where he is known to the booking-clerk, a girl who allowed him to
have letters addressed there. A man of smoke, sir, acting on behalf of
someone in the background."

"Ah! and these Bond Street premises have been occupied by Kazmah for
the past eight years?"

"So I am told. I have yet to see representatives of the landlord. I
may add that Sir Lucien Pyne had lived in Albemarle Street for about
the same time."

Wearily raising his head:

"The point is certainly significant," said the Assistant Commissioner.
"Now we come to the drug traffic, Chief Inspector. You have found no
trace of drugs on the premises?"

"Not a grain, sir!"

"In the office of the cigarette firm?"

"No."

"By the way, was there no staff attached to the latter concern?"

Kerry chewed viciously.

"No business of any kind seems to have been done there," he replied.
"An office-boy employed by the solicitor on the same floor as Kazmah
has seen a man and also a woman, go up to the third floor on several
occasions, and he seems to think they went to the Cubanis office. But
he's not sure, and he can give no useful description of the parties,
anyway. Nobody in the building has ever seen the door open before this
morning."

The Assistant Commissioner sighed yet more wearily.

"Apart from the suspicions of Miss Margaret Halley, you have no sound
basis for supposing that Kazmah dealt in prohibited drugs?" he
inquired.

"The evidence of Miss Halley, the letter left for her by Mrs. Irvin,
and the fact that Mrs. Irvin said, in the presence of Mr. Quentin
Gray, that she had 'a particular reason' for seeing Kazmah, point to
it unmistakably, sir. Then, I have seen Mrs. Irvin's maid. (Mr. Monte
Irvin is still too unwell to be interrogated.) The girl was very
frightened, but she admitted outright that she had been in the habit
of going regularly to Kazmah for certain perfumes. She wouldn't admit
that she knew the flasks contained cocaine or veronal, but she did
admit that her mistress had been addicted to the drug habit for
several years. It began when she was on the stage."

"Ah, yes," murmured the Assistant Commissioner; "she was Rita Dresden,
was she not--'The Maid of the Masque' A very pretty and talented
actress. A pity--a great pity. So the girl, characteristically, is
trying to save herself ?"

"She is," said Kerry grimly. "But it cuts no ice. There is another
point. After this report was made out, a message reached me from Miss
Halley, as a result of which I visited Mr. Quentin Gray early this
morning."

"Dear, dear," sighed the Assistant Commissioner, "your intense zeal
and activity are admirable, Chief Inspector, but appalling. And what
did you learn?"

From an inside pocket Chief Inspector Kerry took out a plain brown
paper packet containing several cigarettes and laid the packet on the
table.

"I got these, sir," he said grimly. "They were left at Mr. Gray's some
weeks ago by the late Sir Lucien. They are doped."

The Assistant Commissioner, his head resting upon his hand, gazed
abstractedly at the packet. "If only you could trace the source of
supply," he murmured.

"That brings me to my last point, sir. From Mrs. Irvin's maid I
learned that her mistress was acquainted with a certain Mrs. Sin."

"Mrs. Sin? Incredible name."

"She's a woman reputed to be married to a Chinaman. Inspector
Whiteleaf, of Vine Street, knows her by sight as one of the night-club
birds--a sort of mysterious fungus, sir, flowering in the dark and
fattening on gilded fools. Unless I'm greatly mistaken, Mrs. Sin is
the link between the doped cigarettes and the missing Kazmah."

"Does anyone know where she lives?"

"Lots of 'em know!" snapped Kerry. "But it's making them speak."

"To whom do you more particularly refer, Chief Inspector?"

"To the moneyed asses and the brainless women belonging to a certain
West End set, sir," said Kerry savagely. "They go in for every
monstrosity from Buenos Ayres, Port Said and Pekin. They get up dances
that would make a wooden horse blush. They eat hashish and they smoke
opium. They inject morphine, and they would have their hair dyed blue
if they heard it was 'being done.'"

"Ah," sighed the Assistant Commissioner, "a very delicate and complex
case, Chief Inspector. The agony of mind which Mr. Irvin must be
suffering is too horrible for one to contemplate. An admirable man,
too; honorable and generous. I can conceive no theory to account for
the disappearance of Mrs. Irvin other than that she was a party to the
murder."

"No, sir," said Kerry guardedly. "But we have the dope clue to work
on. That the Chinese receive stuff in the East End and that it's sold
in the West End every constable in the force is well aware. Leman
Street is getting busy, and every shady case in the Piccadilly area
will be beaten up within the next twenty-four hours, too. It's purely
departmental, sir, from now onwards, and merely a question of time.
Therefore I don't doubt the issue."

Kerry paused, cleared his throat, and produced a foolscap envelope
which he laid upon the table before the Assistant Commissioner.

"With very deep regret, sir," he said, "after a long and agreeable
association with the Criminal Investigation Department, I have to
tender you this."

The Assistant Commissioner took up the envelope and stared at it
vaguely.

"Ah, yes, Chief Inspector," he murmured. "Perhaps I fail entirely to
follow you; I am somewhat over-worked, as you know. What does this
envelope contain?"

"My resignation, sir," replied Kerry.

CHAPTER XXIV

TO INTRODUCE 719

Some moments of silence followed. Sounds of traffic from the
Embankment penetrated dimly to the room of the Assistant Commissioner;
ringing of tram bells and that vague sustained noise which is created
by the whirring of countless wheels along hard pavements. Finally:

"You have selected a curious moment to retire, Chief Inspector," said
the Assistant Commissioner. "Your prospects were never better. No
doubt you have considered the question of your pension?"

"I know what I'm giving up, sir," replied Kerry.

The Assistant Commissioner slowly revolved in his chair and gazed
sadly at the speaker. Chief Inspector Kerry met his glance with that
fearless, unflinching stare which lent him so formidable an
appearance.

"You might care to favor me with some explanation which I can lay
before the Chief Commissioner?"

Kerry snapped his white teeth together viciously.

"May I take it, sir, that you accept my resignation?"

"Certainly not. I will place it before the responsible authority. I
can do no more."

"Without disrespect, sir, I want to speak to you as man to man. As a
private citizen I could do it. As your subordinate I can't."

The Assistant Commissioner sighed, stroking his neatly brushed hair
with one large hand.

"Equally without disrespect, Chief Inspector," he murmured, "it is
news for me to learn that you have ever refrained from speaking your
mind either in my presence or in the presence of any man."

Kerry smiled, unable wholly to conceal a sense of gratified vanity.

"Well, sir," he said, "you have my resignation before you, and I'm
prepared to abide by the consequences. What I want to say is this: I'm
a man that has worked hard all his life to earn the respect and the
trust of his employers. I am supposed to be Chief Inspector of this
department, and as Chief Inspector I'll kow-tow to nothing on two legs
once I've been put in charge of a case. I work right in the sunshine.
There's no grafting about me. I draw my salary every week, and any man
that says I earn sixpence in the dark is at liberty to walk right in
here and deposit his funeral expenses. If I'm supposed to be under a
cloud--there's my reply. But I demand a public inquiry."

At ever increasing speed, succinctly, viciously he rapped out the
words. His red face grew more red, and his steel-blue eyes more
fierce. The Assistant Commissioner exhibited bewilderment. As the high
tones ceased:

"Really, Chief Inspector," he said, "you pain and surprise me. I do
not profess to be ignorant of the cause of your--annoyance. But
perhaps if I acquaint you with the facts of my own position in the
matter you will be open to reconsider your decision."

Kerry cleared his throat loudly.

"I won't work in the dark, sir," he declared truculently. "I'd rather
be a pavement artist and my own master than Chief Inspector with an
unknown spy following me about."

"Quite so--quite so." The Assistant Commissioner was wonderfully
patient. "Very well, Chief Inspector. It cannot enhance my personal
dignity to admit the fact, but I'm nearly as much in the dark as
yourself."

"What's that, sir?" Kerry sat bolt upright, staring at the speaker.

"At a late hour last night the Secretary of State communicated in
person with the Chief Commissioner--at the latter's town residence. He
instructed him to offer every facility to a newly appointed agent of
the Home office who was empowered to conduct an official inquiry into
the drug traffic. As a result Vine Street was advised that the Home
office investigator would proceed at once to Kazmah's premises, and
from thence wherever available clues might lead him. For some reason
which has not yet been explained to me, this investigator chooses to
preserve a strict anonymity."

Traces of irritation became perceptible in the weary voice. Kerry
staring, in silence, the Assistant Commissioner continued:

"I have been advised that this nameless agent is in a position to
establish his bona fides at any time, as he bears a number of these
cards. You see, Chief Inspector, I am frank with you."

From a table drawer the Assistant Commissioner took a visiting-card,
which he handed to Kerry. The latter stared at it as one stares at a
rare specimen. It was the card of Lord Wrexborough, His Majesty's
Principal Secretary of State for the Home Department, and in the
cramped caligraphy of his lordship it bore a brief note, initialled,
thus:

    Lord Wrexborough
    Great Cumberland Place, V. 1
    "To introduce 719. W."

Some moments of silence followed; then:

"Seven-one-nine," said Kerry in a high, strained voice. "Why
seven-one-nine? And why all this hocus-pocus? Am I to understand, sir,
that not only myself but all the Criminal Investigation Department is
under a cloud?"

The Assistant Commissioner stroked his hair.

"You are to understand, Chief Inspector, that for the first time
throughout my period of office I find myself out of touch with the
Chief Commissioner. It is not departmental for me to say so, but I
believe the Chief Commissioner finds himself similarly out of touch
with the Secretary of State. Apparently very powerful influences are
at work, and the line of conduct taken up by the Home office suggests
to my mind that collusion between the receivers and distributors of
drugs and the police is suspected by someone. That being so, possibly
out of a sense of fairness to all officially concerned, the committee
which I understand has been appointed to inquire into the traffic has
decided to treat us all alike, from myself down to the rawest
constable. It's highly irritating and preposterous, of course, but I
cannot disguise from you or from myself that we are on trial, Chief
Inspector!"

Kerry stood up and slowly moved his square shoulders in the manner of
an athlete about to attempt a feat of weight-lifting. From the
Assistant Commissioner's table he took the envelope which contained
his resignation, and tore it into several portions. These he deposited
in a waste-paper basket.

"That's that!" he said. "I am very deeply indebted to you, sir. I know
now what to tell the Press."

The Assistant Commissioner glanced up.

"Not a word about 719," he said, "of course, you understand this?"

"If we don't exist as far as 719 is concerned, sir," said Kerry in his
most snappy tones, "719 means nothing to me!"

"Quite so--quite so. Of course, I may be wrong in the motives which I
ascribe to this Whitehall agent, but misunderstanding is certain to
arise out of a system of such deliberate mystification, which can only
be compared to that employed by the Russian police under the Tsars."

Half an hour later Chief Inspector Kerry came out of New Scotland
Yard, and, walking down on to the Embankment, boarded a Norwood
tramcar. The weather remained damp and gloomy, but upon the red face
of Chief Inspector Kerry, as he mounted to the upper deck of the car,
rested an expression which might have been described as one of cheery
truculence. Where other passengers, coat collars upturned, gazed
gloomily from the windows at the yellow murk overhanging the river,
Kerry looked briskly about him, smiling pleasurably.

He was homeward bound, and when he presently alighted and went
swinging along Spenser Road towards his house, he was still smiling.
He regarded the case as having developed into a competition between
himself and the man appointed by Whitehall. And it was just such a
position, disconcerting to one of less aggressive temperament, which
stimulated Chief Inspector Kerry and put him in high good humor.

Mrs. Kerry, arrayed in a serviceable rain-coat, and wearing a plain
felt hat, was standing by the dining-room door as Kerry entered. She
had a basket on her arm. "I was waiting for ye, Dan," she said simply.

He kissed her affectionately, put his arm about her waist, and the two
entered the cosy little room. By no ordinary human means was it
possible that Mary Kerry should have known that her husband would come
home at that time, but he was so used to her prescience in this
respect that he offered no comment. She "kenned" his approach always,
and at times when his life had been in danger--and these were not of
infrequent occurrence--Mary Kerry, if sleeping, had awakened,
trembling, though the scene of peril were a hundred miles away, and if
awake had blanched and known a deadly sudden fear.

"Ye'll be goin' to bed?" she asked.

"For three hours, Mary. Don't fail to rouse me if I oversleep."

"Is it clear to ye yet?"

"Nearly clear. The dark thing you saw behind it all, Mary, was dope!
Kazmah's is a secret drug-syndicate. They've appointed a Home office
agent, and he's working independently of us, but . . ."

His teeth came together with a snap.

"Oh, Dan," said his wife, "it's a race? Drugs? A Home office agent?
Dan, they think the Force is in it?"

"They do!" rapped Kerry. "I'm for Leman Street in three hours. If
there's double-dealing behind it, then the mugs are in the East End,
and it's folly, not knavery, I'm looking for. It's a race, Mary, and
the credit of the Service is at stake! No, my dear, I'll have a snack
when I wake. You're going shopping?"

"I am, Dan. I'd ha' started, but I wanted to see ye when ye came hame.
If ye've only three hours go straight up the now. I'll ha' something
hot a' ready when ye waken."

Ten minutes later Kerry was in bed, his short clay pipe between his
teeth, and The Meditations of Marcus Aurelius in his hand. Such was
his customary sleeping-draught, and it had never been known to fail.
Half a pipe of Irish twist and three pages of the sad imperial author
invariably plunged Chief Inspector Kerry into healthy slumber.

CHAPTER XXV

NIGHT-LIFE OF SOHO

It was close upon midnight when Detective-Sergeant Coombes appeared in
a certain narrow West End thoroughfare, which was lined with taxicabs
and private cars. He wore a dark overcoat and a tweed cap, and
although his chin was buried in the genial folds of a woollen
comforter, and his cap was pulled down over his eyes, his sly smile
could easily be detected even in the dim light afforded by the car
lamps. He seemed to have business of a mysterious nature among the
cabmen; for with each of them in turn he conducted a brief
conversation, passing unobtrusively from cab to cab, and making
certain entries in a notebook. Finally he disappeared. No one actually
saw him go, and no one had actually seen him arrive. At one moment,
however, he was there; in the next he was gone.

Five minutes later Chief Inspector Kerry entered the street. His dark
overcoat and white silk muffler concealed a spruce dress suit, a fact
betrayed by black, braided trousers, unusually tight-fitting, and
boots which almost glittered. He carried the silver-headed malacca
cane, and had retained his narrow-brimmed howler at its customary
jaunty angle.

Passing the lines of waiting vehicles, he walked into the entrance of
a popular night-club which faced the narrow street. On a lounge
immediately inside the doorway a heated young man was sitting fanning
his dancing partner and gazing into her weakly pretty face in vacuous
adoration.

Kerry paused for a moment, staring at the pair. The man returned his
stare, looking him up and down in a manner meant to be contemptuous.
Kerry's fierce, intolerant gaze became transferred to the face and
then the figure of the woman. He tilted his hat further forward and
turned aside. The woman's glance followed him, to the marked disgust
of her companion

"Oh," she whispered, "what a delightfully savage man! He looks
positively uncivilized. I have no doubt he drags women about by their
hair. I do hope he's a member!"

Mollie Gretna spoke loudly enough for Kerry to hear her, but unmoved
by her admiration he stepped up to the reception office. He was in
high good humor. He had spent the afternoon agreeably, interviewing
certain officials charged with policing the East End of London, and
had succeeded, to quote his own language, "in getting a gale up."
Despite the coldness of the weather, he had left two inspectors and a
speechlessly indignant superintendent bathed in perspiration.

"Are you a member, sir?" inquired the girl behind the desk.

Kerry smiled genially. A newsboy thrust open the swing-door, yelling:
"Bond Street murder! A fresh development. Late speshul!"

"Oh!" cried Mollie Gretna to her companion, "get me a paper. Be quick!
I am so excited!"

Kerry took up a pen, and in large bold hand-writing inscribed the
following across two pages of the visitors' book:

"Chief Inspector Kerry. Criminal Investigation Department."

He laid a card on the open book, and, thrusting his cane under his
arm, walked to the head of the stairs.

"Cloak-room on the right, sir," said an attendant.

Kerry paused, glancing over his shoulder and chewing audibly. Then he
settled his hat more firmly upon his red head and descended the
stairs. The attendant went to inspect the visitors' book, but Mollie
Gretna was at the desk before him, and:

"Oh, Bill!" she cried to her annoyed cavalier, "it's Inspector Kerry--
who is in charge of poor Lucy's murder! Oh, Bill! this is lovely!
Something is going to happen! Do come down!"

Followed by the obedient but reluctant "Bill," Mollie ran downstairs,
and almost into the arms of a tall dark girl, who, carrying a purple
opera cloak, was coming up.

"You're not going yet, Dickey?" said Mollie, throwing her arm around
the other's waist.

"Ssh!" whispered "Dickey." "Inspector Kerry is here! You don't want to
be called as a witness at nasty inquests and things, do you?"

"Good heavens, my dear, no! But why should I be?"

"Why should any of us? But don't you see they are looking for the
people who used to go to Kazmah's? It's in the paper tonight. We shall
all be served with subpoenas. I'm off!"

Escaping from Mollie's embrace, the tall girl ran up the stairs,
kissing her hand to Bill as she passed. Mollie hesitated, looking all
about the crowded room for Chief Inspector Kerry. Presently she saw
him, standing nearly opposite the stairway, his intolerant blue eyes
turning right and left, so that the fierce glance seemed to miss
nothing and no one in the room. Hands thrust in his overcoat pockets
and his cane held under his arm, he inspected the place and its
occupants as a very aggressive country cousin might inspect the
monkey-house at the Zoo. To Mollie's intense disappointment he
persistently avoided looking in her direction.

Although a popular dance was on the point of commencing, several
visitors had suddenly determined to leave. Kerry pretended to be
ignorant of the sensation which his appearance had created, passing
slowly along the room and submitting group after group to deliberate
scrutiny; but as news flies through an Eastern bazaar the name of the
celebrated detective, whose association with London's latest crime was
mentioned by every evening paper in the kingdom, sped now on magic
wings, so that there was a muted charivari out of which, in every key
from bass to soprano, arose ever and anon the words "Chief Inspector
Kerry."

"It's perfectly ridiculous but characteristically English," drawled
one young man, standing beside Mollie Gretna, "to send out a belly
red-headed policeman in preposterous glad-rags to look for a clever
criminal. Kerry is well known to all the crooks, and nobody could
mistake him. Damn silly--damn silly!"

As "damn silly" Kerry's open scrutiny of the members and visitors
must have appeared to others, but it was a deliberate policy very
popular with the Chief Inspector, and termed by him "beating."
Possessed of an undisguisable personality, Kerry had found a way of
employing his natural physical peculiarities to his professional
advantage. Where other investigators worked in the dark, secretly, Red
Kerry sought the limelight--at the right time. That every hour lost in
getting on the track of the mysterious Kazmah was a point gained by
the equally mysterious man from Whitehall he felt assured, and
although the elaborate but hidden mechanism of New Scotland Yard was
at work seeking out the patrons of the Bond Street drug-shop, Kerry
was indisposed to await the result.

He had been in the night club only about ten minutes, but during those
ten minutes fully a dozen people had more or less hurriedly departed.
Because of the arrangements already made by Sergeant Coombes, the
addresses of many of these departing visitors would be in Kerry's
possession ere the night was much older. And why should they have
fled, incontinent, if not for the reason that they feared to become
involved in the Kazmah affair? All the cabmen had been warned, and
those fugitives who had private cars would be followed.

It was a curious scene which Kerry surveyed, a scene to have
interested philosopher and politician alike. For here were
representatives of every stratum of society, although some of those
standing for the lower strata were suitably disguised. The peerage was
well represented, so was Judah; there were women entitled to wear
coronets dancing with men entitled to wear the broad arrow, and men
whose forefathers had signed Magna Charta dancing with chorus girls
from the revues and musical comedies.

Waiting until the dance was fully in progress, Inspector Kerry walked
slowly around the room in the direction of the stair. Parties seated
at tables were treated each to an intolerant stare, alcoves were
inspected, and more than one waiter meeting the gaze of the steely
eyes, felt a prickling of conscience and recalled past peccadilloes.

Bill had claimed Mollie Gretna for the dance, but:

"No, Bill," she had replied, watching Kerry as if enthralled; "I don't
want to dance. I am watching Chief Inspector Kerry."

"That's evident," complained the young man. "Perhaps you would like to
spend the rest of the night in Bow Street?"

"Oh," whispered Mollie, "I should love it! I have never been arrested,
but if ever I am I hope it will be by Chief Inspector Kerry. I am
positive he would haul me away in handcuffs!"

When Kerry came to the foot of the stairs, Mollie quite deliberately
got in his way, murmured an apology, and gave him a sidelong gaze
through lowered lashes, which was more eloquent than any thesis. He
smiled with fierce geniality, looked her up and down, and proceeded to
mount the stairs, with never a backward glance.

His genius for criminal investigation possessed definite limitations.
He could not perhaps have been expected in tactics so completely
opposed to those which he had anticipated to recognize the presence of
a valuable witness. Student of human nature though undoubtedly he was,
he had not solved the mystery of that outstanding exception which
seems to be involved in every rule.

Thus, a fellow with a low forehead and a weakly receding chin, Kerry
classified as a dullard, a witling, unaware that if the brow were but
low enough and the chin virtually absent altogether he might stand in
the presence of a second Daniel. Physiognomy is a subtle science, and
the exceptions to its rules are often of a sensational character. In
the same way Kerry looked for evasion, and, where possible, flight, on
the part of one possessing a guilty conscience. Mollie Gretna was a
phenomenal exception to a rule otherwise sound. And even one familiar
with criminal psychology might be forgiven for failing to detect guilt
in a woman anxious to make the acquaintance of a prominent member of
the Criminal Investigation Department.

Pausing for a moment in the entrance of the club, and chewing
reflectively, Kerry swung open the door and walked out into the
street. He had one more cover to "beat," and he set off briskly,
plunging into the mazes of Soho crossing Wardour Street into old
Compton Street, and proceeding thence in the direction of Shaftesbury
Avenue. Turning to the right on entering the narrow thoroughfare for
which he was bound, he stopped and whistled softly. He stood in the
entrance to a court; and from further up the court came an answering
whistle.

Kerry came out of the court again, and proceeded some twenty paces
along the street to a restaurant. The windows showed no light, but the
door remained open, and Kerry entered without hesitation, crossed a
darkened room and found himself in a passage where a man was seated in
a little apartment like that of a stage-door keeper. He stood up, on
hearing Kerry's tread, peering out at the newcomer.

"The restaurant is closed, sir "

"Tell me a better one," rapped Kerry. "I want to go upstairs."

"Your card, sir."

Kerry revealed his teeth in a savage smile and tossed his card on to
the desk before the concierge. He passed on, mounting the stairs at
the end of the passage. Dimly a bell rang; and on the first landing
Kerry met a heavily built foreign gentleman, who bowed.

"My dear Chief Inspector," he said gutturally, "what is this, please?
I trust nothing is wrong, eh?"

"Nothing," replied Kerry. "I just want to look round."

"A few friends," explained the suave alien, rubbing his hands together
and still bowing, "remain playing dominoes with me."

"Very good," rapped Kerry. "Well, if you think we have given them time
to hide the 'wheel' we'll go in. Oh, don't explain. I'm not worrying
about sticklebacks tonight. I'm out for salmon."

He opened a door on the left of the landing and entered a large room
which offered evidence of having been hastily evacuated by a
considerable company. A red and white figured cloth of a type much
used in Continental cafes had been spread upon a long table, and three
foreigners, two men and an elderly woman, were bending over a row of
dominoes set upon one corner of the table. Apparently the men were
playing and the woman was watching. But there was a dense cloud of
cigar smoke in the room, and mingled with its pungency were sweeter
scents. A number of empty champagne bottles stood upon a sideboard and
an elegant silk theatre-bag lay on a chair.

"H'm," said Kerry, glaring fiercely from the bottles to the players,
who covertly were watching him. "How you two smarts can tell a domino
from a door-knocker after cracking a dozen magnums gets me guessing.

He took up the scented bag and gravely handed it to the old woman.

"You have mislaid your bag, madam," he said. "But, fortunately, I
noticed it as I came in."

He turned the glance of his fierce eyes upon the man who had met him
on the landing, and who had followed him into the room.

"Third floor, von Hindenburg," he rapped. "Don't argue. Lead the way."

For one dangerous moment the man's brow lowered and his heavy face
grew blackly menacing. He exchanged a swift look with his friends
seated at the disguised roulette table. Kerry's jaw muscles protruded
enormously.

"Give me another answer like that," he said in a tone of cold
ferocity, "and I'll kick you from here to Paradise."

"No offense--no offense," muttered the man, quailing before the
savagery of the formidable Chief Inspector. "You come this way,
please. Some ladies call upon me this evening, and I do not want to
frighten them."

"No," said Kerry, "you wouldn't, naturally." He stood aside as a door
at the further end of the room was opened. "After you, my friend. I
said 'lead the way.' "

They mounted to the third floor of the restaurant. The room which they
had just quitted was used as an auxiliary dining and supper-room
before midnight, as Kerry knew. After midnight the centre table was
unmasked, and from thence onward to dawn, sometimes, was surrounded by
roulette players. The third floor he had never visited, but he had a
shrewd idea that it was not entirely reserved for the private use of
the proprietor.

A babel of voices died away as the two men walked into a room rather
smaller than that below and furnished with little tables, cafe
fashion. At one end was a grand piano and a platform before which a
velvet curtain was draped. Some twenty people, men and women, were in
the place, standing looking towards the entrance. Most of the men and
all the women but one were in evening dress; but despite this common
armor of respectability, they did not all belong to respectable
society.

Two of the women Kerry recognized as bearers of titles, and one was
familiar to him as a screen-beauty. The others were unclassifiable,
but all were fashionably dressed with the exception of a masculine-
looking lady who had apparently come straight off a golf course, and
who later was proved to be a well-known advocate of woman's rights.
The men all belonged to familiar types. Some of them were Jews.

Kerry, his feet widely apart and his hands thrust in his overcoat
pockets, stood staring at face after face and chewing slowly. The
proprietor glanced apologetically at his patrons and shrugged. Silence
fell upon the company. Then:

"I am a police officer," said Kerry sharply. "You will file out past
me, and I want a card from each of you. Those who have no cards will
write name and address here."

He drew a long envelope and a pencil from a pocket of his dinner
jacket. Laying the envelope and pencil on one of the little tables:

"Quick march!" he snapped. "You, sir!" shooting out his forefinger in
the direction of a tall, fair young man, "step out!"

Glancing helplessly about him, the young man obeyed, and approaching
Kerry:

"I say, officer," he whispered nervously, "can't you manage to keep my
name out of it? I mean to say, my people will kick up the deuce.
Anything up to a tenner. . . ."

The whisper faded away. Kerry's expression had grown positively
ferocious.

"Put your card on the table," he said tersely, "and get out while my
hands stay in my pockets!"

Hurriedly the noble youth (he was the elder son of an earl) complied,
and departed. Then, one by one, the rest of the company filed past the
Chief Inspector. He challenged no one until a Jew smilingly laid a
card on the table bearing the legend: "Mr. John Jones, Lincoln's Inn
Fields."

"Hi!" rapped Kerry, grasping the man's arm. "One moment, Mr. 'Jones'!
The card I want is in the other case. D'you take me for a mug? That
'Jones' trick was tried on Noah by the blue-faced baboon!"

His perception of character was wonderful. At some of the cards he did
not even glance; and upon the women he wasted no time at all. He took
it for granted that they would all give false names, but since each of
them would be followed it did not matter. When at last the room was
emptied, he turned to the scowling proprietor, and:

"That's that!" he said. "I've had no instructions about your
establishment, my friend, and as I've seen nothing improper going on
I'm making no charge, at the moment. I don't want to know what sort of
show takes place on your platform, and I don't want to know anything
about you that I don't know already. You're a Swiss subject and a dark
horse."

He gathered up the cards from the table, glancing at them carelessly.
He did not expect to gain much from his possession of these names and
addresses. It was among the women that he counted upon finding patrons
of Kazmah and Company. But as he was about to drop the cards into his
overcoat pocket, one of them, which bore a written note, attracted his
attention.

At this card he stared like a man amazed; his face grew more and more
red, and:

"Hell!" he said--"Hell! which of 'em was it?"

The card contained the following:--

    Lord Wrexborough
    Great Cumberland Place, V. 1
    "To introduce 719. W."

CHAPTER XXVI

THE MOODS OF MOLLIE

Early the following morning Margaret Halley called upon Mollie Gretna.

Mollie's personality did not attract Margaret. The two had nothing in
common, but Margaret was well aware of the nature of the tie which had
bound Rita Irvin to this empty and decadent representative of English
aristocracy. Mollie Gretna was entitled to append the words "The
Honorable" to her name, but not only did she refrain from doing so but
she even preferred to be known as "Gretna"--the style of one of the
family estates.

This pseudonym she had adopted shortly after her divorce, when she had
attempted to take up a stage career. But although the experience had
proved disastrous, she had retained the nom de guerre, and during the
past four years had several times appeared at war charity garden-
parties as a classical dancer--to the great delight of the guests and
greater disgust of her family. Her maternal uncle, head of her house,
said to be the most blase member of the British peerage and known as
"the noble tortoise," was generally considered to have pronounced the
final verdict upon his golden-haired niece when he declared "she is
almost amusing."

Mollie received her visitor with extravagant expressions of welcome.

"My dear Miss Halley," she cried, "how perfectly sweet of you to come
to see me! of course, I can guess what you have called about. Look! I
have every paper published this morning in London! Every one! Oh!
poor, darling little Rita! What can have become of her!"

Tears glistened upon her carefully made-up lashes, and so deep did her
grief seem to be that one would never have suspected that she had
spent the greater part of the night playing bridge at a "mixed" club
in Dover Street, and from thence had proceeded to a military
"breakfast-dance."

"It is indeed a ghastly tragedy," said Margaret. "It seems incredible
that she cannot be traced."

"Absolutely incredible!" declared Mollie, opening a large box of
cigarettes. "Will you have one, dear?"

"No, thanks. By the way, they are not from Buenos Ayres, I suppose?"

Mollie, cigarette in hand, stared, round-eyed, and:

"Oh, my dear Miss Halley!" she cried, "what an idea! Such a funny
thing to suggest."

Margaret smiled coolly.

"Poor Sir Lucien used to smoke cigarettes of that kind," she
explained, "and I thought perhaps you smoked them, too."

Mollie shook her head and lighted the cigarette.

"He gave me one once, and it made me feel quite sick," she declared.

Margaret glanced at the speaker, and knew immediately that Mollie had
determined to deny all knowledge of the drug coterie. Because there is
no problem of psychology harder than that offered by a perverted mind,
Margaret was misled in ascribing this secrecy to a desire to avoid
becoming involved in a scandal. Therefore:

"Do you quite realize, Miss Gretna," she said quietly, "that every
hour wasted now in tracing Rita may mean, must mean, an hour of agony
for her?"

"Oh, don't! please don't!" cried Mollie, clasping her hands. "I cannot
bear to think of it."

"God knows in whose hands she is. Then there is poor Mr. Irvin. He is
utterly prostrated. One shudders to contemplate his torture as the
hours and the days go by and no news comes of Rita."

"Oh, my dear! you are making me cry!" exclaimed Mollie. "If only I
could do something to help. . . ."

Margaret was studying her closely, and now for the first time she
detected sincere emotion in Mollie's voice--and unforced tears in her
eyes. Hope was reborn.

"Perhaps you can," she continued, speaking gently. "You knew all
Rita's friends and all Sir Lucien's. You must have met the woman
called Mrs. Sin?"

"Mrs. Sin," whispered Mollie, staring in a frightened way so that the
pupils of her eyes slowly enlarged. "What about Mrs. Sin?"

"Well, you see, they seem to think that through Mrs. Sin they will be
able to trace Kazmah; and wherever Kazmah is one would expect to find
poor Rita."

Mollie lowered her head for a moment, then glanced quickly at the
speaker, and quickly away again.

"Please let me explain just what I mean," continued Margaret. "It
seems to be impossible to find anybody in London who will admit having
known Mrs. Sin or Kazmah. They are all afraid of being involved in the
case, of course. Now, if you can help, don't hesitate for that reason.
A special commission has been appointed by Lord Wrexborough to deal
with the case, and their agent is working quite independently of the
police. Anything which you care to tell him will be treated as
strictly confidential; but think what it may mean to Rita."

Mollie clasped her hands about her right knee and rocked to and fro in
her chair.

"No one knows who Kazmah is," she said.

"But a number of people seem to know Mrs. Sin. I am sure you must have
met her?"

"If I say that I know her, shall I be called as a witness?"

"Certainly not. I can assure you of that."

Mollie continued to rock to and fro.

"But if I were to tell the police I should have to go to court, I
suppose?"

"I suppose so," replied Margaret. "I am afraid I am dreadfully
ignorant of such matters. It might depend upon whether you spoke to a
high official or to a subordinate one; an ordinary policeman for
instance. But the Home office agent has nothing whatever to do with
Scotland Yard."

Mollie stood up in order to reach an ash-tray, and:

"I really don't think I have anything to say, Miss Halley," she
declared. "I have certainly met Mrs. Sin, but I know nothing whatever
about her, except that I believe she is a Jewess."

Margaret sighed, looking up wistfully into Mollie's face. "Are you
quite sure?" she pleaded. "Oh, Miss Gretna, if you know anything--
anything--don't hide it now. It may mean so much."

"Oh, I quite understand that," cried Mollie. "My heart simply aches
and aches when I think of poor, sweet little Rita. But--really I don't
think I can be of the least tiny bit of use."

Their glances met, and Margaret read hostility in the shallow eyes.
Mollie, who had been wavering, now for some reason had become
confirmed in her original determination to remain silent. Margaret
stood up.

"It is no good, then," she said. "We must hope that Rita will be
traced by the police. Good-bye, Miss Gretna. I am so sorry you cannot
help."

"And so am I!" declared Mollie. "It is perfectly sweet of you to take
such an interest, and I feel a positive worm. But what can I do?"

As Margaret was stepping into her little runabout car, which awaited
her at the door, a theory presented itself to account for Mollie's
sudden hostility. It had developed, apparently, as a result of
Margaret's reference to the Home office inquiry. Of course! Mollie
would naturally be antagonistic to a commission appointed to suppress
the drug traffic.

Convinced that this was the correct explanation, Margaret drove away,
reflecting bitterly that she had been guilty of a strategical error
which it was now too late to rectify.

In common with others, Kerry among them, who had come in contact with
that perverted intelligence, she misjudged Mollie's motives. In the
first place, the latter had no wish to avoid publicity, and in the
second place--although she sometimes wondered vaguely what she should
do when her stock of drugs became exhausted--Mollie was prompted by no
particular animosity toward the Home office inquiry. She had merely
perceived a suitable opportunity to make the acquaintance of the
fierce red Chief Inspector, and at the same time to secure notoriety
for herself.

Ere Margaret's car had progressed a hundred yards from the door,
Mollie was at the telephone.

"City 400, please," she said.

An interval elapsed, then:

"Is that the Commissioner's office, New Scotland Yard?" she asked.

A voice replied that it was.

"Could you put me through to Chief Inspector Kerry?"

"What name?" inquired the voice.

Mollie hesitated for three seconds, and then gave her family name.

"Very well, madam," said the voice respectfully. "Please hold on, and
I will enquire if the Chief Inspector is here."

Mollie's heart was beating rapidly with pleasurable excitement, and
she was as confused as a maiden at her first rendezvous. Then:

"Hello," said the voice.

"Yes?"

"I am sorry, madam. But Chief Inspector Kerry is off duty."

"Oh, dear!" sighed Mollie, "what a pity. Can you tell me where I could
find him?"

"I am afraid not, madam. It is against the rules to give private
addresses of members of any department."

"Oh, very well." She sighed again. "Thank you."

She replaced the receiver and stood biting her finger thoughtfully.
She was making a mental inventory of her many admirers and wondering
which of them could help her. Suddenly she came to a decision on the
point. Taking up the receiver:

"Victoria 8440, please," she said.

Still biting one finger she waited, until:

"Foreign office," announced a voice.

"Please put me through to Mr. Archie Boden-Shaw," she said.

Ere long that official's secretary was inquiring her name, and a
moment later:

"Is that you, Archie?" said Mollie. "Yes! Mollie speaking. No, please
listen, Archie! You can get to know everything at the Foreign office,
and I want you to find out for me the private address of Chief
Inspector Kerry, who is in charge of the Bond Street murder case.
Don't be silly! I've asked Scotland Yard, but they won't tell me. You
can find out. . . . It doesn't matter why I want to know. . . . Just
ring me up and tell me. I must know in half an hour. Yes, I shall be
seeing you tonight. Good-bye. . . ."

Less than half an hour later, the obedient Archie rang up, and Mollie,
all excitement, wrote the following address in a dainty scented
notebook which she carried in her handbag.

    CHIEF INSPECTOR KERRY,
    67 Spenser Road, Brixton.

CHAPTER XXVII

CROWN EVIDENCE

The appearance of the violet-enamelled motor brougham upholstered in
cream, and driven by a chauffeur in a violet and cream livery, created
some slight sensation in Spenser Road, S.E. Mollie Gretna's
conspicuous car was familiar enough to residents in the West End of
London, but to lower middle-class suburbia it came as something of a
shock. More than one window curtain moved suspiciously, suggesting a
hidden but watchful presence, when the glittering vehicle stopped
before the gate of number 67; and the lady at number 68 seized an
evidently rare opportunity to come out and polish her letter-box.

She was rewarded by an unobstructed view of the smartest woman in
London (thus spake society paragraphers) and of the most expensive set
of furs in Europe, also of a perfectly gowned slim figure. Of Mollie's
disdainful face, with its slightly uptilted nose, she had no more than
a glimpse.

A neat maid, evidently Scotch, admitted the dazzling visitor to number
67; and Spenser Road waited and wondered. It was something to do with
the Bond Street murder! Small girls appeared from doorways suddenly
opened and darted off to advise less-watchful neighbors.

Kerry, who had been at work until close upon dawn in the mysterious
underworld of Soho was sleeping, but Mrs. Kerry received Mollie in a
formal little drawing-room, which, unlike the cosy, homely dining-
room, possessed that frigid atmosphere which belongs to uninhabited
apartments. In a rather handsome cabinet were a number of trophies
associated with the detective's successful cases. The cabinet itself
was a present from a Regent Street firm for whom Kerry had recovered
valuable property.

Mary Kerry, dressed in a plain blouse and skirt, exhibited no trace of
nervousness in the presence of her aristocratic and fashionable
caller. Indeed, Mollie afterwards declared that "she was quite a
ladylike person. But rather tin tabernacley, my dear."

"Did ye wish to see Chief Inspector Kerry parteecularly?" asked Mary,
watching her visitor with calm, observant eyes.

"Oh, most particularly!" cried Mollie, in a flutter of excitement. "Of
course I don't know what you must think of me for calling at such a
preposterous hour, but there are some things that simply can't wait."

"Aye," murmured Mrs. Kerry. "'Twill be yon Bond Street affair?"

"Oh, yes, it is, Mrs. Kerry. Doesn't the very name of Bond Street turn
your blood cold? I am simply shivering with fear!"

"As the wife of a Chief Inspector I am maybe more used to tragedies
than yoursel', madam. But it surely is a sair grim business. My
husband is resting now. He was hard at work a' the night. Nae doubt
ye'll be wishin' tee see him privately?"

"Oh, if you please. I am so sorry to disturb him. I can imagine that
he must be literally exhausted after spending a whole night among
dreadful people."

Mary Kerry stood up.

"If ye'll excuse me for a moment I'll awaken him," she said. "Our
household is sma'."

"Oh, of course! I quite understand, Mrs. Kerry! So sorry. But so good
of you."

"Might I offer ye a glass o' sherry an' a biscuit?"

"I simply couldn't dream of troubling you! Please don't suggest such a
thing. I feel covered with guilt already. Many thanks nevertheless."

Mary Kerry withdrew, leaving Mollie alone. As soon as the door closed
Mollie stood up and began to inspect the trophies in the cabinet. She
was far too restless and excited to remain sitting down. She looked at
the presentation clock on the mantelpiece and puzzled over the
signatures engraved upon a large silver dish which commemorated the
joy displayed by the Criminal Investigation Department upon the
occasion of Kerry's promotion to the post of Chief Inspector.

The door opened and Kerry came in. He had arisen and completed his
toilet in several seconds less than five minutes. But his spotlessly
neat attire would have survived inspection by the most lynx-eyed
martinet in the Brigade of Guards. As he smiled at his visitor with
fierce geniality, Mollie blushed like a young girl.

Chief Inspector Kerry was a much bigger man than she had believed him
to be. The impression left upon her memory by his brief appearance at
the night club had been that of a small, dapper figure. Now, as he
stood in the little drawing-room, she saw that he was not much if
anything below the average height of Englishmen, and that he possessed
wonderfully broad shoulders. In fact, Kerry was deceptive. His compact
neatness and the smallness of his feet and hands, together with those
swift, lithe movements which commonly belong to men of light physique,
curiously combined to deceive the beholder, but masked eleven stones
(*note: 1 stone = 14 pounds) of bone and muscle.

"Very good of you to offer information, miss," he said. "I'm willing
to admit that I can do with it."

He opened a bureau and took out a writing-block and a fountain pen.
Then he turned and stared hard at Mollie. She quickly lowered her
eyes.

"Excuse me," said Kerry, "but didn't I see you somewhere last night?"

"Yes," she said. "I was sitting just inside the door at--"

"Right! I remember," interrupted Kerry. He continued to stare. "Before
you say any more, miss, I have to remind you that I am a police
officer, and that you may be called upon to swear to the truth of any
information you may give me."

"Oh, of course! I know."

"You know? Very well, then; we can get on. Who gave you my address?"

At the question, so abruptly asked, Mollie felt herself blushing
again. It was delightful to know that she could still blush. "Oh--
I . . . that is, I asked Scotland Yard "

She bestowed a swift, half-veiled glance at her interrogator, but he
offered her no help, and:

"They wouldn't tell me," she continued. "So--I had to find out. You
see, I heard you were trying to get information which I thought
perhaps I could give."

"So you went to the trouble to find my private address rather than to
the nearest police station," said Kerry. "Might I ask you from whom
you heard that I wanted this information?"

"Well--it's in the papers, isn't it?"

"It is certainly. But it occurred to me that someone. . . connected
might have told you as well."

"Actually, someone did: Miss Margaret Halley."

"Good!" rapped Kerry. "Now we're coming to it. She told you to come to
me?"

"Oh, no!" cried Mollie--"she didn't. She told me to tell her so that
she could tell the Home office."

"Eh?" said Kerry, "eh?" He bent forward, staring fiercely. "Please
tell me exactly what Miss Halley wanted to know."

The intensity of his gaze Mollie found very perturbing, but:

"She wanted me to tell her where Mrs. Sin lived," she replied.

Kerry experienced a quickening of the pulse. In the failure of the
C.I.D. to trace the abode of the notorious Mrs. Sin he had suspected
double-dealing. He counted it unbelievable that a figure so
conspicuous in certain circles could evade official quest even for
forty-eight hours. K Division's explanation, too, that there were no
less than eighty Chinamen resident in and about Limehouse whose names
either began or ended with Sin, he looked upon as a paltry evasion.
That very morning he had awakened from a species of nightmare wherein
719 had affected the arrest of Kazmah and Mrs. Sin and had rescued
Mrs. Irvin from the clutches of the former. Now--here was hope. 719
would seem to be as hopelessly in the dark as everybody else.

"You refused?" he rapped.

"Of course I did, Inspector," said Mollie, with a timid, tender
glance. "I thought you were the proper person to tell."

"Then you know?" asked Kerry, unable to conceal his eagerness.

"Yes," sighed Mollie. "Unfortunately--I know. Oh Inspector, how can I
explain it to you?"

"Don't trouble, miss. Just give me the address and I'll ask no
questions!"

His keenness was thrilling, infectious. As a result of the night's
"beating" he had a list of some twenty names whose owners might have
been patrons of Kazmah and some of whom might know Mrs. Sin. But he
had learned from bitter experience how difficult it was to induce such
people to give useful evidence. There was practically no means of
forcing them to speak if they chose, from selfish motives, to be
silent. They could be forced to appear in court, but anything elicited
in public was worse than useless. Furthermore, Kerry could not afford
to wait. Mollie replied excitedly:

"Oh, Inspector, I know you will think me simply an appalling person
when I tell you; but I have been to Mrs. Sin's house--'The House of a
Hundred Raptures' she calls it--"

"Yes, yes! But--the address?"

"However can I tell you the address, Inspector? I could drive you
there, but I haven't the very haziest idea of the name of the horrible
street! One drives along dreadful roads where there are stalls and
Jews for quite an interminable time, and then over a sort of canal,
and then round to the right all among ships and horrid Chinamen. Then,
there is a doorway in a little court, and Mrs. Sin's husband sits
inside a smelly room with a positively ferocious raven who shrieks
about legs and policemen! Oh! Can I ever forget it!"

"One moment, miss, one moment," said Kerry, keeping an iron control
upon himself. "What is the name of Mrs. Sin's husband?"

"Oh, let me think! I can always remember it by recalling the croak of
the raven." She raised one hand to her brow, posing reflectively, and
began to murmur:

"Sin Sin Ah . . . Sin Sin Jar . . . Sin Sin--Oh! I have it! Sin Sin
Wa!"

"Good!" rapped Kerry, and made a note on the block. "Sin Sin Wa, and
he has a pet raven, you say, who talks?"

"Who positively talks like some horrid old woman!" cried Mollie. "He
has only one eye."

"The raven?"

"The raven, yes--and also the Chinaman."

"What!"

"Oh! it's a nightmare to behold them together!" declared Mollie,
clasping her hands and bending forward.

She was gaining courage, and now looked almost boldly into the fierce
eyes of the Chief Inspector.

"Describe the house," he said succinctly. "Take your time and use your
own words."

Thereupon Mollie launched into a description of Sin Sin Wa's opium-
house. Kerry, his eyes fixed upon her face, listened silently. Then:

"These little rooms are really next door?" he asked.

"I suppose so, Inspector. We always went through the back of a
cupboard!"

"Can you give me names of others who used this place?"

"Well"--Mollie hesitated--"poor Rita, of course and Sir Lucien. Then,
Cyrus Kilfane used to go."

"Kilfane? The American actor?"

"Yes."

"H'm. He's back in America, Sir Lucien is dead, and Mrs. Irvin is
missing. Nobody else?"

Mollie shook her head.

"Who first took you there?"

"Cyrus Kilfane."

"Not Sir Lucien?"

"Oh, no. But both of them had been before."

"What was Kazmah's connection with Mrs. Sin and her husband?"

"I have no idea, Inspector. Kazmah used to supply cocaine and veronal
and trional and heroin, but those who wanted to smoke opium he sent to
Mrs. Sin."

"What! he gave them her address?"

"No, no! He gave her their address."

"I see. She called?"

"Yes. Oh, Inspector"--Mollie bent farther forward--"I can see in your
eyes that you think I am fabulously wicked! Shall I be arrested?"

Kerry coughed drily and stood up.

"Probably not, miss. But you may be required to give evidence."

"Oh, actually?" cried Mollie, also standing up and approaching nearer.

"Yes. Shall you object?"

Mollie looked into his eyes.

"Not if I can be of the slightest assistance to you, Inspector."

A theory to explain why this social butterfly had sought him out as a
recipient of her compromising confidences presented itself to Kerry's
mind. He was a modest man, having neither time nor inclination for
gallantries, and this was the first occasion throughout his
professional career upon which he had obtained valuable evidence on
the strength of his personal attractions. He doubted the accuracy of
his deduction. But, Mollie at that moment lowering her lashes and then
rapidly raising them again, Kerry was compelled to accept his own
astonishing theory.

"And she is the daughter of a peer!" he reflected. "No wonder it has
been hard to get evidence."

He glanced rapidly in the direction of the door. There were several
details which were by no means clear, but he decided to act upon the
information already given and to get rid of his visitor without delay.
Where some of the most dangerous criminals in Europe and America had
failed, Mollie Gretna had succeeded in making Red Kerry nervous.

"I am much indebted to you, miss," he said, and opened the door.

"Oh, it has been delightful to confess to you, Inspector!" declared
Mollie. "I will give you my card, and I shall expect you to come to me
for any further information you may want. If I have to be brought to
court, you will tell me, won't you?"

"Rely upon me, miss," replied Kerry shortly.

He escorted Mollie to her brougham, observed by no less than six
discreetly hidden neighbors. And as the brougham was driven off she
waved her hand to him! Kerry felt a hot flush spreading over his red
countenance, for the veiled onlookers had not escaped his attention.
As he re-entered the house:

"Yon's a bad woman," said his wife, emerging from the dining-room.

"I believe you may be right, Mary," replied Kerry confusedly.

"I kenned it when fairst I set een upon her painted face. I kenned it
the now when she lookit sideways at ye. If yon's a grand lady, she's a
woman o' puir repute. The Lord gi'e us grace."

CHAPTER XXVIII

THE GILDED JOSS

London was fog-bound. The threat of the past week had been no empty
one. Towards the hour of each wintry sunset had come the yellow racks,
hastening dusk and driving folks more speedily homeward to their
firesides. The dull reports of fog-signals had become a part of the
metropolitan bombilation, but hitherto the choking mist had not
secured a strangle-hold.

Now, however, it had triumphed, casting its thick net over the city as
if eager to stifle the pulsing life of the new Babylon. In the
neighborhood of the Docks its density was extraordinary, and the
purlieus of Limehouse became mere mysterious gullies of smoke
impossible to navigate unless one were very familiar with their
intricacies and dangers.

Chief Inspector Kerry, wearing a cardigan under his oilskins, tapped
the pavement with the point of his malacca like a blind man. No
glimmer of light could he perceive. He could not even see his
companion.

"Hell!" he snapped irritably, as his foot touched a brick wall, "where
the devil are you, constable?"

"Here beside you, sir," answered P.C. Bryce, of K Division, his guide.

"Which side?"

"Here, sir."

The constable grasped Kerry's arm.

"But we've walked slap into a damn brick wall!"

"Keep the wall on your left, sir, and it's all clear ahead."

"Clear be damned!" said Kerry. "Are we nearly there?"

"About a dozen paces and we shall see the lamp--if it's been lighted."

"And if not we shall stroll into the river, I suppose?"

"No danger of that. Even if the lamp's out, we shall strike the iron
pillar."

"I don't doubt it," said Kerry grimly.

They proceeded at a slow pace. Dull reports and a vague clangor were
audible. These sounds were so deadened by the clammy mist that they
might have proceeded from some gnome's workshop deep in the bowels of
the earth. The blows of a pile-driver at work on the Surrey shore
suggested to Kerry's mind the phantom crew of Hendrick Hudson at their
game of ninepins in the Katskill Mountains. Suddenly:

"Is that you, Bryce?" he asked.

"I'm here, sir," replied the voice of the constable from beside him.

"H'm, then there's someone else about." He raised his voice. "Hi,
there! have you lost your way?"

Kerry stood still, listening. But no one answered to his call.

"I'll swear there was someone just behind us, Bryce!"

"There was, sir. I saw someone, too. A Chinese resident, probably.
Here we are!"

A sound of banging became audible, and on advancing another two paces,
Kerry found himself beside Bryce before a low closed door.

"Hello! hello!" croaked a dim voice. "Number one p'lice chop, lo! Sin
Sin Wa!"

The flat note of a police whistle followed.

"Sin Sin is at home," declared Bryce. "That's the raven."

"Does he take the thing about with him, then?"

"I don't think so. But he puts it in a cupboard when he goes out, and
it never talks unless it can see a light."

Bolts were unfastened and the door was opened. Out through the moving
curtain of fog shone the red glow from a stove. A grotesque silhouette
appeared outlined upon the dim redness.

"You wantchee me?" crooned Sin Sin Wa.

"I do!" rapped Kerry. "I've called to look for opium."

He stepped past the Chinaman into the dimly lighted room. As he did
so, the cause of an apparent deformity which had characterized the
outline of Sin Sin Wa became apparent. From his left shoulder the
raven partly arose, moving his big wings, and:

"Smartest leg!" it shrieked in Kerry's ear and rattled imaginary
castanets.

The Chief Inspector started, involuntarily.

"Damn the thing!" he muttered. "Come in, Bryce, and shut the door.
What's this?"

On a tea-chest set beside the glowing stove, the little door of which
was open, stood a highly polished squat wooden image, gilded and
colored red and green. It was that of a leering Chinaman, possibly
designed to represent Buddha, and its jade eyes seemed to blink
knowingly in the dancing rays from the stove.

"Sin Sin Wa's Joss" murmured the proprietor, as Bryce closed the outer
door. "Me shinee him up; makee Joss glad. Number one piecee Joss."

Kerry turned and stared into the pock-marked smiling face. Seen in
that dim light it was not unlike the carved face of the image, save
that the latter possessed two open eyes and the Chinaman but one. The
details of the room were indiscernible, lost in yellowish shadow, but
the eye of the raven and the eye of Sin Sin Wa glittered like strange
jewels.

"H'm" said Kerry. "Sorry to interrupt your devotions. Light us."

"Allee velly proper," crooned Sin Sin Wa.

He took up the Joss tenderly and bore it across the room. Opening a
little cupboard set low down near the floor he discovered a lighted
lantern. This he took out and set upon the dirty table. Then he placed
the image on a shelf in the cupboard and turned smilingly to his
visitors.

"Number one p'lice!" shrieked the raven.

"Here!" snapped Kerry. "Put that damn thing to bed!"

"Velly good," murmured Sin Sin Wa complacently.

He raised his hand to his shoulder and the raven stepped sedately from
shoulder to wrist. Sin Sin Wa stooped.

"Come, Tling-a-Ling," he said softly. "You catchee sleepee."

The raven stepped down from his wrist and walked into the cupboard.

"So fashion, lo!" said Sin Sin Wa, closing the door.

He seated himself upon a tea-chest beside the useful cupboard, resting
his hands upon his knees and smiling.

Kerry, chewing steadily, had watched the proceedings in silence, but
now:

"Constable Bryce," he said crisply, "you recognize this man as Sin Sin
Wa, the occupier of the house?"

"Yes, sir," replied Bryce.

He was not wholly at ease, and persistently avoided the Chinaman's
oblique, beady eye.

"In the ordinary course of your duty you frequently pass along this
street?"

"It's the limit of the Limehouse beat, sir. Poplar patrols on the
other side."

"So that at this point, or hereabout, you would sometimes meet the
constable on the next beat?"

"Well, sir," Bryce hesitated, clearing his throat, "this street isn't
properly in his district."

"I didn't say it was!" snapped Kerry, glaring fiercely at the
embarrassed constable. "I said you would sometimes meet him here."

"Yes, sometimes."

"Sometimes. Right. Did you ever come in here?"

The constable ventured a swift glance at the savage red face, and:

"Yes, sir, now and then," he confessed. "Just for a warm on a cold
night, maybe."

"Allee velly welcome," murmured Sin Sin Wa.

Kerry never for a moment removed his fixed gaze from the face of
Bryce.

"Now, my lad," he said, "I'm going to ask you another question. I'm
not saying a word about the warm on a cold night. We're all human.
But--did you ever see or hear or smell anything suspicious in this
house?"

"Never," affirmed the constable earnestly.

"Did anything ever take place that suggested to your mind that Sin Sin
Wa might be concealing something--upstairs, for instance?"

"Never a thing, sir. There's never been a complaint about him."

"Allee velly proper," crooned Sin Sin Wa.

Kerry stared intently for some moments at Bryce; then, turning
suddenly to Sin Sin Wa:

"I want to see your wife," he said. "Fetch her."

Sin Sin Wa gently patted his knees.

"She velly bad woman," he declared. "She no hate topside pidgin."

"Don't talk!" shouted Kerry. "Fetch her!"

Sin Sin Wa turned his hands palms upward.

"Me no hate gotchee wifee," he murmured.

Kerry took one pace forward.

"Fetch her," he said; "or--" He drew a pair of handcuffs from the
pocket of his oilskin.

"Velly bad luck," murmured Sin Sin Wa. "Catchee trouble for wifee no
got."

He extended his wrists, meeting the angry glare of the Chief Inspector
with a smile of resignation. Kerry bit savagely at his chewing-gum,
glancing aside at Bryce.

"Did you ever see his wife?" he snapped.

"No, sir. I didn't know he had one."

"No habgotchee," murmured Sin Sin Wa, "velly bad woman."

"For the last time," said Kerry, stooping and thrusting his face
forward so that his nose was only some six inches from that of Sin Sin
Wa, "where's Mrs. Sin?"

"Catchee lun off," replied the Chinaman blandly. "Velly bad woman.
Tlief woman. Catchee stealee alla my dollars!"

"Eh!"

Kerry stood upright, moving his shoulders and rattling the handcuffs.

"Comee here when Sin Sin Wa hate gone for catchee shavee, liftee alla
my dollars, and-pff! chee-lo!"

He raised his hand and blew imaginary fluff into space. Kerry stared
down at him with an expression in which animal ferocity and
helplessness were oddly blended. Then:

"Bryce," he said, "stay here. I'm going to search the house."

"Very good, sir."

Kerry turned again to the Chinaman.

"Is there anyone upstairs?" he demanded.

"Nobody hate. Sin Sin Wa alla samee lonesome. Catchee shinum him
joss."

Kerry dropped the handcuffs back into the pocket of his overall and
took out an electric torch. With never another glance at Sin Sin Wa he
went out into the passage and began to mount the stairs, presently
finding himself in a room filled with all sorts of unsavory rubbish
and containing a large cupboard. He uttered an exclamation of triumph.

Crossing the littered floor, and picking his way amid broken cane
chairs, tea-chests, discarded garments and bedlaths, he threw open the
cupboard door. Before him hung a row of ragged clothes and a number of
bowler hats. Directing the ray of the torch upon the unsavory
collection, he snatched coats and hats from the hooks upon which they
depended and hurled them impatiently upon the floor.

When the cupboard was empty he stepped into it and began to bang upon
the back. The savagery of his expression grew more marked than usual,
and as he chewed his maxillary muscles protruded extraordinarily.

"If ever I sounded a brick wall," he muttered, "I'm doing it now."

Tap where he would--and he tapped with his knuckles and with the bone
ferrule of his cane--there was nothing in the resulting sound to
suggest that that part of the wall behind the cupboard was less solid
than any other part.

He examined the room rapidly, then passed into another one adjoining
it, which was evidently used as a bedroom. The latter faced towards
the court and did not come in contact with the wall of the neighboring
house. In both rooms the windows were fastened, and judging from the
state of the fasteners were never opened. In that containing the
cupboard outside shutters were also closed. Despite this sealing-up of
the apartments, traces of fog hung in the air. Kerry descended the
stairs.

Snapping off the light of his torch, he stood, feet wide apart,
staring at Sin Sin Wa. The latter, smiling imperturbably, yellow hands
resting upon knees, sat quite still on the tea-chest. Constable Bryce
was seated on a corner of the table, looking curiously awkward in his
tweed overcoat and bowler hat, which garments quite failed to disguise
the policeman. He stood up as Kerry entered. Then:

"There used to be a door between this house and the next," said Kerry
succinctly. "My information is exact and given by someone who has
often used that door."

"Bloody liar," murmured Sin Sin Wa.

"What!" shouted Kerry. "What did you say, you yellow-faced mongrel!"

He clenched his fists and strode towards the Chinaman.

"Sarcee feller catchee pullee leg," explained the unmoved Sin Sin Wa.
"Velly bad man tellee lie for makee bhoberry--getchee poor Chinaman in
tlouble."

In the fog-bound silence Kerry could very distinctly be heard chewing.
He turned suddenly to Bryce.

"Go back and fetch two men," he directed. "I should never find my
way."

"Very good, sir."

Bryce stepped to the door, unable to hide the relief which he
experienced, and opened it. The fog was so dense that it looked like a
yellow curtain hung in the opening.

"Phew!" said Bryce. "I may be some little time, sir."

"Quite likely. But don't stop to pick daisies."

The constable went out, closing the door. Kerry laid his cane on the
table, then stooped and tossed a cud of chewing-gum into the stove.
From his waistcoat pocket he drew out a fresh piece and placed it
between his teeth. Drawing a tea-chest closer to the stove, he seated
himself and stared intently into the glowing heart of the fire.

Sin Sin Wa extended his arm and opened the little cupboard.

"Number one p'lice," croaked the raven drowsily.

"You catchee sleepee, Tling-a-Ling," said Sin Sin Wa.

He took out the green-eyed joss, set it tenderly upon a corner of the
table, and closed the cupboard door. With a piece of chamois leather,
which he sometimes dipped into a little square tin, he began to polish
the hideous figure.

CHAPTER XXIX

DOUBTS AND FEARS

Monte Irvin raised his head and stared dully at Margaret Halley. It
was very quiet in the library of the big old-fashioned house at
Prince's Gate. A faint crackling sound which proceeded from the fire
was clearly audible. Margaret's grey eyes were anxiously watching the
man whose pose as he sat in the deep, saddle-back chair so curiously
suggested collapse.

"Drugs," he whispered. "Drugs."

Few of his City associates would have recognized the voice; all would
have been shocked to see the change which had taken place in the man.

"You really understand why I have told you, Mr. Irvin, don't you?"
said Margaret almost pleadingly. "Dr. Burton thought you should not be
told, but then Dr. Burton did not know you were going to ask me point
blank. And I thought it better that you should know the truth, bad as
it is, rather than--"

"Rather than suspect--worse things," whispered Irvin. "Of course, you
were right, Miss Halley. I am very, very grateful to you for telling
me. I realize what courage it must have called for. Believe me, I
shall always remember--"

He broke off, staring across the room at his wife's portrait. Then:

"If only I had known," he added.

Irvin exhibited greater composure than Margaret had ventured to
anticipate. She was confirmed in her opinion that he should be told
the truth.

"I would have told you long ago," she said, "if I had thought that any
good could result from my doing so. Frankly, I had hoped to cure Rita
of the habit, and I believe I might have succeeded in time."

"There has been no mention of drugs in connection with the case," said
Monte Irvin, speaking monotonously. "In the Press, I mean."

"Hitherto there has not," she replied. "But there is a hint of it in
one of this evening's papers, and I determined to give you the exact
facts so far as they are known to me before some garbled account came
to your ears."

"Thank you," he said, "thank you. I had felt for a long time that I
was getting out of touch with Rita, that she had other confidants.
Have you any idea who they were, Miss Halley?"

He raised his eyes, looking at her pathetically. Margaret hesitated,
then:

"Well," she replied, "I am afraid Nina knew."

"Her maid?"

"I think she must have known."

He sighed.

"The police have interrogated her," he said. "Probably she is being
watched."

"Oh, I don't think she knows anything about the drug syndicate,"
declared Margaret. "She merely acted as confidential messenger. Poor
Sir Lucien Pyne, I am sure, was addicted to drugs."

"Do you think"--Irvin spoke in a very low voice--"do you think he led
her into the habit?"

Margaret bit her lip, staring down at the red carpet.

"I would hate to slander a man who can never defend himself," she
replied finally. "But--I have sometimes thought he did."

Silence fell. Both were contemplating a theory which neither dared to
express in words.

"You see," continued Margaret, "it is evident that this man Kazmah was
patronized by people so highly placed that it is hopeless to look for
information from them. Again, such people have influence. I don't
suggest that they are using it to protect Kazmah, but I have no doubt
they are doing so to protect themselves."

Monte Irvin raised his eyes to her face. A weary, sad look had come
into them.

"You mean that it may be to somebody's interest to hush up the matter
as much as possible?"

Margaret nodded her head.

"The prevalence of the drug habit in society--especially in London
society--is a secret which has remained hidden so long from the
general public," she replied, "that one cannot help looking for
bribery and corruption. The stage is made the scapegoat whenever the
voice of scandal breathes the word 'dope,' but we rarely hear the
names of the worst offenders even whispered. I have thought for a long
time that the authorities must know the names of the receivers and
distributors of cocaine, veronal, opium, and the other drugs, huge
quantities of which find their way regularly to the West End of
London. Pharmacists sometimes experience the greatest difficulty in
obtaining the drugs which they legitimately require, and the prices
have increased extraordinarily. Cocaine, for instance, has gone up
from five and sixpence an ounce to eighty-seven shillings, and heroin
from three and sixpence to over forty shillings, while opium that was
once about twenty shillings a pound is now eight times the price."

Monte Irvin listened attentively.

"In the course of my Guildhall duties," he said slowly, "I have been
brought in contact frequently with police officers of all ranks. If
influential people are really at work protecting these villains who
deal illicitly in drugs, I don't think, and I am not prepared to
believe, that they have corrupted the police."

"Neither do I believe so, Mr. Irvin!" said Margaret eagerly.

"But," Irvin pursued, exhibiting greater animation, "you inform me
that a Home office commissioner has been appointed. What does this
mean, if not that Lord Wrexborough distrusts the police?"

"Well, you see, the police seemed to be unable, or unwilling, to do
anything in the matter. Of course, this may have been due to the fact
that the traffic was so skilfully handled that it defied their
inquiries."

"Take, as an instance, Chief Inspector Kerry," continued Irvin. "He
has exhibited the utmost delicacy and consideration in his dealings
with me, but I'll swear that a whiter man never breathed."

"Oh, really, Mr. Irvin, I don't think for a moment that men of that
class are suspected of being concerned. Indeed, I don't believe any
active collusion is suspected at all."

"Lord Wrexborough thinks that Scotland Yard hasn't got an officer
clever enough for the dope people?"

"Quite possibly."

"I take it that he has put up a secret service man?"

"I believe--that is, I know he has."

Monte Irvin was watching Margaret's face, and despite the dull misery
which deadened his usually quick perceptions, he detected a heightened
color and a faint change of expression. He did not question her
further upon the point, but:

"God knows I welcome all the help that offers," he said. "Lord
Wrexborough is your uncle, Miss Halley; but do you think this secret
commission business quite fair to Scotland Yard?"

Margaret stared for some moments at the carpet, then raised her grey
eyes and looked earnestly at the speaker. She had learned in the brief
time that had elapsed since this black sorrow had come upon him to
understand what it was in the character of Monte Irvin which had
attracted Rita. It afforded an illustration of that obscure law
governing the magnetism which subsists between diverse natures. For
not all the agony of mind which he suffered could hide or mar the
cleanness and honesty of purpose which were Monte Irvin's outstanding
qualities.

"No," Margaret replied, "honestly, I don't. And I feel rather guilty
about it, too, because I have been urging uncle to take such a step
for quite a long time. You see"--she glanced at Irvin wistfully--"I am
brought in contact with so many victims of the drug habit. I believe
the police are hampered; and these people who deal in drugs manage in
some way to evade the law. The Home office agent will report to a
committee appointed by Lord Wrexborough, and then, you see, if it is
found necessary to do so, there will be special legislation."

Monte Irvin sighed wearily, and his glance strayed in the direction of
the telephone on the side-table. He seemed to be constantly listening
for something which he expected but dreaded to hear. Whenever the toy
spaniel which lay curled up on the rug before the fire moved or looked
towards the door, Irvin started and his expression changed.

"This suspense," he said jerkily, "this suspense is so hard to bear."

"Oh, Mr. Irvin, your courage is wonderful," replied Margaret
earnestly. "But he"--she hastily corrected herself--"everybody is
convinced that Rita is safe. Under some strange misapprehension
regarding this awful tragedy she has run away into hiding. Probably
she has been induced to do so by those interested in preventing her
from giving evidence."

Monte Irvin's eyes lighted up strangely. "Is that the opinion of the
Home office agent?" he asked.

"Yes."

"Inspector Kerry shares it," declared Irvin. "Please God they are
right."

"It is the only possible explanation," said Margaret. "Any hour now we
may expect news of her."

"You don't think," pursued Monte Irvin, "that anybody--anybody--
suspects Rita of being concerned in the death of Sir Lucien?"

He fixed a gaze of pathetic inquiry upon her face.

"Of course not!" she cried. "How ridiculous it would be."

"Yes," he murmured, "it would be ridiculous."

Margaret stood up.

"I am quite relieved now that I have done what I conceived to be my
duty, Mr. Irvin," she said. "And, bad as the truth may be, it is
better than doubt, after all. You must look after yourself, you know.
When Rita comes back we shall have a big task before us to wean her
from her old habits." She met his glance frankly. "But we shall
succeed."

"How you cheer me," whispered Monte Irvin emotionally. "You are the
truest friend that Rita ever had, Miss Halley. You will keep in touch
with me, will you not?"

"Of course. Next to yourself there is no one so sincerely interested
as I am. I love Rita as I should have loved a sister if I had had one.
Please don't stand up. Dr. Burton has told you to avoid all exertion
for a week or more, I know."

Monte Irvin grasped her outstretched hand.

"Any news which reaches me," he said, "I will communicate immediately.
Thank you. In times of trouble we learn to know our real friends."

CHAPTER XXX

THE FIGHT IN THE DARK

Towards eleven o'clock at night the fog began slightly to lift. As
Kerry crossed the bridge over Limehouse Canal he could vaguely discern
the dirty water below, and street lamps showed dimly, surrounded each
by a halo of yellow mist. Fog signals were booming on the railway, and
from the great docks in the neighborhood mechanical clashings and
hammerings were audible.

Turning to the right, Kerry walked on for some distance, and then
suddenly stepped into the entrance to a narrow cul-de-sac and stood
quite still.

A conviction had been growing upon him during the past twelve hours
that someone was persistently and cleverly dogging his footsteps. He
had first detected the presence of this mysterious follower outside
the house of Sin Sin Wa, but the density of the fog had made it
impossible for him to obtain a glimpse of the man's face. He was
convinced, too, that he had been followed back to Leman Street, and
from there to New Scotland Yard. Now, again he became aware of this
persistent presence, and hoped at last to confront the spy.

Below footsteps, the footsteps of someone proceeding with the utmost
caution, came along the pavement. Kerry stood close to the wall of the
court, one hand in a pocket of his overall, waiting and chewing.

Nearer came the footsteps--and nearer. A shadowy figure appeared only
a yard or so away from the watchful Chief Inspector. Thereupon he
acted.

With one surprising spring he hurled himself upon the unprepared man,
grasped him by his coat collar, and shone the light of an electric
torch fully into his face.

"Hell!" he snapped. "The smart from Spinker's!"

The ray of the torch lighted up the mean, pinched face of Brisley,
blanched now by fright, gleamed upon the sharp, hooked nose and into
the cunning little brown eyes. Brisley licked his lips. In Kerry's
muscular grip he bore quite a remarkable resemblance to a rat in the
jaws of a terrier.

"Ho, ho!" continued the Chief Inspector, showing his teeth savagely.
"So we let Scotland Yard make the pie, and then we steal all the
plums, do we?"

He shook the frightened man until Brisley's broad-brimmed bowler was
shaken off, revealing the receding brow and scanty neutral-colored
hair.

"We let Scotland Yard work night and day, and then we present our rat-
faced selves to Mr. Monte Irvin and say we have 'found the lady' do
we?" Another vigorous shake followed. "We track Chief Inspectors of
the Criminal Investigation Department, do we? We do, eh? We are dirty,
skulking mongrels, aren't we? We require to be kicked from Limehouse
to Paradise, don't we?" He suddenly released Brisley. "So we shall
be!" he shouted furiously.

Hot upon the promise came the deed.

Brisley sent up a howl of pain as Kerry's right brogue came into
violent contact with his person. The assault almost lifted him off his
feet, and hatless as he was he set off, running as a man runs whose
life depends upon his speed. The sound of his pattering footsteps was
echoed from wall to wall of the cul-de-sac until finally it was
swallowed up in the fog.

Kerry stood listening for some moments, then, directing a furious kick
upon the bowler which lay at his feet, he snapped off the light of the
torch and pursued his way. The lesser mystery was solved, but the
greater was before him.

He had made a careful study of the geography of the neighborhood, and
although the fog was still dense enough to be confusing, he found his
way without much difficulty to the street for which he was bound. Some
fifteen paces along the narrow thoroughfare he came upon someone
standing by a closed door set in a high brick wall. The street
contained no dwelling houses, and except for the solitary figure by
the door was deserted and silent. Kerry took out his torch and shone a
white ring upon the smiling countenance of Detective-Sergeant Coombes.

"If that smile gets any worse," he said irritably, "they'll have to
move your ears back. Anything to report?"

"Sin Sin Wa went to bed an hour ago."

"Any visitors?"

"No."

"Has he been out?"

"No."

"Got the ladder?"

"Yes."

"All quiet in the neighborhood?"

"All quiet."

"Good."

The street in which this conversation took place was one running
roughly parallel with that in which the house of Sin Sin Wa was
situated. A detailed search of the Chinaman's premises had failed to
bring to light any scrap of evidence to show that opium had ever been
smoked there. Of the door described by Mollie Gretna, and said to
communicate with the adjoining establishment, not a trace could be
found. But the fact that such a door had existed did not rest solely
upon Mollie's testimony. From one of the "beat-ups" interviewed that
day, Kerry had succeeded in extracting confirmatory evidence.